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=MuseData: Open-source classical music archive= | =MuseData: Open-source classical music archive= | ||
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=Computational musicology courses (Stanford University)= | =Computational musicology courses (Stanford University)= | ||
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*Asian Musicology | *Asian Musicology | ||
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− | | No. 15 | + | | [http://xx No. 15] || [[file:CM15-01.PNG|160px|center|thumb]] || <i>Tonal Theory for the Digital Age</i> |
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*Cyclic-Distance Pattern in Diatonic Sets (O. Izmirli) | *Cyclic-Distance Pattern in Diatonic Sets (O. Izmirli) | ||
*Tonal Properties of Pitch-class Sets (D. Temeperley) | *Tonal Properties of Pitch-class Sets (D. Temeperley) |
Latest revision as of 23:37, 28 December 2021
Contents
MuseData: Open-source classical music archive
https://wiki.ccarh.org/wiki/Musedata
Computational musicology courses (Stanford University)
Current collaborations
Projects under active development
Continuing projects
Publications (CCARH)
Beyond MIDI: The Handbook of Musical Codes (The MIT Press, 1997)
Beyond MIDI originated as a project of the Study Group on Musical Data and Computer Applications of the International Musicological Society. At the time the study group was headed by Walter B. Hewlett and Eleanor Selfridge-Field. The systems defined within it were representative of the most active areas within this group. Until 1992 most applications were based on mainframe or minicomputer systems, but the parallel rise of MIDI and personal computers gave much broader scope to the possible avenues by which to pursue musical applications. The use of the internet was still limited in 1997, but this changed rapidly in the next few years.
Website: Beyond MIDI: The Handbook of Musical Codes, ed. Eleanor Selfridge-Field (The MIT Press, 1997).
This digitized copy is used by permission of the publisher.
Computing in Musicology (series)
Volumes 11-15
Topical collections of articles published under the title Computing in Musicology by CCARH and distributed by The MIT Press.
Vol. No. | Cover | Highlights |
---|---|---|
No. 11 |
Melodic Similarity: Concepts, Procedures, and Applications
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No. 12 |
The Virtual Score: Representation, Retrieval, and Restoration
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No. 13 | Music Query: Methods, Models, and User Studies
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No. 14 | Music Analysis East and West
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No. 15 | Tonal Theory for the Digital Age
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