Difference between revisions of "Bach Cantatas"
Jump to navigation
Jump to search
| (4 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
| − | ==Cantata BWV 11== | + | ==Cantata: <i>Lobet Gott in seinen Reichen</i> (Ascension Oratorio), BWV 11== |
* [http://scores.ccarh.org/bach/bwv11/bwv11score.pdf Score] | * [http://scores.ccarh.org/bach/bwv11/bwv11score.pdf Score] | ||
| Line 5: | Line 5: | ||
* [http://scores.ccarh.org/bach/bwv11/bwv11allparts.pdf Parts] | * [http://scores.ccarh.org/bach/bwv11/bwv11allparts.pdf Parts] | ||
| − | ==Cantata BWV 48== | + | ==Cantata: <i>Ich elender Mensch, wer wird mich erlösen</i>, BWV 48== |
* [http://scores.ccarh.org/bach/bwv48/bwv48score.pdf Score] | * [http://scores.ccarh.org/bach/bwv48/bwv48score.pdf Score] | ||
| Line 11: | Line 11: | ||
* [http://scores.ccarh.org/bach/bwv48/bwv48allparts1.pdf Parts] | * [http://scores.ccarh.org/bach/bwv48/bwv48allparts1.pdf Parts] | ||
| − | == | + | ==<i>Dramma per musica</i>: <i>Hercules auf dem Scheidewege: Lasst uns sorgen, lasst uns wachen</i>, BWV 213== |
| + | |||
| + | This work was composed in 1733 to mark the birthday of the young Saxon prince Friedrich Christian on September 5, 1733. Although considered a <i>dramma per musica</i> because of its secular nature and dramatic stance, it is usually classified as a secular cantata. [http://magnificatbaroque.com/about-magnificat/artistic-director/ Warren Stewart] edited this version for Magnificat Baroque in 2002. | ||
* [http://scores.ccarh.org/bach/bwv213/bwv0213s.pdf Score] | * [http://scores.ccarh.org/bach/bwv213/bwv0213s.pdf Score] | ||
Latest revision as of 23:36, 2 January 2014
Cantata: Lobet Gott in seinen Reichen (Ascension Oratorio), BWV 11
Cantata: Ich elender Mensch, wer wird mich erlösen, BWV 48
Dramma per musica: Hercules auf dem Scheidewege: Lasst uns sorgen, lasst uns wachen, BWV 213
This work was composed in 1733 to mark the birthday of the young Saxon prince Friedrich Christian on September 5, 1733. Although considered a dramma per musica because of its secular nature and dramatic stance, it is usually classified as a secular cantata. Warren Stewart edited this version for Magnificat Baroque in 2002.