Difference between revisions of "Eleanor Selfridge-Field: Talks and Publications"

From CCARH Wiki
Jump to navigation Jump to search
Line 32: Line 32:
 
* [With Craig Sapp] “Browsing Beethoven’s Harmonic Usage,” <i>Die Tonkunst: Magazin für Klassische Musik und Musikwissenschaft</i> 5/3 (Juli 2011), 301-304.
 
* [With Craig Sapp] “Browsing Beethoven’s Harmonic Usage,” <i>Die Tonkunst: Magazin für Klassische Musik und Musikwissenschaft</i> 5/3 (Juli 2011), 301-304.
  
==Intellectual and Cultural Property; Cognition==
+
==Cognitive, Intellectual, and Cultural Aspects of Music==
  
 
*“Cognition, early polyphony, and interdisciplinary musicology”, introduction to the special issue of the <i>Journal of Interdisciplinary Musicology</i>, ed. Barbara Tilmann and Frans Wiering, forthcoming.   
 
*“Cognition, early polyphony, and interdisciplinary musicology”, introduction to the special issue of the <i>Journal of Interdisciplinary Musicology</i>, ed. Barbara Tilmann and Frans Wiering, forthcoming.   
  
* “Associative aspects of perceived musical similarity and the intersections with seconda-prattica affetti” in A fresco: Mélanges offerts au professeur Etienne Darbellay, ed Brenno Boccadoro & George Starobinski (Bern: Peter Lang, 2014), 433-454.
+
* “Associative aspects of perceived musical similarity and the intersections with <Mi>seconda-prattica affetti</i>” in <i>A fresco: Mélanges offerts au professeur Etienne Darbellay</i>, ed Brenno Boccadoro & George Starobinski (Bern: Peter Lang, 2014), 433-454.

Revision as of 02:29, 10 January 2015

This webpage supplements http://www.stanford.edu/~esfield

Historical Musicology and Cultural History

  • “Vivaldi’s Maternal Line,” Studi vivaldiani 15 (2015). In press.
  • “Bernardo Canal, Visual Dramatist,” forthcoming.
  • “Schulenburg, Corfù, and the Dating of Vivaldi’s Juditha triuphans”, Studi vivaldiani, special issue, forthcoming.
  • [Reivew of] Federico Maria Sardelli, Catalogo delle concordanze musicali vivaldiani (Olschki, 2012), forthcoming in Il saggitore musicale.
  • “Bernardo Canal and Antonio Vivaldi,” Venice Baroque Music Center, Palazzo Loredan, Venice, 2012. [no authorized publication]
  • “Marcello’s Orientalism” in Psalmen: Kirchenmusik zwischen Tradition, Dramatik, und Experiment, ed. Helen Geyer und Birgit Johanna Wertenson with Michael Pauser. Cologne, Weimar, Vienna: Böhlau Verlag, 2014, pp. 205-222.
  • “In memoriam Giovanni Morelli,” tr. Miriam Fanna, Studi vivaldiani 12 (2011).
  • “Venice” for the Händel Lexikon (v. 6 of 6), Laaber Verlag (DE) 2011.
  • “Vivaldi” for the New Catholic Encyclopedia Supplement, ed. Robert L. Fastiggi. 2 vols. Detroit (US): Gale Research, 2011, v. II, 808-810.

Digital Musicology

  • [With Craig Sapp] “Browsing Beethoven’s Harmonic Usage,” Die Tonkunst: Magazin für Klassische Musik und Musikwissenschaft 5/3 (Juli 2011), 301-304.

Cognitive, Intellectual, and Cultural Aspects of Music

  • “Cognition, early polyphony, and interdisciplinary musicology”, introduction to the special issue of the Journal of Interdisciplinary Musicology, ed. Barbara Tilmann and Frans Wiering, forthcoming.
  • “Associative aspects of perceived musical similarity and the intersections with <Mi>seconda-prattica affetti” in A fresco: Mélanges offerts au professeur Etienne Darbellay, ed Brenno Boccadoro & George Starobinski (Bern: Peter Lang, 2014), 433-454.