Eleanor Selfridge-Field: Talks and Publications

This webpage supplements http://www.stanford.edu/~esfield

Historical Musicology and Cultural History

• “Vivaldi’s Maternal Line,” Studi vivaldiani 15 (2015). In press.

• “Bernardo Canal, Visual Dramatist,” forthcoming.

• “Schulenburg, Corfù, and the Dating of Vivaldi’s Juditha triuphans”, Studi vivaldiani, special issue, forthcoming.

• [Reivew of] Federico Maria Sardelli, Catalogo delle concordanze musicali vivaldiani (Olschki, 2012), forthcoming in Il saggitore musicale.

• “Bernardo Canal and Antonio Vivaldi,” Venice Baroque Music Center, Palazzo Loredan, Venice, 2012. [no authorized publication]

• “Marcello’s Orientalism” in Psalmen: Kirchenmusik zwischen Tradition, Dramatik, und Experiment, ed. Helen Geyer und Birgit Johanna Wertenson with Michael Pauser. Cologne, Weimar, Vienna: Böhlau Verlag, 2014, pp. 205-222.

• “In memoriam Giovanni Morelli,” tr. Miriam Fanna, Studi vivaldiani 12 (2011).

• “Venice” for the Händel Lexikon (v. 6 of 6), Laaber Verlag (DE) 2011.

• “Vivaldi” for the New Catholic Encyclopedia Supplement, ed. Robert L. Fastiggi. 2 vols. Detroit (US): Gale Research, 2011, v. II, 808-810.

Digital Musicology

• “Search engines for digitally encoded scores,” Early Music 42/4, (2014), 591-598. doi:10.1093/em/cau099.

• “In memoriam Leland Smith,” Computer Music Journal 2014.

• "Between an Analogue Past and a Digital Future: The Evolving Digital Present," Wissenschaft im Digitalen Zeitalter: Symposium der Virtuellen Fachbibliothek Musikwissenschaft, Göttingen (DE), 2012. Based on GfMf keynote address, Göttingen, 12 September 2012. Preliminary version given at SIMSSA meeting, McGill University, Montréal, Québec (CA), 28 July 2012.

• [With Craig Sapp] “Browsing Beethoven’s Harmonic Usage,” Die Tonkunst: Magazin für Klassische Musik und Musikwissenschaft 5/3 (Juli 2011), 301-304.

Intellectual and Cultural Property; Cognition

• “Cognition, early polyphony, and interdisciplinary musicology”, introduction to the special issue of Journal of Interdisciplinary musicology, ed. Barbara Tilmann and Frans Wiering, forthcoming.

• “Associative aspects of perceived musical similarity and the intersections with seconda-prattica affetti” in A fresco: Mélanges offerts au professeur Etienne Darbellay, ed Brenno Boccadoro & George Starobinski (Bern: Peter Lang, 2014), 433-454.