Difference between revisions of "Eleanor Selfridge-Field: Talks and Publications"

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* "Hybrid Critical Editions of Opera: Motives, Milestones, and Quandries," <i>Notes: The Journal of the Music Library Association</i>, v. 72/1 (2015-16), 9-21.   
 
* "Hybrid Critical Editions of Opera: Motives, Milestones, and Quandries," <i>Notes: The Journal of the Music Library Association</i>, v. 72/1 (2015-16), 9-21.   
  
* Keynote: "The Evolving Uses of Encoded Music," Music Encoding Conference (MEC) 2015, Florence, May 19, 2015.
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* Keynote: "Does musical notation have a cultural centre?," [http://tenor2015.tenor-conference.org/program.html#keynote First International Conference on Technologies for Music Notation and Representation (TENOR)], Paris, 28-30 May, 2015.
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* Keynote: "The Evolving Uses of Encoded Music," [http://music-encoding.org/wp-content/uploads/2015/06/MEC2015_program.pdf Third International Conference on Music Encoding], Florence, 18-21 May, 2015.
  
 
* [http://em.oxfordjournals.org/content/42/4/591.full.pdf+html “Search engines for digitally encoded scores"], <i>Early Music</i> 42/4, (2014), 591-598.  doi:10.1093/em/cau099.   
 
* [http://em.oxfordjournals.org/content/42/4/591.full.pdf+html “Search engines for digitally encoded scores"], <i>Early Music</i> 42/4, (2014), 591-598.  doi:10.1093/em/cau099.   

Revision as of 20:55, 22 July 2015

This webpage supplements http://www.stanford.edu/~esfield

Recent interview by Michelle Ponto on the Frontiers blog

Historical Musicology and Cultural History

  • “Vivaldi’s Maternal Line” [with Margherita Gianola] Studi vivaldiani 15 (2015). In press.
  • “Bernardo Canal, Visual Dramatist,” forthcoming.
  • “Schulenburg, Corfù, and the Dating of Vivaldi’s Juditha triumphans”, Studi vivaldiani, special issue, ed. Alessandro Borin, forthcoming.
  • “Venetian Instrumental Music in the Sixteenth Century” in A Companion to Music in Sixteenth-Century Venice, ed. Katelijne Schiltz. Leiden: Brill, forthcoming.
  • [Review] Federico Maria Sardelli, Catalogo delle concordanze musicali vivaldiani (Olschki, 2012), forthcoming in Il saggitore musicale.
  • “Bernardo Canal and Antonio Vivaldi,” Venice Baroque Music Center, Palazzo Loredan, Venice, 2012. [no authorized publication]
  • “Marcello’s Orientalism” in Psalmen: Kirchenmusik zwischen Tradition, Dramatik, und Experiment, ed. Helen Geyer und Birgit Johanna Wertenson with Michael Pauser. Cologne, Weimar, Vienna: Böhlau Verlag, 2014, pp. 205-222.
  • “In memoriam Giovanni Morelli,” tr. Miriam Fanna, Studi vivaldiani 12 (2011).
  • “Venice” for the Händel Lexikon (v. 6 of 6), Laaber Verlag (DE) 2011.
  • “Vivaldi” for the New Catholic Encyclopedia Supplement, ed. Robert L. Fastiggi. 2 vols. Detroit (US): Gale Research, 2011, v. II, 808-810.
  • "Dating Venetian Operas: Implications and Quandaries for Vivaldi Studies," Antonio Vivaldi: Passato e futuro, ed. Francesco Fanna and Michael Talbot (Venice: Fondazione Giorgio Cini onlus, 2009), online at this link. ISBN: 978-88-96445-00-6.

Digital Humanities and Musicology

  • "Il Maeftro di Mufica, or Quality Control in the Virtual Library," Fontes Artis Musicae, v. 62/3 (2015), 63-77.
  • "Hybrid Critical Editions of Opera: Motives, Milestones, and Quandries," Notes: The Journal of the Music Library Association, v. 72/1 (2015-16), 9-21.
  • [With Craig Sapp] “Browsing Beethoven’s Harmonic Usage,” Die Tonkunst: Magazin für Klassische Musik und Musikwissenschaft 5/3 (Juli 2011), 301-304.

Cognitive, Intellectual, and Cultural Aspects of Music

  • “Cognition, early polyphony, and interdisciplinary musicology”, introduction to the special issue of the Journal of Interdisciplinary Musicology, ed. Barbara Tilmann and Frans Wiering, forthcoming.
  • “Associative aspects of perceived musical similarity and the intersections with seconda-prattica affetti” in A fresco: Mélanges offerts au professeur Etienne Darbellay, ed Brenno Boccadoro & George Starobinski (Bern: Peter Lang, 2014), 433-454.