Difference between revisions of "Eleanor Selfridge-Field: Talks and Publications"

From CCARH Wiki
Jump to navigation Jump to search
Line 26: Line 26:
 
* [http://em.oxfordjournals.org/content/42/4/591.full.pdf+html “Search engines for digitally encoded scores"], <i>Early Music</i> 42/4, (2014), 591-598.  doi:10.1093/em/cau099.   
 
* [http://em.oxfordjournals.org/content/42/4/591.full.pdf+html “Search engines for digitally encoded scores"], <i>Early Music</i> 42/4, (2014), 591-598.  doi:10.1093/em/cau099.   
  
* “In memoriam Leland Smith,<i>Computer Music Journal</i> 2014.
+
* “[http://www.mitpressjournals.org/doi/pdf/10.1162/COMJ_e_00246 In memoriam Leland Smith"], <i>Computer Music Journal</i> 38/2 (2014), 5-7.
  
 
* [https://www.vifamusik.de/fileadmin/templates/dokumente/01_SelfridgeField.pdf "Between an Analogue Past and a Digital Future: The Evolving Digital Present]," <i>Wissenschaft im Digitalen Zeitalter: Symposium der Virtuellen Fachbibliothek Musikwissenschaft</i>, Göttingen (DE), 2012.  Based on [http://www.musikforschung.de/index.php/en/ GfMf] keynote address, Göttingen, 12 September 2012. [http://www.cirmmt.org/activities/workshops/research/simssa?set_language=fr&-C= Preliminary version] given at SIMSSA meeting, McGill University, Montréal, Québec (CA), 28 July 2012.
 
* [https://www.vifamusik.de/fileadmin/templates/dokumente/01_SelfridgeField.pdf "Between an Analogue Past and a Digital Future: The Evolving Digital Present]," <i>Wissenschaft im Digitalen Zeitalter: Symposium der Virtuellen Fachbibliothek Musikwissenschaft</i>, Göttingen (DE), 2012.  Based on [http://www.musikforschung.de/index.php/en/ GfMf] keynote address, Göttingen, 12 September 2012. [http://www.cirmmt.org/activities/workshops/research/simssa?set_language=fr&-C= Preliminary version] given at SIMSSA meeting, McGill University, Montréal, Québec (CA), 28 July 2012.

Revision as of 02:24, 10 January 2015

This webpage supplements http://www.stanford.edu/~esfield

Historical Musicology and Cultural History

  • “Vivaldi’s Maternal Line,” Studi vivaldiani 15 (2015). In press.
  • “Bernardo Canal, Visual Dramatist,” forthcoming.
  • “Schulenburg, Corfù, and the Dating of Vivaldi’s Juditha triuphans”, Studi vivaldiani, special issue, forthcoming.
  • [Reivew of] Federico Maria Sardelli, Catalogo delle concordanze musicali vivaldiani (Olschki, 2012), forthcoming in Il saggitore musicale.
  • “Bernardo Canal and Antonio Vivaldi,” Venice Baroque Music Center, Palazzo Loredan, Venice, 2012. [no authorized publication]
  • “Marcello’s Orientalism” in Psalmen: Kirchenmusik zwischen Tradition, Dramatik, und Experiment, ed. Helen Geyer und Birgit Johanna Wertenson with Michael Pauser. Cologne, Weimar, Vienna: Böhlau Verlag, 2014, pp. 205-222.
  • “In memoriam Giovanni Morelli,” tr. Miriam Fanna, Studi vivaldiani 12 (2011).
  • “Venice” for the Händel Lexikon (v. 6 of 6), Laaber Verlag (DE) 2011.
  • “Vivaldi” for the New Catholic Encyclopedia Supplement, ed. Robert L. Fastiggi. 2 vols. Detroit (US): Gale Research, 2011, v. II, 808-810.

Digital Musicology

  • [With Craig Sapp] “Browsing Beethoven’s Harmonic Usage,” Die Tonkunst: Magazin für Klassische Musik und Musikwissenschaft 5/3 (Juli 2011), 301-304.

Intellectual and Cultural Property; Cognition

  • “Cognition, early polyphony, and interdisciplinary musicology”, introduction to the special issue of Journal of Interdisciplinary musicology, ed. Barbara Tilmann and Frans Wiering, forthcoming.
  • “Associative aspects of perceived musical similarity and the intersections with seconda-prattica affetti” in A fresco: Mélanges offerts au professeur Etienne Darbellay, ed Brenno Boccadoro & George Starobinski (Bern: Peter Lang, 2014), 433-454.