Difference between revisions of "Fastcode"
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One of Fastcode's design strengths was its suitability to translation to other codes. Among these was DARMS, which Hall adapted and extended to the needs of A-R Editions. | One of Fastcode's design strengths was its suitability to translation to other codes. Among these was DARMS, which Hall adapted and extended to the needs of A-R Editions. | ||
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| + | * [http://ichriss.ccarh.org/protected/ccarh-scan-archive/22_Fastcode/22-Fastcode.pdf Fastcode manual] (typescript, c. 1975) | ||
Revision as of 00:58, 2 September 2015
Fastcode
Fastcode was developed at Princeton University by Tom Hall in the early 1970s. It was the first encoding system designed for mensural notation. It was specifically intended for the encoding a project led by Harry Powers to encode music by Orlando de Lassus and Tielman Susato. Its focus was therefore on sixteenth-century printed music. The fact that the input system was intended for keypunch dates is consistent with its development in the Seventies.
The most important part of the system is concerned with the reckoning of time values in mensural notation with those in modern notation. The music was preserved in part books. Susato developed the earliest moveable-type system in Antwerp. He was also a calligrapher, trumpeter, and flautist. He composed numerous dance pieces and masses. He was also the first publisher of the music of Lassus. Susato's system of music typography was soon adopted by Pierre Phalése in Leuven. Phalése published works by Adriano Willaert and a large number of chansons in the middle decades of the sixteenth century.
One of Fastcode's design strengths was its suitability to translation to other codes. Among these was DARMS, which Hall adapted and extended to the needs of A-R Editions.
- Fastcode manual (typescript, c. 1975)