Eleanor Selfridge-Field: Talks and Publications

This webpage supplements http://www.stanford.edu/~esfield

Historical Musicology and Cultural History

• “Vivaldi’s Maternal Line,” Studi vivaldiani 15 (2015). In press.

• “Bernardo Canal, Visual Dramatist,” forthcoming.

• “Schulenburg, Corfù, and the Dating of Vivaldi’s Juditha triuphans”, Studi vivaldiani, special issue, forthcoming.

• “Bernardo Canal and Antonio Vivaldi,” Venice Baroque Music Center, Palazzo Loredan, Venice, 2012. [no authorized publication]

• “Marcello’s Orientalism” in Psalmen: Kirchenmusik zwischen Tradition, Dramatik, und Experiment, ed. Helen Geyer und Birgit Johanna Wertenson with Michael Pauser. Cologne, Weimar, Vienna: Böhlau Verlag, 2014, pp. 205-222.

• “In memoriam Giovanni Morelli,” tr. Miriam Fanna, Studi vivaldiani 12 (2011).

Digital Musicology

• “In memoriam Leland Smith,” Computer Music Journal 2014.

• ["Between an Analogue Past and a Digital Future: The Evolving Digital Present," Wissenschaft im Digitalen Zeitalter: Symposium der Virtuellen Fachbibliothek Musikwissenschaft, Göttingen (DE), 2012. Based on GfMf keynote address, Göttingen, 12 September 2012. Preliminary version given at SIMSSA meeting, McGill University, Montréal, Québec (CA), 28 July 2012.

Intellectual and Cultural Property; Cognition

• “Cognition, early polyphony, and interdisciplinary musicology”, introduction to the special issue of Journal of Interdisciplinary musicology, ed. Barbara Tilmann and Frans Wiering, forthcoming.

• “Associative aspects of perceived musical similarity and the intersections with seconda-prattica affetti” in A fresco: Mélanges offerts au professeur Etienne Darbellay, ed Brenno Boccadoro & George Starobinski (Bern: Peter Lang, 2014), 433-454.