Difference between revisions of "ADAM"
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=Archive of Digital Applications in Musicology (ADAM)= | =Archive of Digital Applications in Musicology (ADAM)= | ||
− | The aim of ADAM is to preserve information about projects in digital musicology that were ground-breaking in their time but lack a substantial online presence. | + | The aim of ADAM is to preserve information about projects in digital musicology that were ground-breaking in their time but lack a substantial online presence. Projects end for a varieyt of reasons--discontinuation of funding, insurmountable changes of technology, or the retirement of a director. These projects remain stand-outs for the careful musical thinking that underlies them and the innovative approaches they introduced. |
* [[DARMS]] -- Digital Alternative Representation of Musical Scores (DARMS) | * [[DARMS]] -- Digital Alternative Representation of Musical Scores (DARMS) |
Revision as of 20:03, 9 September 2015
UNDER DEVELOPMENT
Archive of Digital Applications in Musicology (ADAM)
The aim of ADAM is to preserve information about projects in digital musicology that were ground-breaking in their time but lack a substantial online presence. Projects end for a varieyt of reasons--discontinuation of funding, insurmountable changes of technology, or the retirement of a director. These projects remain stand-outs for the careful musical thinking that underlies them and the innovative approaches they introduced.
- DARMS -- Digital Alternative Representation of Musical Scores (DARMS)
- EsAC -- Essen Associative Code (EsAC)
- Fastcode -- Fastcode
- IML-MIR -- Intermediate Musical Language - Music Information Retrieval (IML-MIR)
- Teletau -- Telematics on the TAU system (Teletau)
- ZIPI -- ZIPI Music Parameter Description Language