Difference between revisions of "Music 253/CS 275a Winter 2018 Syllabus"
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| + | * [https://piazza.com/class/jcf6012h40e6y9 Piazza] | ||
* [http://www.ccarh.org/courses/253/lab Course resources] | * [http://www.ccarh.org/courses/253/lab Course resources] | ||
* [http://www.ccarh.org/courses/253/handout/ Handouts] | * [http://www.ccarh.org/courses/253/handout/ Handouts] | ||
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! scope="col" | Topics | ! scope="col" | Topics | ||
|- | |- | ||
| − | | <div id="week1"></div>1 || | + | | <div id="week1"></div>1 || 9 Jan 2018 || |
<b>Overview of music representation and course resources</b> | <b>Overview of music representation and course resources</b> | ||
* Lecture 01A: [http://esf.ccarh.org/CS275A-Mus253/01A_MusicalInformation_2018.pdf Musical Information][http://www.screencast.com/t/H6W4piHb Video version] | * Lecture 01A: [http://esf.ccarh.org/CS275A-Mus253/01A_MusicalInformation_2018.pdf Musical Information][http://www.screencast.com/t/H6W4piHb Video version] | ||
| − | * Lecture C1: [[media:musicnotationandrepresentation.pdf|Music Notation and Representation]] | + | * Lecture C1: [[media:musicnotationandrepresentation.pdf|Music Notation and Representation]] ([https://docs.google.com/presentation/d/1yDfZT5GBGTlr551ojYQ8h1RTdNeYfAyn5LHHxnHdu8E/edit?usp=sharing bit.ly/music253-music_representation]) |
* Demo: [http://www.musanim.com/ Malinowski's Music Animation Machine] | * Demo: [http://www.musanim.com/ Malinowski's Music Animation Machine] | ||
| − | * Assignment #1: [[Design your own music representation system]] (due | + | * Assignment #1: [[Design your own music representation system]] (due 16 Jan 2018) |
| + | * [https://docs.google.com/forms/d/e/1FAIpQLScgtHpUx4GzFoV1Uu2zAEbuUhK3eBXG1XzBFOQXtZ_AyryeKw/viewform Information Course Participation Survey] | ||
|- | |- | ||
| − | | 1 || | + | | 1 || 11 Jan 2018 || |
* Lecture 01B: [http://esf.ccarh.org/CS275A-Mus253/01B_ApplyingMusicalInformation_2018.pdf Applying Musical Information] | * Lecture 01B: [http://esf.ccarh.org/CS275A-Mus253/01B_ApplyingMusicalInformation_2018.pdf Applying Musical Information] | ||
* Lecture C1b: [[media:rosetta_stone.pdf|Rosetta Stone of Musical Encodings]] (see also [[Rosetta Stone of Musical Data Codes]] wikipage) | * Lecture C1b: [[media:rosetta_stone.pdf|Rosetta Stone of Musical Encodings]] (see also [[Rosetta Stone of Musical Data Codes]] wikipage) | ||
* Lab #1: [[Guido Music Notation]] | * Lab #1: [[Guido Music Notation]] | ||
| − | * Assignment #2: Finish [[Guido]] lab exercises at home (due | + | * Assignment #2: Finish [[Guido]] lab exercises at home (due 18 Jan 2018) |
|- | |- | ||
| − | | <div id="week2"></div>2 || | + | | <div id="week2"></div>2 || 16 Jan 2018 || |
<b> Input methods: textual input</b> | <b> Input methods: textual input</b> | ||
* Lecture 02A: [http://esf.ccarh.org/CS275A-Mus253/02A_Input_2018.pdf Input Methods for Musical Notation] | * Lecture 02A: [http://esf.ccarh.org/CS275A-Mus253/02A_Input_2018.pdf Input Methods for Musical Notation] | ||
* Lab #2a: [[Finale Simple Note Entry | Computer keyboard Input methods in Finale]] | * Lab #2a: [[Finale Simple Note Entry | Computer keyboard Input methods in Finale]] | ||
|- | |- | ||
| − | | 2 || | + | | 2 || 18 Jan 2018 || |
<b> Input methods: MIDI keyboard input</b> | <b> Input methods: MIDI keyboard input</b> | ||
* Lecture 2B: [http://esf.ccarh.org/CS275A-Mus253/02B_Sound-MIDI_Introduction_2018.pdf Sound-MIDI Introduction 2018] | * Lecture 2B: [http://esf.ccarh.org/CS275A-Mus253/02B_Sound-MIDI_Introduction_2018.pdf Sound-MIDI Introduction 2018] | ||
* Lab #2b: [[Finale Midi Entry | MIDI keyboard Input methods in Finale]] | * Lab #2b: [[Finale Midi Entry | MIDI keyboard Input methods in Finale]] | ||
| − | * Assignment #3: Finish Lab 2 exercises (due | + | * Assignment #3: Finish Lab 2 exercises (due 23 Jan 2018) |
|- | |- | ||
| − | | <div id="week3"></div>3 || | + | | <div id="week3"></div>3 || 23 Jan 2018 || |
<b> Input methods: OMR and Data Interchange </b> | <b> Input methods: OMR and Data Interchange </b> | ||
* Lecture 03A: [http://esf.ccarh.org/CS275A-Mus253/03A_Optical%20Music%20Recognition_2018.pdf Optical Music Recognition 2018.pdf] | * Lecture 03A: [http://esf.ccarh.org/CS275A-Mus253/03A_Optical%20Music%20Recognition_2018.pdf Optical Music Recognition 2018.pdf] | ||
* Lecture C2: [[Media:Introduction_to_XML.pdf|Introduction to XML]] | * Lecture C2: [[Media:Introduction_to_XML.pdf|Introduction to XML]] | ||
* Lab #3: Optical music recognition with [[SharpEye]] | * Lab #3: Optical music recognition with [[SharpEye]] | ||
| − | * Assignment #4: [[SharpEye]] to [[Finale]]/[[MuseScore]]/[[Noteflight]] (Due | + | * Assignment #4: [[SharpEye]] to [[Finale]]/[[MuseScore]]/[[Noteflight]] (Due 30 Jan 2018) |
|- | |- | ||
| − | | 3 || | + | | 3 || 25 Jan 2018 || |
| − | <b>MIDI Protocol | + | <b>MIDI Protocol</b> |
* Lecture 03B: [http://esf.ccarh.org/CS275A-Mus253/03B_MIDI_Continuation_2015.pdf MIDI Continuation 2018] | * Lecture 03B: [http://esf.ccarh.org/CS275A-Mus253/03B_MIDI_Continuation_2015.pdf MIDI Continuation 2018] | ||
* Lecture C3a: [[Media:MIDI_protocol.pdf|MIDI protocol]] (extra: [[Media:Hexadecimal_numbers.pdf|Hexadecimal numbers]]) | * Lecture C3a: [[Media:MIDI_protocol.pdf|MIDI protocol]] (extra: [[Media:Hexadecimal_numbers.pdf|Hexadecimal numbers]]) | ||
| Line 123: | Line 125: | ||
* Topic: MIDI bytes/messages ([[cinmidi]]) | * Topic: MIDI bytes/messages ([[cinmidi]]) | ||
* Topic: [http://www.ccarh.org/courses/253/handout/midiprotocol/ MIDI messages] | * Topic: [http://www.ccarh.org/courses/253/handout/midiprotocol/ MIDI messages] | ||
| + | |- | ||
| + | | <div id="week4"></div>4 || 30 Jan 2018 || | ||
| + | <b>General MIDI/Standard MIDI Files</b> | ||
* Lecture C3b: [[Media:Standard_MIDI_Files.pdf| Standard MIDI Files]] | * Lecture C3b: [[Media:Standard_MIDI_Files.pdf| Standard MIDI Files]] | ||
* Topic: [http://www.ccarh.org/courses/253/handout/smf/ Outline of the Standard MIDI File structure] | * Topic: [http://www.ccarh.org/courses/253/handout/smf/ Outline of the Standard MIDI File structure] | ||
* Topic: [[Variable length values]] | * Topic: [[Variable length values]] | ||
| + | * Lecture 04A: [http://esf.ccarh.org/CS275A-Mus253/04A_Standard%20MIDI%20Files_2018.pdf Timbre and Quantization (MIDI)] | ||
| + | * Assignment #5a: [[MIDI file parsing homework]] (Due 6 Feb 2018) | ||
|- | |- | ||
| − | | | + | | 4 || 1 Feb 2018 || |
| − | <b> | + | <b>MIDI Extensions/Wrap-up</b> |
| − | * Lecture | + | * Lecture 04B: [http://esf.ccarh.org/CS275A-Mus253/04B_MIDi_Extensions_2018.pdf MIDI extensions and alternatives] |
| + | * Lecture/Demo: [[Media:MidiFileCreation.pdf|Creating MIDI files by hand]] | ||
| + | * [https://github.com/craigsapp/binasc binasc] tool for creating MIDI files in a text editor | ||
* Topic: [http://www.ccarh.org/courses/253/handout/gminstruments/ General MIDI instruments] (plus percussion key numbers on channel 10) | * Topic: [http://www.ccarh.org/courses/253/handout/gminstruments/ General MIDI instruments] (plus percussion key numbers on channel 10) | ||
* Topic: [http://www.ccarh.org/courses/253/handout/controllers/ General MIDI continuous controllers] | * Topic: [http://www.ccarh.org/courses/253/handout/controllers/ General MIDI continuous controllers] | ||
| − | + | * Assignment #5b: [[MIDI file creation]] (Due 8 Feb 2018) | |
| − | * Assignment # | ||
| − | |||
|- | |- | ||
| − | | | + | | <div id="week5"></div>5 || 6 Feb 2018 || |
| − | |||
| − | |||
* [http://library.stanford.edu/ars Tour of the Archive of Recorded Sound] and the [http://library.stanford.edu/blogs/stanford-libraries-blog/2014/09/introducing-denis-condon-collection-reproducing-pianos-and Dennis Condon Collection of Reproducing Pianos and Rolls]. | * [http://library.stanford.edu/ars Tour of the Archive of Recorded Sound] and the [http://library.stanford.edu/blogs/stanford-libraries-blog/2014/09/introducing-denis-condon-collection-reproducing-pianos-and Dennis Condon Collection of Reproducing Pianos and Rolls]. | ||
| − | |||
| − | |||
<b>SCORE user input code</b> | <b>SCORE user input code</b> | ||
* Lecture 05A: [http://esf.ccarh.org/CS275A-Mus253/05A_SCORE%20Introduction_2018.pdf Introduction to SCORE] | * Lecture 05A: [http://esf.ccarh.org/CS275A-Mus253/05A_SCORE%20Introduction_2018.pdf Introduction to SCORE] | ||
* Lab: [[SCORE user input]] | * Lab: [[SCORE user input]] | ||
* [http://www.ccarh.org/courses/253/handout/scoreinput SCORE 5-Stage Input Reference] | * [http://www.ccarh.org/courses/253/handout/scoreinput SCORE 5-Stage Input Reference] | ||
| + | |||
|- | |- | ||
| − | | 5 || | + | | 5 || 8 Feb 2018 || |
<b>SCORE music editor</b> | <b>SCORE music editor</b> | ||
* Lecture 05B. [http://esf.ccarh.org/CS275A-Mus253/05B_Special-Needs%20Repertories_2018.pdf Repertories with Special Needs] | * Lecture 05B. [http://esf.ccarh.org/CS275A-Mus253/05B_Special-Needs%20Repertories_2018.pdf Repertories with Special Needs] | ||
| Line 153: | Line 157: | ||
* [[SCORE survival guide]] | * [[SCORE survival guide]] | ||
|- | |- | ||
| − | | <div id="week6"></div>6 || | + | | || 9 Feb 2018 || |
| + | <b>Piano roll scanning tour</b> | ||
| + | * Demonstration of Stanford's new piano roll scanner at the [https://library.stanford.edu/research/digitization-services/labs/digital-production-group Digital Production Group] lab in Green library, two tours: 2pm and 3pm. | ||
| + | |- | ||
| + | | <div id="week6"></div>6 || 13 Feb 2018 || | ||
<b>SCORE simple examples</b> | <b>SCORE simple examples</b> | ||
* Lecture 06A. [http://esf.ccarh.org/CS275A-Mus253/06A_Extremes%20within%20CMN_2015.pdf Extremes within CMN] | * Lecture 06A. [http://esf.ccarh.org/CS275A-Mus253/06A_Extremes%20within%20CMN_2015.pdf Extremes within CMN] | ||
* Lab: Input [[SCORE user input 2 |slightly harder SCORE examples]] | * Lab: Input [[SCORE user input 2 |slightly harder SCORE examples]] | ||
| − | * Homework #6: Finish [[SCORE user input 2]], due | + | * Homework #6: Finish [[SCORE user input 2]], due 20 February 2018 |
|- | |- | ||
| − | | 6 || | + | | 6 || 15 Feb 2018 || |
<b>SCORE parameters</b> | <b>SCORE parameters</b> | ||
* Lecture 06B. [http://esf.ccarh.org/CS275A-Mus253/06B_TexturesTracks_2015.pdf Score textures and tracks] | * Lecture 06B. [http://esf.ccarh.org/CS275A-Mus253/06B_TexturesTracks_2015.pdf Score textures and tracks] | ||
| Line 165: | Line 173: | ||
* Score parameter examples: [[SCORE_note_parameters|notes]], [[SCORE_slur_parameters|slurs/ties]] | * Score parameter examples: [[SCORE_note_parameters|notes]], [[SCORE_slur_parameters|slurs/ties]] | ||
|- | |- | ||
| − | | <div a="week7"></div>7 || | + | | <div a="week7"></div>7 || 20 Feb 2018 || |
* Lecture 07A. [http://esf.ccarh.org/CS275A-Mus253/07_EsAC-PE-2018.pdf Codes for Archiving and Repurposing: The Essen Associative Code (EsAC) and Plaine & Easie (used in RISM)] | * Lecture 07A. [http://esf.ccarh.org/CS275A-Mus253/07_EsAC-PE-2018.pdf Codes for Archiving and Repurposing: The Essen Associative Code (EsAC) and Plaine & Easie (used in RISM)] | ||
<b>SCORE parameters 2</b> | <b>SCORE parameters 2</b> | ||
| − | * Lab/Homework: [[SCORE_parameter_exercises|Hard SCORE exercises]], due | + | * Lab/Homework: [[SCORE_parameter_exercises|Hard SCORE exercises]], due 1 March 2018 |
|- | |- | ||
| − | | 7 || | + | | 7 || 22 Feb 2018 || |
<b> MuseData</b> | <b> MuseData</b> | ||
* Lecture 07B. [http://esf.ccarh.org/CS275A-Mus253/07B_Codes%20for%20data%20%20archiving,%20interchange_WBH.pdf Codes for Archiving and Repurposing: MuseData (presented by Walter B. Hewlett)] | * Lecture 07B. [http://esf.ccarh.org/CS275A-Mus253/07B_Codes%20for%20data%20%20archiving,%20interchange_WBH.pdf Codes for Archiving and Repurposing: MuseData (presented by Walter B. Hewlett)] | ||
| Line 178: | Line 186: | ||
* [http://github.com/musedata/muse2ps muse2ps for printing the MuseData files] | * [http://github.com/musedata/muse2ps muse2ps for printing the MuseData files] | ||
|- | |- | ||
| − | | <div id="week8"></div>8 || | + | | <div id="week8"></div>8 || 27 Feb 2018 || |
<b> MusicXML </b> | <b> MusicXML </b> | ||
* Lecture 08A. [http://esf.ccarh.org/CS275A-Mus253/08A_MusicXML_MEI_2018.pdf Markup Languages for Music: MusicXML and MEI] | * Lecture 08A. [http://esf.ccarh.org/CS275A-Mus253/08A_MusicXML_MEI_2018.pdf Markup Languages for Music: MusicXML and MEI] | ||
* Lecture: [[Media:MusicXML_and_musical_parameters.pdf|MusicXML and musical parameters]] | * Lecture: [[Media:MusicXML_and_musical_parameters.pdf|MusicXML and musical parameters]] | ||
|- | |- | ||
| − | | 8 || | + | | 8 || 1 March 2018 || |
<b> Transposition via Base-40 </b> | <b> Transposition via Base-40 </b> | ||
* Lecture 08b. [http://esf.ccarh.org/CS275A-Mus253/08b_Base-40-2018.pdf Base-40 Arithmetic for Music Apps] | * Lecture 08b. [http://esf.ccarh.org/CS275A-Mus253/08b_Base-40-2018.pdf Base-40 Arithmetic for Music Apps] | ||
| Line 190: | Line 198: | ||
* Lecture: [[Media:MEI-presentation-20120228.pdf|MEI overview]] | * Lecture: [[Media:MEI-presentation-20120228.pdf|MEI overview]] | ||
* [[Media:30_short_mei_encoding_examples.pdf|30 Short MEI encoding examples]] | * [[Media:30_short_mei_encoding_examples.pdf|30 Short MEI encoding examples]] | ||
| − | * [[ | + | * [[MusicXML and MEI homework | XML homework]] (due next Thursday) |
|- | |- | ||
| − | | <div id="week9"></div>9 || | + | | <div id="week9"></div>9 || 6 Mar 2018 || |
<b> Humdrum file format</b> | <b> Humdrum file format</b> | ||
* Lecture 09A. [http://esf.ccarh.org/CS275A-Mus253/09A_Humdrum-Intro_2015.pdf Introduction to Humdrum] | * Lecture 09A. [http://esf.ccarh.org/CS275A-Mus253/09A_Humdrum-Intro_2015.pdf Introduction to Humdrum] | ||
* Lecture: [[Media:Humdrum_file_format.pdf|Humdrum file format]] | * Lecture: [[Media:Humdrum_file_format.pdf|Humdrum file format]] | ||
| + | * [https://docs.google.com/presentation/d/1vUnojO3OmNt4x9wLOZfFhllyGcf8PTRebcO_57xlep0/edit?usp=sharing Verovio Humdrum Viewer] ([http://verovio.humdrum.org VHV]) | ||
| + | * Homework: [[Media:KernEncoding.pdf|Encode examples in Humdrum using VHV editor]] (due this Thursday). | ||
|- | |- | ||
| − | | 9 || | + | | 9 || 8 Mar 2018 || |
<b> Humdrum Analysis 1</b> | <b> Humdrum Analysis 1</b> | ||
* Lecture 09B. [http://esf.ccarh.org/CS275A-Mus253/09B_Uses%20of%20Humdrum_2015.pdf Uses of Humdrum] | * Lecture 09B. [http://esf.ccarh.org/CS275A-Mus253/09B_Uses%20of%20Humdrum_2015.pdf Uses of Humdrum] | ||
| + | * Lab: [[Humdrum Lab 1 | Humdrum Lab]] | ||
* Lab: [[Media:Humdrum_Tools_1.pdf|Humdrum Tools I]] | * Lab: [[Media:Humdrum_Tools_1.pdf|Humdrum Tools I]] | ||
| − | |||
|- | |- | ||
| − | | <div id="week10"></div>10 || | + | | <div id="week10"></div>10 || 13 Mar 2018 || |
<b> Music as Intellectual Property</b> | <b> Music as Intellectual Property</b> | ||
* Lecture 10A. [http://esf.ccarh.org/CS275A-Mus253/10A_Basic%20Concepts%20in%20Music%20Copyright_2015b.pdf Basic Concepts in Music Copyright] | * Lecture 10A. [http://esf.ccarh.org/CS275A-Mus253/10A_Basic%20Concepts%20in%20Music%20Copyright_2015b.pdf Basic Concepts in Music Copyright] | ||
| Line 210: | Line 220: | ||
* Musical Dice: http://www.ccarh.org/courses/253/lab/kerndice | * Musical Dice: http://www.ccarh.org/courses/253/lab/kerndice | ||
* Lecture/Demo: [[Media:Humdrum_Tools_2.pdf|Humdrum Tools II]] | * Lecture/Demo: [[Media:Humdrum_Tools_2.pdf|Humdrum Tools II]] | ||
| − | |||
|- | |- | ||
| − | | 10 || | + | | 10 || 15 Mar 2018 || |
* Lecture 10B. [http://esf.ccarh.org/CS275A-Mus253/10b_From%20IP%20to%20Data%20resources_2015.pdf From IP to Data Resources] | * Lecture 10B. [http://esf.ccarh.org/CS275A-Mus253/10b_From%20IP%20to%20Data%20resources_2015.pdf From IP to Data Resources] | ||
| − | <b> Non-standard music representations in Humdrum </b> | + | <b> Non-standard music representations in Humdrum [[Media:Koto-Humdrum.pdf|Koto notation]]</b> |
|- | |- | ||
| − | | <div id="week11"></div>FE || | + | | <div id="week11"></div>FE || 20 Mar 2018 || |
<b> Take-home final (4-credit students) due by 11 p.m.</b> | <b> Take-home final (4-credit students) due by 11 p.m.</b> | ||
|} | |} | ||
Latest revision as of 22:05, 14 March 2018
Music 253/CS 275a "Symbolic Musical Information"
Stanford University (Winter 2018).
This music-information course surveys symbolic frameworks and methods for a wide range of musical applications. Areas covered include advanced notation systems, optical music recognition, data conversion and synchronization, and the internal structure of data files. The course is preparatory for Music 254/CS 275B (Music Query, Analysis, and Style Simulation), which focuses on projects requiring a working knowledge of notation and sound software.
| Meeting times: | Tuesday & Thursdays 1:30–2:50 | |
| Location: | Braun Music Building, Rooms 131, 128 (lab entry from Room 129) | |
| Instructors: | Eleanor Selfridge-Field (esfield@stanford.edu) Craig Stuart Sapp (craig@ccrma.stanford.edu) | |
| Office Hours: | 3:05–4:05 Tuesdays & Thursdays and by appointment. | |
| Credits: | 2–4 | |
| Grading: |
Four-credits: class attendance: 25%; weekly assignments: 50%; take-home final: 25%. |
|
| Website: | music253.stanford.edu: Overview of individual topics presented in Music 253, and syllabus. | |
| Prerequisites: | Ability to read standard music notation. Knowledge of central concepts of tonal music theory (see Tutorial). | |
| Textbook: | E. Selfridge-Field, ed., Beyond MIDI: The Handbook of Musical Codes (MIT Press, 1997). Available online by permission of the publisher. |
Syllabus
See also Music 254/CS 275b Syllabus
Go to week: 1 | 2 | MIDI 3 | 4 | SCORE 5 | 6 | MuseData 7 | XML 8 | Humdrum 9 | 10
- Lecture 01A: Musical InformationVideo version
- Lecture C1: Music Notation and Representation (bit.ly/music253-music_representation)
- Demo: Malinowski's Music Animation Machine
- Assignment #1: Design your own music representation system (due 16 Jan 2018)
- Information Course Participation Survey
- Lecture 01B: Applying Musical Information
- Lecture C1b: Rosetta Stone of Musical Encodings (see also Rosetta Stone of Musical Data Codes wikipage)
- Lab #1: Guido Music Notation
- Assignment #2: Finish Guido lab exercises at home (due 18 Jan 2018)
- Lecture 02A: Input Methods for Musical Notation
- Lab #2a: Computer keyboard Input methods in Finale
- Lecture 2B: Sound-MIDI Introduction 2018
- Lab #2b: MIDI keyboard Input methods in Finale
- Assignment #3: Finish Lab 2 exercises (due 23 Jan 2018)
- Lecture 03A: Optical Music Recognition 2018.pdf
- Lecture C2: Introduction to XML
- Lab #3: Optical music recognition with SharpEye
- Assignment #4: SharpEye to Finale/MuseScore/Noteflight (Due 30 Jan 2018)
- Lecture 03B: MIDI Continuation 2018
- Lecture C3a: MIDI protocol (extra: Hexadecimal numbers)
- Topic: MIDI roadmap of the byte
- Topic: MIDI bytes/messages (cinmidi)
- Topic: MIDI messages
- Lecture C3b: Standard MIDI Files
- Topic: Outline of the Standard MIDI File structure
- Topic: Variable length values
- Lecture 04A: Timbre and Quantization (MIDI)
- Assignment #5a: MIDI file parsing homework (Due 6 Feb 2018)
- Lecture 04B: MIDI extensions and alternatives
- Lecture/Demo: Creating MIDI files by hand
- binasc tool for creating MIDI files in a text editor
- Topic: General MIDI instruments (plus percussion key numbers on channel 10)
- Topic: General MIDI continuous controllers
- Assignment #5b: MIDI file creation (Due 8 Feb 2018)
- Tour of the Archive of Recorded Sound and the Dennis Condon Collection of Reproducing Pianos and Rolls.
- Lecture 05A: Introduction to SCORE
- Lab: SCORE user input
- SCORE 5-Stage Input Reference
- Lecture 05B. Repertories with Special Needs
- Lab: Input exercises done on paper in previous session
- SCORE survival guide
- Demonstration of Stanford's new piano roll scanner at the Digital Production Group lab in Green library, two tours: 2pm and 3pm.
- Lecture 06A. Extremes within CMN
- Lab: Input slightly harder SCORE examples
- Homework #6: Finish SCORE user input 2, due 20 February 2018
- Lecture 06B. Score textures and tracks
- Lecture: SCORE parameters
- Score parameter examples: notes, slurs/ties
- Lecture 07A. Codes for Archiving and Repurposing: The Essen Associative Code (EsAC) and Plaine & Easie (used in RISM)
- Lab/Homework: Hard SCORE exercises, due 1 March 2018
- Lecture 08A. Markup Languages for Music: MusicXML and MEI
- Lecture: MusicXML and musical parameters
- Lecture 08b. Base-40 Arithmetic for Music Apps
- Lecture: MEI overview
- 30 Short MEI encoding examples
- XML homework (due next Thursday)
- Lecture 09A. Introduction to Humdrum
- Lecture: Humdrum file format
- Verovio Humdrum Viewer (VHV)
- Homework: Encode examples in Humdrum using VHV editor (due this Thursday).
- Lecture 09B. Uses of Humdrum
- Lab: Humdrum Lab
- Lab: Humdrum Tools I
- Lecture 10A. Basic Concepts in Music Copyright
- Lecture 10A (2018): Music Copyright
- Musical Dice: http://www.ccarh.org/courses/253/lab/kerndice
- Lecture/Demo: Humdrum Tools II
- Lecture 10B. From IP to Data Resources
| Week | Dates | Topics |
|---|---|---|
| 1 | 9 Jan 2018 |
Overview of music representation and course resources |
| 1 | 11 Jan 2018 |
|
| 2 | 16 Jan 2018 |
Input methods: textual input |
| 2 | 18 Jan 2018 |
Input methods: MIDI keyboard input |
| 3 | 23 Jan 2018 |
Input methods: OMR and Data Interchange |
| 3 | 25 Jan 2018 |
MIDI Protocol |
| 4 | 30 Jan 2018 |
General MIDI/Standard MIDI Files |
| 4 | 1 Feb 2018 |
MIDI Extensions/Wrap-up |
| 5 | 6 Feb 2018 |
SCORE user input code |
| 5 | 8 Feb 2018 |
SCORE music editor |
| 9 Feb 2018 |
Piano roll scanning tour | |
| 6 | 13 Feb 2018 |
SCORE simple examples |
| 6 | 15 Feb 2018 |
SCORE parameters |
| 7 | 20 Feb 2018 |
SCORE parameters 2 |
| 7 | 22 Feb 2018 |
MuseData |
| 8 | 27 Feb 2018 |
MusicXML |
| 8 | 1 March 2018 |
Transposition via Base-40 MEI |
| 9 | 6 Mar 2018 |
Humdrum file format |
| 9 | 8 Mar 2018 |
Humdrum Analysis 1 |
| 10 | 13 Mar 2018 |
Music as Intellectual Property Humdrum Analysis 2 |
| 10 | 15 Mar 2018 |
Non-standard music representations in Humdrum Koto notation |
| FE | 20 Mar 2018 |
Take-home final (4-credit students) due by 11 p.m. |
General Policies and University Rules
General policies and university rules:
- Delivery times:
- Assignments: by the start of the class for which they are due.
- Final exam: by 11 p.m. of the assigned date.
- Honor code: We will act and expect you to act according to the Stanford Honor Code.
- Students with disabilities: Students who may need an academic accommodation based on the impact of a disability must initiate the request with the Student Disability Resource Center (SDRC) located within the Office of Accessible Education (OAE). SDRC staff will evaluate the request with required documentation, recommend reasonable accommodations, and prepare an Accommodation Letter for faculty dated in the current quarter in which the request is being made. Students should contact the SDRC as soon as possible since timely notice is needed to coordinate accommodations. The OAE is located at 563 Salvatierra Walk (phone 723-1066), URL http://oae.stanford.edu.