Difference between revisions of "Publications (CCARH)"

Revision as of 05:38, 10 December 2021

The fifteen volumes in this series (1985-2008) can be divided into three groups:

Published under the title Directly of Computer-Assisted Research in Music, compiled and distributed by CCARH. Directory of Computer-Assisted Research in Musicology (Computing in Musicology 1, 1985)

Volume No.	Cover	Highlights
No. 1 (1985)		Input codes of the mainframe era: DARMS, Fastcode, IML, MusTran, SCORE/MS; Hardware input schemes; Databases and encoded editions of music.
No. 2 (1986)		Rudiments of the future field of digital musicology: Standards discussions, dissertations, one-of-a-kind academic systems, analysis of encoded data.
No. 3 (1987)		Search for coherent directions: The Representation of Musical Information in Machine-Readable Form (Walter Hewlett); Inventory of Musical Characters (Stephen Dydo); Updated Survey of Music-Printing software (with graphical samples, Ed Correia).
No. 4 (1988)		Pursuit of standards for music-encoding; optical music recognition; input methods of music-encoding, with graphical samples of set examples, including Beethoven's "Harp" quartet (Ed Correia).
No. 5 (1989)		Optical music recognition from set examples; survey of necessary music attributes (Dorothy Gross); Databases involving encoded music; Music-printing survey (46 contributors); Cumulative Indices, Vols 1-5 (Steven Rasmussen).

Published under the title Computing in Musicology: A Directory of Research, compiled and distributed by CCARH.

Volume No.	Cover	Highlights
[No. 6]		Encoding Neumes and Mensural Notation Technical Standards--MIDI File Format, SMDL, TEI Dance Notation Software Software for Music Theory and Analysis Dedicated Applications
[No. 7		Resources (Beethoven Bibliography, IDEAMA [electronic music], Thesaurus Musicarum Latinarum) Repertory-specific Applications (Melodic Grammars, Villancico Texts, Encoding Lute Tablatures) Software for Music Analysis (Humdrum Toolkit, LabanWriter, MacGAMUT) Braille Music Transcription Automatic recognition, arrangement, accompaniment
No. 8		Melodic Analysis (8 contributions) Rhythmic Representation (3 contributions); Harmony and Counterpoint (4 contributions) Sound Analysis and Control (8 contributions) Style Simulation (2 contributions) Cognition (2 contributions), Connectionism (5 contributions), Compositional Process (2 contributions)
No. 9		MuseData (Selfridge-Field) Integrating Musical Examples in Text Databases (Mathiesen); The CANTUS Database (Steiner) The Bach Font (Tomita) Optical Music Recognition Survey (Selfridge-Field, McGee, Carter) Tempo Studies (Bowen, Mazzola)
No. 10		Melodic Arch (Huron, Thompson, Stainton) SCORE to Humdrum (Kornstädt) Bach Data: Search (Hewlett) and Modality (Rasmussen) Analysis Software and Studies (Mazzola, O Maidin, Lubej, Braus) Special-purpose Notation Softweare (Icking, Brodhead)

Topical collections of articles published under the title Computing in Musicology by CCARH and distributed by The MIT Press.

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-| No. 6 || [[file:CM06-2.png|80px|thumb|center]] ||
+| [[http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-06_CM06/20-06_CM06.pdf No. 6]] || [[file:CM06-2.png|80px|thumb|center]] ||
 *Encoding Neumes and Mensural Notation
 *Technical Standards--MIDI File Format, SMDL, TEI
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 *Dedicated Applications
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-| No. 7 || [[file:CM07-2.png|80px|thumb|center]] ||
+|[[http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-07_CM06/20-07_CM07.pdf No. 7] || [[file:CM07-2.png|80px|thumb|center]] ||
 * Resources (Beethoven Bibliography, IDEAMA [electronic music], <i>Thesaurus Musicarum Latinarum)
 * Repertory-specific Applications (Melodic Grammars, Villancico Texts, Encoding Lute Tablatures)
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 * Analysis Software and Studies (Mazzola, O Maidin, Lubej, Braus)
 * Special-purpose Notation Softweare (Icking, Brodhead)
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