Difference between revisions of "Music 253/CS 275a Winter 2014 Syllabus"

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<font size=+1><b>Music 253/CS 275a "Symbolic Musical Information"  <br> Stanford University (Winter 2014).</b></font>
 
<font size=+1><b>Music 253/CS 275a "Symbolic Musical Information"  <br> Stanford University (Winter 2014).</b></font>
 +
 +
This is an old syllabus.  Also see the [[Music 253/CS 275a Syllabus | most recent syllabus]].
  
 
This music-information course surveys symbolic frameworks and methods for a wide range
 
This music-information course surveys symbolic frameworks and methods for a wide range
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| <div id="week1"></div>1 || 7 Jan 2014 ||  
 
| <div id="week1"></div>1 || 7 Jan 2014 ||  
 
<b>Overview of music representation</b>  
 
<b>Overview of music representation</b>  
* Lecture 01A: [http://esf.ccarh.org/CS275A-Mus253 Musical Information]
+
* Lecture 01A: [http://esf.ccarh.org/CS275A-Mus253 Musical Information][http://www.screencast.com/t/H6W4piHb Video version]
 
* Demo: [http://www.musanim.com/ Malinowski's Music Animation Machine]
 
* Demo: [http://www.musanim.com/ Malinowski's Music Animation Machine]
 
* [[Rosetta Stone of Musical Data Codes]]
 
* [[Rosetta Stone of Musical Data Codes]]
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| 1 || 9 Jan 2014 ||  
 
| 1 || 9 Jan 2014 ||  
 
<b>Music representation and course resources</b>
 
<b>Music representation and course resources</b>
* Lecture 01B: [http://esf.ccarh.org/CS275A-Mus253 Applying Musical Information]
+
* Lecture 01B: [http://esf.ccarh.org/CS275A-Mus253/01B_ApplyingMusicalInformation_2014.pdf Applying Musical Information]
 
* Lab #1: [[Guido Music Notation]]
 
* Lab #1: [[Guido Music Notation]]
* Assignment #2: Finish [[Guido]] lab exercises at home
+
* Assignment #2: Finish [[Guido]] lab exercises at home (due 23 Jan 2014 at the latest)
 
|-
 
|-
 
| <div id="week2"></div>2 || 14 Jan 2014 ||  
 
| <div id="week2"></div>2 || 14 Jan 2014 ||  
 
<b> Notation software: input methods: MIDI #1</b>
 
<b> Notation software: input methods: MIDI #1</b>
* Lecture 02A: [http://esf.ccarh.org/CS275A-Mus253/02A_Input_2013%20%5bAutosaved%5d.pdf Input for Musical Notation (1)]
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* Lecture 02A-B: [http://esf.ccarh.org/CS275A-Mus253/02A_Input_2013.pdf Input Methods for Musical Notation]
 +
* Lab #2a: [[Finale Simple Note Entry | Computer keyboard Input methods in Finale]]
 
|-
 
|-
 
| 2 || 16 Jan 2014 ||  
 
| 2 || 16 Jan 2014 ||  
 
<b> Notation software: input methods: MIDI #2</b>
 
<b> Notation software: input methods: MIDI #2</b>
* Lecture 02B: [http://esf.ccarh.org/CS275A-Mus253/02B_Input2_2013.pdf Input for Musical Notation (2)]
+
* Lab #2b: [[Finale Midi Entry | MIDI keyboard Input methods in Finale]]
* Lab #2: [[Finale Midi Entry | MIDI keyboard Input methods in Finale ]]
 
 
* Assignment #3: Finale homework (due 21 Jan 2014)
 
* Assignment #3: Finale homework (due 21 Jan 2014)
 
|-
 
|-
 
| <div id="week3"></div>3 || 21 Jan 2014 ||  
 
| <div id="week3"></div>3 || 21 Jan 2014 ||  
 
<b> Input methods: OMR and Data Interchange </b>
 
<b> Input methods: OMR and Data Interchange </b>
* Lecture 03A: [http://esf.ccarh.org/CS275A-Mus253/03A_Optical%20Music%20Recognition_2013.pdf Optical Music Recognition]
+
* Lecture 03A: [http://esf.ccarh.org/CS275A-Mus253/03A_Optical%20Music%20Recognition_2014.pdf Optical Music Recognition]
 
* Lecture: [[Media:Introduction_to_XML.pdf|Introduction to XML]]
 
* Lecture: [[Media:Introduction_to_XML.pdf|Introduction to XML]]
 
* Lab #3: Optical music recognition with [[SharpEye]]
 
* Lab #3: Optical music recognition with [[SharpEye]]
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| 3 || 23 Jan 2014 ||  
 
| 3 || 23 Jan 2014 ||  
 
<b>MIDI Protocol/General MIDI</b>
 
<b>MIDI Protocol/General MIDI</b>
* Lecture 03B: [http://esf.ccarh.org/CS275A-Mus253/03B_MIDI_Introduction_2013.pdf MIDI Introduction]
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* Lecture 03B: [http://esf.ccarh.org/CS275A-Mus253/03B_Sound-MIDI_Introduction_2014.pdf From Analogue to Digital Sound (MIDI Introduction)]
 
* Lecture: [[Media:Hexadecimal_numbers.pdf|Hexadecimal numbers]]
 
* Lecture: [[Media:Hexadecimal_numbers.pdf|Hexadecimal numbers]]
 
* Topic: [http://www.ccarh.org/courses/253/handout/bytetable/bytelist.pdf MIDI roadmap of the byte]
 
* Topic: [http://www.ccarh.org/courses/253/handout/bytetable/bytelist.pdf MIDI roadmap of the byte]
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| <div id="week4"></div>4 || 28 Jan 2014 ||  
 
| <div id="week4"></div>4 || 28 Jan 2014 ||  
 
<b>Standard MIDI Files</b>
 
<b>Standard MIDI Files</b>
* Lecture  04A: [http://esf.ccarh.org/CS275A-Mus253/04A_Standard%20MIDI%20Files_2013.pdf From Music to MIDI]
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* Lecture  04A: [http://esf.ccarh.org/CS275A-Mus253/04A_Standard%20MIDI%20Files_2014.pdf Timbre and Quantization (MIDI)]
 
* Lecture: [[Media:Standard_MIDI_Files.pdf| Standard MIDI Files]]
 
* Lecture: [[Media:Standard_MIDI_Files.pdf| Standard MIDI Files]]
*
+
* Topic: [http://www.ccarh.org/courses/253/handout/smf/ Outline of the Standard MIDI File structure]
 +
* Topic: [[Variable length values]]
 +
* Assignment #5a: [[MIDI file parsing homework]]
 +
|-
 +
| 4 || 30 Jan 2014 ||
 +
<b>MIDI Extensions/Wrap-up</b>
 +
* Lecture 04B: [http://esf.ccarh.org/CS275A-Mus253/04B_MIDi_Extensions_2014.pdf MIDI extensions and alternatives]
 +
* Topic: [http://www.ccarh.org/courses/253/handout/gminstruments/ General MIDI instruments] (plus percussion key numbers on channel 10)
 +
* Topic: [http://www.ccarh.org/courses/253/handout/controllers/ General MIDI continuous controllers]
 +
* [http://code.google.com/p/binasc/wiki/mainpage binasc] tool for creating MIDI files in a text editor
 +
* Assignment #5b: MIDI file creation
 +
|-
 +
| <div id="week5"></div>5 || 4 Feb 2014 ||
 +
<b>SCORE user input code</b>
 +
* Lecture 05A: [http://esf.ccarh.org/CS275A-Mus253/05A_SCORE%20Introduction_2014.pdf Introduction to SCORE]
 +
* Lab: [[SCORE user input]]
 +
* [http://www.ccarh.org/courses/253/handout/scoreinput SCORE 5-Stage Input Reference]
 +
|-
 +
| 5 || 6 Feb 2014 ||
 +
<b>SCORE music editor</b>
 +
* Lecture 05B. [http://esf.ccarh.org/CS275A-Mus253/05B_Special-Needs%20Repertories_2014.pdf Repertories with Special Needs]
 +
* Lab: Input [[SCORE user input | exercises done on paper in previous session]]
 +
|-
 +
| <div id="week6"></div>6 || 11 Feb 2014 ||
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<b>SCORE simple examples</b>
 +
* Lecture 06A. [http://esf.ccarh.org/CS275A-Mus253/06A_Special%20Situations%20in%20CMN_2014.pdf Special Situations in CMN]
 +
* Lab: Input [[SCORE user input 2 |slightly harder SCORE examples]]
 +
* Homework #6: Finish [[SCORE user input 2]], due 18 February 2014
 +
|-
 +
| 6 || 13 Feb 2014 ||
 +
<b>SCORE parameters</b>
 +
* Lecture 06B. [http://esf.ccarh.org/CS275A-Mus253/06B_TexturesTracks_2014.pdf Score Textures and Tracks]
 +
* Lecture: [[Media:Score_parameters.pdf|SCORE parameters]]
 +
* Score parameter examples: [[SCORE_note_parameters|notes]], [[SCORE_slur_parameters|slurs/ties]]
 +
|-
 +
| <div a="week7"></div>7 || 18 Feb 2014 ||
 +
* Lecture 07A. [http://esf.ccarh.org/CS275A-Mus253/07A_EsAC-2014.pdf Codes for Archiving and Repurposing: The Essen Associative Code (EsAC)]
 +
<b>SCORE parameters 2</b>
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* Lab/Homework: [[SCORE_parameter_exercises|Hard SCORE exercises]], due 25 February 2014
 +
|-
 +
| 7 || 20 Feb 2014 ||
 +
<b> MuseData</b>
 +
* Lecture 07B. [http://esf.ccarh.org/CS275A-Mus253/07B_Codes%20for%20data%20%20archiving,%20interchange_WBH.pdf Codes for Archiving and Repurposing: MuseData (presented by Walter B. Hewlett)]
 +
* [[Beethoven String Quartets]]
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* [http://github.com/musedata/beethoven-quartets MuseData files for the quartets]
 +
* [http://github.com/musedata/muse2ps muse2ps for printing the MuseData files]
 +
|-
 +
| <div id="week8"></div>8 || 25 Feb 2014 ||
 +
<b> MusicXML </b>
 +
* Lecture 08A. [http://esf.ccarh.org/CS275A-Mus253/08A_MusicXML_2014.pdf Markup Languages for Music: MusicXML]
 +
* Lecture: [[Media:MusicXML_and_musical_parameters.pdf|MusicXML and musical parameters]]
 +
|-
 +
| 8 || 27 Feb 2014 ||
 +
<b> Transposition via Base-40 </b>
 +
* Lecture 08b. [http://esf.ccarh.org/CS275A-Mus253/08b_Base-40-2014.pdf Base-40 Arithmetic for Music Apps]
 +
 
 +
<b> MEI </b>
 +
* Lecture: [[Media:MEI-presentation-20120228.pdf|MEI overview]]
 +
* [[Media:30_short_mei_encoding_examples.pdf|30 Short MEI encoding examples]]
 +
|-
 +
| <div id="week9"></div>9 || 4 Mar 2014 ||
 +
<b> Humdrum file format</b>
 +
* Lecture 09A. [http://esf.ccarh.org/CS275A-Mus253/09A_Humdrum-Intro.pdf Introduction to Humdrum (presented by David Huron)]
 +
* Lecture: [[Media:Humdrum_file_format.pdf|Humdrum file format]]
 +
|-
 +
| 9 || 6 Mar 2014 ||
 +
<b> Humdrum Analysis 1</b>
 +
* Lecture 09B. [http://esf.ccarh.org/CS275A-Mus253/09B_Uses%20of%20Humdrum.pdf Uses of Humdrum]
 +
* Lab: [[Media:Humdrum_Tools_1.pdf|Humdrum Tools I]]
 +
|-
 +
| <div id="week10"></div>10 || 11 Mar 2014 ||
 +
* Lecture 10A.  Musical Data as Intellectual Property (presented with Nick Tsui)
 +
<b> Humdrum Analysis 2</b>
 +
* Lecture/Demo: [[Media:Humdrum_Tools_2.pdf|Humdrum Tools II]]
 +
* Lab: [[Humdrum Lab 1 | Humdrum Lab]]
 +
|-
 +
| 10 || 13 Mar 2014 ||
 +
<b> Non-standard music representations in Humdrum </b>
 +
|-
 +
| <div id="week11"></div>FE || 20 Mar 2014 ||
 +
<b> Take-home final due by 11 p.m.</b>
 +
|}
 +
</ul>
  
 
== General Policies and University Rules ==
 
== General Policies and University Rules ==

Latest revision as of 14:57, 5 January 2015

Music 253/CS 275a "Symbolic Musical Information"
Stanford University (Winter 2014).

This is an old syllabus. Also see the most recent syllabus.

This music-information course surveys symbolic frameworks and methods for a wide range of musical applications. Areas covered include advanced notation systems, optical music recognition, data conversion and synchronization, and the internal structure of data files. The course is preparatory for Music 254/CS 275B (Music Query, Analysis, and Style Simulation), which focuses on projects requiring a working knowledge of notation and sound software.


Meeting times: Tuesdays & Thursdays 1:15–3:05
Location: Braun Music Building, room 128 (or entry also from room 129)
Instructors: Eleanor Selfridge-Field (esfield@stanford.edu)
Craig Stuart Sapp (craig@ccrma.stanford.edu)
Office Hours: 3:05–4:05 Wednesdays and by appointment.
Credits: 2–4
Grading:

Four-credits: class attendance: 25%; weekly assignments: 50%; take-home final: 25%.
Three-credit/no final: class attendance: 33%; weekly assignments: 67%.
Two-credit/no final: choices negotiable (selected homeworks).

Website: music253.stanford.edu
wiki.ccarh.org/wiki/Music 253 Overview of individual topics presented in Music 253.
Prerequisites: Ability to read standard music notation. Knowledge of central concepts of tonal music theoory (see Tutorial).
Textbook: E. Selfridge-Field, ed., Beyond MIDI: The Handbook of Musical Codes (MIT Press, 1997). Available online by permission of the publisher.

Syllabus

See also Music 254/CS 275b Syllabus

Go to week: 1 | 2 | MIDI 3 | 4 | SCORE 5 | 6 | MuseData 7 | XML 8 | Humdrum 9 | 10

General Policies and University Rules

General policies and university rules:

  1. Delivery times:
    1. Assignments: by the start of the class for which they are due.
    2. Final exam: by 11 p.m. of the assigned date.
  2. Honor code: We will act and expect you to act according to the Stanford Honor Code.
  3. Students with disabilities: Students who may need an academic accommodation based on the impact of a disability must initiate the request with the Student Disability Resource Center (SDRC) located within the Office of Accessible Education (OAE). SDRC staff will evaluate the request with required documentation, recommend reasonable accommodations, and prepare an Accommodation Letter for faculty dated in the current quarter in which the request is being made. Students should contact the SDRC as soon as possible since timely notice is needed to coordinate accommdations. The OAE is located at 563 Salvatierra Walk (phone 723-1066).