Difference between revisions of "Eleanor Selfridge-Field: Talks and Publications"

From CCARH Wiki
Jump to navigation Jump to search
Line 8: Line 8:
 
* [[https://www.vifamusik.de/fileadmin/templates/dokumente/01_SelfridgeField.pdf "Between an Analogue Past and a Digital Future: The Evolving Digital Present]," <i>Wissenschaft im Digitalen Zeitalter: Symposium der Virtuellen Fachbibliothek Musikwissenschaft</i>, Göttingen (DE), 2012.  Based on [http://www.musikforschung.de/index.php/en/ GfMf] keynote address, Göttingen, 12 September 2012. [http://www.cirmmt.org/activities/workshops/research/simssa?set_language=fr&-C= Preliminary version] given at SIMSSA meeting, McGill University, Montréal, Québec (CA), 28 July 2012.
 
* [[https://www.vifamusik.de/fileadmin/templates/dokumente/01_SelfridgeField.pdf "Between an Analogue Past and a Digital Future: The Evolving Digital Present]," <i>Wissenschaft im Digitalen Zeitalter: Symposium der Virtuellen Fachbibliothek Musikwissenschaft</i>, Göttingen (DE), 2012.  Based on [http://www.musikforschung.de/index.php/en/ GfMf] keynote address, Göttingen, 12 September 2012. [http://www.cirmmt.org/activities/workshops/research/simssa?set_language=fr&-C= Preliminary version] given at SIMSSA meeting, McGill University, Montréal, Québec (CA), 28 July 2012.
  
==Intellectual and Cultural Property==
+
==Intellectual and Cultural Property; Cognition==
 +
 
 +
*“Cognition, early polyphony, and interdisciplinary musicology”, introduction to the special issue of Journal of Interdisciplinary musicology, ed. Barbara Tilmann and Frans Wiering, forthcoming. 
 +
 
 +
* “Associative aspects of perceived musical similarity and the intersections with seconda-prattica affetti” in A fresco: Mélanges offerts au professeur Etienne Darbellay, ed Brenno Boccadoro & George Starobinski (Bern: Peter Lang, 2014), 433-454.

Revision as of 02:01, 10 January 2015

This webpage supplements http://www.stanford.edu/~esfield

Historical Musicology

Digital Musicology

Intellectual and Cultural Property; Cognition

  • “Cognition, early polyphony, and interdisciplinary musicology”, introduction to the special issue of Journal of Interdisciplinary musicology, ed. Barbara Tilmann and Frans Wiering, forthcoming.
  • “Associative aspects of perceived musical similarity and the intersections with seconda-prattica affetti” in A fresco: Mélanges offerts au professeur Etienne Darbellay, ed Brenno Boccadoro & George Starobinski (Bern: Peter Lang, 2014), 433-454.