Difference between revisions of "Template:EVE Hybrid"

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==Hybrid Digital Editions==
 
  
 
The term "hybrid critical editions" refers to means of producing series of critical editions (usually all the works of one composer) in which the score is published in book form while the critical apparatus consists of digitized sources which are hyperlinked to one another to facilitate comparison. Underlying materials may also be linked to metadata (factual content) in a database or other structured, searchable format.  The primary software tool currently in use for preparing such editions is called the [http://www.edirom.de/en/ Edirom]. It is developed and maintained by the [http://www.edirom.de/startseite/ Detmold/Paderborn musicology seminar], which offers an annual summer school for prospective users.  
 
The term "hybrid critical editions" refers to means of producing series of critical editions (usually all the works of one composer) in which the score is published in book form while the critical apparatus consists of digitized sources which are hyperlinked to one another to facilitate comparison. Underlying materials may also be linked to metadata (factual content) in a database or other structured, searchable format.  The primary software tool currently in use for preparing such editions is called the [http://www.edirom.de/en/ Edirom]. It is developed and maintained by the [http://www.edirom.de/startseite/ Detmold/Paderborn musicology seminar], which offers an annual summer school for prospective users.  
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A proof-of-concept project complementing the Carl Maria von Weber hybrid digital edition.  It involves a database, musical transcriptions, and (like other hybrid editions) material encoded in TEI and MEI.  In addition contributions from allied technologies are being considered.
 
A proof-of-concept project complementing the Carl Maria von Weber hybrid digital edition.  It involves a database, musical transcriptions, and (like other hybrid editions) material encoded in TEI and MEI.  In addition contributions from allied technologies are being considered.
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Return to [http://drm.ccarh.org Digital Resources in Musicology]

Latest revision as of 01:45, 23 July 2022

The term "hybrid critical editions" refers to means of producing series of critical editions (usually all the works of one composer) in which the score is published in book form while the critical apparatus consists of digitized sources which are hyperlinked to one another to facilitate comparison. Underlying materials may also be linked to metadata (factual content) in a database or other structured, searchable format. The primary software tool currently in use for preparing such editions is called the Edirom. It is developed and maintained by the Detmold/Paderborn musicology seminar, which offers an annual summer school for prospective users.

Anton Bruckner Collected Edition

Website: Anton Bruckner Gesamtausgabe

The new edition currently in progress is part of a comprehensive Bruckner site, at the Bruckner internet portal of the Austrian National Library in Vienna. A work search form can be found here, a database of works here, and digitized copies of out-of-copyright works here.

Carl Maria von Weber Collected Edition

Website: Carl Maria von Weber Gesamtausgabe

The Carl Maria von Weber Collected Edition has been the proving ground for the Edirom, an MEI-based tool for viewing collateral sources and cross-linking details to corresponding points in a printed score. The edition website gives access to biographical and philological adjuncts--letters, diaries, work listings, and so forth. The digital apparatus to support the score editions (i.e. the Edirom) is described here. The Music-Encoding Initiative (MEI) has an extensive website here.

Freischütz Digital

Website: Freischütz Digital

A proof-of-concept project complementing the Carl Maria von Weber hybrid digital edition. It involves a database, musical transcriptions, and (like other hybrid editions) material encoded in TEI and MEI. In addition contributions from allied technologies are being considered.

Return to Digital Resources in Musicology