Template:DRM portals

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How does one search for musical content that cannot be located by metadata? These websites, each of which employs a different approach, will show you how.


Cantorales de la Biblioteca Nacional de Espana

Website: http://www2.bne.es/CANT_web/irBuscadorPentagrama.do?lang=es_ES

This search site for individual chants found in Canorales (choir books) of Spanish libraries can be searched by text or musical incipit. (Click on the musical staff and enter at least two notes to see how the music search works.) The advanced search (Busqueda avanzada) provides a dozen fields, including feast days.


Cantus Index

Website: http://cantusindex.org

The Cantus Index, managed at the University of Waterloo (CA), is a network of 11 international projects (as of 2016) that have adopted the data format and identifier system of the Cantus Manuscript Database. These projects are devoted the creation and distribution of electronic inventories of medieval chant manuscripts. With the Cantus Index as the “hub,” the Index provides a central catalogue of chant texts and melodies for the Office and Mass. Searches in Cantus Index of both texts and melodies return results in all partner databases. The projects currently searched include these separately listed repositories:

User contributions are welcomed.


Dutch Song Database and Search Engine (Nederlandse Liederenbank)

Website: http://www.liederenbank.nl/searchmusic/piano.php

The Dutch Song database (Nederlandse Liederenbank) lists 150,000 songs in Dutch and Flemish from the middle ages through the 20th century. It includes love songs, satirical songs, Beggar songs, psalms and other religious songs, folksongs, children's songs, holiday songs, and much else. Among the other searches supported, its melodic search engine is particularly effective.

Sources include sources for all these songs are songbooks, songsheets (broadsides), song manuscripts and fieldwork recordings. The Meertens Institute (Amsterdam) compiled the database, which is now maintained by the Centre for Documentation and Research on Dutch Song. The impetus for starting the project came from the Utrecht ensemble Camerata Trajectina, which has now donated its recordings to the website. In 2014 the project was awarded the Dutch Data Prize in Humanities and Social Sciences.


E-manuscripta

Website: http://www.e-manuscripta.ch

Leaf from an anonymous manuscript introduction to the recorder preserved in the Basel University Library and available through e-manuscripta.ch in source F_X-3.].

This comprehensive portal for materials in Swiss libraries serves scores, photographs, letters, pedagogical materials, and much else. The five-leaf recorder tutor (from a sixteenth-century manuscript) shown at the side represents its heterogeneity, which also extends to sixteenth-century part-books, organ tablatures, correspondence by Martin Luther, photographs of Ferruccio Busoni, and a thousand maps. It also supports user-generated transcriptions.


Europeana: Search Engine for European (Music) Sources

Website: http://www.europeana.eu

This umbrella site for European digitization projects covers a great deal besides music. To start, limit the search by an obvious word for music (musique, musica, Musik, etc.). This will give you an idea of how to further limit the search. Europeana is updated often. Among the items that should be visible are music prints, manuscripts, newspapers dedicated to music, sheet-music, audio files, etc. Since Europeana is an aggregation, it provides links back to the sponsoring libraries that hold the original sources. The site can be searched in many languages.


European History Primary Sources

Website: http://primary-sources.eui.eu/portal/virtuelle-fachbibliothek-osteuropa

The focus of his comprehensive site is the "history, language, literature, politics and culture of East, Central East and South East European countries and regions." It offers access both directly and indirectly through search engines. EHPS can also search across resources, a capability that other forms of access do not usually offer. It provides links to country-based websites. The music "topic" search produces random results among which are some that may not be familiar from other umbrella resources. The alternative Osmikon interface is in German.


Gallica

Website: http://gallica.bnf.fr

Gallica provides access to an enormous array of digitized materials from all periods of French history and many aspects of French musical life in addition to great quantities of non-musical material. Among its highlights are illuminated manuscripts containing the poetry (much of it set to music by Guillaume Machaut), manuscripts of the operas Francesco Cavalli composed for the wedding of Louis XIV (1660-62), a very large amount of music printed in France in the eighteenth and nineteenth centuries, and important documentation for theatrical history. Although the quantity of material is enormous, the search tools allow for precise articulation with distinctions between scores, manuscripts, recordings, press reports, and commentary. Gallica is, in addition, a national resourcce with links to materials in all French provinces.


Global Chant

Website: http://globalchant.org/about.php

Have you ever tried to identify a chant melody or to find all the settings of one text incipit? Global Chant will reduce the frustration. At the Search link you can enter the pitches on the virtual staff. Under Links you can pursue data at related sites. (Some not otherwise represented here are AISCGRE, Cantus Augusta, CURSUS, LIMVP, and Melodiarium Hymnolodicum Bohamiae.) At the Forum you can exchange information with other researchers. Jan Kolacek has developed this site in course of his graduate studies at Charles University, Prague.


Index to Opera and Ballet Sources Online

Website: http://atom.lib.byu.edu/obps

The Index to Opera and Ballet Sources Online is a combined database and meta-search engine with a growing list of detailed fields, many of which are sortable. It links titles to scores, libretti, and other artifacts. It can be searched with filters for language, theater, and many other parameters of musical works that were stages. The title index relied originally on aggregators (the Braidense Raccolta Drammatica, ViFaMusik, the Internet Culturale, et al.) for most of its contents but now includes the Internet Archive. The advance search tool at atom.lib.byu.edu/opbs/advanced allows one to search within individual aggregations.


The Internet Culturale

Website: http://www.internetculturale.it/opencms/opencms/it/main/esplora/index.html?tipo=collezione

An umbrella site for digitized materials in Italian libraries. The riches of Italy's collective Internet Culturale (cultural internet) are difficult to overstate. A vast span of different kinds of graphically reproduced material will be found here. All of it is accompanied by generous supplies of metadata from cataloguing records. While one may be able to find a specific item such as an opera, one may also discover on a different spoke a list of all the works in which the singer of an aria appeared. Users can create accounts to collect previous discoveries in one place.


OSMIKON

Website: https://www.osmikon.de/metaopac/refineSearch.do?id=author_facet&methodToCall=filterSearch&subval=CenterForWorldMusic

This search engine (in German) for literature on world music concentrates on music from South, Central, and Eastern Europe but covers myriad other places (Bolivia, Bulgaria, Vietnam, Bollywood dance) and theoretical perspectives on a broad range of topics. It forms part of the Virtuelle Fachbibliothek Osteuropa (Virtual Library of Eastern Europe). Searches for the word "Musik" serve as an orientation.


Machaut (Mirador) Viewer

Website: http://machautsociety.org/static_pages/mirador.html

The International Machaut Society takes good advantage of the open-source Mirador Viewer to enable users to compare IIIF-compliant digitized images of the music and poetry of the fourteenth-century French composer Guillaume Machaut. The tool (used in many projects outside the field of music) facilitates leafing through multiple sources on a single screen. A comprehensive (flat) listing, searchable via numerous drop-down menus, integrates additional digitized sources. The Society website contains links to further materials and projects pertinent to the composer.


Munich Digital Manuscript Collection

Website: http://www.digitale-sammlungen.de/index.html?c=sammlungen&kategorie_sammlung=1&l=de

The collection of digital materials grows so rapidly that any listing of individual collections within it is doomed to be incomplete. Several projects are cooperative. The historical foundation rests on the Middle Ages and Renaissance, with much emphasis is given to religious figures and documents (e.g. at Europeana Regia). A combined search engine (http://www.digital.collections.de) for all the digitized materials in the Bavarian State Library is currently under development.


MusicBrainz

Website: http://www.musicbrainz.org

The MusicBrainz Database is an open-source reference for recordings providing relational searches for artists, releases, recordings, works, labels, and connections between them. Users can annotate, tag, and rate individual items. This open-source database is downloadable. The host MetaBrainz Foundation offers a sliding scale of memberships progressing from academic to commercial.


Musiconn Score Search

Website: https://https://scoresearch.musiconn.de/ScoreSearch

The Musiconn Score Search is the latest in a series of note-search engines. It attempts to search manuscript and printed sources included in the ViFaMusik website. It is a very ambitious project, but the search mechanisms are works in progress. It currently (9/22) lacks enharmonic discrimination and does not anchor searches to any bar or voice. Some of the notation displayed is confused by ledger lines. When it works correctly, it may link the user to an exact location in an old print, which, because it is out-of-copyright, may be downloaded.


Musiekschatten (Music Treasures)

Website: https://www.muziekschatten.nl

This archive of Netherlands Radio sheet music (Hilversum NL) contains nearly 450,000 scores of classical, light, and popular music (including manuscripts) played on Dutch radio and television since the 1920's. All of the 65,000 digitised titles can be viewed online. The WWII and Salon music-collections can be downloaded in PDF-format, while other parts of the digitised collection can be downloaded only by members (at € 20 p.a.). (Most holdings are under copyright.) The website is based on Linked Open Data (https://data.muziekschatten.nl/som/) and is in Dutch. Good starting points are the general search page (https://www.muziekschatten.nl/search) and the genres page.


Open Music Library

Website: http://www.openmusiclibrary.org

(Closed 26 May 2020) Alexander Street's Open Music Music interleaved open-access and licensed-access materials (digitized scores, recordings, and basic descriptive materials) into a very large aggregation of third-party repositories. Even with restricted access to many recordings, the sheer size of the collection was impressive.


Peachnote Music n-Gram Viewer

Website: http://www.peachnote.com/#!nt=singleNoteAffine&npq=62+0+1+2+0+-2+-1+-2

This MIDI-based search system developed by Vladimir Vero plumbs a number of score aggregations, such as IMSLP to produce a general overview of short melodic phrases.


RISM: Répertoire International des Sources Musicales

RISM, founded in 1952, seeks to provide access to musical sources, both manuscript and in print. It increasingly includes writings on music theory and printed libretti. Now in its eighth decade, a major overhaul in 2022 offers a new working paradigm. Recent efforts have also focused on linking textual and musical content in searches. Additional details can be found in a dedicated issue of Fontes Artis Musicae. Search interfaces are offered in English, French, and German.

RISM user resources

RISM has these search tools:

  • RISM Info gives news announcements and a central portal to pursue organizational information. Many important announcements of source discoveries have appeared here in recent years.
  • RISM OPAC is the online catalogue for musical incipits from printed and manuscript sources. It now offers a combined catalogue based on dozens of separate national projects. In July 2023 it included citations to almost 1,500,000 musical sources. Several help guides are available.
  • RISM Online enables word searches across all RISM properties including musical-incipit searches. Searches can be confined to holdings of one country. Word searches are useful for finding individual contributions to pastiches and other hand-to-classify works. RISM Online also reports

RISM Operations

RISM now has multiple administrative structures.

  • RISM Info has branches for MUSCAT, the course-based catalogue, and working groups. MUSCAT is responsible for coordinating information of different kinds and from different national collections. Substantial contributions from France, Germany, Switzerland, and the United Kingdom formed the original core of the database. Roughly half of sources anticipated in the complete inventory are currently available for online access. Working groups, currently operating in 35 countries, identify and catalogue sources. Those interested in contributing to RISM's efforts may contact a local representative by looking here. Some working-group catalogues can still be found online.
  • The RISM Editorial Center, or Zentralredaktion, in Frankfurt supports editorial groups and provides help with enabling software.
  • The RISM Digital Center, established in 2021 in Bern, manages the development of MUSCAT and interfaces with servers in Berlin and Munich. The digital center, which is supported by the Swiss National Science Foundation, also develops and maintains Verovio, an open-source MEI score renderer as well as interfaces to other digital musical score formats such as Humdrum

RISM Musical Incipit Search and Online Digital Score Links

Website: RISM Advanced Incipit Search

Two of the most often used features of the RISM catalogue are its musical-incipit search tool (at the Advanced link shown above) and its link to manuscript scores digitized by holding libraries. Most of the online-source links come from sources in such places as Dresden and Berlin, with many more locations awaiting catalogue links. When it comes to finding sources of uncertain authorship, the incipit search has proved its worth many times over.

The incipit search tool, with its sliders for fuzzy searches, was modeled on the Themefinder search developed at CCARH in 1996–1999 by David Huron, Craig Sapp, and Andreas Kornstaedt. Laurent Pugin instituted to slider interface, and the graphical keyboard was introduced by the Munich RISM office. The integrated whole was implemented in MUSCAT in 2010, then subject to numerous tests, comparisons, and revisions.


Schoenberg Database of Manuscripts

Representation of the Virgin from a Book of the Hours by the Master of Privileges, Ghent and Flanders, 1440-45 (Art Institute of Chicago).

Website: http://dla.library.upenn.edu/dla/schoenberg/index.html

This project of the Schoenberg Institute of Manuscript Studies at the University of Pennsylvania is for medieval studies what RISM is for music studies: It provides a comprehensive inventory of manuscripts up to the year 1600. Listings can currently be focused on any of 26 categories of description including date, place, language, library, provenance, liturgical use, vendor, artist, and many physical descriptors. Within each category searches can be narrowed by the same and similar terms. Although many of the items of musical relevance listed here may appear in DIAMM and other inventories, much of the information appears to be complementary. Although no links to digitized sources are given, the database has the inherent value of providing a rapid impression of the prevalence and/or spread of certain kinds of materials. As one example, almost 15,000 Books of Hours are listed. The advanced search feature is elegantly articulated to support with myriad text and numeric search combinations. The beta version has been online since August 2016. Periodic uploads are planned.


SIMSSA

Website: https://simssa.ca

The Single Interface for Music Score Searching and Analysis project (SIMSSA), based at McGill University, is teaching computers to recognize the musical symbols in digital images of musical scores. Scans of music prints and manuscripts are processed, and their contents (both text and music) are entered into a searchable format that can be studied, analyzed, and performed. Projects include:

Start of search results listing for the pitch sequence C-D-E-F-E in the searchable Liber Usualis.
  • Cantus Ultimus shares with other McGill music projects a reliance on optical recognition of both text and music. Otherwise it builds on the digital infrastructure of the existing [http://cantus.uwaterloo.ca/ CANTUS database} one of the oldest and most important scholarly music databases in the world. It is also part of Cantus Index network (see under Databases). The title Cantus Ultimus signifies the amalgamation of tools and data a research environment in which manuscript music and text are fully searchable. At present the manuscript browsing interface enables searches by neume names, pitch names, and text within select prototype manuscripts.
  • The searchable Liber Usualis, based on optical recognition of both text and music, is an invaluable reference in defining the chants appropriate to the specific feasts that define the liturgical year. Many of these chants were used pervasively in polyphonic compositions of the Renaissance, but identifying chants can be difficult.
  • ELVIS: Electronic Locator of Vertical Interval Successions grows out of contrapuntal theories of the Renaissance, in which vertical sonorities (Vertical Interval Successions, or VIZ) between adjacent voices were emphasized. The VIZ component is a Python package that uses the music21 and pandas libraries to build a flexible and system for writing music-analysis programs. It operates on a database of pieces that extend well beyond the Renaissance. The search-form prototype allows users to check off features of the intended analysis.


Song Helix (repertory search)

Website: https://www.songhelix.com

Song Helix is a comprehensive art song database site for researching for vocal repertory (a) for a specific voice and (b) in as many manifestations as can be found online. These include scores, lyrics, digitized images, poetic themes, and audio renditions, accompanied by various metadata fields such as vocal range, original key, original language, and the contributing entity. Caveat lector: citations may lead to public-domain or commercial sources. Developed and maintained by the University of Utah.


Themefinder: Music-Incipit Search

Website: http://www.themefinder.org

Music-search categories in Themefinder.

The Themefinder search engine was prototyped at CCARH in 1996 by David Huron, Andreas Kornstädt, and Walter B. Hewlett. A large number of Stanford University students including Unjung Kim and Leigh VanHandel plus visiting students including Bret Aarden participated in its early development. The search engine was originally developed to study user behavior. Over the intervening years it has been used for a large statistical study of search-efficiency. The current search engine was built and is maintained by Craig Stuart Sapp.

Themefinder contains several repertories, most of which are publicly viewable and searchable. The principal repertories are Folk, Classical, and Renaissance. Although more than 100,000 incipits and associated metadata are present in the database, users may select just one. "Hits" satisfying search-criteria can be collected on the Themefinder Clipboard and can be exported.

Incipits can be searched at five points on a continuing from the most specific to the fuzziest. Filter for meter, mode, and key may be used. MIDI files are available for each entry. Help menus are available at the website. Those interested in contributing an encoded repertory to Themefinder should describe the existing repertory and format in a query letter.

Related literature: "Search-Effectiveness Measures for Symbolic Music Queries in Very Large Databases" (Craig Stuart Sapp, Yi-Wen Liu, and Eleanor Selfridge-Field, ISMIR Proceedings 2004)


Vocal Music Instrumentation Index (VMII)

Website: https://www.vmii.org

Performers often wish they could easily locate selections featuring their chosen instrument.The information is elusive. Multimovement works usually have summary descriptions. Although the content here is textual only, performers can quickly locate appropriate repertory at the single-movement level. Currently more than 12,500 listings are included, with headings for specific instruments, composers, etc. Teachers and historians will also find this index to be very helpful. The European Early Music Network awarded this site its New Technology Prize.


World Digital Library

A fragment from a chorus in Euripedes' Orestes in the Austrian National Library.

Website: http://www.wdl.org

This UNESCO-sponsored listing of digitized sources includes a number of significant musical works in single-item digitizations. The first chorus of Euripedes' Orestes (408 BCE, from the Austrian National Library) represents the oldest contribution found here. Although the source is necessarily deteriorated, vocal and instrumental symbols can be seen within it.

The start of the third part (Paradise) of Dante Alighieri's Divina Commedia (Divine Comedy) as copied by Giovanni Boccaccio (after 1348) in the Biblioteca Riccardiana (Riccardiana Library), Florence].

Other WDL holdings include numerous sacred vocal works from the Ars Nova and Renaissance, German operettas, and twentieth-century sheet music. More than 2,700 historical maps from all parts of the world, a handful of treatises on music and music theory (including later colored drawings of St. Jerome's "Instruments of Hieronymous" (before 420 CE), and a seventeenth-century manual on the Chinese zither (quin) are found among a lengthy list of other holdings useful to music scholars.

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