Difference between revisions of "Eleanor Selfridge-Field: Talks and Publications"

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==Digital Musicology==
 
==Digital Musicology==
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* “[http://em.oxfordjournals.org/content/42/4/591.full.pdf+html Search engines for digitally encoded scores],” <i>Early Music</i> 42/4, (2014), 591-598.  doi:10.1093/em/cau099. 
  
 
* “In memoriam Leland Smith,” <i>Computer Music Journal</i> 2014.
 
* “In memoriam Leland Smith,” <i>Computer Music Journal</i> 2014.

Revision as of 02:17, 10 January 2015

This webpage supplements http://www.stanford.edu/~esfield

Historical Musicology and Cultural History

  • “Vivaldi’s Maternal Line,” Studi vivaldiani 15 (2015). In press.
  • “Bernardo Canal, Visual Dramatist,” forthcoming.
  • “Schulenburg, Corfù, and the Dating of Vivaldi’s Juditha triuphans”, Studi vivaldiani, special issue, forthcoming.
  • [Reivew of] Federico Maria Sardelli, Catalogo delle concordanze musicali vivaldiani (Olschki, 2012), forthcoming in Il saggitore musicale.
  • “Bernardo Canal and Antonio Vivaldi,” Venice Baroque Music Center, Palazzo Loredan, Venice, 2012. [no authorized publication]
  • “Marcello’s Orientalism” in Psalmen: Kirchenmusik zwischen Tradition, Dramatik, und Experiment, ed. Helen Geyer und Birgit Johanna Wertenson with Michael Pauser. Cologne, Weimar, Vienna: Böhlau Verlag, 2014, pp. 205-222.
  • “In memoriam Giovanni Morelli,” tr. Miriam Fanna, Studi vivaldiani 12 (2011).
  • “Venice” for the Händel Lexikon (v. 6 of 6), Laaber Verlag (DE) 2011.
  • “Vivaldi” for the New Catholic Encyclopedia Supplement, ed. Robert L. Fastiggi. 2 vols. Detroit (US): Gale Research, 2011, v. II, 808-810.

Digital Musicology

  • “In memoriam Leland Smith,” Computer Music Journal 2014.
  • [With Craig Sapp] “Browsing Beethoven’s Harmonic Usage,” Die Tonkunst: Magazin für Klassische Musik und Musikwissenschaft 5/3 (Juli 2011), 301-304.

Intellectual and Cultural Property; Cognition

  • “Cognition, early polyphony, and interdisciplinary musicology”, introduction to the special issue of Journal of Interdisciplinary musicology, ed. Barbara Tilmann and Frans Wiering, forthcoming.
  • “Associative aspects of perceived musical similarity and the intersections with seconda-prattica affetti” in A fresco: Mélanges offerts au professeur Etienne Darbellay, ed Brenno Boccadoro & George Starobinski (Bern: Peter Lang, 2014), 433-454.