Difference between revisions of "Publications (CCARH)"
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| [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-12_CM12/20-12_CM12.pdf No. 12 (2000-2001)] || [[file:CM12-01.PNG|160px|center|thumb]] || | | [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-12_CM12/20-12_CM12.pdf No. 12 (2000-2001)] || [[file:CM12-01.PNG|160px|center|thumb]] || | ||
<i>The Virtual Score: Representation, Retrieval, and Restoration</i> | <i>The Virtual Score: Representation, Retrieval, and Restoration</i> | ||
− | *<i>Representation and Interchange</i> | + | *<i>Representation and Interchange</i>: C.M.M.E. (Theodor Dumitrescu), Hildegard von Bingen (Stefan Morent), NIFF-to-Braille MN (Didied Langolff), Music Notation to Braille MN (Silas Brown), Score-level Representation with GUIDO (Holger Hoos et al.), an XML Introduction (Gerdn Casten, Michael Good, Perry Roland), |
*<i>Retrieval and Analysis</i> | *<i>Retrieval and Analysis</i> | ||
*<i>Virtual Restoration of Sources</i> | *<i>Virtual Restoration of Sources</i> |
Revision as of 23:57, 27 December 2021
Contents
Beyond MIDI: The Handbook of Musical Codes
Computing in Musicology (series)
The fifteen volumes in this series (1985-2008) can be divided into three groups:
Volumes 1-5
Published under the title Directly of Computer-Assisted Research in Music, compiled and distributed by CCARH. Directory of Computer-Assisted Research in Musicology (Computing in Musicology 1, 1985)
Directory of Computer-Assisted Research in Musicology (Computing in Musicology 2, 1986)
Directory of Computer Assisted Research in Musicology (Computing in Musicology 3, 1987)
Directory of Computer Assisted Research in Musicology (Computing in Musicology 4, 1988)
Directory of Computer Assisted Research in Musicology (Computing in Musicology 5, 1989)
Volume No. | Cover | Highlights |
---|---|---|
No. 1 (1985) | Input codes of the mainframe era: DARMS, Fastcode, IML, MusTran, SCORE/MS; Hardware input schemes; Databases and encoded editions of music. | |
No. 2 (1986) | Rudiments of the future field of digital musicology: Standards discussions, dissertations, one-of-a-kind academic systems, analysis of encoded data. | |
No. 3 (1987) | Search for coherent directions: The Representation of Musical Information in Machine-Readable Form (Walter Hewlett); Inventory of Musical Characters (Stephen Dydo); Updated Survey of Music-Printing software (with graphical samples, Ed Correia). | |
No. 4 (1988) | Pursuit of standards for music-encoding; optical music recognition; input methods of music-encoding, with graphical samples of set examples, including Beethoven's "Harp" quartet (Ed Correia). | |
No. 5 (1989) | Optical music recognition from set examples; survey of necessary music attributes (Dorothy Gross); Databases involving encoded music; Music-printing survey (46 contributors); Cumulative Indices, Vols 1-5 (Steven Rasmussen). |
Volumes 6-10
Published under the title Computing in Musicology: A Directory of Research, compiled and distributed by CCARH.
Computing in Musicology: A Directory of Research (Computing in Musicology 6, 1990)
Computing in Musicology: A Directory of Research (Computing in Musicology 7, 1991)
Computing in Musicology: A Directory of Research (Computing in Musicology 8, 1992)
Computing in Musicology: A Directory of Research (Computing in Musicology 9, 1993-94)
Computing in Musicology: A Directory of Research (Computing in Musicology 10, 1995-96)
Volume No. | Cover | Highlights |
---|---|---|
No. 6 (1990) |
| |
No. 7 (1991) |
| |
No. 8 (1992) |
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No. 9 (1993-94) |
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No. 10 (1995-96) |
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Volumes 11-15
Topical collections of articles published in alternate years under the title Computing in Musicology by CCARH and distributed by The MIT Press.
Vol. No. | Cover | Highlights |
---|---|---|
No. 11 (1998-99) |
Melodic Similarity: Concepts, Procedures, and Applications
| |
No. 12 (2000-2001) |
The Virtual Score: Representation, Retrieval, and Restoration
| |
No. 13 (2002-03) | Music Query: Methods, Models, and User Studies
| |
No. 14 (2004-05) | Music Analysis East and West
| |
No. 15 (2006-07) | Tonal Theory for the Digital Age
|