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	<title>Template:DRM manuscripts by repertory - Revision history</title>
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	<updated>2026-05-16T05:15:32Z</updated>
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		<title>Craig at 11:39, 18 August 2023</title>
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		<updated>2023-08-18T11:39:05Z</updated>

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&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:39, 18 August 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;===&amp;lt;big&amp;gt;By Repertory&amp;lt;/big&amp;gt;===&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===&amp;lt;big&amp;gt;Cambridge Lute Books&amp;lt;/big&amp;gt;===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;===&amp;lt;big&amp;gt;Cambridge Lute Books&amp;lt;/big&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;===&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: [http://cudl.lib.cam.ac.uk/view/MS-DD-00005-00078-00003/1 Cambridge Lute Books]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: [http://cudl.lib.cam.ac.uk/view/MS-DD-00005-00078-00003/1 Cambridge Lute Books]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l9&quot;&gt;Line 9:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Port-Canc.PNG|260px|thumb|left|&amp;lt;small&amp;gt;Manuscript illumination from the Occitan &amp;lt;i&amp;gt;Cancioneiro de Ajuda&amp;lt;/i&amp;gt;, f. 55v, showing a nobleman dancing, a minstrel playing a viol, and a girl with a cymbal.&amp;lt;/small&amp;gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Port-Canc.PNG|260px|thumb|left|&amp;lt;small&amp;gt;Manuscript illumination from the Occitan &amp;lt;i&amp;gt;Cancioneiro de Ajuda&amp;lt;/i&amp;gt;, f. 55v, showing a nobleman dancing, a minstrel playing a viol, and a girl with a cymbal.&amp;lt;/small&amp;gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;===&amp;lt;big&amp;gt;Cantigas Medievais Galego-Portuguesas&amp;lt;/big&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===&amp;lt;big&amp;gt;Cantigas Medievais Galego-Portuguesas&amp;lt;/big&amp;gt;===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: [http://cantigas.fcsh.unl.pt/manuscritos.asp Medieval Cantigas]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: [http://cantigas.fcsh.unl.pt/manuscritos.asp Medieval Cantigas]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l15&quot;&gt;Line 15:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This website provides links to collections of manuscripts containing cantigas of Gallic and Portuguese origin. Many are preserved in the Vatican Library.  The contents of each source is indexed, with full texts given in many cases.  A sample folio is shown for each source.  Titles are listed [https://cantigas.fcsh.unl.pt/listacantigas.asp online].&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This website provides links to collections of manuscripts containing cantigas of Gallic and Portuguese origin. Many are preserved in the Vatican Library.  The contents of each source is indexed, with full texts given in many cases.  A sample folio is shown for each source.  Titles are listed [https://cantigas.fcsh.unl.pt/listacantigas.asp online].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;===&amp;lt;big&amp;gt;Cantus Planus&amp;lt;/big&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===&amp;lt;big&amp;gt;Cantus Planus&amp;lt;/big&amp;gt;===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: [https://www.cantusplanus.at/de-at/ Cantus Planus]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: [https://www.cantusplanus.at/de-at/ Cantus Planus]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l35&quot;&gt;Line 35:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 33:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Robert Klugseder directs the project.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Robert Klugseder directs the project.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;===&amp;lt;big&amp;gt;Musica restaurata&amp;lt;/big&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===&amp;lt;big&amp;gt;Musica restaurata&amp;lt;/big&amp;gt;===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: [http://www.vaticanlibrary.va/home.php?pag=in_evidenza_art_00187 Musica restaurata]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: [http://www.vaticanlibrary.va/home.php?pag=in_evidenza_art_00187 Musica restaurata]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l43&quot;&gt;Line 43:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 41:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Illuminated manuscripts associated with the Low Countries in the Vatican Library can be viewed in high resolution owing to the generous support of the Alamire Foundation (Leuven, Belgium).  The contents at the end of 2012 totaled 13,500 images.  The image shown here comes from the workshop of [https://en.wikipedia.org/wiki/Pierre_Alamire Pierre Alamire] (&amp;lt;i&amp;gt;c&amp;lt;/i&amp;gt;. 1470–1536). Alamire&amp;#039;s workshop produced many important manuscripts of the music of [https://en.wikipedia.org/wiki/Johannes_Ockeghem Johannes Ockeghem], [https://en.wikipedia.org/wiki/Josquin_des_Prez Josquin des Prez], [https://en.wikipedia.org/wiki/Adrian_Willaert Adriano Willaert], and [https://en.wikipedia.org/wiki/Pierre_de_la_Rue Pierre de la Rue].  Alamire was a vendor of manuscripts who also used his innocent musical pursuits to conceal his operations as a spy for King Henry VIII.  Manuscripts from his workshop can be found in several other European venues including Munich, Vienna, Brussels.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Illuminated manuscripts associated with the Low Countries in the Vatican Library can be viewed in high resolution owing to the generous support of the Alamire Foundation (Leuven, Belgium).  The contents at the end of 2012 totaled 13,500 images.  The image shown here comes from the workshop of [https://en.wikipedia.org/wiki/Pierre_Alamire Pierre Alamire] (&amp;lt;i&amp;gt;c&amp;lt;/i&amp;gt;. 1470–1536). Alamire&amp;#039;s workshop produced many important manuscripts of the music of [https://en.wikipedia.org/wiki/Johannes_Ockeghem Johannes Ockeghem], [https://en.wikipedia.org/wiki/Josquin_des_Prez Josquin des Prez], [https://en.wikipedia.org/wiki/Adrian_Willaert Adriano Willaert], and [https://en.wikipedia.org/wiki/Pierre_de_la_Rue Pierre de la Rue].  Alamire was a vendor of manuscripts who also used his innocent musical pursuits to conceal his operations as a spy for King Henry VIII.  Manuscripts from his workshop can be found in several other European venues including Munich, Vienna, Brussels.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;===&amp;lt;big&amp;gt;Polish Benedictine Music&amp;lt;/big&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===&amp;lt;big&amp;gt;Polish Benedictine Music&amp;lt;/big&amp;gt;===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: [http://chrum.studiokropka.pl/st_test/#/ Polish Benedictine Music]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: [http://chrum.studiokropka.pl/st_test/#/ Polish Benedictine Music]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l49&quot;&gt;Line 49:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 47:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This multifaceted project provides digitized images of sacred and liturgical music from Benedictine convents in the environs of Krakov. The musical sources are primarily from the 16th and 17th centuries.  In addition to searchable digitized images, it also contains considerable metadata and many links to related resources as well as analytical information. An English translation is in progress.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This multifaceted project provides digitized images of sacred and liturgical music from Benedictine convents in the environs of Krakov. The musical sources are primarily from the 16th and 17th centuries.  In addition to searchable digitized images, it also contains considerable metadata and many links to related resources as well as analytical information. An English translation is in progress.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;===&amp;lt;big&amp;gt;Scottish Fiddle Tunes (Collections)&amp;lt;/big&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===&amp;lt;big&amp;gt;Scottish Fiddle Tunes (Collections)&amp;lt;/big&amp;gt;===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: [http://hms.scot Scottish Fiddle Tunes (Collections)]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: [http://hms.scot Scottish Fiddle Tunes (Collections)]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l55&quot;&gt;Line 55:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 53:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;More than 200 books of airs, reels, hornpipes, and [https://en.wikipedia.org/wiki/Strathspey_(dance) strathspeys] are reproduced at this website at the University of Glascow. Search by title, genre etc is facilitated in an associated databse. Some sources contain period annotations. The bulk are notated on two staves in the manner of keyboard music.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;More than 200 books of airs, reels, hornpipes, and [https://en.wikipedia.org/wiki/Strathspey_(dance) strathspeys] are reproduced at this website at the University of Glascow. Search by title, genre etc is facilitated in an associated databse. Some sources contain period annotations. The bulk are notated on two staves in the manner of keyboard music.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;===&amp;lt;big&amp;gt;Swedish Musical Heritage&amp;lt;/big&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;=&lt;/del&gt;===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;===&amp;lt;big&amp;gt;Swedish Musical Heritage&amp;lt;/big&amp;gt;===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: [http://www.swedishmusicalheritage.com Swedish Musical Heritage]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: [http://www.swedishmusicalheritage.com Swedish Musical Heritage]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Swedish Musical Heritage website represents an ongoing collaboration to make available all out-of-copyright music by Swedish composers.  The alphabetical database of holdings is easily searched.  It provides filters for instrumentation, composer&amp;#039;s gender, century, and duration of each recording.  Materials served include reproductions of scores, recordings of radio broadcasts, biographical information, and other related holdings of several musical institutions. Many Swedes were employed abroad, especially in Germany, and much foreign music found its way to Sweden via Germany.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Swedish Musical Heritage website represents an ongoing collaboration to make available all out-of-copyright music by Swedish composers.  The alphabetical database of holdings is easily searched.  It provides filters for instrumentation, composer&amp;#039;s gender, century, and duration of each recording.  Materials served include reproductions of scores, recordings of radio broadcasts, biographical information, and other related holdings of several musical institutions. Many Swedes were employed abroad, especially in Germany, and much foreign music found its way to Sweden via Germany.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Craig</name></author>
	</entry>
	<entry>
		<id>https://wiki.ccarh.org/index.php?title=Template:DRM_manuscripts_by_repertory&amp;diff=12463&amp;oldid=prev</id>
		<title>Craig: Created page with &quot;===&lt;big&gt;By Repertory&lt;/big&gt;===  ====&lt;big&gt;Cambridge Lute Books&lt;/big&gt;====  Website: [http://cudl.lib.cam.ac.uk/view/MS-DD-00005-00078-00003/1 Cambridge Lute Books]  This link tak...&quot;</title>
		<link rel="alternate" type="text/html" href="https://wiki.ccarh.org/index.php?title=Template:DRM_manuscripts_by_repertory&amp;diff=12463&amp;oldid=prev"/>
		<updated>2023-08-18T11:33:50Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;===&amp;lt;big&amp;gt;By Repertory&amp;lt;/big&amp;gt;===  ====&amp;lt;big&amp;gt;Cambridge Lute Books&amp;lt;/big&amp;gt;====  Website: [http://cudl.lib.cam.ac.uk/view/MS-DD-00005-00078-00003/1 Cambridge Lute Books]  This link tak...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;===&amp;lt;big&amp;gt;By Repertory&amp;lt;/big&amp;gt;===&lt;br /&gt;
&lt;br /&gt;
====&amp;lt;big&amp;gt;Cambridge Lute Books&amp;lt;/big&amp;gt;====&lt;br /&gt;
&lt;br /&gt;
Website: [http://cudl.lib.cam.ac.uk/view/MS-DD-00005-00078-00003/1 Cambridge Lute Books]&lt;br /&gt;
&lt;br /&gt;
This link takes you to the second of four lute books compiled by Mathew Holmes and preserved in the Cambridge University Library.  Its companions are the Cosens Lute Book and a volume of fragments of Elizabethan music for lute. Holmes was a singer at [http://en.wikipedia.org/wiki/Christ_Church,_Oxford Christ Church], Oxford, and at [http://en.wikipedia.org/wiki/Westminster_Abbey Westminster Abbey]. Cosens was a nineteenth-century owner of this collection of sixteenth-century music.&lt;br /&gt;
&lt;br /&gt;
[[File:Port-Canc.PNG|260px|thumb|left|&amp;lt;small&amp;gt;Manuscript illumination from the Occitan &amp;lt;i&amp;gt;Cancioneiro de Ajuda&amp;lt;/i&amp;gt;, f. 55v, showing a nobleman dancing, a minstrel playing a viol, and a girl with a cymbal.&amp;lt;/small&amp;gt;]]&lt;br /&gt;
&lt;br /&gt;
====&amp;lt;big&amp;gt;Cantigas Medievais Galego-Portuguesas&amp;lt;/big&amp;gt;====&lt;br /&gt;
&lt;br /&gt;
Website: [http://cantigas.fcsh.unl.pt/manuscritos.asp Medieval Cantigas]&lt;br /&gt;
&lt;br /&gt;
This website provides links to collections of manuscripts containing cantigas of Gallic and Portuguese origin. Many are preserved in the Vatican Library.  The contents of each source is indexed, with full texts given in many cases.  A sample folio is shown for each source.  Titles are listed [https://cantigas.fcsh.unl.pt/listacantigas.asp online].&lt;br /&gt;
&lt;br /&gt;
====&amp;lt;big&amp;gt;Cantus Planus&amp;lt;/big&amp;gt;====&lt;br /&gt;
&lt;br /&gt;
Website: [https://www.cantusplanus.at/de-at/ Cantus Planus]&lt;br /&gt;
&lt;br /&gt;
In distinction to the Cantus Planus project focused on chant indexing (from the 1980s through today, under the auspices of the International Musicological Society), this website, operating under the auspices of the Austrian Academy of Sciences in Vienna, with a base at the Austrian National Library, provides a sophisticated array of digital tools and repositories for the study of medieval music.  The scope of the project embraces six parts:&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;b&amp;gt;Cantus Planus Austria&amp;lt;/b&amp;gt;: the primary web platform for the choral music in Austria&amp;lt;/b&amp;gt;&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;b&amp;gt;Nationalbibliothek&amp;lt;/b&amp;gt;: Medieval music sources in the Austrian National Library&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;b&amp;gt;Fragmente&amp;lt;/b&amp;gt;: Fragments of medieval music in the Austrian National Library&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;b&amp;gt;Austriaca&amp;lt;/b&amp;gt;: Information on music manuscripts in Austrian libraries&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;b&amp;gt;Text and Music Recognition&amp;lt;/b&amp;gt;: automatic recognition, transcription, and text acquisition of textual content in choral sourcces&lt;br /&gt;
&lt;br /&gt;
*&amp;lt;b&amp;gt;Bilddatenbank&amp;lt;/b&amp;gt;: an image bank of medieval music manuscripts.&lt;br /&gt;
&lt;br /&gt;
Robert Klugseder directs the project.&lt;br /&gt;
&lt;br /&gt;
====&amp;lt;big&amp;gt;Musica restaurata&amp;lt;/big&amp;gt;====&lt;br /&gt;
&lt;br /&gt;
Website: [http://www.vaticanlibrary.va/home.php?pag=in_evidenza_art_00187 Musica restaurata]&lt;br /&gt;
&lt;br /&gt;
[[File:Alamire.png|300px|thumb|left|&amp;lt;small&amp;gt;Illuminated manuscript from the Flemish workshop of Pierre Alamire, Vatican Library, Capella Sistina 160, f. 2v.&amp;lt;/small&amp;gt;]]&lt;br /&gt;
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Illuminated manuscripts associated with the Low Countries in the Vatican Library can be viewed in high resolution owing to the generous support of the Alamire Foundation (Leuven, Belgium).  The contents at the end of 2012 totaled 13,500 images.  The image shown here comes from the workshop of [https://en.wikipedia.org/wiki/Pierre_Alamire Pierre Alamire] (&amp;lt;i&amp;gt;c&amp;lt;/i&amp;gt;. 1470–1536). Alamire&amp;#039;s workshop produced many important manuscripts of the music of [https://en.wikipedia.org/wiki/Johannes_Ockeghem Johannes Ockeghem], [https://en.wikipedia.org/wiki/Josquin_des_Prez Josquin des Prez], [https://en.wikipedia.org/wiki/Adrian_Willaert Adriano Willaert], and [https://en.wikipedia.org/wiki/Pierre_de_la_Rue Pierre de la Rue].  Alamire was a vendor of manuscripts who also used his innocent musical pursuits to conceal his operations as a spy for King Henry VIII.  Manuscripts from his workshop can be found in several other European venues including Munich, Vienna, Brussels.&lt;br /&gt;
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====&amp;lt;big&amp;gt;Polish Benedictine Music&amp;lt;/big&amp;gt;====&lt;br /&gt;
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Website: [http://chrum.studiokropka.pl/st_test/#/ Polish Benedictine Music]&lt;br /&gt;
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This multifaceted project provides digitized images of sacred and liturgical music from Benedictine convents in the environs of Krakov. The musical sources are primarily from the 16th and 17th centuries.  In addition to searchable digitized images, it also contains considerable metadata and many links to related resources as well as analytical information. An English translation is in progress.&lt;br /&gt;
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====&amp;lt;big&amp;gt;Scottish Fiddle Tunes (Collections)&amp;lt;/big&amp;gt;====&lt;br /&gt;
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Website: [http://hms.scot Scottish Fiddle Tunes (Collections)]&lt;br /&gt;
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More than 200 books of airs, reels, hornpipes, and [https://en.wikipedia.org/wiki/Strathspey_(dance) strathspeys] are reproduced at this website at the University of Glascow. Search by title, genre etc is facilitated in an associated databse. Some sources contain period annotations. The bulk are notated on two staves in the manner of keyboard music.&lt;br /&gt;
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====&amp;lt;big&amp;gt;Swedish Musical Heritage&amp;lt;/big&amp;gt;====&lt;br /&gt;
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Website: [http://www.swedishmusicalheritage.com Swedish Musical Heritage]&lt;br /&gt;
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The Swedish Musical Heritage website represents an ongoing collaboration to make available all out-of-copyright music by Swedish composers.  The alphabetical database of holdings is easily searched.  It provides filters for instrumentation, composer&amp;#039;s gender, century, and duration of each recording.  Materials served include reproductions of scores, recordings of radio broadcasts, biographical information, and other related holdings of several musical institutions. Many Swedes were employed abroad, especially in Germany, and much foreign music found its way to Sweden via Germany.&lt;/div&gt;</summary>
		<author><name>Craig</name></author>
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