Links for Digital Musicology

This wiki provides links to substantial projects of use to musicologists, particularly those involved with digital editions, music encoding, and topic-specific resources. Further resources can be found at ADAM (Archive of Digital Applications in Musicology), for projects that are no longer maintained, and EVE (Electronic and Virtual Editions), for digitally curated (freely downloadable) editions.

Musical Repertories: Digital Reprints

By Composer

Ludwig van Beethoven

Website: Ludwig van Beethgovens Werke

The first collected edition of Beethoven's music was published by Breitkopf & Härtel, in Leipzig, between 1862 and xx. This set contains 269 titles. Symphonies, concertos, chamber music, Lieder, folksong arrangements, and much more.

Handel

Website: Georg Friedrich Händels Werke

The Handel Gesellschaft edition of the composer's works (105 titles) was published by Breitkopf & Härtel between 1985 and 1902. It contains all but a few of the major works known today, sometimes with variants of arias or choruses that were excluded in later editions.

Lizst

Website: Liszt's Musikalische Werke

This collected edition of Franz Liszt's works (35 volumes) was published by Breitkopf & Härtel, Leipzig. Although the first volume appeared in 1870, the others appeared between 1900 and 1936. Symphonies, symphonic poems, works for piano and orchestra, Liszt's music criticism, and little-known arrangements are included.

Mendelssohn

Website: Felix Mendelssohn Bartoldys Werke

This collected edition (162 titles) of Mendelssohn's music was issued by Breitkopf & Härtel between xx and yy. String quartets, quintets, chamber music for clarinet and basset horn, piano trios, works for piano and cello, a fantasy on the Irish song "The last rose of summer" (Op. 15) and many other little-known pieces of chamber music can be found here together with more familiar fare.

Mozart

Website: Neue Mozart Ausgabe

A fully digitized version of the Neue Mozart Ausgabe has been available online since 2006. Series and volumes follow exactly the Bärenreiter print. All elements of the printed exemplars (table of contents, score, critical report) are present. Letters, documents, and libretti will be added by the [me.mozarteum.at/DME/main/index.php Digital Mozart Edition] at the Mozarteum, Salzburg, in cooperation with the Packard Humanities Institute. This is the only current collected edition of the works of a major composer offered online at this time.

Schubert

Website: Franz Schuberts Werke

The collected works of Frans Schubert, as published by Breitkopf & Härtel, Leipzig, 1984-1892. 53 volumes, including symphonic and piano works, choral works, theater pieces, piano four-hands arrangements, and song cycles.

Schumann

Website: Robert Schumanns Werke

The works as edited by Clara Schumann and others. This series was published in Leipzig by Breitkoft & Härtrel between 1881 and 1893. The illustration shows the start of "Die Minnesänger" for four male voices, No. 2 from Schumann's Sechs Leider.

By Collection

Denkmäler Deutscher Tonkunst, 1st series

Monuments of German Music, Series 1

This first anthology of German music of the seventeenth and eighteenth centuries greatly increased familiarity with the music of Buxtehude, Telemann, J. Ch. F. Bach, Franck, Hasse, Scheidt, Stolzler, and many others. These 53 volumes were published in xx.

Denkmäler Deutscher Tonkunst, 2nd series

Monuments of German Music, Series 2

The second series of this well known anthology brought the music of Stamitz, Dell'Abaco, Hassler, Pachelbel, Pez, Steffani, Toeschi, and others to public notice. Published in 36 volumes in xx.

German chant and choir books

German chant and choir books 197 titles

Musical Repertories: Digitized Manuscripts

By Composer

Michael Haydn

Website: Michael Haydn Manuscripts

181 titles from the Bavarian State Library. Many holdings contain numerous items. Heavy emphasis on liturgical music.

Gustav Mahler

Website: Mahler Autograph Manuscripts

30 volumes of autograph manuscripts by Gustav Mahler are housed in the Bavarian State Library (Munich). Offerings include Das Knaben Wuynderhorn, sketches for three symphonies, and Mahler's correspondence with Emil Hertzka.

Richard Strauss

Website: Richard Strauss: Musical Autographs

Among these 84 titles are numerous sketches, fragmentary compositions, and Lieder. The originals are held in the Bavarian State Library.

Richard Wagner

Website: Richard Wagner: Notebooks, music manuscripts, and correspondence

This collection of unpublished materials from the archive of the Bavarian State Opera brings Wagner's goals and working habits into our midst. Under 170 rubrics it documents the composer's movements, collaborators, and evolving ideas about music and role of music in society. They also give a more rounded view of his range of interests than many published accounts.

By Collection

Music Manuscripts in the Bavarian State Library

Website: Music Manuscripts in the Bavarian State Library

This rich collection of 2228 digitized manuscripts is well endowed with music of the eighteenth and nineteenth centuries. Sample holdings include Alessandro Scarlatti's Missa Clementina, Antonio Caldara's sacred cantata "Gesu Cristo condannato", sacred vocal music by Michaelk Haydn, Handel's Deidamia, Karl Ditters von Dittersdorf, Dallapiccola, stage works by Richard Strauss, manuscripts of Carl Orff, and much other music.

Music Manuscripts in the Marciana Library

Website: Music Manuscripts in the Marciana Library

The "library of St. Mark" (Venice) holds acquisitions that have been accumulating since the sixteenth century. Following guidelines widely shared across music libraries in Italy, it has digitized music manuscripts that are most closely tied to Venice's musical history. These include many important sources for seventeenth-century Venetian opera (Francesco Cavalli, Domenico Freschi, Giovanni Legrenzi, Carlo Pallavicino, P.A. and M.A. Ziani, and many others); 66 volumes containing cantatas of the eighteenth century by Benedetto Marcello (445 titles) and his nemisis Antonio Lotti, minuets by Baldassare Galuppi, and all the keyboard sonatas of Domenico Scarlatti (357 titles; his familiarity with Venice was minimal). Operas can be accessed by act.

Printed Music in the Bavarian State Library

Website: Printed Music in the Bavarian State Library

This collection of 3251 titles includes a large number of works from te eighteenth and early nineteenth centuries (Krebs, Türk, Korkel, Danzi, Mendelssohn, and others). It also holds impressive early printed music, including Pierre Attaingnant's seminal collection of Trente chansons musicales, use of which is restricted to study. Clemens non Papa, Croce, Lassus, Rore, Vecchi, Wert, and Willaert are much in evidence, as are the publications of Pierre Phalèse.

Musica restaurata

Website: Musica restaurata

Illuminated manuscripts associated with the Low Countries in the Vatican Library can be viewed in high resolution owing to the generous support of the Alamire Foundation (Leuven, Belgium). The contents at the end of 2012 totaled 13,500 images.

Musical Repertories: Digitized Part and Choir Books

Early Music Anthologies

Choir Books (mainly 16th century)

Website: Choir Books

Under the musical direction of Orlandi di Lasso the Bavarian court (Munich) reached a peak of activity much of which resulted in the development of a substantial collection of choir books. The layout of parts in a large-format choir book enables singers to see their parts while standing around the book. The origins of this tradition can be traced to c. 1400. The 199 choir books in this digitized collection contain sacred (Isaac, Josquin, Senfl) and secular music as well as fragmentary works and an anonymous Tractatus de musica. Holdings from local monasteries and private collections have been included.

Early Music Online

Website: Early Music Online

These 327 printed anthologies, held in the British Library (London), were originally microfilmed for the RISM AI project. Scanning from microfilm enabled the rapid development of this site, which is searchable by all UK RISM metadata terms. Because of its heavy coverage of sixteenth-century prints (a high proportion of which were anthologies), it contains many real treasures--large numbers of madrigals, much of the early printed music for lute, and numerous prints in which almost all the works are by an important composer (Buus, Croce, Rore, Willaert. Seventy-seven volumes contains chansons. A smattering of treatises (Diruta's Il Transilvano, for example) can also be found here.\

Fifteenth-Century Polyphony from Trent

Website: Fifteenth-Century Polyphony from Trent

Tenor part for an anonymous Kyrie a 3 for the Proper of St. Anthony, c. 1450-55, Sopraintendenza Beni Librari e Archivisti Provincia Autonomo - Trento, Tr93. f. 103v.

This important collection of anonymous music of the fifteenth century is quite uniform in presentation, with most works employing a choir-book layout. Paper texture is well captured in the digitizations, which are highly consistent graphically. The current number of titles is 1863. Very few titles are attributed. Laurence Feininger (1909-1976), a German-educated priest and musicologist of American parentage, identified and transcribed many of these sources. After completing a thesis on Josquin canons, he entertained the goal of publishing all the music of the Roman Catholic church from its original sources. Though originally based at the Instituto Pontificio di Musica Sacra in Rome, where Feininger transcribed many musical manuscripts in the Vatican Library, his work and his personal collection of early polyphonic sources were eventually relocated to Trent, where they reside today in the Castello di Buonconsiglio.

Printed Polyphonic Works of the Sixteenth and Seventeenth Centuries

Website: Printed Polyphony of the 16th-17th Centuries

Similar to Early Music Online, but representing printed music in the Bavarian State Library and not limited to anthologies. It emphasizes music for voices. 1371 publication titles can be found. These include numerous early collections of chansons, madrigals, psalms, masses, motets, hymns, sacred songs, and early instrumental music (sonatas, balletti et al.). Titles in Latin, German, French, Italian, Spanish et al. Some items are of foreign origin (e.g. Purcell's Orpheus Brittanicus (London, 1698), Schmelzer's Arie per il balletto a cavallo (a horse ballet given for the wedding of emperor Leopold I and Princess Margherita of Spain, Vienna, 1667).

Databases (structured)

By Repertory

Secular Vocal and Folksong Repertories

CLORI: Archive of the Italian Cantata

Website: http://www.cantataitaliana.it/

CLORI, which hosts cantata texts, manuscript source citations, and images that show characteristics of handwriting, has a number of sponsors and collaborators including the Italian Musicological Society (SIM in Italian), the University of Rome (Tor Vergata), the Italian Institute for Music History (IISM), and RISM. The project is headed by Teresa M. Gialdroni. Click the "ricerca" button to go to the search form.

VolksLiedWerke (Austrian Folksong Database

Website: http://www.volksmusikdatenbank.at/

The VolksLiedWerke is assembled from collections originating in Austria's states. Search by title, personal name, or corporate name. Supported by the Austrian National Library (&Oumlaut;sterreichische Nationalbibliothek) and other entities. Some regions have separate websites, such as this one for the Tyrol: http://www.volkslied.at/lieder/volksmusik-db.php, where scores and recordings may also be found.

Deutsche Volksiedarchiv (German Folksong Archive)

Website: http://www.dva.uni-freiburg.de/

The German Folk Music Archive (in German) has evolved over a century (to 2014) as a central clearing house for folk songs from German-speaking lands. It contains several component parts including (1) a Lieder lexicon in which folksong texts are listed alphabetically (http://www.liederlexikon.de/lieder); (2) a listing of specific projects, mainly those with a critical dimension (http://www.liederlexikon.de/ueber_liederlexikon_de/projekte); and (3) a popular-music Song Lexicon (http://www.songlexikon.de/).

English Broadside Ballad Archive

Website: http://ebba.english.ucsb.edu/

Six thousand English broadside ballads, mainly from the seventeenth century. A collaborative project that is still growing.

Old English Songs

Website: http://athena.uky.edu/oes/intro.htm

This collection, housed at the University of Kentucky, was once owned by the double-bass player Domenico Dragonetti. The contents mainly consist of opera arias (Handel, Bononcini, Purcell) and cantatas (rather than folksongs or sea shanties) in scanned images.

Recercar (Chanson Database)

Website: Catalog de la Chanson Francaise à la Renaissance

A search site with extensive metadata and musical incipits for a repertory of 10,000 works from the sixteenth century. Multiple settuings of the same text have individual listings (e.g. "Susanne un jour" currently has 26 listings). Works can be searched by title, scoring, composer, source, location, and text. Instrumental arrangements are originally texted pieces are included.Cross-referenced to comprehensive secondary sources and modern editions.

Goldberg Stiftung: Loire Valley Chanson Sources

Website: Chansonniers of the Loire Valley

The Goldberg Foundation has set up a system of hyperlinks to digitized resources for this subsector of the chanson repertory. As a collaborative project, it is somewhat uneven in its offerings. In compensation, comments can be appended to listings.

Sacred and Liturgical Music

Conductus: Online catalogue of poetry and musical settings

Website: http://catalogue.conductus.ac.uk/#m-columnbrowser@||m-informationcontrol@url=html/home.php

Content: Mark Everist's conductus cataogue, officially called CPI (Cantus pulcriorem invenire, contains 835 works found in 547 sources. It facilitates search by title, source, form, style of setting, stanza, poet, language, poetic structure (several subfields), and terminal accent. Sources listed are digitized and viewable online. Cross-listed to DIAMM and RISM.

Cantus Fractus Database (Raphael)

Website: http://www.cantusfractus.org/

An abiding problem in chant research is the evaluation of rhythm and proportion. This website (in Italian) by Marco Gozzi explores interpretative methods for repertories that are viewable online in early prints and manuscripts. A search form facilitates the retrieval of examples by source location.

Mass Database

Website: http://www.mdb.uni-mainz.de/

Content: Records for c.40,000 settings of the Ordinary of the Mass from 1400 to the present day. In process of migration (March 2014).

Motet Database

Website: http://www.arts.ufl.edu/motet/default.asp

Guide to motets and Mass Propers in manuscript and printed sources from the period 1475-1600. 33,000 items, indexed section by section. Excludes Magnificats, Lamentation, canticle and strophic hymns. Extensive scribal and source detail.

Printed Sacred Music Database

Website: http://www.printed-sacred-music.org/pages/indexes.

This collection of metadata and musical incipits (1500-1800) has been developed over decades under the direction of David Bryant at the Fondazione Giorgio Cini Onlus, Venice, with significant contributions by many individual scholars, and is now served at the Institute of Musicology, University of Fribourg (CH) and implemented by the Swiss RISM office. Search by composers, publishers, musical incipits, and much else. The musical incipits are encoded in DARMS and are rendered in mensural notation.

Medieval Music Database(MMD)

Website:http://www.lib.latrobe.edu.au/MMDB/Feasts/l08065000.htm

The original database, a model of integrated presentation combined with independent search of text and music fields, was developed by John Stinson and John Griffiths at LaTrobe University (Australia) between 1987 and 1999, when the university's music department was closed. It was maintained over the next five years by the University Library and is still accessible (2014) at the above link. Plans to bring it under the umbrella of DIAMM are under discussion.

One of MMD's great strength, for students of liturgy, is the ability to scroll bilaterally through the temporal and sanctoral cycles, that is by feasts of the Ordinary and those of the Proper. Many other search fields are supported including text, composer, genre, manuscript, and melody. MMD is cross-reference to the CAO database.

The musical examples in MMD were produced with Scribe software, also developed by Stinson and Griffiths (c. 1990). It encoded neumes and ligatures (mainly for 14th century music) for printing on a color deskjet printer. It was designed the DOS operating system and could export to the SCORE music-notation program.

RELICS (Renaissance Liturgical Imprints)

Website: RELICS: A Census

This database, hosted at the University of Michigan, contains entries on c. 14,000 sources of liturgical music printed through the year 1600. Started by David Crawford (1995) and continued by James Borders, the database is contains entries from publications in Grance, Germany, and many other European countries. Coverage extends to multiple Roman Catholic rites and to Protestant and Jewish liturgies.

Instrumental Music

Classical String Quartets

Website: http://library.duke.edu/digitalcollections/quartets/

Content: Duke University's Classical String Quartets website may not represent the largest collection of this repertory, but it is the largest collection of digitized prints currently accessible online. Its contents are characterized as "rare and unusual" rather than mainstream. If you are looking for variety, consider Förster, Gassmann, Pixis, or Wranitsky (a small sampling of composers represented).

Composers and Related Documentation

Bach Digital

Website:Bach Digital

Bach Digital, based in Leipzig, is a one-stop shop for a catalogue of work by J.S. Bach (BWV); of scanned manuscripts; and of a database of manuscripts associated with the Bach family. When complete, it is intended to serve a wide variety of needs of scholars and interests of a wider music audience.

Handel Reference Database

Website: Handel Reference Database

The Handel Reference Database (HRD) provides a continuously updated version of the documentation that accompanied his Stanford doctoral thesis on the reception of the music of G. Fr. Handel.

Mozart Documents

Website: New Documents

The aim of this collaborative project is to bring documentation not reported in musicological literature to public attention. Some items have been retrieved from large repositories of digitized text.

Works of Ludwig Senfl

Website: http://www.senflonline.com/

The most important composer in Bavaria in the first half of the sixteenth century, Ludwig Senfl (c. 1490-1543) spent almost all his life in the Munich court chapel, first as choirboy, then as musician and composer. Polyphonic incipits in mensural notation are among the items that can be retrieved by genre, voicing, and so forth. Cross-linked to DIAMM.

Giuseppe Verdi: Correspondence

Website: Verdi Correspondence

For the Verdi centenary in 2013 the Braidense National Library in Milan digitized 76 letters written by the composer between 1838 and 1883.

Digitized Manuscripts and Early Printed Music

Danish National Sheet Music Archive

Website: http://www.kb.dk/en/nb/samling/ma/digmus/index.html

The Danish National Sheet Music Archive is a model operation. Note the frame at the left, which identifies all digitized music; a special collection for flute; another for guitar; and the entire Carl Nielsen Edition available for download. Although Danish music is well served, the site includes a great deal more, including eighteenth-century manuscript, standard repertory in high-quality late nineteenth-century prints, and a special theater collection (libretti et al.).

Early Music Online

Website: Early Music Online

Early Music Online is a digital repository of music in printed anthologies principally from the sixteenth century. Cross-linked to the British Library and to RISM. Digitized volumes include madrigals, sacred songs, music "concerted by voices and instruments," and pedagogical works that include musical examples.

Digital Image Subject Archives

Digital Image Archives of Medieval Music

Website: http://www.diamm.ac.uk/

Originally a site for viewing images of rare manuscripts at various levels of resolution, DIAMM is increasingly an umbrella site for diverse projects in medieval music. The core textual database is organized by source location. Registered users may add their own comments about individual works. List and faceted search capabilities are currently being added. Now includes an online teaching resource for musicians wishing to learn more about the notation of medieval music. Register at http://diamm.nsms.ox.ac.uk/moodle/.

Emblematica Online

Website: Emblematica Online

This umbrella project serves a growing number of library-based projects, which are here cited individually. Emblem books are rich resources for those interested in decoding visual information in early printed materials. The collective site currently (April 2014) lists 636 emblem books. Searches by title, text, and image are supported.

Herzog August Bibliothek (HAB)

The http://emblematica.grainger.illinois.edu/Browse/Books/DigitizedBooksByTitle?instit=Emblematica%20Online Herzog August Bibliothek] in Wolffenbuettel[xx]makes available 636 emblems books, principally from the 17th and 18th centuries.

University of Illinois

Germans sources figure prominently among the 351 books at the University of Illinois emblem site i is cross-linked to one at the University of Illinois.

French Emblems at Glasgow

Website: French Emblems at Glascow

Contents: This site hosts 27 browsable emblem books associated with 16th-century France. Eack book islinked to an alphabetical listing by author that enables rapid exploration. Some sources are bilaterally in Latin. A smaller collection of Italian emblem books is also held.

Rare Music Manuscripts in the British Library

Website: http://www.bl.uk/onlinegallery/onlineex/musicmanu/

Content: See the Old Hall manuscript, Purcell's coronation anthem for James II, an excerpt from Handel's Messiah, Bach's autograph for Book Two of the Well-Tempered Clavier, Mozart's thematic catalogue of his composition, Beethoven's sketches for the Sixth Symphony ("Pastoral"), and much else. (Music manscripts make up just one part of the holdings viewable at this portal.)

Musica Sacra

Website:http://musicasacra.com

Content: notable collection of scanned chant books at http://musicasacra.com/music/ and http://musicasacra.com/resource-lists/. Includes the Liber Usualis and many other resources for modern use in traditional settings.

Resources for Chronology

Hofmeister XIX

Website: http://www.hofmeister.rhul.ac.uk/2008/index.html

Content: Database of 330,000 records from the Hofmeister Monatsberichte, 1829-1900, listing music publications of the period. Compiled by Friedrich Hofmeister and published in Leipzig by Breitkopf & Härtel. Well indexed for quick searches.

Libretto Portals

VifaMusik Libretto Portal

Website: http://libretti.digitale-sammlungen.de/de/fs1/start/static.html

The new (2014) VifaMusik Libretto Portal searches across component collections held in the Bavarian State Library, the Frankfurt University Library, and the Library of the German Institute in Rome. 5,600 digitized sources are available for viewing and downloading.

Corniani-Algarotti Collection

Website: http://www.braidense.it/cataloghi/catalogo_rd.php

Although the search form shows only four field, the name field (nome) will accept almost any proper noun (surname of composer, librettist, scenographer, city, theater, etc.). Most sources are digitized and downloadable. Holds 9,000 libretti (in Italian) from the sixteenth through the nineteenth centuries. Some were published and used outside Italy. Mainly opera, but includes some oratorio and serenata texts.

Digitized Music Bibliographies

Eitner's Quellen-Lexikon

Website: Eitner's Quellen-Lexikon

Robert Eitner's Quellen-Lexikon, published by Breitkopf & Härtel between 1900 nand 1904, was the Bible for generations of scholars seeking to determine which libraries held surviving manuscripts of music from the sixteenth and seventeenth centuries. Although a portion of these sources are gradually finding their way online, Eitner remains an invaluable record of what sources existed before 1914. The scanned material was proofreading and corrected prior to posting. This site is hosted by the Musicology Institute of the University of Zurich.

Portals and Search Engines for Music

Europeana: Search Engine for European (Music) Sources

Website: http://www.europeana.eu

This umbrella site for European digitization projects covers a great deal besides music. To start, limit the search by an obvious word for music (musique, musica, Musik, etc.). This will give you an idea of how to further limit the search. Europeana is updated often. Among the items that should be visible are music prints, manuscripts, newspapers dedicated to music, sheet-music, audio files, etc. Since Europeana is an aggregation, it provides links back to the sponsoring libraries that hold the original sources. The site can be searched in many languages.

The Internet Culturale

Website: Internet Culturale

An umbrella site for digitized materials in Italian libraries. The riches of Italy's collective Internet Culturale (cultural internet) are difficult to overstate. A vast span of different kinds of graphically reproduced material will be found here. All of it is accompanied by generous supplies of metadata from cataloguing records. While one may be able to find a specific item (e.g. an aria), one may also discover on a different spoke of the site a long list of all the works in which the singer of aria appeared. Users can create accounts to keep previous discoveries collected in one place.

Munich Digital Manuscript Collection

Website: Munich Digital Library Manuscripts

The collection of digital materials grows so rapidly that any listing of individual collections within it is doomed to be inadequate. Several project are cooperative. The historical emphasis is on Middle Ages and Renaissance, with much emphasis on religious figures and documents (e.g. at Europeana Regia).

Peachnote Music n-Gram Viewer

Website: http://www.peachnote.com/#!nt=singleNoteAffine&npq=62+0+1+2+0+-2+-1+-2

MIDI-based search by string.

Themefinder: Music-Incipit Search

Website: http://www.themefinder.org

Related literature: "Search-Effectiveness Measures for Symbolic Music Queries inVery Large Databases" (Craig Stuart Sapp, Yi-Wen Liu, and Eleanor Selfridge-Field)

The Themefinder search engine was prototyped at CCARH in 1996 by David Huron, Andreas Kornstädt, and Walter B. Hewlett. A large number of Stanford University students including Unjung Kim and Leigh VanHandel plus visiting students including Bret Aarden, participated in its early development. The search engine was originally developed to study user behavior. Over the intervening years it has been used for a large statistical study of search-efficiency. The current search engine is by Craig Stuart Sapp.

Themefinder contains several repertories, most of which are publicly viewable and searchable. The principal repertories are Folk, Classical, and Renaissance. Although more than 100,000 incipits and associated metadata are present in the database, users may select just one. "Hits" satisfying search-criteria can be collected on the Themefinder Clipboard and can be exported.

Incipits can be searched at five points on a continuing from the most specific to the fuzziest. Filter for meter, mode, and key may be used. MIDI files are available for each entry. Help menus area available at the website. Those interested in contributing an encoded repertory to Themefinder should describe the existing repertory and format in a query letter.

Music Theory Resources

Early Music Theory

Website: Early Music Theory

Illustration of the Sixth Rule from De imperfectionum notarum musicalium.

Early Music Theory subsumes the new digital edition of the works of Johannes Tinctoris. Twelve treatises are listed on the earlier Stoa site, and three are viewable.

Monuments of Partimenti

Website: Monuments of Partimenti

Robert Gjerdingen's online website for partimenti introduces the basic approach to improvisation and composition based on suggestive figured-bass sketches that survive, according to the seminal work of Giorgio Sanguinetti's The Art of Partimento (2012), in abundance from the eighteenth century. The website is still under development, but between the materials available here and the companion site linked to the book (above), users can form an elementary notion of the practice.

Thesaurus Musicarum Latinarum

Website: Thesaurus Musicarum Latinarum

The TLG, based at Indiana University School of Music, was begun in 1990 and extensively developed by Thomas Mathiesen, with the collaboration of many scholars in the US and abroad. TML was one of the earliest databases (and likely to earliest in musicology) to be fully searchable in a single pass.

While this database is exclusively devoted to writings in Latin from antiquity to the seventeenth century, the rise of parallel efforts for digitizing the texts of music-theoretical writings in modern languages spawned several parallel efforts, which are now subsumed under the title CHTML (the Center for the History and Theory of Music Literature xx).

Giuliano Di Bacco, who now heads the project, is at work on new digital approaches to presenting and searching the material.

Thesaurus Musicarum Italicarum

Website: Thesaurus Musicarum Italicarum

Frans Wiering's Thesaurus Musicarum Italicarum, which is entirely separate from the TLG, representeda second incarnation of his CD-ROM encodings of all the treatises of Gioseffe Zarlino (1995). The CD offered all the musical examples as MIDI and DARMS files as well as modern notation. Its viability was undermined by the evolution of operating systems in the early 2000s. Other works of Italian music theory from the decades following Zarlino were encoded subsequentlyby students at Utrecht University.

German writings on music theory and institutions

Website: Writings on Music Theory

This digitized collection (176 titles) from the Bavarian State Library emphasizes works printed between 1516 (Glareanus, Basel) and 1900. It includes a number of books related to individual theaters (mainly German).

Historical Maps

British Historical Maps

Website: http://www.nationalarchives.gov.uk/maps/

The National Archives (UK) hosts a large collection of maps and also has links to parallel materials with similar content.

David Rumsey Map Collection

Website: http://www.davidrumsey.com

Contents: 18th and19th century maps of the Americas. All maps are geo-encoded to facilitate geo-spatial and past-time applications.

Perry-Castañeda Historical Maps

Website: http://www.lib.utexas.edu/maps/historical/index.html

Notable for its spatial and historical spread and the detail with which the maps are specified chronologically. Many sources are scanned from maps printed in then nineteenth (or earlier) century.

Newspapers

ANNO

Wesbite: Historical Austrian Periodicals and Newspapers

Newspapers were published in Austria on Wednesdays and Saturdays. Readers will be grateful for the calendars that introduce each year of the collection (e.g. for 1705) and also for the thumbnails of each page of every issue. Almost a century (1606-1703) remains to be added. The overall range is from 1568 to today.

"Chracas" Digitale: Il Diario di Roma

Website: Chracas Digitale

This "diary" of news flowing into Rome from all over Europe was introduced as the Diario d'Ungheria [the Diary of Hungary] in 1716. It followed the earlier pattern of weekly avvisi that reported military news. That model was soon replaced (1718) by the more culturally oriented Diario ordinario. Under this title it rapidly gained readership. By 1721 it was publishing three issues a week. Most contain 12 pages. In 1799 the title changed to the Diario di Roma. Chracas remained its publisher until 1894. At present issues from 1716 to 1760 have been digitized by the Biblioteca Casasnatense, Rome.

The Gazzette Bolognese

Website: Gazzette Bolognesi

The Gazzette Bolognesi have intended parallels with the Diario di Roma. Bologna was historically a papal state. It gathered the same news and valued it similarly, though occasionally with less emphasis on the affairs of cardinals. Because of larger page size the Gazzette could convey more news from more places. (The Gazzette had only four pages per issue.) This fully digitized series runs from 1645 through 1796.

Music Magazines

Musical Magazines

Start site: Musical Gazzettes

Almost 25,000 musical magazines published in Italy before the first world war have been digitized by the Centro internazionale di ricerca sui periodici musicali (The International Center for Research on Musical Periodicals) in Parma. Among there holdings the most prolific were Milan's Gazzetta Musicale di Milano, London's Musical Standard, and Paris's Revue et gazette musicale. The best way to find them from this start site is to use the filters for language and date of publication at the left.

The Phonographic Newspaper

Website: Phonographische Zeitschrift

The Photographische Zeitschrift (Phonographic Newspaper) was published on poor-quality paper from 1900 to 1938. It was subtitled "a fact sheet for the music- and speech-making industry". This site is under development (2014).

Other Resources of general interest

Digital Libraries Gateway

Website: http://international.loc.gov/intldl/find/digital_collaborations.html

This Library of Congress gateway for international projects gives an overview of collaborative projects with an American component and currently including Brazil, France, the Netherlands, and Siberia.

Digital Scriptorium

Website:http://bancroft.berkeley.edu/digitalscriptorium/

Image database of medieval and renaissance manuscripts. Based at the University of California, Berkeley, it includes holdings from many US libraries, with extensive folio-specific information about each source.

Index of Christian Art

Website: ica1.princeton.edu/

One hundred twenty thousand (120,000) images from public and private collections in the English-speaking world plus additional indicies; roughly 100,000 are available to public via fee-sbased institutional subscriptions. Holdings from early centuries of Christianity to 1550.

Verse related to noted musical repertories

Songs of the Niebelungen

File:NiebelungenLied WieGvntherSifridenzvo der hohzit bat bsb00035316...png

Opening stanzas of the song "Wie Gvnther Sifriden zvo der hohzit bat" from Das Niebelungenlied, Bavarian State Library 00035316, Hss Cgm 34

Website: Das Niebelungenlied

These poetic texts, considered to date from before 1280, display settings of the legends that inspired Richard Wagner. As is characteristic of those resources preserved for posterity in this period, the script is very carefully prepared, the vellum on which it is preserved obviously sturdy. Each Lied is illuminated by a carmine letter. The texts mention Sifriden (Siegfried), Prvnhilde (Brunhilde), Gvnther (Gunther), and others. The illustration shows the first three stanzas of "Wie Gvnther Sifriden zvo der hohzit bat" (No. 12 of 39). Later portions of the source contain religious songs (Klage).

Rousseau Online

Website: Rousseau Online: Contents

Rousseau's writings contain countless items of interest. Here you can find the text of Pygmalion, Rousseau's Essay on Modern Music, his letters on Charles Burney and Mmessieur Raynal, the Dictionnaire de la Musique, and a host of miscellaneous writings from all periods of his life. The script is modern. ePub and PDF formats are both supported.

Watermarks

Watermark examination provides a fundamental (analogue) method of sorting and ordering materials that are undated or lack a provenance. They are especially useful in manuscript studies but can also play a role in the study of print traditions. The combination of digital photography and tools for photographic editing can be combined with extensive existing research on paper-makers to shed new light on musical sources.

Bologna (IT)

Website: Filigrane bolognesi, 1700-1800

Bologna was an important center for printing in early modern Italy. Roughly 100 paper types are identified here.