Difference between revisions of "Eleanor Selfridge-Field: Talks and Publications"
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* "<i>Il Maeftro di Mufica</i>, or Quality Control in the Virtual Library," <i>Fontes Artis Musicae</i>, v. 62/3 (2015), 63-77. | * "<i>Il Maeftro di Mufica</i>, or Quality Control in the Virtual Library," <i>Fontes Artis Musicae</i>, v. 62/3 (2015), 63-77. | ||
| − | * "Hybrid Critical Editions of Opera: Motives, Milestones, and Quandries," <i>Notes: The Journal of the Music Library Association</i>, v. 72 (2015-16) | + | * "Hybrid Critical Editions of Opera: Motives, Milestones, and Quandries," <i>Notes: The Journal of the Music Library Association</i>, v. 72/1 (2015-16), 9-21. |
* Keynote: "The Evolving Uses of Encoded Music," Music Encoding Conference (MEC) 2015, Florence, May 19, 2015. | * Keynote: "The Evolving Uses of Encoded Music," Music Encoding Conference (MEC) 2015, Florence, May 19, 2015. | ||
Revision as of 01:44, 15 July 2015
This webpage supplements http://www.stanford.edu/~esfield
Historical Musicology and Cultural History
- “Vivaldi’s Maternal Line” [with Margherita Gianola] Studi vivaldiani 15 (2015). In press.
- “Bernardo Canal, Visual Dramatist,” forthcoming.
- “Schulenburg, Corfù, and the Dating of Vivaldi’s Juditha triuphans”, Studi vivaldiani, special issue, forthcoming.
- “Instrumental Music” in Venetian Music in the Sixteenth Century , ed. Katelijne Schiltz. Forthcoming.
- [Review] Federico Maria Sardelli, Catalogo delle concordanze musicali vivaldiani (Olschki, 2012), forthcoming in Il saggitore musicale.
- “Bernardo Canal and Antonio Vivaldi,” Venice Baroque Music Center, Palazzo Loredan, Venice, 2012. [no authorized publication]
- “Marcello’s Orientalism” in Psalmen: Kirchenmusik zwischen Tradition, Dramatik, und Experiment, ed. Helen Geyer und Birgit Johanna Wertenson with Michael Pauser. Cologne, Weimar, Vienna: Böhlau Verlag, 2014, pp. 205-222.
- “In memoriam Giovanni Morelli,” tr. Miriam Fanna, Studi vivaldiani 12 (2011).
- “Venice” for the Händel Lexikon (v. 6 of 6), Laaber Verlag (DE) 2011.
- “Vivaldi” for the New Catholic Encyclopedia Supplement, ed. Robert L. Fastiggi. 2 vols. Detroit (US): Gale Research, 2011, v. II, 808-810.
Digital Humanities and Musicology
- "Il Maeftro di Mufica, or Quality Control in the Virtual Library," Fontes Artis Musicae, v. 62/3 (2015), 63-77.
- "Hybrid Critical Editions of Opera: Motives, Milestones, and Quandries," Notes: The Journal of the Music Library Association, v. 72/1 (2015-16), 9-21.
- Keynote: "The Evolving Uses of Encoded Music," Music Encoding Conference (MEC) 2015, Florence, May 19, 2015.
- “Search engines for digitally encoded scores", Early Music 42/4, (2014), 591-598. doi:10.1093/em/cau099.
- “In memoriam Leland Smith", Computer Music Journal 38/2 (2014), 5-7.
- "Between an Analogue Past and a Digital Future: The Evolving Digital Present," Wissenschaft im Digitalen Zeitalter: Symposium der Virtuellen Fachbibliothek Musikwissenschaft, Göttingen (DE), 2012. Based on GfMf keynote address, Göttingen, 12 September 2012. Preliminary version given at SIMSSA meeting, McGill University, Montréal, Québec (CA), 28 July 2012.
- [With Craig Sapp] “Browsing Beethoven’s Harmonic Usage,” Die Tonkunst: Magazin für Klassische Musik und Musikwissenschaft 5/3 (Juli 2011), 301-304.
Cognitive, Intellectual, and Cultural Aspects of Music
- “Cognition, early polyphony, and interdisciplinary musicology”, introduction to the special issue of the Journal of Interdisciplinary Musicology, ed. Barbara Tilmann and Frans Wiering, forthcoming.
- “Associative aspects of perceived musical similarity and the intersections with seconda-prattica affetti” in A fresco: Mélanges offerts au professeur Etienne Darbellay, ed Brenno Boccadoro & George Starobinski (Bern: Peter Lang, 2014), 433-454.