Difference between revisions of "Beethoven String Quartets"

From CCARH Wiki
Jump to navigation Jump to search
Line 1: Line 1:
 
Beethoven's string quartets have been perennially popular from his time to our own. Collectively, they provide an anchor to the entire string quartet repertory and represent one of the pinnacles of chamber music in general. They span the whole of the composer's working life but pop up at irregular intervals, causing us to wonder whether Beethoven had to be in a certain frame of mind, or perhaps to have a new idea about how to go about their composition, before digging in.   
 
Beethoven's string quartets have been perennially popular from his time to our own. Collectively, they provide an anchor to the entire string quartet repertory and represent one of the pinnacles of chamber music in general. They span the whole of the composer's working life but pop up at irregular intervals, causing us to wonder whether Beethoven had to be in a certain frame of mind, or perhaps to have a new idea about how to go about their composition, before digging in.   
  
The Beethoven quartets fall into four groups, each of which has its own personality.  The early quartets (Op. 18) leave give distinct evidence of the composer's promise and show his originality. The "Rasoumovsky" quartets Op. 59 come from one of Beethoven's most fertile and productive periods. Each is a classic in its own right. Collectively they show enormous strides in Beethoven's development and imagination. Opp. 74 and 95 continue in the same directions but with significant differences of character.
+
The Beethoven quartets fall into four groups, each of which has its own personality.  The early quartets (Op. 18) leave give distinct evidence of the composer's promise and show his originality. The "Rasoumovsky" quartets Op. 59 come from one of Beethoven's most fertile and productive periods. Each is a classic in its own right. Collectively they show enormous strides in Beethoven's development and imagination. Opp. 74 and 95 continue in the same directions but with significant differences of character. Beethoven's personal battle with progressive hearing loss is usually considered the likely explanation for many otherwise inexplicable behaviors in his late quartets.  
  
What is surprising is that Beethoven composed so few quartets between 1806 and 1825. He was of course busy composing many other works during the first part of that period. Chamber music was usually written to fulfill a specific commission, and in Beethoven's time typically written to order. The political vicissitudes of Austria, particularly in its battles with Napoleonic France, were periodically inhibiting. Beethoven's personal battle with his progressive hearing difficulties is usually considered the likely explanation for many otherwise inexplicable behaviors.
+
It is surprising that Beethoven composed so few quartets between 1806 and 1825. He was of course busy composing many other works during the first part of that period.  
  
==Individual Quartets==
+
Chamber music was usually written to fulfill a specific commission, and in Beethoven's time typically written to order. 
The range of techniques used by Beethoven in the quartets is stunningly broad. Each work has its own intricacies, and many have intertextual relationships with other works by Beethoven and by other composers.  While it is not pertinent here to recount great numbers of these details, a few highlights are noted.  
+
 
 +
==Op. 18 (Quartets Nos. 1-6)==
 +
The range of techniques used by Beethoven in the quartets is stunningly broad. Each work has its own intricacies, and many have intertextual relationships with other works by Beethoven and by other composers.  ==Op. 18 (Quartets Nos. 1-6)==
  
===Op. 18 (Quartets Nos. 1-6)===
 
 
Beethoven's first published collection of string quartets (Op. 18, published in Vienna in 1801) consisted of six works he composed between 1798 and 1800. He closed in the quartet medium through explorations of other string combinations including a string trio (Op. 3, Eb Major, composed before 1794), a string quintet (Op. 4, also Eb Major, 1795), a set of three trios (Op. 9, 1797-98) and a handful of other chamber works, all composed since 1790. Opp. 3 and 4 were the earliest to be published (Vienna, 1796); the trios Op. 9 followed (1798).
 
Beethoven's first published collection of string quartets (Op. 18, published in Vienna in 1801) consisted of six works he composed between 1798 and 1800. He closed in the quartet medium through explorations of other string combinations including a string trio (Op. 3, Eb Major, composed before 1794), a string quintet (Op. 4, also Eb Major, 1795), a set of three trios (Op. 9, 1797-98) and a handful of other chamber works, all composed since 1790. Opp. 3 and 4 were the earliest to be published (Vienna, 1796); the trios Op. 9 followed (1798).
  
An significant portion of the moral support that allowed Beethoven to focus on this cogent, wide-ranging collection of quartets was provided by a nobleman of Beethoven's generation--the Bohemian prince xx yy Lobkovitz (1772-1816).  The prince lived in a magnificent palace in Vienna (Beethoven's adopted home).  He played several instruments. Without his indulgence, we might lack not only seven of Beethoven's string quartets but also three of symphonies--the third, fifth, and xx.
+
An significant portion of the moral support that allowed Beethoven to focus on this cogent, wide-ranging collection of quartets was provided by a nobleman of Beethoven's generation--the Bohemian prince xx yy Lobkovitz (1772-1816).  The prince lived in a magnificent palace in Vienna (Beethoven's adopted home).  He played several instruments. Without his indulgence, we might lack not only seven of Beethoven's string quartets but also three symphonies (the third, the fifth, and xx).
  
 
==Scores (downloadable)==
 
==Scores (downloadable)==

Revision as of 22:58, 13 December 2012

Beethoven's string quartets have been perennially popular from his time to our own. Collectively, they provide an anchor to the entire string quartet repertory and represent one of the pinnacles of chamber music in general. They span the whole of the composer's working life but pop up at irregular intervals, causing us to wonder whether Beethoven had to be in a certain frame of mind, or perhaps to have a new idea about how to go about their composition, before digging in.

The Beethoven quartets fall into four groups, each of which has its own personality. The early quartets (Op. 18) leave give distinct evidence of the composer's promise and show his originality. The "Rasoumovsky" quartets Op. 59 come from one of Beethoven's most fertile and productive periods. Each is a classic in its own right. Collectively they show enormous strides in Beethoven's development and imagination. Opp. 74 and 95 continue in the same directions but with significant differences of character. Beethoven's personal battle with progressive hearing loss is usually considered the likely explanation for many otherwise inexplicable behaviors in his late quartets.

It is surprising that Beethoven composed so few quartets between 1806 and 1825. He was of course busy composing many other works during the first part of that period.

Chamber music was usually written to fulfill a specific commission, and in Beethoven's time typically written to order.

Op. 18 (Quartets Nos. 1-6)

The range of techniques used by Beethoven in the quartets is stunningly broad. Each work has its own intricacies, and many have intertextual relationships with other works by Beethoven and by other composers. ==Op. 18 (Quartets Nos. 1-6)==

Beethoven's first published collection of string quartets (Op. 18, published in Vienna in 1801) consisted of six works he composed between 1798 and 1800. He closed in the quartet medium through explorations of other string combinations including a string trio (Op. 3, Eb Major, composed before 1794), a string quintet (Op. 4, also Eb Major, 1795), a set of three trios (Op. 9, 1797-98) and a handful of other chamber works, all composed since 1790. Opp. 3 and 4 were the earliest to be published (Vienna, 1796); the trios Op. 9 followed (1798).

An significant portion of the moral support that allowed Beethoven to focus on this cogent, wide-ranging collection of quartets was provided by a nobleman of Beethoven's generation--the Bohemian prince xx yy Lobkovitz (1772-1816). The prince lived in a magnificent palace in Vienna (Beethoven's adopted home). He played several instruments. Without his indulgence, we might lack not only seven of Beethoven's string quartets but also three symphonies (the third, the fifth, and xx).

Scores (downloadable)

 Opus  Title  Key  Nickname  Date CCARH score
(PDF)
B&H score
(PDF)
Op. 18, No. 1    String Quartet No. 1 F  Major 1798-1800     full [1]
Op. 18, No. 2 String Quartet No. 2 G  Major 1798-1800 full [2]
Op. 18, No. 3 String Quartet No. 3 D  Major 1798-1800 full [3]
Op. 18, No. 4 String Quartet No. 4 C  Minor 1798-1800 full [4]
Op. 18, No. 5 String Quartet No. 5 A  Major 1798-1800 full [5]
Op. 18, No. 6 String Quartet No. 6 B Major 1798-1800  full [6]
Op. 59, No. 1 String Quartet No. 7 F  Major "Razumovsky" 1805-6 full [7]
Op. 59, No. 2 String Quartet No. 8 E  Minor "Razumovsky" 1805-6 full [8]
Op. 59, No. 3 String Quartet No. 9 C  Major "Razumovsky" 1805-6 full [9]
Op. 74 String Quartet No. 10 E Major "The Harp" 1809 full [10]
Op. 95 String Quartet No. 11 F  Minor 1816 full [11]
Op. 127   String Quartet No. 12 E Major 1825 full [12]
Op. 130 String Quartet No. 14a B Major 1825-27 [ ] [13]
Op. 131 String Quartet No. 15 C Minor 1825-27 full [14]
Op. 132 String Quartet No. 13 A  Minor 1825 [ ] [15]
Op. 133 Grosse Fuge [Quartet No. 14b] B Major 1825-27 [ ] [16]
Op. 134 String Quartet [Quartet No. 14b-2] B Major 4-hand arrangement 1827? [17]
Op. 135 String Quartet No. 16 F  Major 1826-27 [ ] [18]

Audio examples from each movement of the three Op. 59 quartets are provided by the Digital Archive of the Beethoven-Haus in Bonn, the city of Beethoven's birth.[19]