Template:DRM manuscripts

Digitized collections of unpublished materials. Grouped under these headings: composers, collections, repertories.

By Composer

Ludwig van Beethoven: Beethoven-Haus, Bonn

Website: Beethoven Haus, Bonn

The digital archive at the Beethoven-Haus, Bonn, contains manuscripts, sketches, letters, pictures, sample sound recordings, and much else. Beethoven lived here, and the physical museum also houses his instrument collection. A recently funded project involving the Beethoven-Haus and the Musikhochschule in Detmold will develop an ambitious "Beethoven Werkstaat" project taking viewers through the development of individual works by way of sketches and editions.

Beethovens Werkstatt (Beethoven's Workshop)

Website: Beethovens Werkstatt

Federica Rovelli and Bernhard Apel examine a digitized Beethoven sketch at the Beethoven-Haus on Nov. 30, 2014. Image from the Forschung in Bonn column of Nachrichten und Bilder aus Bonn.

The ambitious Beethovens Werkstatt project, officially launched in 2014, will between now and 2030 reconstruct (with images and critical notes) the path of development of Beethoven's works from inception to completion. This project is based on the composer's sketch books, which in the digital version are to be carefully annotated with the help of MEI (the Music Encoding Initiative), a markup language for the encoding of musical sources facilitating their citation in critical editions. Bernhard Apel (Beethoven-Haus, Bonn) and Joachim Veit (Musikwissenschaftliches Institut, Detmold/Padlerborn) are the project directors. Johannes Kepper (Edirom project) is centrally involved in the technical development of both Werkstatt and MEI. The link above shows a prototype browser for viewing both manuscript iterations and modern notation for variants in the first movement of Beethoven's C-Minor Piano Sonata Op. 111 in Variants 14–17 (Beethoven-Haus BH 71).

Johannes Brahms (Institute)

Website: Johannes Brahms (Institute)

The Brahms Institute in Lübeck hosts a composite site for autographs, early editions, letters, and other kinds of documentation associated with Brahms. In this last category are such things as concert programs and fragments of music, drawings, and photographs of and by his associates.

The Aaron Copland Collection

Website: The Aaron Copland Collection

Aaron Copland's "Fanfare for the Common Man" (1942): Sketch of the opening bars (electronic resource) from the Library of Congress.

The Aaron Copland Collection, available at the Library of Congress, is an exceedingly rich one that contains every imaginable kind of evidence of the composer's long life (1900–1990)—manuscripts, sketches, typescripts for talks, personal photographs (roughly 5,000 of them), childhood mementos, and letters. Apart from photos, 981 other items can be found here.

Edvard Grieg

Website: Material regarding Edvard Grieg

Shortly before his death Edvard Grieg (1843-1907) arranged for the donation of all his music, letters, and related materials to the Bergen Public Library. The origins of the digitization project date back to 1993, the 150th anniversary of Grieg's birth. Grieg had a deep interest in recording technologies of his time. Starting in 1903 he made nine recordings of his music (on 78s), player-piano rolls from live-performance (Ludwig Hupfeld's Phonola and Welte-Mignon), and the Aeolian Company. For the last he suggested tempo mappings.

Handel's Messiah and other virtual "page-turners" from the British Library

Websites: See below.

The British Library's Virtual Books website contains a number of important manuscripts, the folios of which can be "turned" by the user. In addition to the autograph score of Handel's Messiah, "Sumer is icumen in", the Old Hall manuscript, the manuscript for Book II of J. S. Bach's Well Tempered Clavier, a Purcell anthem for the coronation (1685) of James II, sketches for Beethoven's Sixth ("Pastoral") Symphony, Elgar's "Enigma" Variations, and Mozart's musical diary (Zweig MS 63) are set up in similar fashion. A listing of other viewable musical works can be found here.

Michael Haydn Manuscripts

Website: Michael Haydn Manuscripts

181 comprehensive titles from the Bavarian State Library. The heavy emphasis on liturgical music reflects Haydn's lifetime involvement in church music, mainly in Salzburg and Vienna.

Gustav Mahler Autograph Manuscripts

Website: Mahler Autograph Manuscripts

30 volumes of autograph manuscripts by Gustav Mahler are housed in the Bavarian State Library (Munich). Offerings include Das Knaben Wunderhorn, sketches for three symphonies, and Mahler's correspondence with Emil Hertzka.

Felix Mendelssohn Materials (Library of Congress)

Website: Felix Mendelssohn Materials

Watercolor by Felix Mendelssohn of the Gewandhaus, Leipzig, where he appeared in 1836. Library of Congress #2009546915.

The Library of Congress holds a collection of miscellaneous Mendelssohn memorabilia that includes letters, lithographs, printed, and manuscript music. The illustration here shows a watercolor of the Gewandhaus, Leipzig, by Mendelssohn from the scrapbook of Henriette Grabau, a singer who appeared there when Mendelssohn conducted in 1836. The musical except beneath it comes from the Cherubini's opera Ali Baba. Manuscripts of the Lieder ohne Wörte and the Octet, as well as drawings from his travels in Italy, are among the holdings.

Carl Orff Autograph Manuscripts

Website: Orff Autograph Manuscripts

This collection of manuscript materials (91 titles) documents the musical career of Carl Orff (1895–1982). It includes, Lieder, stage works, modern arrangements of Monteverdi operas, and other materials. Because of continuing copyright restrictions, many items can be consulted only on site in the Bavarian State Library. Nonetheless the detailed listing is valuable in documenting the range of Orff's interests and activities.

Max Reger Autograph Manuscripts

Website: Reger Autograph Manuscripts

Opening bars of Max Reger's four-hand arrangement of Bach's Prelude in Eb Major BWV 552 (1896) from the Bavarian State Library, Mus. Coll. 4.323, f. 5.

The music of Max Reger (1873–1916) occupies a unique place in the keyboard repertory of its time. His organ works are better known than his other music—concertos, Lieder, choral works, and a clarinet quintet. Forty titles are viewable here.

Cipriano de Rore: Illuminated Choirbook from the Court of Albrecht V

Website: Cipriano de Rore: Illuminated Choirbook from the Court of Duke Albrecht V

Bavarian State Library Mus. ms. B(1), showing the soprano incipit of Cipriano de Rore's "Quem vidistis pastores" f. 298.

The brilliant colors and generous proportions of this choirbook, illuminated by Hans Mielich (1516-1573) for the Court of Albrecht V of Bavaria are stunning to behold. It is dated 1559. The books includes portraits of the duke, Duchess Anna, and of the composer. Rore (c. 1515-1565) was mainly active in Italy. He moved to Munich from Ferrara in the summer of 1559, which suggests that the bulk of the motets found here were composed prior to his arrival. Two volumes of his motets had been published in Venice in the 1540s. A further one followed in 1563.

The Arnold Schönberg Center

Website: The Arnold Schönberg Center

The Arnold Schönberg Center in Vienna, which holds a cornucopia of Schönberg memorabilia that extends to film footage of the composer's real-world experiences such as being briefly employed as an auto salesman, his "contacts" list, and personal photographs, provides an online list of works, biographical sources, information on performing rites, and much else.

Strauss Online

Website: Strauss Online

The music of three Johanns (father, son, uncle), one Josef, and one Eduard is represented at this website based at the city library of Vienna. More than 300 works are available here. Almost 200 of them are by Johann Strauss the younger, the waltz king. A few sketches, operettas, marches et al. are included. The minor Strausses composed polkas as well as other short instrumental pieces. Eduard's Theorie der Musik from c. 1845-50 can be downloaded here. An online catalogue of the library's printed works is available here.

Richard Strauss

Website: Richard Strauss: Musical Autographs

Among these 84 titles are numerous sketches, fragmentary compositions, and Lieder. The originals are held in the Bavarian State Library.

Georg Josef Vogler Music Manuscripts

Website: Vogler Music Manuscripts

Abbe Vogler (1749–1814) left a substantial collection of manuscripts (75 titles) that includes chamber and sacred music, concertos and symphonies, plus several items that relate to his opera Castor et Pollux.

Richard Wagner: Notebooks, music manuscripts, and correspondence

Website: Richard Wagner: Notebooks, music manuscripts, and correspondence

This collection of unpublished materials from the archive of the Bavarian State Opera brings Wagner's goals and working habits into our midst. Under 170 rubrics it documents the composer's movements, collaborators, and evolving ideas about music and role of music in society. They also give a more rounded view of his range of interests than many published accounts.

Manuscripts of Ermanno Wolf-Ferrari

Website: Manuscripts of Ermanno Wolf-Ferrari

Ermanno Wolf-Ferrari (1876–1948) followed the path of aspiring students of his time in examining the details of earlier composers' practices. This collection of his manuscripts (175 titles) includes transcriptions of keyboard works by J. S. Bach, sketches of operas, concertos, symphonies, comic operas, a passion, sonatas, string quartets, and other chamber music.

By Collection

Digital Collections in the Berlin State Library

Website: Digital Resources in the Berlin State Library

J.S. Bach's organ prelude in Eb Major BWV 522 in Berlin State Library Mus.ms. Bach P 287 (PPN771817622).

The 7,348 digitized music items at the Berlin State Library website include manuscripts, prints, libretti, poetic texts for Lieder, and much else. Of interest to Beethoven scholars are the composer's conversation books (1820, 1825, 1826). Other offerings include writings by and about Richard Wagner; music in manuscript by Franz Liszt; letters to Clara Schumann by Brahms (and many others); prints, manuscript, and letters by Mendelssohn; and copious amounts of eighteenth-century music, some of it in nineteenth-century manuscript copies.

e-codices: Virtual Manuscript Library of Switzerland

Website: e-codices

Marchettus of Padua: "Tractatus musice speculative", f. 10r, from Einsiedeln Cod. 689(1200), f. 10r.

In many ways e-codices, the Virtual Manuscript Library of Switzerland, is an unsurpassed example of maximal access to fundamental but rarely seen sources. Currently serving almost 1,400 parchments and manuscripts, its online existence began in 2007. Its value to musicology owes partly to a tight coupling between early histories of music and the sources on which these accounts were often based. The digital apparatus is very clearly articulated, and it search by many rubrics is possible. Access to color images of the materials long known only from running-text summaries of them enables users to pose new questions of interpretation. Users can construct new juxtapositions and concatenations of source details in relationships that could not previously be explored. An annotation tool enables users to highlight pertinent findings. e-codices is based on like-named software, which holds the distinction of running equally well on mobile and non-mobile platforms. An author list is available here.

Among its many riches to be found are these rare items:

• Writings of Hucbaldus (840–930) from the Benedictine abbey at Einsiedeln.

• The Ars contrapunctus of Philippe de Vitry (1291–1361) from the Benedictine abbey at Einsiedeln.

• Fragment (in Latin) of a writing by Moses Maimonides (1135–1204).

Recent software enhancements and links for the e-codices newsletter are available. A tablet viewer also exists.

Early Keyboard Manuscripts at Yale

Website: Early Keyboard Manuscripts at Yale

An explanation of keyboard ornaments in the Clavier-Büchlein (Little Keyboard Book) for Wilhelm Friedemann Bach (1720-21) in the Beinecke Library at Yale, Music Deposit 31, f. 3v.

The Beinecke Library at Yale University holds substantial collections of music manuscripts, not all of it digitized to date. Highlights include not only notebooks for members of the Bach family but also chorale settings, manuscripts by Alessandro Scarlatti, seventeenth-century English music for instrumental ensembles, and transcriptions by Ezra Pound. The Orbis catalogue linked includes a wide range of items.

Integrated Database for Early Music (IDEM)

Website: Integrated Database for Early Music (IDEM)

Illuminated Altus part from the workshop of Petrus Alamire for the first Kyrie in the Pierre de la Rue mass reproduced by IDEM from the Mechels Koorboek (Mechelen Stadsarchief, Belgium). The source is dated from 1496 to 1534.

The Integrated Database for Early Music (IDEM), seated in the Musicology Research Unit (Katholieke Universiteit, Leuven), is an interdisciplinary, multifaceted database of manuscripts and printed books. Under the auspices ofthe Alamire Foundation, an international center for the study of music in the Low Countries, IDEM focuses on the musical heritage of these countries from the early Middle Ages until 1800.

The IDEM collection of digital images is coordinated with a central database of primary sources. Images are digitized by the Alamire Digital Lab, which provides high-technology photography at its Centre in Leuven, where state-of-the-art equipment allows musical sources to be photographed following strict quality requirements. Serafina Beck heads the project.

The Juilliard Manuscript Collection

Website: The Juilliard Manuscript Collection

A sketch for the first movement of Gustav Mahler's Ninth Symphony, from the Juilliard Manuscript Collection.

Among its 221 music manuscripts posted online, the Juilliard School possesses many unexpected items and substantial coverage of twentieth-century British and American composers (Samuel Barber, Frank Bridge) and many European composers whose music was popular in the US. Other collections represented at Juilliard include the collections of pianist Arthur Rubinstein and the popular composer of musicals Meredith Wilson (1902–1984).

Music Gifts for the Russian Emperors

Website: Music Gifts for the Russian Emperors

The National Library of Russia has made available this carefully curated collection of music given to Romanov emperors by visitors from France, Italy, Germany, and elsewhere. Many holdings come from Russia, where Western European music was introduced early in the eighteenth century. Holdings come from the 18th–20th centuries. Some of the music was brought by foreign teachers (e.g., Vincenzo Manfredini) for the royal progeny. Many works were provided with dedications to the emperors. Czech and Austrian music flowed copiously into Moscow at the end of the eighteenth century. A "Festival Song" by Felix Mendelssohn has a particularly interesting history, which is related here. The digitized pieces are linked to a database containing information about the social context and pertinent musical detail. The list of manuscripts (using Cyrillic script) can be found here, while a search engine (Roman script) is here. Drop-down lists contain listing in both Cyrillic and Roman, as appropriate, while the popup keyboard facilitates Cyrillic input. Source descriptions are in Russian.

Music Manuscripts in the Bavarian State Library

Website: Music Manuscripts in the Bavarian State Library

This rich collection of 2,697 digitized manuscripts is well endowed with music of the eighteenth and nineteenth centuries. Sample holdings include Alessandro Scarlatti's Missa Clementina, Antonio Caldara's sacred cantata "Gesu Cristo condannato", sacred vocal music by Michael Haydn, Handel's Deidamia, Karl Ditters von Dittersdorf, Dallapiccola, stage works by Richard Strauss, manuscripts of Carl Orff, and much other music.

Music Manuscripts in the Marciana Library

Website: Music Manuscripts in the Marciana Library

Start of Scene XII (Giasone, Medea) of Francesco Cavalli's Giasone, Venice, 1649, from the Marciana National Library autograph MS Internet Culturale, I-Vnm, 0160414, f. 103r.

The "library of St. Mark" (i.e. the Biblioteca Nazionale "Marciana" in Venice) holds acquisitions that have been accumulating since the sixteenth century. Following guidelines widely shared across music libraries in Italy, it has digitized music manuscripts that are most closely tied to Venice's musical history. These include many important sources for seventeenth-century Venetian opera (Francesco Cavalli, Domenico Freschi, Giovanni Legrenzi, Carlo Pallavicino, P.A. and M.A. Ziani (operas can be accessed by act); 66 volumes containing cantatas of the eighteenth century by Benedetto Marcello (471 titles) and his nemesis Antonio Lotti; minuets by Baldassare Galuppi; and all the keyboard sonatas of Domenico Scarlatti (358 titles).

Music Manuscripts Online

Website: Music Manuscripts Online

First page of manuscript selections from a score for C. W. Gluck's Orphée et Euridice (1776-78) in the Morgan Library 114540.

This collection of more than 500 manuscripts at the Morgan Library (New York) comes chiefly from eighteenth- to early twentieth-century composers (including but not limited to J. S. Bach, Beethoven, Brahms, Cherubini, Chopin, Debussy, Fauré, Gershwin, Glinka, Gluck, Handel, Haydn, Herbert, Liszt, Mahler, Massenet, Mendelssohn, Meyerbeer, Mozart, Mussorgsky, Paër, Pergolesi, Puccini, Saint-Saëns, Schubert, Schumann, and Wagner). An integrated browsing tool takes the viewer through music prints and manuscripts.

ORFEUS: The Post-Tridentine Music of Silence in the Cloister of S. Bento de Castris, Evora

Website: The Post-Tridentine Music of Silence in the Cloister of S. Bento de Castris, Evora

Thirteen choirbooks from the sixteenth to the eighteenth centuries in the monastery of S. Bento de Castris, Evora (Portugal), have been digitized by CIDEHUS, the Interdisciplinary Centre for History, Culture, and Societies. Luis Hennriques directs the project. The choirbooks are described individually here.

Music Treasures Consortium

Website: Music Treasures Consortium

This aggregation includes both manuscript and out-of-copyright printed sources in more than a dozen institutions in the US, UK, and Germany. The browsing pages links users to the individual collections. The material is highly diverse but comes principally from the nineteenth century.

Saxon State Library (SLUB), Dresden: Royal Private Music Collection

Website: Royal Private Music Collection, Dresden

This rich collection of the Wettin court, starting from the time of August the Strong and continuing to 1896, when it was donated to the Royal Library, is rich in holdings of sacred vocal music and Italian opera. Today it resides in the Saxon State and University Library (SLUB in the German ordering). The online holdings have been subdivided into these components:

The Opera Archive, which includes libretti, scores, and extracts, is currently being digitized. It overlaps the collaborative project Opera in Italy and Germany (1770-1830). This collection contains roughly 650 operas and opera extracts from the years 1764 to 1900. The private collections of court and church music include 750 manuscripts from the years 1697-1763.

Saxon State Library (SLUB), Dresden: Schrank II

Website: Court Music in Dresden

The current familiar name of this collection, Schrank II, owes to the designation for the cabinet in which it was long stored. It is a rich collection of instrumental music, mainly from the eighteenth century. Much of it is in the hand of Johann Georg Pisendel, an intrepid collector of Italian instrumental pieces, particularly from Venice. It contains 1795 listings in 1750 physical manuscripts. Copies of Italian instrumental music of the early eighteenth-century are especially numerous. By clicking on the highlighted text in the first sentence of the description users can download a spreadsheet with a full listing of holdings, most of which are digitized and are also accessible from the RISM OPAC.

Spanish Digital Library (Biblioteca Nacional Hispanica)

Website: Spanish Digital Library (Biblioteca Nazional Hispanica)

This heterogeneous collection of digitized materials--26,788 manuscripts and 4,347 printed sources--is impressive in its chronological and cultural range. Many sources come from the later 19th and early 20th centuries.

By Repertory

Cantigas Medievais Galego-Portuguesas

Website: Medieval Cantigas

This website provides links to collections of manuscripts containing cantigas of Gallic and Portuguese origin. Many are preserved in the Vatican Library. The contents of each source is indexed, with full texts given in many cases. A sample folio is shown for each source.

Cambridge Lute Books

Website: Cambridge Lute Books

This link takes you to the second of four lute books compiled by Mathew Holmes and preserved in the Cambridge University Library. Its companions are the Cosens Lute Book and a volume of fragments of Elizabethan music for lute. Holmes was a singer at Christ Church, Oxford, and at Westminster Abbey. Cosens was a nineteenth-century owner of this collection of sixteenth-century music.

Musica restaurata

Website: Musica restaurata

Illuminated manuscript from the Flemish workshop of Pierre Alamire, Vatican Library, Capella Sistina 160, f. 2v.

Illuminated manuscripts associated with the Low Countries in the Vatican Library can be viewed in high resolution owing to the generous support of the Alamire Foundation (Leuven, Belgium). The contents at the end of 2012 totaled 13,500 images. The image shown here comes from the workshop of Pierre Alamire (c. 1470–1536). Alamire's workshop produced many important manuscripts of the music of Johannes Ockeghem, Josquin des Prez, Adriano Willaert, and Pierre de la Rue. Alamire was a vendor of manuscripts who also used his innocent musical pursuits to conceal his operations as a spy for King Henry VIII. Manuscripts from his workshop can be found in several other European venues including Munich, Vienna, Brussels.

Polish Benedictine Music

Website: Polish Benedictine Music

This multifaceted project provides digitized images of sacred and liturgical music from Benedictine convents in the environs of Krakov. The musical sources are primarily from the 16th and 17th centuries. In addition to searchable digitized images, it also contains considerable metadata and many links to related resources as well as analytical information. An English translation is in progress.