Difference between revisions of "Music 253/CS 275a Winter 2020 Syllabus"
Jump to navigation
Jump to search
(→Week 7) |
|||
| (8 intermediate revisions by 2 users not shown) | |||
| Line 247: | Line 247: | ||
<b>SCORE parameters 2</b> | <b>SCORE parameters 2</b> | ||
<b>SCORE parameters</b> | <b>SCORE parameters</b> | ||
| + | |||
* Lecture 07B. [http://esf.ccarh.org/CS275A-Mus253/07B_Archiving-MuseData-2020v2.ppt MuseData: A Comprehensive Approach to Building Encoded Repertories] | * Lecture 07B. [http://esf.ccarh.org/CS275A-Mus253/07B_Archiving-MuseData-2020v2.ppt MuseData: A Comprehensive Approach to Building Encoded Repertories] | ||
* Lecture: [https://docs.google.com/presentation/d/1YLXSje3Snxm6nkx0JQZaUs3FyGia3plYl4gveu0eXEg/edit?usp=sharing SCORE parameters] | * Lecture: [https://docs.google.com/presentation/d/1YLXSje3Snxm6nkx0JQZaUs3FyGia3plYl4gveu0eXEg/edit?usp=sharing SCORE parameters] | ||
| Line 273: | Line 274: | ||
| <div id="week8"></div>8 || 25 Feb 2020 || | | <div id="week8"></div>8 || 25 Feb 2020 || | ||
<b> MusicXML </b> | <b> MusicXML </b> | ||
| − | * Lecture 08A. [http://esf.ccarh.org/CS275A-Mus253/ | + | * Lecture 08A. [http://esf.ccarh.org/CS275A-Mus253/08A_MusicXMLMEI-2020.ppt Markup Languages for Music: MusicXML and MEI]and [http://esf.ccarh.org/CS275A-Mus253/08A_MusicXM_MEI_2019.pdf here] |
* Lecture: [https://docs.google.com/presentation/d/1N1zLKy6DgGyW6S0JAtJDZSk3K94I2-r1uj_yjdXun_0/edit?usp=sharing MusicXML and musical parameters] | * Lecture: [https://docs.google.com/presentation/d/1N1zLKy6DgGyW6S0JAtJDZSk3K94I2-r1uj_yjdXun_0/edit?usp=sharing MusicXML and musical parameters] | ||
|- | |- | ||
| 8 || 27 Feb 2020 || | | 8 || 27 Feb 2020 || | ||
<b> Transposition via Base-40 </b> | <b> Transposition via Base-40 </b> | ||
| − | * Lecture 08b. [http://esf.ccarh.org/CS275A-Mus253/ | + | * Lecture 08b. [http://esf.ccarh.org/CS275A-Mus253/08B_Base-40_2020.ppt Base-40 Arithmetic for Music Apps]and [http://esf.ccarh.org/CS275A-Mus253/08b_Base-40-2019.pdf here] |
<b> MEI </b> | <b> MEI </b> | ||
| Line 299: | Line 300: | ||
| <div id="week9"></div>9 || 4 Mar 2020 || | | <div id="week9"></div>9 || 4 Mar 2020 || | ||
<b> Humdrum file format</b> | <b> Humdrum file format</b> | ||
| − | * Lecture 09A. [http://esf.ccarh.org/CS275A-Mus253/09A_Humdrum- | + | * Lecture 09A. [http://esf.ccarh.org/CS275A-Mus253/09A_Humdrum-Intro_2020.ppt Introduction to Humdrum] or [http://esf.ccarh.org/CS275A-Mus253/09A_Humdrum-Intro_2018.pdf here] |
* Lecture: [https://docs.google.com/presentation/d/16WEM_s2WetlCgC9OMA_HpEELko7_udyIEG46hCEwSak/edit?usp=sharing Humdrum file format] | * Lecture: [https://docs.google.com/presentation/d/16WEM_s2WetlCgC9OMA_HpEELko7_udyIEG46hCEwSak/edit?usp=sharing Humdrum file format] | ||
* [http://doc.verovio.humdrum.org/humdrum/getting_started/ Introduction to **kern music encoding] | * [http://doc.verovio.humdrum.org/humdrum/getting_started/ Introduction to **kern music encoding] | ||
| − | * [http://verovio.humdrum.org Verovio Humdrum Viewer] ([https://docs.google.com/presentation/d/ | + | * [http://verovio.humdrum.org Verovio Humdrum Viewer] ([https://docs.google.com/presentation/d/1cAHLBn4zQwcwWqJj0cMhS6zN-U551fX0MvZzD_xPjdY/edit?usp=sharing 2019 IAML (Krakow, Poland) workshop slides for VHV]) |
* Homework: [[Media:KernEncoding.pdf|Encode examples in Humdrum using VHV editor]] (due this Thursday). | * Homework: [[Media:KernEncoding.pdf|Encode examples in Humdrum using VHV editor]] (due this Thursday). | ||
|- | |- | ||
| 9 || 6 Mar 2020 || | | 9 || 6 Mar 2020 || | ||
<b> Humdrum Analysis 1</b> | <b> Humdrum Analysis 1</b> | ||
| − | * Lecture 09B. [http://esf.ccarh.org/CS275A-Mus253/09B_Uses%20of% | + | * Lecture 09B. [http://esf.ccarh.org/CS275A-Mus253/09B_Uses%20of%20Humdrum_2020.ppt Uses of Humdrum] or [http://esf.ccarh.org/CS275A-Mus253/09B_Uses%20of%20Humdrum_2019.pdf here] |
* Lab: [[Humdrum Lab 1 | Humdrum Lab]] | * Lab: [[Humdrum Lab 1 | Humdrum Lab]] | ||
| − | |||
* [[Humdrum homework]] (due next Thursday) | * [[Humdrum homework]] (due next Thursday) | ||
| Line 333: | Line 333: | ||
<b> Humdrum Analysis 2</b> | <b> Humdrum Analysis 2</b> | ||
| − | * [[Musical dice game]] | + | * [[Musical dice game]] (usually) |
| − | * | + | * Instead for this week: [https://docs.google.com/presentation/d/1gQX2AVXSxIgfsgeW5wzeJqx2ihCUlHqfJDR6VMMv2FE/edit?usp=sharing Harmony in Humdrum ] |
|- | |- | ||
| 10 || 13 Mar 2020 || | | 10 || 13 Mar 2020 || | ||
| − | <b> Non-standard music representations in Humdrum [https://docs.google.com/presentation/d/1uOZqvZdzcXhL5Gx2tKMvmY--dbqGF8r4Xgtaw2GMdBM/edit?usp=sharing Tab and Koto notation] | + | <b> Non-standard music representations in Humdrum </b> |
| + | * [https://docs.google.com/presentation/d/1uOZqvZdzcXhL5Gx2tKMvmY--dbqGF8r4Xgtaw2GMdBM/edit?usp=sharing Tab and Koto notation] | ||
|- | |- | ||
| <div id="week11"></div>FE || 18 Mar 2020 || | | <div id="week11"></div>FE || 18 Mar 2020 || | ||
Revision as of 20:17, 10 March 2020
Music 253/CS 275a "Symbolic Musical Information"
Stanford University (Winter 2020).
This music-information course surveys symbolic frameworks and methods for a wide range of musical applications. Areas covered include advanced notation systems, optical music recognition, data conversion and synchronization, and the internal structure of data files. The course is preparatory for Music 254/CS 275B (Music Query, Analysis, and Style Simulation), which focuses on projects requiring a working knowledge of notation and sound software.
| Meeting times: | Tuesday & Thursdays 1:30–2:50 | |
| Location: | Braun Music Building, Rooms 131, 128 (lab entry from Room 129) | |
| Instructors: | Eleanor Selfridge-Field (esfield@stanford.edu) Craig Stuart Sapp (craig@ccrma.stanford.edu) | |
| Office Hours: | 3:05–4:05 Tuesdays & Thursdays and by appointment. | |
| Credits: | 2–4 | |
| Grading: |
Four-credits: class attendance: 25%; weekly assignments: 50%; take-home final: 25%. |
|
| Website: | music253.stanford.edu: Overview of individual topics presented in Music 253, and syllabus. | |
| Prerequisites: | Ability to read standard music notation. Knowledge of central concepts of tonal music theory (see Tutorial). | |
| Textbook: | E. Selfridge-Field, ed., Beyond MIDI: The Handbook of Musical Codes (MIT Press, 1997). Available online by permission of the publisher. |
Contents
Syllabus
See also Music 254/CS 275b Syllabus
Go to week: 1 | 2 | MIDI 3 | 4 | SCORE 5 | 6 | MuseData 7 | XML 8 | Humdrum 9 | 10
Week 1
- Lecture 01A: Musical Information or PDF version or Video version
- Lecture C1: Music representation
- Demo: Malinowski's Music Animation Machine
- Assignment #1: Design your own music representation system (due 14 Jan 2020)
- Informal Course Participation Survey
- Lecture 01B: Applying Musical Information
- Lecture C1b: Rosetta stone of digital music representations (see also Rosetta Stone of Musical Data Codes wikipage)
- Lab #1: Guido Music Notation
- Assignment #2: Finish Guido lab exercises at home (due 16 Jan 2020)
| Week | Dates | Topics |
|---|---|---|
| 1 | 7 Jan 2020 |
Overview of music representation and course resources |
| 1 | 9 Jan 2020 |
|
Week 2
- Lecture 02A: Input Methods for Musical Notation. Also here
- Lab #2a: Computer keyboard Input methods in MuseScore
- Lecture 2B: Sound-MIDI Introduction 2020
- Lab #2b: MIDI keyboard Input methods in MuseScore
- Assignment #3: Finish Lab 2 exercises (due 21 Jan 2020)
| Week | Dates | Topics |
|---|---|---|
| 2 | 14 Jan 2020 |
Input methods: textual input |
| 2 | 16 Jan 2020 |
Input methods: MIDI keyboard input |
Week 3
- Lecture 03A: Optical Music Recognition 2018.pdf
- Lecture C2: Introduction to XML
- Lab #3: Optical music recognition with SharpEye
- Assignment #4: SharpEye to MuseScore/Noteflight/Verovio Humdrum Viewer (Due 29 Jan 2020)
- Lecture 03B: From Sound to Input and Output
- Lecture C3a: MIDI protocol (extra: Hexadecimal numbers)
- Topic: MIDI roadmap of the byte
- Topic: MIDI bytes/messages (cinmidi)
- Topic: MIDI messages
| Week | Dates | Topics |
|---|---|---|
| 3 | 21 Jan 2020 |
Input methods: OMR and Data Interchange |
| 3 | 23 Jan 2020 |
MIDI Protocol |
Week 4
- Lecture C3b: Standard Midi Files
- Topic: Outline of the Standard MIDI File structure
- Topic: Variable length values
- Lecture 04A: MIDI Extensions (1) or PDF version
- Assignment #5a: MIDI file parsing homework (Due 4 Feb 2020)
- Lecture 04B: MIDI Extensions (1)
- Lecture 04BB: (MIDI Extensions (2))
- Lecture/Demo: Creating MIDI files by hand
- binasc tool for creating MIDI files in a text editor
- Topic: General MIDI instruments (plus percussion key numbers on channel 10)
- Topic: General MIDI continuous controllers
- Assignment #5b: MIDI file creation (Due 6 Feb 2020)
| Week | Dates | Topics |
|---|---|---|
| 4 | 28 Jan 2020 |
General MIDI/Standard MIDI Files |
| 4 | 30 Jan 2020 |
MIDI Extensions/Wrap-up |
Week 5
- MIDI notes (MIDI Plus and C++ parser & Guitar TAB to MIDI conversion)
- Lecture 05A: Introduction to SCORE or here
- Lab: SCORE user input (slides)
- SCORE 5-Stage Input Reference
- Lecture 05B. Repertories with Special Needs or here
- Lab: Input exercises done on paper in previous session
- SCORE survival guide
| Week | Dates | Topics |
|---|---|---|
| 5 | 4 Feb 2020 |
MIDI Conclusion SCORE user input code |
| 5 | 6 Feb 2020 |
SCORE music editor |
Week 6
- Lecture 06A. Extremes within CMN or here
- Guest lecture: Akiko Washino performance analysis from recordings and piano rolls.
- Lab: Input slightly harder SCORE examples
- List of useful SCORE commands
- Homework #6: Finish SCORE user input 2, due 18 Feb 2020
| Week | Dates | Topics |
|---|---|---|
| 6 | 11 Feb 2020 |
SCORE simple examples |
| 6 | 13 Feb 2020 |
Week 7
- Lecture 07B. MuseData: A Comprehensive Approach to Building Encoded Repertories
- Lecture: SCORE parameters
- Score parameter examples: notes, slurs/ties (note and slur parameter sheets)
- Lab/Homework: Hard SCORE exercises, due 27 Feb 2020
| Week | Dates | Topics |
|---|---|---|
| 7 | 18 Feb 2020 |
SCORE parameters 2 SCORE parameters |
| 7 | 20 Feb 2020 |
MuseData |
Week 8
- Lecture 08A. Markup Languages for Music: MusicXML and MEIand here
- Lecture: MusicXML and musical parameters
- Lecture 08b. Base-40 Arithmetic for Music Appsand here
- Lecture: Introduction to MEI
- 30 Short MEI encoding examples
- XML homework (due next Thursday)
| Week | Dates | Topics |
|---|---|---|
| 8 | 25 Feb 2020 |
MusicXML |
| 8 | 27 Feb 2020 |
Transposition via Base-40 MEI |
Week 9
- Lecture 09A. Introduction to Humdrum or here
- Lecture: Humdrum file format
- Introduction to **kern music encoding
- Verovio Humdrum Viewer (2019 IAML (Krakow, Poland) workshop slides for VHV)
- Homework: Encode examples in Humdrum using VHV editor (due this Thursday).
- Lecture 09B. Uses of Humdrum or here
- Lab: Humdrum Lab
- Humdrum homework (due next Thursday)
| Week | Dates | Topics |
|---|---|---|
| 9 | 4 Mar 2020 |
Humdrum file format |
| 9 | 6 Mar 2020 |
Humdrum Analysis 1
|
Week 10
- Lecture 10A. Basic Concepts in Music Copyright and here
- Lecture 10B. What is musical similarity? or here
- Musical dice game (usually)
- Instead for this week: Harmony in Humdrum
| Week | Dates | Topics |
|---|---|---|
| 10 | 11 Mar 2020 |
Music as Intellectual Property Humdrum Analysis 2 |
| 10 | 13 Mar 2020 |
Non-standard music representations in Humdrum |
| FE | 18 Mar 2020 |
Take-home final (4-credit students) due by 11 p.m. |
General Policies and University Rules
General policies and university rules:
- Delivery times:
- Assignments: by the start of the class for which they are due.
- Final exam: by 11 p.m. of the assigned date.
- Honor code: We will act and expect you to act according to the Stanford Honor Code.
- Students with disabilities: Students who may need an academic accommodation based on the impact of a disability must initiate the request with the Student Disability Resource Center (SDRC) located within the Office of Accessible Education (OAE). SDRC staff will evaluate the request with required documentation, recommend reasonable accommodations, and prepare an Accommodation Letter for faculty dated in the current quarter in which the request is being made. Students should contact the SDRC as soon as possible since timely notice is needed to coordinate accommodations. The OAE is located at 563 Salvatierra Walk (phone 723-1066), URL http://oae.stanford.edu.