Publications (CCARH)

Beyond MIDI: The Handbook of Musical Codes

The fifteen volumes in this series (1985-2008) can be divided into three groups:

Published under the title Directly of Computer-Assisted Research in Music, compiled and distributed by CCARH. Directory of Computer-Assisted Research in Musicology (Computing in Musicology 1, 1985)

Volume No.	Cover	Highlights
No. 1 (1985)		Input codes of the mainframe era: DARMS, Fastcode, IML, MusTran, SCORE/MS; Hardware input schemes; Databases and encoded editions of music.
No. 2 (1986)		Rudiments of the future field of digital musicology: Standards discussions, dissertations, one-of-a-kind academic systems, analysis of encoded data.
No. 3 (1987)		Search for coherent directions: The Representation of Musical Information in Machine-Readable Form (Walter Hewlett); Inventory of Musical Characters (Stephen Dydo); Updated Survey of Music-Printing software (with graphical samples, Ed Correia).
No. 4 (1988)		Pursuit of standards for music-encoding; optical music recognition; input methods of music-encoding, with graphical samples of set examples, including Beethoven's "Harp" quartet (Ed Correia).
No. 5 (1989)		Optical music recognition from set examples; survey of necessary music attributes (Dorothy Gross); Databases involving encoded music; Music-printing survey (46 contributors); Cumulative Indices, Vols 1-5 (Steven Rasmussen).

Published under the title Computing in Musicology: A Directory of Research, compiled and distributed by CCARH.

Volume No.	Cover	Highlights
No. 6		Encoding Neumes and Mensural Notation Technical Standards--MIDI File Format, SMDL, TEI Dance Notation Software Software for Music Theory and Analysis Dedicated Applications
No. 7		Resources (Beethoven Bibliography, IDEAMA [electronic music], Thesaurus Musicarum Latinarum) Repertory-specific Applications (Melodic Grammars, Villancico Texts, Encoding Lute Tablatures) Software for Music Analysis (Humdrum Toolkit, LabanWriter, MacGAMUT) Braille Music Transcription Automatic recognition, arrangement, accompaniment
No. 8		Melodic Analysis (8 contributions) Rhythmic Representation (3 contributions); Harmony and Counterpoint (4 contributions) Sound Analysis and Control (8 contributions) Style Simulation (2 contributions) Cognition (2 contributions), Connectionism (5 contributions), Compositional Process (2 contributions)
No. 9		MuseData (Selfridge-Field) Integrating Musical Examples in Text Databases (Mathiesen); The CANTUS Database (Steiner) The Bach Font (Tomita) Optical Music Recognition Survey (Selfridge-Field, McGee, Carter) Tempo Studies (Bowen, Mazzola)
No. 10		Melodic Arch (Huron, Thompson, Stainton) SCORE to Humdrum (Kornstädt) Bach Data: Search (Hewlett) and Modality (Rasmussen) Analysis Software and Studies (Mazzola, O Maidin, Lubej, Braus) Special-purpose Notation Softweare (Icking, Brodhead)

Topical collections of articles published under the title Computing in Musicology by CCARH and distributed by The MIT Press.

Vol. No.	Cover	Highlights
No. 11		Concepts and Procedures Conceptual and Representational Issues (E. Selfridge-Field) Geomatrical Algorithms (D. O'Maidin) String-matching Techniques (T. Crawford et al.) Sequence-based Melodic Comparison (L.A. Smith et al.) Tools and Applications Sorting Strategies (J. Howard) Signatures and Earmarks (D. Cope) Neural Models for Chorale Harmonization (D. Hörnel) Melodic Pattern-Detection (N. Nettheim) Rhythmic Elements of Melodic Practice (M. Yako) Human Melodic Judgments Melodic Similarity in Copyright Infringement (C. Cronin) Human and Machine Authorship Judgments (E. Dahlig et al.) Online Tools for Melodic Search MELDEX (D. Bainbridge) Themefinder (A. Körnstädt)
No. 12		Example
No. 13	Example	Example
No. 14	Example	Example
No. 15	Example	Example