Template:DRM portals

How does one search for musical content that cannot be located by metadata? These websites, each of which employs a different approach, will show you how.

Cantorales de la Biblioteca Nacional de Espana

Website: Cantorales de la Biblioteca Nacional de Espana

This search site for individual chants found in Canorales (choir books) of Spanish libraries can be searched by text or musical incipit. (Click on the musical staff and enter at least two notes to see how the music search works.) The advanced search (Busqueda avanzada) provides a dozen fields, including feast days.

Cantus Index

Website: Cantus Index

This aggregation at the University of Waterloo (CA) performs melodic searches in several collections of chant data encoded according the principles of the Cantus database network. It is expanding from antiphoners and breviaries to manuscript sources containing Mass sections and sequences. The databases currently searched are these:

• CANTUS (now maintained by Debra Lacoste, University of Waterloo)
• Portuguese Early Music Database (Manuel Pedro Ferreira, Lisbon)
• Slovakian Early Music Database (Eva Veselovskà, Bratislava)
• Gradualia Project (Gàbor Kiss, Budapest)
• Fontes Cantus Bohemiae (Jan Kolacek and David Eben, Prague)
• Cantus Planus in Polonia (Bartosz Izbicki, Warsaw)

User contributions are welcomed.

Dutch Song Database and Search Engine (Nedelandse Liederenbank)

Website: Liederenbank (Dutch Song Search Engine)

The Dutch Song database (Nederlandse Liederenbank) lists 150,000 songs in Dutch and Flemish from the middle ages through the 20th century. It includes love songs, satirical songs, Beggar songs, psalms and other religious songs, folksongs, children's songs, holiday songs, and much else. Among the other searches supported, its melodic search engine is particularly effective.

Sources include sources for all these songs are songbooks, songsheets (broadsides), song manuscripts and fieldwork recordings. The Meertens Institute (Amsterdam) compiled the database, which is now maintained by the Centre for Documentation and Research on Dutch Song. The impetus for starting the project came from the Utrecht ensemble Camerata Trajectina, which has now donated its recordings to the website. In 2014 the project was awarded the Dutch Data Prize in Humanities and Social Sciences.

e-manuscripta

Website: e-manuscripta

Leaf from an anonymous manuscript introduction to the recorder preserved in the Basel University Library and available through e-manuscripta.ch in source F_X-3.].

This comprehensive portal for materials in Swiss libraries serves scores, photographs, letters, pedagogical materials, and much else. The five-leaf recorder tutor (from a sixteenth-century manuscript) shown at the side represents its heterogeneity, which also extends to sixteenth-century part-books, organ tablatures, correspondence by Martin Luther, photographs of Ferruccio Busoni, and a thousand maps.

Europeana: Search Engine for European (Music) Sources

Website: Europeana

This umbrella site for European digitization projects covers a great deal besides music. To start, limit the search by an obvious word for music (musique, musica, Musik, etc.). This will give you an idea of how to further limit the search. Europeana is updated often. Among the items that should be visible are music prints, manuscripts, newspapers dedicated to music, sheet-music, audio files, etc. Since Europeana is an aggregation, it provides links back to the sponsoring libraries that hold the original sources. The site can be searched in many languages.

Gallica

Website: Gallica

Gallica provides access to an enormous array of digitized materials from all periods of French history and many aspects of French musical life in addition to great quantities of non-musical material. Among its highlights are illuminated manuscripts containing the poetry (much of it set to music by Guillaume Machaut), manuscripts of the operas Francesco Cavalli composed for the wedding of Louis XIV (1660-62), a very large amount of music printed in France in the eighteenth and nineteenth centuries, and important documentation for theatrical history.

Global Chant

Website: Global Chant

Have you ever tried to identify a chant melody or to find all the settings of one text incipit? Global Chant will reduce the frustration. At the Search link you can enter the pitches on the virtual staff. Under Links you can pursue data at related sites. (Some not otherwise represented here are AISCGRE, Cantus Augusta, CURSUS, LIMVP, and Melodiarium Hymnolodicum Bohamiae.) At the Forum you can exchange information with other researchers. Jan Kolacek has developed this site in course of his graduate studies at Charles University, Prague.

The Internet Culturale

Website: Internet Culturale

An umbrella site for digitized materials in Italian libraries. The riches of Italy's collective Internet Culturale (cultural internet) are difficult to overstate. A vast span of different kinds of graphically reproduced material will be found here. All of it is accompanied by generous supplies of metadata from cataloguing records. While one may be able to find a specific item such as an opera, one may also discover on a different spoke a list of all the works in which the singer of an aria appeared. Users can create accounts to collect previous discoveries in one place.

Machaut (Mirador) Viewer

Website: Machaut (Mirador) Viewer

The International Machaut Society takes good advantage of the open-source Mirador Viewer to enable users to compare IIIF-compliant digitized images of the music and poetry of the fourteenth-century French composer Guillaume Machaut. The tool (used in many projects outside the field of music) facilitates leafing through multiple sources on a single screen. A comprehensive (flat) listing, searchable via numerous drop-down menus, integrates additional digitized sources. The Society website contains links to further materials and projects pertinent to the composer.

Munich Digital Manuscript Collection

Website: Munich Digital Library Manuscripts

The collection of digital materials grows so rapidly that any listing of individual collections within it is doomed to be incomplete. Several projects are cooperative. The historical foundation rests on the Middle Ages and Renaissance, with much emphasis is given to religious figures and documents (e.g. at Europeana Regia). A combined search engine (http://www.digital.collections.de) for all the digitized materials in the Bavarian State Library is currently under development.

Peachnote Music n-Gram Viewer

Website: Peachnote n-Gram Viewer

This MIDI-based search system developed by Vladimir Vero plumbs a number of score aggregations, such as ISMLP to produce a general overview of short melodic phrases.

RISM Music Manuscript Inventory

Website: RISM Music Manuscript Inventory

This inventory of musical manuscripts in roughly 60 countries was begun in 1952. It is still growing (under the management of the Répertoire International des Sources Musicales). Coordinated cataloging in based at the RISM Zantralredaktion in Frankfurt, database management and processing at the Berlin State Library, and online implementation at the Bavarian State Library, Munich. RISM's numerous merits are easily discovered through in use. A RISM blog keeps registered users informed of current activities. RISM has working groups on most continents. Much material currently contained in RISM books will (with updating) find its way online over the coming years. Those interested in contributing to RISM's efforts may contact a local representative by looking here. Other RISM cataloguing projects are in transition to online presentations. One of them (A1: Printed anthologies of music before 1800) are now integrated in the RISM OPAC (online catalogue sited above). Several country-specific websites sited below offer alternative organizations and search tools for holdings. Some also include related materials or an expanded date range.

RISM France (RISM FR)

Website: [http://neuma.huma-num.fr/corpus/rism RISM France (RISM FR)

RISM France, under the direction of Laurence Decobert, is currently cataloguing music manuscripts up to 1800 in the Bibiliothèque Nationale de France. Holdings are particularly rich in works by Joseph and Michael Haydn, Chr. W. Gluck, Fr-J. Gossec, and J-Ph. Rameau. At present close to 1,350 manuscripts have been entered. Entries have links to several formats including MIDI files (and displays) of musical incipits.

RISM Ireland (RISM IE)

Website: [http://www.rism-ie.org/ RISM Ireland (RISM IE)

The Society of Musicology in Ireland (Eire) is the sponsor of this cataloging initiative. Its search tools are modeled on those of the UK site. At present works by 265 composers are represented. Associated collections with listings in progress include Music in the Irish Country House and Music in the National Library of Ireland.

RISM Switzerland (RISM CH)

Website: RISM Switzerland

The RISM Switzerland is the Swiss database of the Repertoire International des Sources Musicales (http://www.rism.info). This database contains additional material that is not listed in the international database (http://opac.rism.info), including sources from the 19th and 20th century.

RISM United Kingdom (RISM UK)

Website: RISM United Kingdom (RISM UK)

The United Kingdom RISM site has a number of special features: cross-links with Early Music Online; an impressive image gallery, useful for quick comparison of handwriting and paper; a lookup table for places of publication; and useful collection-level clusters of indexing. UK manuscripts were the earliest sources to be catalogued by RISM, and the depth of information reflects almost 50 years of accrual.

Schoenberg Database of Manuscripts

Representation of the Virgin from a Book of Hours by the Master of Privileges, Ghent and Flanders, 1440-45 (Art Institute of Chicago)..

Website: Schoenberg Database of Manuscripts

This project of the Schoenberg Institute of Manuscript Studies at the University of Pennsylvania is for medieval studies what RISM is for music studies: It provides a comprehensive inventory of manuscripts in all areas of the humanities up to the year 1600. Listings can currently be focused on any of 26 categories of description including date, place, language, library, provenance, liturgical use, vendor, artist, and many physical descriptors. Within each category searches can be narrowed by the same and similar terms. Although many of the items of musical relevance listed here may appear in DIAMM and other inventories, much of the information appears to be complementary. Although no links to digitized sources are given, the database has the inherent value of providing a rapid impression of the prevalence and/or spread of certain kinds of materials. As one example, almost 15,000 Books of Hours are listed. The advanced search feature is elegantly articulated to support with myriad text and numeric search combinations. The beta version has been online since August 2016. Periodic uploads are planned.

Themefinder: Music-Incipit Search

Website: Themefinder

Music-search categories in Themefinder.

The Themefinder search engine was prototyped at CCARH in 1996 by David Huron, Andreas Kornstädt, and Walter B. Hewlett. A large number of Stanford University students including Unjung Kim and Leigh VanHandel plus visiting students including Bret Aarden participated in its early development. The search engine was originally developed to study user behavior. Over the intervening years it has been used for a large statistical study of search-efficiency. The current search engine was built and is maintained by Craig Stuart Sapp.

Themefinder contains several repertories, most of which are publicly viewable and searchable. The principal repertories are Folk, Classical, and Renaissance. Although more than 100,000 incipits and associated metadata are present in the database, users may select just one. "Hits" satisfying search-criteria can be collected on the Themefinder Clipboard and can be exported.

Incipits can be searched at five points on a continuing from the most specific to the fuzziest. Filter for meter, mode, and key may be used. MIDI files are available for each entry. Help menus are available at the website. Those interested in contributing an encoded repertory to Themefinder should describe the existing repertory and format in a query letter.

Related literature: "Search-Effectiveness Measures for Symbolic Music Queries in Very Large Databases" (Craig Stuart Sapp, Yi-Wen Liu, and Eleanor Selfridge-Field, ISMIR Proceedings 2004)

World Digital Library

A fragment from a chorus in Euripedes' Orestes in the Austrian National Library.

Website: World Digital Library

This UNESCO-sponsored listing of digitized sources includes a number of significant musical works in single-item digitizations. The first chorus of Euripedes' Orestes (408 BCE, from the Austrian National Library) represents the oldest contribution found here. Although the source is necessarily deteriorated, vocal and instrumental symbols are found within it.

The start of the third part (Paradise) of Dante Alighieri's Divine Comedy as copied by Giovanni Boccaccio (after 1348) in the Ricciardiana Library, Florence.

Other WDL holdings include numerous sacred vocal works from the Ars Nova and Renaissance, German operettas, and twentieth-century sheet music. Other highlights include more than 2,700 historical maps from all parts of the world, a handful of treatises on music and music theory (including later colored drawings of St. Jerome's "Instruments of Hieronymous" (before 420 CE) and a seventeenth-century manual on the Chinese zither (quin).