Difference between revisions of "Publications (CCARH)"

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| [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-04_CM04/20-04_CM04.pdf No. 4 (1988)] ||  ||Pursuit of standards for music-encoding; optical music recognition; input methods of music-encoding, with graphical samples of set examples, including Beethoven's "Harp" quartet (Ed Correia).  
 
| [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-04_CM04/20-04_CM04.pdf No. 4 (1988)] ||  ||Pursuit of standards for music-encoding; optical music recognition; input methods of music-encoding, with graphical samples of set examples, including Beethoven's "Harp" quartet (Ed Correia).  
 
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| [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-05_CM05/20-05_CM05.pdf No. 5 (1989)] ||  || Optical music recognition from set examples; survey of necessary music attributes (Dorothy Gross); Databases involving encoded music; Music-printing survey (46 contributors); Cumulative Indices, Vols 1-5 (Stephen Rasmussen).
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| [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-05_CM05/20-05_CM05.pdf No. 5 (1989)] ||  || Optical music recognition from set examples; survey of necessary music attributes (Dorothy Gross); Databases involving encoded music; Music-printing survey (46 contributors); Cumulative Indices, Vols 1-5 (Steven Rasmussen).
 
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Revision as of 04:45, 9 December 2021

Beyond MIDI: The Handbook of Musical Codes

Computing in Musicology (series)

The fifteen volumes in this series (1985-2008) can be divided into three groups:

  • Volumes 1-5, published under the title Directly of Computer-Assisted Research in Music, compiled and distributed by CCARH.

Directory of Computer-Assisted Research in Musicology (Computing in Musicology 1, 1985)

Directory of Computer-Assisted Research in Musicology (Computing in Musicology 2, 1986)

Directory of Computer Assisted Research in Musicology (Computing in Musicology 3, 1987)

Directory of Computer Assisted Research in Musicology (Computing in Musicology 4, 1988)

Directory of Computer Assisted Research in Musicology (Computing in Musicology 5, 1989)

Volume No. Cover Highlights
No. 1 (1985) Input codes of the mainframe era: DARMS, Fastcode, IML, MusTran, SCORE/MS; Hardware input schemes; Databases and encoded editions of music.
No. 2 (1986) Rudiments of the future field of digital musicology: Standards discussions, dissertations, one-of-a-kind academic systems, analysis of encoded data.
No. 3 (1987) Search for coherent directions: The Representation of Musical Information in Machine-Readable Form (Walter Hewlett); Inventory of Musical Characters (Stephen Dydo); Updated Survey of Music-Printing software (with graphical samples, Ed Correia).
No. 4 (1988) Pursuit of standards for music-encoding; optical music recognition; input methods of music-encoding, with graphical samples of set examples, including Beethoven's "Harp" quartet (Ed Correia).
No. 5 (1989) Optical music recognition from set examples; survey of necessary music attributes (Dorothy Gross); Databases involving encoded music; Music-printing survey (46 contributors); Cumulative Indices, Vols 1-5 (Steven Rasmussen).
  • Volumes 6-10, published under the title Computing in Musicology: A Directory of Research, compiled and distributed by CCARH.

Computing in Musicology: A Directory of Research (Computing in Musicology 6, 1990)

Computing in Musicology: A Directory of Research (Computing in Musicology 7, 1991)

Computing in Musicology: A Directory of Research (Computing in Musicology 8, 1992)

Computing in Musicology: A Directory of Research (Computing in Musicology 9, 1993)

Computing in Musicology: A Directory of Research (Computing in Musicology 10, 1994)


  • Volumes 11-15, topical collections of articles published under the title Computing in Musicology by CCARH and distributed by The MIT Press.

Other reprints