Difference between revisions of "Eleanor Selfridge-Field: Talks and Publications"

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==Digital Musicology==
 
==Digital Musicology==
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* “In memoriam Leland Smith,” <i>Computer Music Journal</i> 2014.
  
 
* [[https://www.vifamusik.de/fileadmin/templates/dokumente/01_SelfridgeField.pdf "Between an Analogue Past and a Digital Future: The Evolving Digital Present]," <i>Wissenschaft im Digitalen Zeitalter: Symposium der Virtuellen Fachbibliothek Musikwissenschaft</i>, Göttingen (DE), 2012.  Based on [http://www.musikforschung.de/index.php/en/ GfMf] keynote address, Göttingen, 12 September 2012. [http://www.cirmmt.org/activities/workshops/research/simssa?set_language=fr&-C= Preliminary version] given at SIMSSA meeting, McGill University, Montréal, Québec (CA), 28 July 2012.
 
* [[https://www.vifamusik.de/fileadmin/templates/dokumente/01_SelfridgeField.pdf "Between an Analogue Past and a Digital Future: The Evolving Digital Present]," <i>Wissenschaft im Digitalen Zeitalter: Symposium der Virtuellen Fachbibliothek Musikwissenschaft</i>, Göttingen (DE), 2012.  Based on [http://www.musikforschung.de/index.php/en/ GfMf] keynote address, Göttingen, 12 September 2012. [http://www.cirmmt.org/activities/workshops/research/simssa?set_language=fr&-C= Preliminary version] given at SIMSSA meeting, McGill University, Montréal, Québec (CA), 28 July 2012.

Revision as of 02:06, 10 January 2015

This webpage supplements http://www.stanford.edu/~esfield

Historical Musicology and Cultural History

  • “Vivaldi’s Maternal Line,” Studi vivaldiani 15 (2015). In press.
  • “Bernardo Canal, Visual Dramatist,” forthcoming.
  • “Schulenburg, Corfù, and the Dating of Vivaldi’s Juditha triuphans”, Studi vivaldiani, special issue, forthcoming.
  • “Bernardo Canal and Antonio Vivaldi,” Venice Baroque Music Center, Palazzo Loredan, Venice, 2012. [no authorized publication]
  • “Marcello’s Orientalism” in Psalmen: Kirchenmusik zwischen Tradition, Dramatik, und Experiment, ed. Helen Geyer und Birgit Johanna Wertenson with Michael Pauser. Cologne, Weimar, Vienna: Böhlau Verlag, 2014, pp. 205-222.
  • “In memoriam Giovanni Morelli,” tr. Miriam Fanna, Studi vivaldiani 12 (2011).

Digital Musicology

  • “In memoriam Leland Smith,” Computer Music Journal 2014.

Intellectual and Cultural Property; Cognition

  • “Cognition, early polyphony, and interdisciplinary musicology”, introduction to the special issue of Journal of Interdisciplinary musicology, ed. Barbara Tilmann and Frans Wiering, forthcoming.
  • “Associative aspects of perceived musical similarity and the intersections with seconda-prattica affetti” in A fresco: Mélanges offerts au professeur Etienne Darbellay, ed Brenno Boccadoro & George Starobinski (Bern: Peter Lang, 2014), 433-454.