Links for Digital Musicology
This wiki provides links to substantial projects of use to musicologists, particularly those involved with digital editions, music encoding, and topic-specific resources.
Contents
Databases
Repertories
Secular Vocal and Folksong Repertories
CLORI: Archive of the Italian Cantata
Website: http://www.cantataitaliana.it/
CLORI, which hosts cantata texts, manuscript source citations, and images that show characteristics of handwriting, has a number of sponsors and collaborators including the Italian Musicological Society (SIM in Italian), the University of Rome (Tor Vergata), the Italian Institute for Music History (IISM), and RISM. The project is headed by Teresa M. Gialdroni. Click the "ricerca" button to go to the search form.
Deutsche Volksliedarchiv
Website: http://www.dva.uni-freiburg.de/
The German Folk Music Archive (in German) has evolved over a century (to 2014) as a central clearing house for folk songs from German-speaking lands. It contains several component parts including (1) a Lieder lexicon in which folksong texts are listed alphabetically (http://www.liederlexikon.de/lieder); (2) a listing of specific projects, mainly those with a critical dimension (http://www.liederlexikon.de/ueber_liederlexikon_de/projekte); and (3) a popular-music Song Lexicon (http://www.songlexikon.de/).
English Broadside Ballad Archive
Website: http://ebba.english.ucsb.edu/
Six thousand English broadside ballads, mainly from the seventeenth century. A collaborative project that is still growing.
Sacred and Liturgical Music
Raphael: Cantus Fractus Database
Website: http://www.cantusfractus.org/
An abiding problem in chant research is the evaluation of rhythm and proportion. This website (in Italian) by Marco Gozzi explores interpretative methods for repertories that are viewable online in early prints and manuscripts. A search form facilitates the retrieval of examples by source location.
Mass Database
Website: http://www.mdb.uni-mainz.de/
Content: Records for c.40,000 settings of the Ordinary of the Mass from 1400 to the present day. In process of migration (March 2014).
Motet Database
Website: http://www.arts.ufl.edu/motet/default.asp
Content: Guide to motets and Mass Propers in manuscript and printed sources from the period 1475-1600. 33,000 items, indexed section by section. Excludes Magnificats, Lamentation, canticle and strophic hymns. Extensive scribal and source detail.
Printed Sacred Music Database
Website: http://www.printed-sacred-music.org/pages/indexes.
This collection of metadata and musical incipits (1500-1800) has been developed over decades under the direction of David Bryant at the Fondazione Giorgio Cini Onlus, Venice, with significant contributions by many individual scholars, and is now served at the Institute of Musicology, University of Fribourg (CH) and implemented by the Swiss RISM office. Search by composers, publishers, musical incipits, and much else. The musical incipits are encoded in DARMS and are rendered in mensural notation.
Medieval Music Database (MMD)
Website:http://www.lib.latrobe.edu.au/MMDB/Feasts/l08065000.htm
The original database, a model of integrated presentation combined with independent search of text and music fields, was developed by John Stinson and John Griffiths at LaTrobe University (Australia) between 1987 and 1999, when the university's music department was closed. It was maintained over the next five years by the University Library and is still accessible (2014) at the above link. Plans to bring it under the umbrella of DIAMM are under discussion.
One of MMD's great strength, for students of liturgy, is the ability to scroll bilaterally through the temporal and sanctoral cycles, that is by feasts of the Ordinary and those of the Proper. Many other search fields are supported including text, composer, genre, manuscript, and melody. MMD is cross-reference to the CAO database.
The musical examples in MMD were produced with Scribe software, also developed by Stinson and Griffiths (c. 1990). It encoded neumes and ligatures (mainly for 14th century music) for printing on a color deskjet printer. It was designed the DOS operating system and could export to the SCORE music-notation program.
Composers
Works of Ludwig Senfl
Website: http://www.senflonline.com/
The most important composer in Bavaria in the first half of the sixteenth century, Ludwig Senfl (c. 1490-1543) spent almost all his life in the Munich court chapel, first as choirboy, then as musician and composer. Polyphonic incipits in mensural notation are among the items that can be retrieved by genre, voicing, and so forth. Cross-linked to DIAMM.
Image Archives
Digital Image Archives of Medieval Music
Website: http://www.diamm.ac.uk/
Originally a site for viewing images of rare manuscripts at various levels of resolution, DIAMM is increasingly an umbrella site for diverse projects in medieval music. The core textual database is organized by source location. Registered users may add their own comments about individual works. List and faceted search capabilities are currently being added. Now includes an online teaching resource for musicians wishing to learn more about the notation of medieval music. Register at http://diamm.nsms.ox.ac.uk/moodle/.
Musica Sacra
Website:http://musicasacra.com
Content: notable collection of scanned chant books at http://musicasacra.com/music/ and http://musicasacra.com/resource-lists/. Includes the Liber Usualis and many other resources for modern use in traditional settings.
Resources for Chronology
Hofmeister XIX
Website: http://www.hofmeister.rhul.ac.uk/2008/index.html
Content: Database of 330,000 records from the Hofmeister Monatsberichte, 1829-1900, listing music publications of the period. Compiled by Friedrich Hofmeister and published in Leipzig by Breitkopf & Härtel. Well indexed for quick searches.
Libretto Portals
VifaMusik Libretto Portal
Website: http://libretti.digitale-sammlungen.de/de/fs1/start/static.html
The new (2014) VifaMusik Libretto Portal searches across component collections held in the Bavarian State Library, the Frankfurt University Library, and the Library of the German Institute in Rome. 5,600 digitized sources are available for viewing and downloading.
Corniani-Algarotti Collection
Website: http://www.braidense.it/cataloghi/catalogo_rd.php
Although the search form shows only four field, the name field (nome) will accept almost any proper noun (surname of composer, librettist, scenographer, city, theater, etc.). Most sources are digitized and downloadable. Holds 9,000 libretti (in Italian) from the sixteenth through the nineteenth centuries. Some were published and used outside Italy. Mainly opera, but includes some oratorio and serenata texts.
Search Engines for Music
Europeana: Search Engine for European Music
Website: http://www.europeana.eu
This umbrella site for European digitization projects covers a great deal beyond music. To start, limit the search by an obvious word for music (musique, musica, Musik, etc.). This will give you an idea of how to further limit the search. Europeana is updated often. Among the items that should be visible are music prints, manuscripts, newspapers dedicated to music, sheet-music, audio files, etc. Since Europeana is an aggregation, it provides links back to the sponsoring libraries that hold the original sources. The site can be searched in many languages.
Peachnote Music n-Gram Viewer
Website: http://www.peachnote.com/#!nt=singleNoteAffine&npq=62+0+1+2+0+-2+-1+-2
MIDI-based search by string.
Themefinder: Music-Incipit Search
Website: http://www.themefinder.org
Related literature: "Search-Effectiveness Measures for Symbolic Music Queries inVery Large Databases" (Craig Stuart Sapp, Yi-Wen Liu, and Eleanor Selfridge-Field)
The Themefinder search engine was prototyped at CCARH in 1996 by David Huron, Andreas Kornstädt, and Walter B. Hewlett. A large number of Stanford University students including Unjung Kim and Leigh VanHandel plus visiting students including Bret Aarden, participated in its early development. The search engine was originally developed to study user behavior. Over the intervening years it has been used for a large statistical study of search-efficiency. The current search engine is by Craig Stuart Sapp.
Themefinder contains several repertories, most of which are publicly viewable and searchable. The principal repertories are Folk, Classical, and Renaissance. Although more than 100,000 incipits and associated metadata are present in the database, users may select just one. "Hits" satisfying search-criteria can be collected on the Themefinder Clipboard and can be exported.
Incipits can be searched at five points on a continuing from the most specific to the fuzziest. Filter for meter, mode, and key may be used. MIDI files are available for each entry. Help menus area available at the website. Those interested in contributing an encoded repertory to Themefinder should describe the existing repertory and format in a query letter.
Historical Maps
David Rumsey Map Collection
Website: http://www.davidrumsey.com
Contents: 18th and19th century maps of the Americas. All maps are geo-encoded to facilitate geo-spatial and past-time applications.
Resources in Parallel Disciplines
Digital Libraries Gateway
Website: http://international.loc.gov/intldl/find/digital_collaborations.html
This Library of Congress gateway for international projects gives an overview of collaborative projects with an American component and currently including Brazil, France, the Netherlands, and Siberia.
Digital Scriptorium
Website:http://bancroft.berkeley.edu/digitalscriptorium/
Content: Image database of medieval and renaissasnce manuscripts. Based at the University of California, Berkeley, it includes holdings from many US libraries, with extensive folio-specific information about each source.
Index of Christian Art
Website: ica1.princeton.edu/
One hundred twenty thousand (120,000) images from public and private collections in the English-speaking world plus additional indicies; roughly 100,000 are available to public via fee-sbased institutional subscriptions. Holdings from early centuries of Christianity to 1550.