Difference between revisions of "Publications (CCARH)"

Revision as of 05:01, 10 December 2021

The fifteen volumes in this series (1985-2008) can be divided into three groups:

Published under the title Directly of Computer-Assisted Research in Music, compiled and distributed by CCARH. Directory of Computer-Assisted Research in Musicology (Computing in Musicology 1, 1985)

Volume No.	Cover	Highlights
No. 1 (1985)		Input codes of the mainframe era: DARMS, Fastcode, IML, MusTran, SCORE/MS; Hardware input schemes; Databases and encoded editions of music.
No. 2 (1986)		Rudiments of the future field of digital musicology: Standards discussions, dissertations, one-of-a-kind academic systems, analysis of encoded data.
No. 3 (1987)		Search for coherent directions: The Representation of Musical Information in Machine-Readable Form (Walter Hewlett); Inventory of Musical Characters (Stephen Dydo); Updated Survey of Music-Printing software (with graphical samples, Ed Correia).
No. 4 (1988)		Pursuit of standards for music-encoding; optical music recognition; input methods of music-encoding, with graphical samples of set examples, including Beethoven's "Harp" quartet (Ed Correia).
No. 5 (1989)		Optical music recognition from set examples; survey of necessary music attributes (Dorothy Gross); Databases involving encoded music; Music-printing survey (46 contributors); Cumulative Indices, Vols 1-5 (Steven Rasmussen).

Published under the title Computing in Musicology: A Directory of Research, compiled and distributed by CCARH.

Volume No.	Cover	Highlights
No. 6		Encoding Neumes and Mensural Notation Technical Standards--MIDI File Format, SMDL, TEI Dance Notation Software Software for Music Theory and Analysis Dedicated Applications
No. 7		Resources (Beethoven Bibliography, IDEAMA [electronic music], Thesaurus Musicarum Latinarum) Repertory-specific Applications (Melodic Grammars, Villancico Texts, Encoding Lute Tablatures) Software for Music Analysis (Humdrum Toolkit, LabanWriter, MacGAMUT) Braille Music Transcription Automatic recognition, arrangement, accompaniment
No. 8		Melodic Analysis (8 contributions) Rhythmic Representation (3 contributions); Harmony and Counterpoint (4 contributions) Sound Analysis and Control (8 contributions) Style Simulation (2 contributions) Cognition (2 contributions), Connectionism (5 contributions), Compositional Process (2 contributions)
No. 9		MuseData (Selfridge-Field) Integrating Musical Examples in Text Databases (Mathiesen); The CANTUS Database (Steiner) The Bach Font (Tomita) Optical Music Recognition Survey (Selfridge-Field, McGee, Carter) Tempo Studies (Bowen, Mazzola)
No. 10		Melodic Arch (Huron, Thompson, Stainton) SCORE to Humdrum (Kornstädt) Bach Data: Search (Hewlett) and Modality (Rasmussen)

Topical collections of articles published under the title Computing in Musicology by CCARH and distributed by The MIT Press.

@@ Line 67: / Line 67: @@
 * Sound Analysis and Control (8 contributions)
 * Style Simulation (2 contributions)
-* Cognition (2 congtributions), Connectionism (5 contributions), Compositional Process (2 contributions)
+* Cognition (2 contributions), Connectionism (5 contributions), Compositional Process (2 contributions)
 |-
-| No. 9 || [[file:CM09-2.png|80px|thumb|center]] Example || Example
+| No. 9 || [[file:CM09-2.png|80px|thumb|center]] ||
+* MuseData (Selfridge-Field)
+* Integrating Musical Examples in Text Databases (Mathiesen); The CANTUS Database (Steiner)
+* The Bach Font (Tomita)
+* Optical Music Recognition Survey (Selfridge-Field, McGee, Carter)
+* Tempo Studies (Bowen, Mazzola)
 |-
-| No. 10 || [[file:CM10-2.png|80px|thumb|center]] Example || Example
+| No. 10 || [[file:CM10-2.png|80px|thumb|center]] ||
+* Melodic Arch (Huron, Thompson, Stainton)
+* SCORE to Humdrum (Kornstädt)
+* Bach Data: Search (Hewlett) and Modality (Rasmussen)
 |}