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Revision as of 02:44, 13 January 2021
Music 253/CS 275a "Symbolic Musical Information"
Stanford University (Winter 2021).
This music-information introduction surveys symbolic frameworks and methods for a wide range of applications. Areas covered include advanced notation systems, optical music recognition, data conversion and synchronization, and the internal structure of data files. The course is preparatory for Music 254/CS 275B (Computational Musical Analysis), which focuses on projects requiring a working knowledge of notation and familiarity with sound software.
Meeting times: | Tuesday & Thursdays 12:30–1:50 | |
Virtual Location (2021): | Enrolled students will receive Zoom invitation | |
Slack channel: | https://music253cs275.slack.com | |
Customary Location: | Braun Music Building, Rooms 131, 128 (lab entry from Room 129) | |
Instructors: | Eleanor Selfridge-Field (esfield@stanford.edu) Craig Stuart Sapp (craig@ccrma.stanford.edu) | |
Office Hours: | By appointment. | |
Credits: | 2–4 | |
Grading: |
Four-credits: class attendance: 25%; weekly assignments: 50%; take-home final essay: 25%. |
|
Website: | music253.stanford.edu: Overview of individual topics presented in Music 253, and syllabus. | |
Prerequisites: | Ability to read standard music notation. Knowledge of central concepts of tonal music theory (see Tutorial). | |
Textbook: | E. Selfridge-Field, ed., Beyond MIDI: The Handbook of Musical Codes (MIT Press, 1997). Available online by permission of the publisher. | |
Special circumstances (Winter 2021) : | Topics may be adjusted to accommodate changing circumstances. We are not planning on a take-home final, but 4-credit students may be required to do other work earlier in the quarter. This will be negotiated early in the quarter. |
Contents
Syllabus
See also Music 254/CS 275b Syllabus
Go to week: 1 | 2 | MIDI 3 | 4 | SCORE 5 | 6 | MuseData 7 | XML 8 | Humdrum 9 | 10
Week 1
- Lecture 01A: Musical Information or PDF version or Video version
- Lecture C1a: Music representation
- Demo: Malinowski's Music Animation Machine
- Assignment #1: Design your own music representation system (due in one week)
- Informal Course Participation Survey
- Lecture 01B: Applying Musical Information or PDF version
- Lecture C1b: Rosetta stone of digital music representations (see also Rosetta Stone of Musical Data Codes wikipage)
- Lab #1: Guido Music Notation
- Assignment #2: Finish Guido lab exercises at home (due in one week)
Week | Dates | Topics |
---|---|---|
1 | 12 Jan 2021 |
Overview of music representation and course resources |
1 | 14 Jan 2021 |
|
Week 2
- Lecture 02A: Input Methods for Musical Notation. Also here
- Lab #2a: Computer keyboard Input methods in MuseScore
- Lecture 2B: Sound-MIDI Introduction 2021
- Lab #2b: MIDI keyboard Input methods in MuseScore
- Lab #2c: Scores and Data Export in MuseScore
- Assignment #3: Finish Lab 2 exercises (due in one week)
Week | Dates | Topics |
---|---|---|
2 | 19 Jan 2021 |
Input methods: textual input |
2 | 21 Jan 2021 |
Input methods: MIDI keyboard input |
Week 3
- Lecture 03A: Optical Music Recognition 2018.pdf
- Lecture C2: Introduction to XML
- Lab #3: Optical music recognition with SharpEye
- Assignment #4: SharpEye to MuseScore/Noteflight/Verovio Humdrum Viewer (Due in one week)
- Lecture 03B: From Sound to Input and Output
- Lecture C3a: MIDI protocol (extra: Hexadecimal numbers)
- Topic: MIDI roadmap of the byte
- Topic: MIDI bytes/messages (cinmidi)
- Topic: MIDI messages
Week | Dates | Topics |
---|---|---|
3 | 26 Jan 2021 |
Input methods: OMR and Data Interchange |
3 | 28 Jan 2021 |
MIDI Protocol |
Week 4
- Lecture C3b: Standard Midi Files
- Topic: Outline of the Standard MIDI File structure
- Topic: Variable length values
- Lecture 04A: MIDI Extensions (1) or PDF version
- Assignment #5a: MIDI file parsing homework (Due in one week)
- Lecture 04B: MIDI Extensions (1)
- Lecture 04BB: (MIDI Extensions (2))
- Lecture/Demo: Creating MIDI files by hand
- binasc tool for creating MIDI files in a text editor
- Topic: General MIDI instruments (plus percussion key numbers on channel 10)
- Topic: General MIDI continuous controllers
- Assignment #5b: MIDI file creation (due in one week)
Week | Dates | Topics |
---|---|---|
4 | 2 Feb 2021 |
General MIDI/Standard MIDI Files |
4 | 4 Feb 2021 |
MIDI Extensions/Wrap-up |
Week 5
- MIDI notes (MIDI Plus and C++ parser & Guitar TAB to MIDI conversion)
- Lecture 05A: Introduction to SCORE or here
- Lab: SCORE user input (slides)
- SCORE 5-Stage Input Reference
- Lecture 05B. Repertories with Special Needs or here
- Lab: Input exercises done on paper in previous session
- SCORE survival guide
Week | Dates | Topics |
---|---|---|
5 | 9 Feb 2021 |
MIDI Conclusion SCORE user input code |
5 | 11 Feb 2021 |
SCORE music editor |
Week 6
- Lecture 06A. Extremes within CMN or here
- Lab: Input slightly harder SCORE examples
- List of useful SCORE commands
- Homework #6: Finish SCORE user input 2, due 18 Feb 2020
Week | Dates | Topics |
---|---|---|
6 | 16 Feb 2021 |
SCORE simple examples |
6 | 18 Feb 2021 |
Piano rolls as musical data |
Week 7
- Lecture 07B. MuseData: A Comprehensive Approach to Building Encoded Repertories
- Lecture: SCORE parameters
- Score parameter examples: notes, slurs/ties (note and slur parameter sheets)
- Lab/Homework: Hard SCORE exercises (due next Tuesday)
Week | Dates | Topics |
---|---|---|
7 | 23 Feb 2021 |
Archiving musical data SCORE parameters 2 SCORE parameters |
7 | 25 Feb 2021 |
MuseData organization and digital repository |
Week 8
- Lecture 08A. Markup Languages for Music: MusicXML and MEIand here
- Lecture: MusicXML and musical parameters
- Lecture 08b. Base-40 Arithmetic for Music Appsand here
- Lecture: Introduction to MEI
- 30 Short MEI encoding examples
- XML homework (due next Thursday)
Week | Dates | Topics |
---|---|---|
8 | 2 Mar 2021 |
Data markup and interchange: MusicXML |
8 | 4 Mar 2021 |
Transposition via Base-40 Source markup and publishing: MEI |
Week 9
- Lecture 09A. Introduction to Humdrum or here
- Lecture: Humdrum file format
- Introduction to **kern music encoding
- Verovio Humdrum Viewer (2019 IAML (Krakow, Poland) workshop slides for VHV)
- Homework: Encode examples in Humdrum using VHV editor (due this Thursday).
- Lecture 09B. Uses of Humdrum or here
- Lab: Humdrum Lab
- Humdrum homework (due next Thursday)
Week | Dates | Topics |
---|---|---|
9 | 9 Mar 2021 |
Humdrum file format |
9 | 11 Mar 2020 |
Humdrum Analysis 1
|
Week 10
- Lecture 10A. Basic Concepts in Music Copyright and here
- Lecture 10B. What is musical similarity? or here
- Musical dice game (usually)
- Instead for this week: Harmony in Humdrum
Week | Dates | Topics |
---|---|---|
10 | 16 Mar 2021 |
Music as Intellectual Property Humdrum Analysis 2 |
10 | 18 Mar 2021 |
Non-standard music representations in Humdrum |
General Policies and University Rules
General policies and university rules:
- Delivery times:
- Assignments: by the start of the class for which they are due.
- Final exam: by 11 p.m. of the assigned date.
- Honor code: We will act and expect you to act according to the Stanford Honor Code.
- Students with disabilities: Students who may need an academic accommodation based on the impact of a disability must initiate the request with the Student Disability Resource Center (SDRC) located within the Office of Accessible Education (OAE). SDRC staff will evaluate the request with required documentation, recommend reasonable accommodations, and prepare an Accommodation Letter for faculty dated in the current quarter in which the request is being made. Students should contact the SDRC as soon as possible since timely notice is needed to coordinate accommodations. The OAE is located at 563 Salvatierra Walk (phone 723-1066), URL http://oae.stanford.edu.
- Students in distress: Stanford offers an abundance of resources for students dealing with problems of a personal nature.
- Confidential support: (650) 736-6933
- Crisis hotline: (650) 725-9955
- Title IX questions: (650) 497-4955