EVE (Electronic and Virtual Editions)
Downloadable Edited Scores
Editions listed here signal curated curated scores, usually with commentary, often with performing parts, and sometimes with critical reports (a log of differences between the present score and the original one). Data files with which you can make your own version of an encoded work are included as appropriate.
ASCIMA (Archive of Seventeenth-Century Italian Madrigals and Arias)
Content: The ASCIMA website, directed by John Whenham at Birmingham University (UK), provides full critical editions of entire volumes of secular vocal music which has been edited from printed part-books. Current holdings include madrigal collections by Tarquinio Merula, Claudio Monteverdi, Martino Pesenti, Giovanni Rovetta, Barbara Srozzi, and Giuseppe Valentini. Both single works and entire opuses can be downloaded as single files. Sound files are provided for each work.
WLSCM (Web Library of Seventeenth-Century Music)
The Web Library of Seventeenth-Century Music (ISSN 2330-2429), which operates under the auspices of the http://sscm-sscm.org/ Society for Seventeenth-Century Music], is a curated collection of music focused on music that is not available otherwise. Most items in its catalogue features a "full volume" of works with critical notes. Most publications come from French and Italian composers. A recent addition is the harpsichord music [67 short pieces) of Richard Ayleward (?1626-69), edited by Ronald Woodley. It is supplied with audio samples.
Editable Score Data
CMME (Computerized Mensural Music Editing)
The idea of CMME, conceived as a Princeton undergradusate project by Ted Dumitrescu in 1999, was to support dynamic editions based on encoding standards comparable with the most rigorous printed editions. Editions of music in mensural notation have given rise to many changes of editorial opinion. In contrast to print, virtual editions have the possibility of being easily re-rendered to express changing views.
On-screen views support the presence or absence of musica ficta and text underlay rationalized to fit the music or clustered at the start of line (as in many period manuscripts).