Difference between revisions of "Template:DRM images"

From CCARH Wiki
Jump to navigation Jump to search
(Created page with " ====<i>Digital Scriptorium</i>==== Website:[http://bancroft.berkeley.edu/digitalscriptorium/ Digital Scriptorium] Image database of medieval and renaissance manuscripts. Ba...")
 
Line 8: Line 8:
 
====Index of Christian Art====
 
====Index of Christian Art====
  
Website: [http://ica1.princeton.edu/ Index of Christian Art]
+
Website: [http://ica.princeton.edu/ Index of Christian Art]
  
 
One hundred twenty thousand (120,000) images from public and private collections in the English-speaking world plus additional indicies; roughly 100,000 are available to public via fee-sbased institutional subscriptions. Holdings from early centuries of Christianity to 1550.
 
One hundred twenty thousand (120,000) images from public and private collections in the English-speaking world plus additional indicies; roughly 100,000 are available to public via fee-sbased institutional subscriptions. Holdings from early centuries of Christianity to 1550.

Revision as of 22:36, 30 January 2015

Digital Scriptorium

Website:Digital Scriptorium

Image database of medieval and renaissance manuscripts. Based at the University of California, Berkeley, it includes holdings from many US libraries, with extensive folio-specific information about each source.

Index of Christian Art

Website: Index of Christian Art

One hundred twenty thousand (120,000) images from public and private collections in the English-speaking world plus additional indicies; roughly 100,000 are available to public via fee-sbased institutional subscriptions. Holdings from early centuries of Christianity to 1550.

Songs of the Niebelungen

Opening stanzas of the song "Wie Gvnther Sifriden zvo der hohzit bat" from Das Niebelungenlied, Bavarian State Library 00035316, Hss Cgm 34.

Website: Das Niebelungenlied

These poetic texts, considered to date from before 1280, display settings of the legends that inspired Richard Wagner. As is characteristic of those resources preserved for posterity in this period, the script is very carefully prepared, the vellum on which it is preserved obviously sturdy. Each Lied is illuminated by a carmine letter. The texts mention Sifriden (Siegfried), Prvnhilde (Brunhilde), Gvnther (Gunther), and others. The illustration shows the first three stanzas of "Wie Gvnther Sifriden zvo der hohzit bat" (No. 12 of 39). Later portions of the source contain religious songs (Klage).

Watermark Databases

Watermark examination provides a fundamental (analogue) method of sorting and ordering materials that are undated or lack a provenance. They are especially useful for clustering manuscripts by paper type. The combination of digital photography and tools for photographic editing can be combined with extensive existing research on paper-makers to shed new light on musical sources. The sites listed here include watermarks associated specifically with music manuscripts.

WZIS: Watermark Information System

Website: Wasserzeichen Informationssystem Deutschland

The WZIS is a project of extensive scope. Its goal is to compile a graphical database of watermarks used throughout Europe. The project is based at the Landesarchiv of Baden-Württemburg. A graphical watermark lexicon called Piccard is under development at the Stuttgart Hauptstaatsarchiv. Related lexicons of makers and mills have also been developed. A textual search form is also available. Although we are aware of many other digital collections of watermarks, this one stands out for its tight coupling with music manuscripts, particularly in the large collections of the Berlin and Dresden state libraries, which are in turn linked to the RISM OPAC.