Golden Oldies

Golden Oldies is a collection of partial studies of highly skilled musicians who are performing in public beyond the age of 90. Its ultimate focus is to identify both cognitive and physical factors contributing to the preservation of musical memory.

Subjects are identified by initials only. Materials found here are not available for re-use without express written permission of the subjects or their next-of-kin.

Professional musicians (named) performing publicly

Gary Graffman

[[File:

Arcangelo_Corelli_JanFrans_van_Douven.png|250px|thumb|right|Portrait of Arcangelo Corelli by Jan Frans van Douven (1656-1727), a Dutch painter in the service of Corelli's patron, the Elector Palatine Johann Wilhelm.]]

Gary Graffman's tenure as director of the Curtis Institute in Philadelphia (1986-2006) began a half-century after he was accepted (at age 7) as a classical piano student. Born in New York City to Russian emigré parents on 14 October 1928,Graffman received his first musical instruction from his father, a violinist. At Curtis he studied with Isabelle Vengerova (who was in turn a pupil of Leschetizky) and later with Vladimir Horozitz} (1903-1989) and [https://en.wikipedia.org/wiki/Rudolf_Serkin Rudolf Serkin (1903-1991).

Graffman made his piano debut in 1936 with the Philadelphia Symphony Orchestra. His international career was established two years later, when he won the Leventritt Award. His performances were captured on countless recordings by CBS and RCA. He appeared with numerous celebrated orchestras and conductors. His flourishing career was modified during the civil rights movement of the 1960s, when Graffman became one of the first professional musicians to boycott segregated concert halls in the southern US. Many colleagues followed his example.

His career changed direction in 1979, when he developed focal dystonia, a neurological problem associated in musicians with repetitive physical stress. He cut back on his performance schedule and took a teaching position at Curtis. His new specialization in works for the left hand alone prompted the composition of several news works. Notable among them were Ned Rorem's Piano Concerto No. 4 (Philadelphia Academy of Music, 1993) and, with Leon Fleischer, William Bolcom's Concerto for Two Left Hands (1996).

Graffman's Curtis students have included Lang Lang and Yuja Wang. In 1986 he was named director of the Institute, a post he held until 2006. He continues to teach at Curtis.

To accommodate focal dystonia, a neurological problem he developed in the 1980s, Graffman began to specialize in repertory for the left hand alone and devoted his time to teaching at Curtis, where his students included Lang Lang and Yuja Wang. In 1986 he was named director of the Institute, a post he held until 2006. He continues to teach at Curtis.

Dionisio Lind

The carillonneur Dionisio Lind (10 February 1931-10 October 2018) was captivated by the sound of the bells at St. Martin's Episcopal Church, Harlem (NY), in the 1950s. He took lessons there and began his official career as the church's carillonneur in 1960. He progressed to well that the church sent him to the Royal Carillon School in Mechelen, Belgium, in 1962. In 2000 he was invited to move to the Riverside Church, overlooking the Hudson River, at 120th St., where he served as principal carillonneur until his death.

The church, modeled on Chartres Cathedral, carillon's 74 bells range in weight from 10 pounds to 20 tons. (This Bourdon is the heaviest in the world and uniquely reaches an octave lower than any other instrument of its kind.) Lind explains the bells and plays the carillon in this 2011 video by Allison Davis, published by by the New York Daily News.

Roberta Mandel

Roberta Mandel (29 December 1920 - 5 September 2017) performed as a jazz pianist for 75 years. She was also an arranger and composer. She had a special gift for transcribing by ear the arrangements she heard on recordings. She credited her extensive knowledge of harmony to her early studies of classical music (in which she earned two academic degrees from the California State University at San Francisco). Her arrangements of big-band numbers for solo piano were especially noted. Mandel was raised in San Francisco. Her first teacher was her mother, a pianist.

Mandel's longest engagement (32 years) was with the 18-member Junius Courtney Big Band, which was similarly noted for its arrangements. Mandel is the rightmost figure in the Big Band photo (2011). A frequent venue was the Freight & Salvage Coffeehouse in Berkeley. Freight & Salvage, which offers open nights for jazz improvisation, celebrated its 50th anniversary in 2018.

Among her credits, Mandel was the first female pianist to sit in with Count Basie's band. Her 1982 transcription of Billy Strayhorn's "Blood Count" from the recording by Duke Ellington's Orchestra is preserved in the Smithsonian (National Museum of American History). No copies of her book of compositions, Jazz Tunes for Friends (2001), are publicly accessible. This memoir from Jazz Now appeared in 1990.

Zuzana Ruzickova

The world-renown harpichordist Zuzana Ruzichkova (Pilsen, 14 January 1927 - Prague, 27 September 2017) was a noted interpreter of Bach. Her musical interest was evident from an early age. She seemed destined for a musical career after winning the ARD International Music Competition in Munich (1936). She declined a place on a Kindertransport train (a rescue train for Jewish children) to Britain in 1939, but accompanied her parents (who ran a big toy store in Prague) to Terezin in 1942, where her father died. She and her mother were later moved to Auschwitz, where she was spared from the gas chamber twice--in the second case by the Allied invasion of occupied Poland. Together with her mother, she repaired oil pipelines in Hamburg before being shipped, months before the end of the war, to Bergen-Belsen.

She attended the Academy of Performing Arts in Prague from 1947 to 1951 and made more than 100 recordings. Her project to record all of Bach's music for harpsichord occupied her from 1995 to 2005. Although she stopped performing publicly after the death of her husband (the composer Viktor Kalabis) in 2006, she continued teaching. In a BBC interview in 2016 she reflected on her survival as a musician, saying "It is not enough to be an extraordinary musician....You have to have the feeling that you cannot live without music." This message will be elaborated in the forthcoming film Zuzana: Music is Life, which is being made under the auspices of the Viktor Kalabis-Zuzana Ruzickova Foundation.

Professional musicians in music-centered retirement situations

The Casa Verdi

In 1896, when he turned 65, Giuseppe Verdi established a home for retired professional musicians in a spacious period home on the Piazza Buonarroti in Milan. By 1899 it was ready to welcome its first cohort of retirees. The Casa Verdi has numerous practice rooms, concert facilities, and musical instruments. Those who live there enjoy the company of other retired musicians and form their own groups. In recent years the Casa has also rented rooms to music students, who entertainment the residents and sometimes performed with them.

The Casa Verdi is depicted in Daniel Schmid's film Il bacio di Tosca (Tosca's Kiss) (1984). Ronald Harwood's play (1999), turned into an award-winning film by Dustin Hoffman's award-winning film Quartet (2012), was modeled on the Casa Verdi transposed to rural England.