Difference between revisions of "Fastcode"
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<b>Fastcode</b> was developed at Princeton University by Tom Hall in the early 1970s. It was the first encoding system designed for mensural notation. It was specifically intended for the encoding a project led by Harry Powers to encode music by Orlando de Lassus and [https://en.wikipedia.org/wiki/Tielman_Susato Tielman Susato]. Its focus was therefore on sixteenth-century printed music. The fact that the input system was intended for keypunch dates is consistent with its development in the Seventies. | <b>Fastcode</b> was developed at Princeton University by Tom Hall in the early 1970s. It was the first encoding system designed for mensural notation. It was specifically intended for the encoding a project led by Harry Powers to encode music by Orlando de Lassus and [https://en.wikipedia.org/wiki/Tielman_Susato Tielman Susato]. Its focus was therefore on sixteenth-century printed music. The fact that the input system was intended for keypunch dates is consistent with its development in the Seventies. | ||
| − | The most important part of the system is concerned with the reckoning of time values in mensural notation with those in modern notation. The music was preserved in part books. | + | The most important part of the system is concerned with the reckoning of time values in mensural notation with those in modern notation. The music was preserved in part books. Susato developed the earliest moveable-type system in Antwerp. He was also a calligrapher, trumpeter, and flautist. He composed numerous dance pieces and masses. He was also the first publisher of the music of Lassus. Susato's system of music typography was soon adopted by Pierre Phalése in Leuven. |
The code was designed with a view towards "further processing" -- the translation of the data-entry scheme to formats for printing. This included its translation into DARMS code as later developed for the A-R Editions software developed by Hall. | The code was designed with a view towards "further processing" -- the translation of the data-entry scheme to formats for printing. This included its translation into DARMS code as later developed for the A-R Editions software developed by Hall. | ||
Revision as of 00:02, 2 September 2015
Fastcode
Fastcode was developed at Princeton University by Tom Hall in the early 1970s. It was the first encoding system designed for mensural notation. It was specifically intended for the encoding a project led by Harry Powers to encode music by Orlando de Lassus and Tielman Susato. Its focus was therefore on sixteenth-century printed music. The fact that the input system was intended for keypunch dates is consistent with its development in the Seventies.
The most important part of the system is concerned with the reckoning of time values in mensural notation with those in modern notation. The music was preserved in part books. Susato developed the earliest moveable-type system in Antwerp. He was also a calligrapher, trumpeter, and flautist. He composed numerous dance pieces and masses. He was also the first publisher of the music of Lassus. Susato's system of music typography was soon adopted by Pierre Phalése in Leuven.
The code was designed with a view towards "further processing" -- the translation of the data-entry scheme to formats for printing. This included its translation into DARMS code as later developed for the A-R Editions software developed by Hall.