Difference between revisions of "Music 254/CS 275b Spring 2020 Syllabus"

Latest revision as of 00:58, 24 March 2021

Music 254/CS 275b "Computational Music Analysis "
Stanford University (Spring 2021).

This music information retrieval course (previously listed as "Music Query, Analysis, and Style Simulation") builds on the foundation of Music 253/CS 275A (Symbolic Musical Information). Using an open-source analysis platform (such as the Humdrum Toolkit (unix/bash shell), Humdrum Extras (C++), or Music21 (Python), or their preferred programming language/environment) students plan and design their own applications involving symbolic musical data.

The first four weeks cover basic areas of music analysis and retrieval and introduce basic principles of using the Humdrum Toolkit. Students may be assigned individual reading assignments pertinent to their research topic areas. The remaining six weeks are spent on individual project development, with weekly reports and discussions. Extensive help is available in the lab during hours allotted to class time. Students give verbal and written reports on their research at the end of the quarter. Some projects may be appropriate for continuation in independent-study modules.

Meeting times:		Tuesdays & Thursdays 12:30–1:50
Location:		Online
Instructors:		Eleanor Selfridge-Field (esfield@stanford.edu) Craig Sapp(craig@ccrma.stanford.edu)
Office Hours:		after class and by appointment on Zoom/Skype/Google Hangouts
Credits:		2–4
Grading:		25% class participation, 75% project 1 Project proposal: 2+ pages, due Thurs. 23 April 2021 Project progress report: 4+ pages, Thurs. 14 May 2021 Project presentation in class: Tuesday 9 June 2021 Project writeup: 10–20 pages Graduating on 14 June 2021: Due on 8 June 2021 10 p.m (exact deadline T.B.D.). Continuing at Stanford after 14 June 2021: Due on 11 June 2021 10 p.m (exact deadline T.B.D.).
Website:		music254.stanford.edu wiki.ccarh.org/wiki/Music 254 Overview of topics presented in Music 254.
Prerequisites:		Completion of Music 253/CS 275b, or demonstrated ability to use notation and sound software and associated requirements.
Textbook:		E. Selfridge-Field, ed., Beyond MIDI: The Handbook of Musical Codes (MIT Press, 1997). Available online by permission of the publisher.

Syllabus

Week 1

Week	Dates	Topics
1	30 March, 1 April 2021	Lectures 1a. Music Query, Analysis, and Style Simulation (Computational Music Analysis) (March 30) 1b. Melodic Query (April 1) or PDF [1] Humdrum Lab 1 Humdrum data Harmony-related Humdrum tools Humdrum Harmony I hint: Harmonic intervals. tntype: twelve-tone chord prototypes. key: Krumhansl-Schmuckler key-finding algorithm. keycor: generalization of key command. sonority: triadic chord descriptions of sonorities. Performance analysis tool Sonic Visualiser Homework for new students For new students, enter this music in Verovio Humdrum Viewer. For extra credit, create a webpage for your examples using the Humdrum Notation Plugin. Also useful, see this introduction to encoding music in Humdrum.

Week 2

Week	Dates	Topics
2	6 Apr 2021	Lectures: Approaches to melodic and other musical-similarity assessment Melodic Similarity Musical Similarity: More Perspectives Labs: Rhythm and score manipulation tools Rhythm Tools available in Humdrum timebase: create uniform duration for each Humdrum file data line. beat: label metric beats in Humdrum file. gettime: calculate performance time in seconds (according to tempo markings). thrux: expand repeats to performance sequence minrhy: identify minimum integral rhythmic unit in score assemble: merge parts into a single score partjoin: automation script to merge parts into a single score (preserves grace notes, uses minrhy and timebase) ditto/dittox: resolve null tokens hgrep: search for patterns in Humdrum file data.
2	8 Apr 2021	Data/Data entry Data/Data entry in Humdrum (PDF slides) KernScores: digital library of scores in the kern format [2] introduction to KernScores [3] shortcuts to data in KernScores [4] browse collections in KernScores [5]: Josquin Research Project: digital library of early Renaissance polyphony xml2hum: MusicXML to Humdrum converter mid2hum: MIDI to Humdrum converter (works in many cases, but better to convert MIDI first to MusicXML then import). Regular Expressions (Text-based searching)** Introduction to Regular Expressions

Week 3

Week	Dates	Topics
2	13 & 15 Apr 2021	Cope, Emmy, Emily Howell Lectures (Style Synthesis) Cope: Experiments in Musical Intelligence From Emmy to Emily Howell Melody Lab Humdrum Lab 2 Melody Tools available in Humdrum melody tools: mint: Melodic intervals scaletype Simple scale type categorizer tindex: Thema indexer. themax: Thema search. theloc: Thema localizer. context: melodic n-grams prange: Pitch range tool. support tools: kern: remove rhythms from note data. myank Yank measures from a full score. extract: extract spines from Humdrum file. extractx: Humdrum Extras version of extract hgrep: Humdrum-aware greep. autostem: automatic stemming of notes. unix: head: show only starting lines of text. grep: search text for generalized regular expressions. egrep: enhanced grep (adds additional wildcards). sed: Stream editor (search and replace). graphics (unix): pstopnm: a converter from PostScript to bitmaps. convert: Imagemagick tool for manipulating images. ps2pdf: convert PostScript into PDF files.

Week 4

Week	Dates	Topics
4	20 Apr 2021	Lectures: Counterpoint (I), Similarity, Musical Coherence Counterpoint (I) Non-melodic similarity Humdrum parsing in C++ Harmony II 4b. Harmonic Models for Analysis (1) Harmony II Key analysis Key-cycles: Hummel Op. 67 preludes Chopin Op. 28 preludes J.S. Bach Well-Tempered Clavier keycor: harmonic structure plots. mkeyscape: harmonic structure plots. Beethoven piano sonata keyscapes Mozart piano sonata keyscapes Lots of keyscapes transpose: Transpose score to specific key or by interval.
4	22 Apr 2021	Harmonic Models 5a. Harmonic Models for Analysis (2) Humdrum & MIDI Humdrum to MIDI (PDF slides)

Week 5

Week	Dates	Topics
5	27 April 2021	Regular Expressions Regular Expressions (PDF slides)
5	29 April 2021	5b. More Musical Dimensions of Similarity Performance analysis: Media:sonic-visualiser.pdf

Week 6

Week	Dates	Topics
6	4 May 2021	Counterpoint II Counterpoint II Rhythm and Meter Rhythm and Meter Programming for Humdrum files Humdrum Extras — C++ library for processing Humdrum files
6	6 May 2021	Sonority distributions by bass-line scale degrees Corelli & Rule-of-the-octave data selection (PDF slides)

Week 7

Week	Dates	Topics
7	11 May 2021	Recent developments in MIR Recent Work in Symbolic MIR
7	13 May 2021	Recent Work in Harmonic Analysis Harmonic Models Keyscapes

Week 8

Week	Dates	Topics
8	18 May 2021	Project development
8	20 May 2021	Project development Performance style analysis

Week 9

Week	Dates	Topics
9a	25 & 27 May 2021	Counterpoint Generative approaches to counterpoint MEI MEI (Music Encoding Initiative) Release 2.0

Week 10

Week	Dates	Topics
10	4 June 2020	Project presentations in class. Submit to Craig and Eleanor before class starts.
11	7 June 2020	Project write-ups for students taking a degree in June 2021.
12	11 June 2021	Project write-ups for continuing students continuing at Stanford (Deadline T.B.D.).

General Policies and University Rules

General policies and university rules:

Delivery times:
1. Assignments: by the start of the class for which they are due.
2. Project writeup: by 11 p.m. 7 or 11 June 2021 by 11p.
Honor code: We will act and expect you to act according to the Stanford Honor Code.
Students with disabilities: Students who may need an academic accommodation based on the impact of a disability must initiate the request with the Student Disability Resource Center (SDRC) located within the Office of Accessible Education (OAE). SDRC staff will evaluate the request with required documentation, recommend reasonable accommodations, and prepare an Accommodation Letter for faculty dated in the current quarter in which the request is being made. Students should contact the SDRC as soon as possible since timely notice is needed to coordinate accommodations. The OAE is located at 563 Salvatierra Walk (phone 723-1066).
Students in distress: Stanford offers an abundance of resources for students dealing with problems of a personal nature.
1. Confidential support: (650) 736-6933
2. Crisis hotline: (650) 725-9955
3. Title IX questions: (650) 497-4955

Difference between revisions of "Music 254/CS 275b Spring 2020 Syllabus"

Latest revision as of 00:58, 24 March 2021

Contents

Syllabus

Week 1

Week 2

Week 3

Week 4

Week 5

Week 6

Week 7

Week 8

Week 9

Week 10

Other topics/resources

General Policies and University Rules

Navigation menu

Personal tools

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@@ Line 1: / Line 1: @@
-<font size=+1><b>Music 254/CS 275b "Music Query, Analysis, and Style Simulation"  <br> Stanford University (Spring 2020).</b></font>
+<font size=+1><b>Music 254/CS 275b "Computational Music Analysis "  <br> Stanford University (Spring 2021).</b></font>
-This music information retrieval course builds on the foundation of [[Music 253|Music 253/CS 275A]]. Using an open-source analysis platform (such as the [https://github.com/humdrum-tools/humdrum-tools Humdrum Toolkit] (unix/bash shell), [[Humdrum Extras]] (C++), or [[Music21]] (Python), or their preferred programming language/environment) students plan and design their own applications involving symbolic musical data.
+This music information retrieval course (previously listed as "Music Query, Analysis, and Style Simulation") builds on the foundation of [[Music 253|Music 253/CS 275A]] (Symbolic Musical Information). Using an open-source analysis platform (such as the [https://github.com/humdrum-tools/humdrum-tools Humdrum Toolkit] (unix/bash shell), [[Humdrum Extras]] (C++), or [[Music21]] (Python), or their preferred programming language/environment) students plan and design their own applications involving symbolic musical data.
 The first four weeks cover basic areas of music analysis and retrieval and
@@ Line 11: / Line 11: @@
 <td align=right><b>Meeting&nbsp;times:</b>
 <td width=15></td>
-<td>Tuesdays & Thursdays 1:30&ndash;2:50</td>
+<td>Tuesdays & Thursdays 12:30&ndash;1:50</td>
 </tr>
@@ Line 42: / Line 42: @@
 <td>
 % class participation, 75% project
-<ul>
+<ul> 1<li> Project proposal: 2+ pages, due Thurs. 23 April 2021
-<li> Project proposal: 2+ pages, due Thurs. 23 April 2020
+<li> Project progress report: 4+ pages, Thurs. 14 May 2021
-<li> Project progress report: 4+ pages, Thurs. 14 May 2020
+<li> Project presentation in class: Tuesday 9 June 2021
-<li> Project presentation in class: Tuesday 9 June 2020
 <li> Project writeup: 10&ndash;20 pages
-* <b>Graduating</b> on 14 June 2020: Due on <b>8 June 2020</b> 10 p.m (exact deadline T.B.D.).
+* <b>Graduating</b> on 14 June 2021: Due on <b>8 June 2021</b> 10 p.m (exact deadline T.B.D.).
-* <b>Continuing</b> at Stanford after 14 June 2020: Due on <b>11 June</b> 2020 10 p.m (exact deadline T.B.D.).
+* <b>Continuing</b> at Stanford after 14 June 2021: Due on <b>11 June</b> 2021 10 p.m (exact deadline T.B.D.).
 </ul>
 </td>
@@ Line 83: / Line 82: @@
 Go to week: <font color="gray" size="-1">Harmony</font>  [[#week1|1]] | <font color="gray" size="-1">Melody</font>  [[#week2|2]] |  <font color="gray" size="-1">Rhythm</font> [[#week3|3]] |   <font color="gray" size="-1">Harmony</font> [[#week4|4]] | <font color="gray" size="-1">RegEx</font>  [[#week5|5]] |    <font color="gray" size="-1">Programming</font> [[#week6|6]] | [[#week7|7]] |  [[#week8|8]]
-See also [[Music 253/CS_275a_Winter_2020_Syllabus | Music 253/CS 275a Syllabus]]
+See also [[Music 253/CS_275a_Winter_2021_Syllabus | Music 253/CS 275a Syllabus]]
 === Week 1 ===
@@ Line 93: / Line 92: @@
 ! scope="col" width="500px" | Topics
 |-
-| 1<div id="week1"></div> || 7, 9 April 2020 ||
+| 1<div id="week1"></div> || 30 March, 1 April 2021 ||
 <b>Lectures</b>
-* [http://esf.ccarh.org/CS275B-Mus254/01A_MusicQuery_Analysis_StyleSimulation_2016.pdf 1a. Music Query, Analysis, and Style Simulation (April 2)]
+* [http://esf.ccarh.org/CS275B-Mus254/01A_MusicQuery_Analysis_StyleSimulation_2016.pdf 1a. Music Query, Analysis, and Style Simulation (Computational Music Analysis) (March 30)]
-* [http://esf.ccarh.org/CS275B-Mus254/01B_MelodicQuery_2019.pptx 1b. Melodic Query (April 5)] or PDF [http://esf.ccarh.org/CS275B-Mus254/01B_MelodicQuery_2019.pdf]
+* [http://esf.ccarh.org/CS275B-Mus254/01B_MelodicQuery_2019.pptx 1b. Melodic Query (April 1)] or PDF [http://esf.ccarh.org/CS275B-Mus254/01B_MelodicQuery_2019.pdf]
 * [http://wiki.ccarh.org/wiki/Humdrum_Lab_1  Humdrum Lab 1]
 * [https://docs.google.com/presentation/d/1YmKGR1hfU7XP8kPEbC6yYuCfAJnn_PvlnedTjqSvHWA/edit?usp=sharing Humdrum data]
@@ Line 111: / Line 110: @@
 * [http://extras.humdrum.org/man/keycor keycor]: generalization of key command.
 * [http://extras.humdrum.org/man/sonority sonority]: triadic chord descriptions of sonorities.
+<b> Performance analysis tool </b>
+* [https://docs.google.com/presentation/d/1F71dwp-Q467WBL0yBSz6QkEk5fDkTEksYKi5xTfXGR8/edit#slide=id.g4cd0be3fa2_2_75 Sonic Visualiser]
 <b> Homework for new students </b>
@@ Line 126: / Line 130: @@
 ! scope="col" width="500px" | Topics
 |-
-| 2<div id="week2"></div> || 14 & 16  Apr 2020 ||
+| 2<div id="week3"></div> || 6 Apr 2021 ||
+<b>Lectures: Approaches to melodic and other musical-similarity assessment</b>
+* [http://esf.ccarh.org/CS275B-Mus254/03A_Melodic-Similarity_2019.pptx Melodic Similarity]
+* [http://esf.ccarh.org/CS275B-Mus254/03B_MorePerspectives-Similarity2019.pptx Musical Similarity: More Perspectives]
+<b>Labs: Rhythm and score manipulation tools</b>
+* [https://docs.google.com/presentation/d/1gynqYYWm9EEBD1PfHS48YuEokeC4VeABOzI3c_RiZWI/edit?usp=sharing Rhythm Tools available in Humdrum]
+** [http://www.humdrum.org/Humdrum/commands/timebase timebase]: create uniform duration for each Humdrum file data line.
+** [http://extras.humdrum.org/man/beat beat]: label metric beats in Humdrum file.
+** [http://extras.humdrum.org/man/gettime gettime]: calculate performance time in seconds (according to tempo markings).
+** [http://extras.humdrum.org/man/thrux thrux]: expand repeats to performance sequence
+** [http://extras.humdrum.org/man/minrhy minrhy]: identify minimum integral rhythmic unit in score
+** [http://www.humdrum.org/Humdrum/commands/assemble assemble]: merge parts into a single score
+** partjoin: automation script to merge parts into a single score (preserves grace notes, uses minrhy and timebase)
+** [http://www.humdrum.org/Humdrum/commands/ditto ditto]/[http://extras.humdrum.org/man/dittox dittox]: resolve null tokens
+** [http://extras.humdrum.org/man/hgrep hgrep]: search for patterns in Humdrum file data.
+|-
+| 2 || 8 Apr 2021 ||
+<b>Data/Data entry</b>
+* [[Media:dataentry.pdf | Data/Data entry in Humdrum]] (PDF slides)
+** [http://kern.ccarh.org KernScores]: digital library of scores in the **kern format
+*** [http://kern.ccarh.org/help/data] introduction to KernScores
+*** [http://kern.ccarh.org/cgi-bin/kscuts] shortcuts to data in KernScores
+*** [http://kern.ccarh.org/browse] browse collections in KernScores
+** [http://jrp.ccarh.org]: Josquin Research Project: digital library of early Renaissance polyphony
+** [http://extras.humdrum.org/man/xml2hum xml2hum]: MusicXML to Humdrum converter
+** [http://museinfo.sapp.org/examples/humdrum/mid2hum.cpp mid2hum]: MIDI to Humdrum converter (works in many cases, but better to convert MIDI first to MusicXML then import).
+<b>Regular Expressions (Text-based searching)</b>
+* [https://docs.google.com/presentation/d/1H_bjIvY0tr4XAs0g1fWi1DHARD-YKkOWpi0j5GXNSwc/edit?usp=sharing Introduction to Regular Expressions]
+|-
+|}
+=== Week 3 ===
+{| class="wikitable" cellpadding="5" cellspacing="0" border="1"
+|- {{Style|table header}}
+! scope="col" width="20px" | Week
+! scope="col" width="95px" | Dates
+! scope="col" width="500px" | Topics
+|-
+| 2<div id="week2"></div> || 13 & 15  Apr 2021 ||
 <b>Cope, Emmy, Emily Howell Lectures (Style Synthesis)</b>
 * [http://esf.ccarh.org/CS275B-Mus254/02B_Cope_EM_I-Emmy-EmilyHowell2019.pptx Cope: Experiments in Musical Intelligence]
@@ Line 159: / Line 205: @@
 *** [http://www.imagemagick.org/script/convert.php convert]: Imagemagick tool for manipulating images.
 *** [http://ghostscript.com/doc/current/Ps2pdf.htm ps2pdf]: convert PostScript into PDF files.
-|-
-|}
-=== Week 3 ===
-{| class="wikitable" cellpadding="5" cellspacing="0" border="1"
-|- {{Style|table header}}
-! scope="col" width="20px" | Week
-! scope="col" width="95px" | Dates
-! scope="col" width="500px" | Topics
-|-
-| 3<div id="week3"></div> || 21 Apr 2020 ||
-<b>Lectures: Approaches to melodic and other musical-similarity assessment</b>
-* [http://esf.ccarh.org/CS275B-Mus254/03A_Melodic-Similarity_2019.pptx Melodic Similarity]
-* [http://esf.ccarh.org/CS275B-Mus254/03B_MorePerspectives-Similarity2019.pptx Musical Similarity: More Perspectives]
-<b>Labs: Rhythm and score manipulation tools</b>
-* [https://docs.google.com/presentation/d/1gynqYYWm9EEBD1PfHS48YuEokeC4VeABOzI3c_RiZWI/edit?usp=sharing Rhythm Tools available in Humdrum]
-** [http://www.humdrum.org/Humdrum/commands/timebase timebase]: create uniform duration for each Humdrum file data line.
-** [http://extras.humdrum.org/man/beat beat]: label metric beats in Humdrum file.
-** [http://extras.humdrum.org/man/gettime gettime]: calculate performance time in seconds (according to tempo markings).
-** [http://extras.humdrum.org/man/thrux thrux]: expand repeats to performance sequence
-** [http://extras.humdrum.org/man/minrhy minrhy]: identify minimum integral rhythmic unit in score
-** [http://www.humdrum.org/Humdrum/commands/assemble assemble]: merge parts into a single score
-** partjoin: automation script to merge parts into a single score (preserves grace notes, uses minrhy and timebase)
-** [http://www.humdrum.org/Humdrum/commands/ditto ditto]/[http://extras.humdrum.org/man/dittox dittox]: resolve null tokens
-** [http://extras.humdrum.org/man/hgrep hgrep]: search for patterns in Humdrum file data.
-|-
-| 3 || 23 Apr 2020 ||
-<b>Data/Data entry</b>
-* [[Media:dataentry.pdf | Data/Data entry in Humdrum]] (PDF slides)
-** [http://kern.ccarh.org KernScores]: digital library of scores in the **kern format
-*** [http://kern.ccarh.org/help/data] introduction to KernScores
-*** [http://kern.ccarh.org/cgi-bin/kscuts] shortcuts to data in KernScores
-*** [http://kern.ccarh.org/browse] browse collections in KernScores
-** [http://jrp.ccarh.org]: Josquin Research Project: digital library of early Renaissance polyphony
-** [http://extras.humdrum.org/man/xml2hum xml2hum]: MusicXML to Humdrum converter
-** [http://museinfo.sapp.org/examples/humdrum/mid2hum.cpp mid2hum]: MIDI to Humdrum converter (works in many cases, but better to convert MIDI first to MusicXML then import).
 |-
 |}
@@ Line 209: / Line 216: @@
 ! scope="col" width="500px" | Topics
 |-
-| 4<div id="week4"></div> || 28 Apr 2020 ||
+| 4<div id="week4"></div> || 20 Apr 2021 ||
 <b>Lectures: Counterpoint (I), Similarity, Musical Coherence</b>
@@ Line 219: / Line 226: @@
 <b>Harmony II</b>
 * [http://esf.ccarh.org/254/05B_Harmonic%20Models_2016.pdf 4b. Harmonic Models for Analysis (1)]
-* [[Media:Harmony2.pdf | Harmony II]] Key analysis (PDF slides)
+* [https://docs.google.com/presentation/d/1o2zHVB7VWBbFHdz3-3GOvGl7GDOiyjRdDlvicnfE4vg/edit?usp=sharing Harmony II] Key analysis
 ** Key-cycles:
 *** [http://kern.ccarh.org/browse&l=hummel/preludes Hummel Op. 67 preludes]
@@ Line 231: / Line 238: @@
 ** [http://extras.humdrum.org/man/transpose transpose]: Transpose score to specific key or by interval.
 |-
-| 4 || 30 Apr 2020 ||
+| 4 || 22 Apr 2021 ||
 <b> Harmonic Models</b>
 * [http://esf.ccarh.org/254/05B_2016.pdf 5a. Harmonic Models for Analysis (2)]
@@ Line 247: / Line 254: @@
 ! scope="col" width="500px" | Topics
 |-
-| 5<div id="week5"></div> || 5 May 2020 ||
+| 5<div id="week5"></div> || 27 April 2021 ||
 <b> Regular Expressions </b>
 * [[Media:RegularExpressions.pdf | Regular Expressions]] (PDF slides)
 |-
-| 5 || 7 May 2020 ||
+| 5 || 29 April 2021 ||
 * [http://esf.ccarh.org/254/04A_MoreMusicalDimensions-Similarity_2016.pdf 5b. More Musical Dimensions of Similarity]
 * Performance analysis: [[Media:sonic-visualiser.pdf]]
@@ Line 265: / Line 272: @@
 ! scope="col" width="500px" | Topics
 |-
-| 6<div id="week6"></div> || 12 May 2020 ||
+| 6<div id="week6"></div> || 4 May 2021 ||
 <b>Counterpoint II</b>
 * [http://esf.ccarh.org/CS275B-Mus254/06A_Artificial-Counterpoint_2019.pptx Counterpoint II]
@@ Line 273: / Line 280: @@
 * [[Humdrum Extras]] &mdash; C++ library for processing Humdrum files
 |-
-| 6 || 14 May 2020 ||
+| 6 || 6 May 2021 ||
 <b> Sonority distributions by bass-line scale degrees </b>
@@ Line 288: / Line 295: @@
 ! scope="col" width="500px" | Topics
 |-
-| 7 || 19 May 2020 ||
+| 7 || 11 May 2021 ||
 <b>Recent developments in MIR</b>
 * [http://esf.ccarh.org/CS275B-Mus254/07A_RecentWork_SymbolicMIR.pptx Recent Work in Symbolic MIR]
 |-
-| 7 || 21 May 2020 ||
+| 7 || 13 May 2021 ||
 <b>Recent Work in Harmonic Analysis</b>
 * [http://esf.ccarh.org/CS275B-Mus254/07B_HarmonicModels_2019.pptx Harmonic Models]
@@ Line 307: / Line 314: @@
 ! scope="col" width="500px" | Topics
 |-
-| 8 || 26 May 2020 ||
+| 8 || 18 May 2021 ||
 <b> Project development</b>
 |-
-| 8 || 28 May 2020 ||
+| 8 || 20 May 2021 ||
 <b> Project development</b>
 * [[Media:MazurkaProject.pdf|Performance style analysis]]
@@ Line 326: / Line 333: @@
 ! scope="col" width="500px" | Topics
 |-
-| 9 || 2 & 4 Jun 2020 ||
+| 9a || 25 & 27 May 2021 ||
 <b> Counterpoint</b>
 * [http://esf.ccarh.org/254-old/09b_Improvisatory%20Counterpoint.pdf Generative approaches to counterpoint]
@@ Line 342: / Line 349: @@
 ! scope="col" width="500px" | Topics
 |-
-| 10 || 9 June 2020 ||
+| 10 || 4 June 2020 ||
 <b> Project presentations in class.</b>
 * Submit to Craig and Eleanor before class starts.
 |-
-| 11 || 11 June 2020 ||
+| 11 || 7 June 2020 ||
-<b> Project write-ups</b> for students <b>taking a degree</b> on June 14, 2020 (Deadline T.B.D.).
+<b> Project write-ups</b> for students <b>taking a degree</b> in June 2021.
 |-
-| 12 || 18 June 2020 ||
+| 12 || 11 June 2021 ||
-<b> Project write-ups</b> for students <b>continuing</b> at Stanford beyond June 14, 2020 (Deadline T.B.D.).
+<b> Project write-ups</b> for continuing students <b>continuing</b> at Stanford (Deadline T.B.D.).
 |-
 |}
@@ Line 377: / Line 384: @@
 # <i>Delivery times</i>:
 ##Assignments: by the start of the class for which they are due.
-## <i>Writeup</i>: by 11 p.m. 7 June 2020 (Exact date T.B.D.).
+## <i>Project writeup</i>: by 11 p.m. 7 or 11 June 2021 by 11p.
 # <i>Honor code</i>: We will act and expect you to act according to the [http://studentaffairs.stanford.edu/judicialaffairs/policy/honor-code Stanford Honor Code].
 # <i>Students with disabilities</i>: Students who may need an academic accommodation based on the impact of a disability must initiate the request with the Student Disability Resource Center (SDRC) located within the Office of Accessible Education (OAE). SDRC staff will evaluate the request with required documentation, recommend reasonable accommodations, and prepare an Accommodation Letter for faculty dated in the current quarter in which the request is being made. Students should contact the SDRC as soon as possible since timely notice is needed to coordinate accommodations. The OAE is located at 563 Salvatierra Walk (phone 723-1066).
+# <i>Students in distress</i>: Stanford offers an abundance of resources for students dealing with problems of a personal nature.
+## <i>Confidential support</i>: <b>(650) 736-6933</b>
+## <i>Crisis hotline</i>: <b>(650) 725-9955</b>
+## <i>Title IX questions</i>: <b>(650) 497-4955</b>