Template:EVE Critical Editions - Revision history

Esfield: /* Parzival (Digital Critical Edition) */

2022-10-05T21:48:51Z

Parzival (Digital Critical Edition)

← Older revision		Revision as of 21:48, 5 October 2022
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	Owing to its long textual tradition (1210-1833) Wolfram von Eschenbach's medieval romance of the Arthurian knight <i>Parzival</i> and his search for the Holy Grail has an exceptionally complex history. Its sources include 16 intact manuscripts, 77 fragments, and a print from 1477. The narrative weaves together fragments of several textual traditions. The value of a new digital edition incorporating principal sources will enable the study of intertextual relationships to other epics circulated in manuscript. Elements of the new project include the creation of a catalog of manuscripts and verse-by-verse annotations. Richard Wagner read a version of the work in 1845 and began to think about composing an opera on the subject in 1857, but his opera <i>Parsifal</i> did not have its premiere until 1882.		Owing to its long textual tradition (1210-1833) Wolfram von Eschenbach's medieval romance of the Arthurian knight <i>Parzival</i> and his search for the Holy Grail has an exceptionally complex history. Its sources include 16 intact manuscripts, 77 fragments, and a print from 1477. The narrative weaves together fragments of several textual traditions. The value of a new digital edition incorporating principal sources will enable the study of intertextual relationships to other epics circulated in manuscript. Elements of the new project include the creation of a catalog of manuscripts and verse-by-verse annotations. Richard Wagner read a version of the work in 1845 and began to think about composing an opera on the subject in 1857, but his opera <i>Parsifal</i> did not have its premiere until 1882.

	~~[[File:Biffi_Asperges-me.PNG\|450px\|thumb\|right\|<small>Antonino Biffi: "Asperges me" from the Miserere mei, Deus," ed. Don Faber, Web Library of Seventeenth-Century Music, 2009.</small>]]~~

	===Web Library of Seventeenth-Century Music (WLSCM)===		===Web Library of Seventeenth-Century Music (WLSCM)===

Esfield: /* Web Library of Seventeenth-Century Music (WLSCM) */

2022-10-05T21:48:28Z

Web Library of Seventeenth-Century Music (WLSCM)

← Older revision		Revision as of 21:48, 5 October 2022
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	===Web Library of Seventeenth-Century Music (WLSCM)===		===Web Library of Seventeenth-Century Music (WLSCM)===

			[[File:Biffi_Asperges-me.PNG\|600px\|thumb\|right\|<small>Antonino Biffi: "Asperges me" from the Miserere mei, Deus," ed. Don Faber, Web Library of Seventeenth-Century Music, 2009.</small>]]

	Website: [http://www.sscm-wlscm.org/ Web Library of Seventeenth-Century Music (WLSCM)]		Website: [http://www.sscm-wlscm.org/ Web Library of Seventeenth-Century Music (WLSCM)]

	The Web Library of Seventeenth-Century Music (ISSN 2330-2429), which operates under the auspices of the [http://sscm-sscm.org/ Society for Seventeenth-Century Music], is a curated collection of music that is otherwise unavailable. Most items in its catalog feature a "full volume" of works with an introduction and critical notes. Most publications come from French and Italian composers, with numerous Spanish items recently added (2021). Current holdings include cantatas (including <i>Lucrezia Romana</i>, Alessandro Scarlatti), canzonas (multiple composers), keyboard works and arrangements (R. Ayleward, 67 short pieces, with audio samples; J.-B. Lully, 250 pieces newly edited from scattered manuscripts), Lament for the Queen of England (A. Bertali), madrigals (Biagio Marini), motets (M.-A. Charpentier), and spiritual monodies (G. G. Kapsberger). Collectively these downloadable editions constitute the series <i>Monuments of Seventeenteenth-Century Music</i>.		The Web Library of Seventeenth-Century Music (ISSN 2330-2429), which operates under the auspices of the [http://sscm-sscm.org/ Society for Seventeenth-Century Music], is a curated collection of music that is otherwise unavailable. Most items in its catalog feature a "full volume" of works with an introduction and critical notes. Most publications come from French and Italian composers, with numerous Spanish items recently added (2021). Current holdings include cantatas (including <i>Lucrezia Romana</i>, Alessandro Scarlatti), canzonas (multiple composers), keyboard works and arrangements (R. Ayleward, 67 short pieces, with audio samples; J.-B. Lully, 250 pieces newly edited from scattered manuscripts), Lament for the Queen of England (A. Bertali), madrigals (Biagio Marini), motets (M.-A. Charpentier), and spiritual monodies (G. G. Kapsberger). Collectively these downloadable editions constitute the series <i>Monuments of Seventeenteenth-Century Music</i>.

Esfield: /* ASCIMA: Archive of Seventeenth-Century Italian Madrigals and Arias */

2022-10-05T21:46:57Z

ASCIMA: Archive of Seventeenth-Century Italian Madrigals and Arias

← Older revision		Revision as of 21:46, 5 October 2022
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	===ASCIMA: Archive of Seventeenth-Century Italian Madrigals and Arias===		===ASCIMA: Archive of Seventeenth-Century Italian Madrigals and Arias===

	[[File:Rovetta-Arianna.PNG\|~~440px~~\|thumb\|right\|<small>From an edition of Giovanni Rovetta's madrigal "La giovane ~~belissima~~ Adriana" (1640) in the ASCIMA repository.</small>]]		[[File:Rovetta-Arianna.PNG\|600px\|thumb\|right\|<small>From an edition of Giovanni Rovetta's madrigal "La giovane bellissima Adriana" (1640) in the ASCIMA repository.</small>]]

	Website: [http://www.ascima.bham.ac.uk ASCIMA]		Website: [http://www.ascima.bham.ac.uk ASCIMA]

Esfield: /* Parzival (Digital Critical Edition) */

2022-09-29T20:29:04Z

Parzival (Digital Critical Edition)

← Older revision		Revision as of 20:29, 29 September 2022
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	This online digital edition of Luca Marenzio's secular music has been under development for several years. Mauro Calcagno and Laurent Pugin are the principal investigators. The musical sources are sixteenth-century partbooks that have been scanned (and "recognized') by Pugin's <i>Aruspix</i> software. Scores are assembled from the recognized parts. Demonstration works allow highlighting of textual variants, alternation between original and modern clefs, and navigation from section to section via text incipits. Metadata and textual rhythm patterns can be viewed in a separate window.		This online digital edition of Luca Marenzio's secular music has been under development for several years. Mauro Calcagno and Laurent Pugin are the principal investigators. The musical sources are sixteenth-century partbooks that have been scanned (and "recognized') by Pugin's <i>Aruspix</i> software. Scores are assembled from the recognized parts. Demonstration works allow highlighting of textual variants, alternation between original and modern clefs, and navigation from section to section via text incipits. Metadata and textual rhythm patterns can be viewed in a separate window.

			===Neuma===

			Website: [http://neuma.huma-num.fr/ Neuma]

			NEUMA is a digital library of music scores encoded in MusicXML and MEI. Its objectives are to provide online access to rare corpora and to demonstrate, with interactive search and analytic tools, how music notation can support advanced functionalities in the exploraton of digital scores.

	===Parzival (Digital Critical Edition)===		===Parzival (Digital Critical Edition)===

Esfield: /* Du Fay: Opera Omnia */

2022-07-23T01:48:56Z

Du Fay: Opera Omnia

← Older revision		Revision as of 01:48, 23 July 2022
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	[[File:Dufay_O-gemma.PNG\|420px\|thumb\|right\|super\|<small>Opening of the online critical edition of DuFay's isorhythmic motet "O gemma, lux et speculum" from Panchart's edition of the <i>Opera Omnia</i>.</small>]]		[[File:Dufay_O-gemma.PNG\|420px\|thumb\|right\|super\|<small>Opening of the online critical edition of DuFay's isorhythmic motet "O gemma, lux et speculum" from Panchart's edition of the <i>Opera Omnia</i>.</small>]]

	Alejandro Planchart's critical edition of all the works of Guillaume Du Fay is subdivided into eleven ~~section~~ by musical/liturgical genre. The first three sections are currently available at the above link. All works are available in PDFs containing the edited music.		Alejandro Planchart's critical edition of all the works of Guillaume Du Fay is subdivided into eleven sections by musical/liturgical genre. The first three sections are currently available at the above link. All works are available in PDFs containing the edited music.

	===Gesualdo Online===		===Gesualdo Online===

Esfield: /* ASCIMA: Archive of Seventeenth-Century Italian Madrigals and Arias */

2021-12-09T23:42:08Z

ASCIMA: Archive of Seventeenth-Century Italian Madrigals and Arias

← Older revision		Revision as of 23:42, 9 December 2021
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	===ASCIMA: Archive of Seventeenth-Century Italian Madrigals and Arias===		===ASCIMA: Archive of Seventeenth-Century Italian Madrigals and Arias===

	[[File:Rovetta-Arianna.PNG\|440px\|thumb\|right\|<small>From an edition of Giovanni Rovetta's madrigal "La giovane belissima ~~Ariana~~" (1640) in the ASCIMA repository.</small>]]		[[File:Rovetta-Arianna.PNG\|440px\|thumb\|right\|<small>From an edition of Giovanni Rovetta's madrigal "La giovane belissima Adriana" (1640) in the ASCIMA repository.</small>]]

	Website: [http://www.ascima.bham.ac.uk ASCIMA]		Website: [http://www.ascima.bham.ac.uk ASCIMA]

Esfield: /* ASCIMA: Archive of Seventeenth-Century Italian Madrigals and Arias */

2021-12-09T23:41:31Z

ASCIMA: Archive of Seventeenth-Century Italian Madrigals and Arias

← Older revision		Revision as of 23:41, 9 December 2021
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	===ASCIMA: Archive of Seventeenth-Century Italian Madrigals and Arias===		===ASCIMA: Archive of Seventeenth-Century Italian Madrigals and Arias===

	[[File:Rovetta-Arianna.PNG\|440px\|thumb\|right\|<small>From an edition of Giovanni Rovetta's madrigal "La giovane belissima Ariana" (1640) in the ASCIMA repository.</small.>]]		[[File:Rovetta-Arianna.PNG\|440px\|thumb\|right\|<small>From an edition of Giovanni Rovetta's madrigal "La giovane belissima Ariana" (1640) in the ASCIMA repository.</small>]]

	Website: [http://www.ascima.bham.ac.uk ASCIMA]		Website: [http://www.ascima.bham.ac.uk ASCIMA]

Craig: /* Du Fay: Opera Omnia */

2021-04-29T00:23:30Z

Du Fay: Opera Omnia

← Older revision		Revision as of 00:23, 29 April 2021
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	Website: [https://www.diamm.ac.uk/resources/music-editions/du-fay-opera-omnia/ <i>Du Fay: Opera Omnia</i>]		Website: [https://www.diamm.ac.uk/resources/music-editions/du-fay-opera-omnia/ <i>Du Fay: Opera Omnia</i>]

	[[File:Dufay_O-gemma.PNG\|420px\|thumb\|right\|~~sub~~\|<small>Opening of the online critical edition of DuFay's isorhythmic motet "O gemma, lux et speculum" from Panchart's edition of the <i>Opera Omnia</i>.</small>]]		[[File:Dufay_O-gemma.PNG\|420px\|thumb\|right\|super\|<small>Opening of the online critical edition of DuFay's isorhythmic motet "O gemma, lux et speculum" from Panchart's edition of the <i>Opera Omnia</i>.</small>]]

	Alejandro Planchart's critical edition of all the works of Guillaume Du Fay is subdivided into eleven section by musical/liturgical genre. The first three sections are currently available at the above link. All works are available in PDFs containing the edited music.		Alejandro Planchart's critical edition of all the works of Guillaume Du Fay is subdivided into eleven section by musical/liturgical genre. The first three sections are currently available at the above link. All works are available in PDFs containing the edited music.

Craig: /* Du Fay: Opera Omnia */

2021-04-29T00:23:18Z

Du Fay: Opera Omnia

← Older revision		Revision as of 00:23, 29 April 2021
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	Website: [https://www.diamm.ac.uk/resources/music-editions/du-fay-opera-omnia/ <i>Du Fay: Opera Omnia</i>]		Website: [https://www.diamm.ac.uk/resources/music-editions/du-fay-opera-omnia/ <i>Du Fay: Opera Omnia</i>]

			[[File:Dufay_O-gemma.PNG\|420px\|thumb\|right\|sub\|<small>Opening of the online critical edition of DuFay's isorhythmic motet "O gemma, lux et speculum" from Panchart's edition of the <i>Opera Omnia</i>.</small>]]
	[[File:Dufay_O-gemma.PNG\|420px\|thumb\|right\|~~baseline~~\|<small>Opening of the online critical edition of DuFay's isorhythmic motet "O gemma, lux et speculum" from Panchart's edition of the <i>Opera Omnia</i>.</small>]]


	Alejandro Planchart's critical edition of all the works of Guillaume Du Fay is subdivided into eleven section by musical/liturgical genre. The first three sections are currently available at the above link. All works are available in PDFs containing the edited music.		Alejandro Planchart's critical edition of all the works of Guillaume Du Fay is subdivided into eleven section by musical/liturgical genre. The first three sections are currently available at the above link. All works are available in PDFs containing the edited music.

Craig: /* Du Fay: Opera Omnia */

2021-04-29T00:22:44Z

Du Fay: Opera Omnia

← Older revision		Revision as of 00:22, 29 April 2021
Line 21:		Line 21:


	[[File:Dufay_O-gemma.PNG~~\|baseline~~\|420px\|thumb\|right\|<small>Opening of the online critical edition of DuFay's isorhythmic motet "O gemma, lux et speculum" from Panchart's edition of the <i>Opera Omnia</i>.</small>]]		[[File:Dufay_O-gemma.PNG\|420px\|thumb\|right\|baseline\|<small>Opening of the online critical edition of DuFay's isorhythmic motet "O gemma, lux et speculum" from Panchart's edition of the <i>Opera Omnia</i>.</small>]]