Difference between revisions of "Mustran"
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(Created page with "=Mustran= Jerome Wenker's Mustran (Music Translator) system was created in conjunction with his doctoral dissertation in computer science at Indiana University. Like other s...") |
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| − | Jerome Wenker's Mustran (Music Translator) system was created in conjunction with his doctoral dissertation in computer science at Indiana University. Like other systems of its time its focus was on producing musical script from a typewriter-model keyboard using only low-order ASCII characters. Initially experimentation was limited to monophonic music, but more sophisticated efforts evolved rapidly at Indiana University, where much other music-related experimentation thrived in the 1970s and 1980s. The most succinct surviving documentation is found in a short undated overview by Rosalee Nerheim. | + | Jerome Wenker's Mustran (Music Translator) system was created in conjunction with his doctoral dissertation in computer science at Indiana University. Like other systems of its time its focus was on producing musical script from a typewriter-model keyboard using only low-order ASCII characters. Initially experimentation was limited to monophonic music, but more sophisticated efforts evolved rapidly at Indiana University, where much other music-related experimentation thrived in the 1970s and 1980s. The most succinct surviving documentation is found in a short undated [http://quod.lib.umich.edu/cgi/p/pod/dod-idx/current-applications-of-a-music-representation.pdf?c=icmc;idno=bbp2372.1978.041 overview] by Rosalee Nerheim. |
Latest revision as of 23:38, 7 October 2015
Mustran
Jerome Wenker's Mustran (Music Translator) system was created in conjunction with his doctoral dissertation in computer science at Indiana University. Like other systems of its time its focus was on producing musical script from a typewriter-model keyboard using only low-order ASCII characters. Initially experimentation was limited to monophonic music, but more sophisticated efforts evolved rapidly at Indiana University, where much other music-related experimentation thrived in the 1970s and 1980s. The most succinct surviving documentation is found in a short undated overview by Rosalee Nerheim.