Difference between revisions of "MuseData: Franz Joseph Haydn"

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(Created page with "Fran Josef Haydn was one of the best-loved composers of the eighteenth century. His string quartets, symphonies, concertos, masses, keyboard, and chamber music all became mo...")
 
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Yet Haydn himself never received the praise for his operas he would have wished for.  Many were written for performance in Eisenstadt, which his employer's wife was an Italian noblewoman. His operas are more approachable today than they were in his time.  Some, on texts by Carlo Goldoni, are comic.
 
Yet Haydn himself never received the praise for his operas he would have wished for.  Many were written for performance in Eisenstadt, which his employer's wife was an Italian noblewoman. His operas are more approachable today than they were in his time.  Some, on texts by Carlo Goldoni, are comic.
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==Facsimiles==
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==Digitized sources==
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==Encoded editions (CCARH)==
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Unlike other major composers of his generation, Haydn was not honored with a catalogue or a complete edition of works in the nineteenth century.  The Hoboken catalogue did not
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Only in the later twentieth century was a uniform, comprehensive edition organized.

Revision as of 22:55, 13 October 2022

Fran Josef Haydn was one of the best-loved composers of the eighteenth century. His string quartets, symphonies, concertos, masses, keyboard, and chamber music all became models of their genres. Haydn encapsulated the eighteenth-century ideal of well articulated organization, balance of resources with enough rotation to avoid blandness, and a critical ear. The music was famously good-natured and found an easy reception.

Yet Haydn himself never received the praise for his operas he would have wished for. Many were written for performance in Eisenstadt, which his employer's wife was an Italian noblewoman. His operas are more approachable today than they were in his time. Some, on texts by Carlo Goldoni, are comic.

Facsimiles

Digitized sources

Encoded editions (CCARH)

Unlike other major composers of his generation, Haydn was not honored with a catalogue or a complete edition of works in the nineteenth century. The Hoboken catalogue did not

Only in the later twentieth century was a uniform, comprehensive edition organized.