<?xml version="1.0"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">
	<id>https://wiki.ccarh.org/index.php?action=history&amp;feed=atom&amp;title=Template%3ADRM_manuscripts</id>
	<title>Template:DRM manuscripts - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://wiki.ccarh.org/index.php?action=history&amp;feed=atom&amp;title=Template%3ADRM_manuscripts"/>
	<link rel="alternate" type="text/html" href="https://wiki.ccarh.org/index.php?title=Template:DRM_manuscripts&amp;action=history"/>
	<updated>2026-04-07T18:35:08Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.43.0</generator>
	<entry>
		<id>https://wiki.ccarh.org/index.php?title=Template:DRM_manuscripts&amp;diff=13146&amp;oldid=prev</id>
		<title>Esfield: /* Materials regarding Edvard Grieg */</title>
		<link rel="alternate" type="text/html" href="https://wiki.ccarh.org/index.php?title=Template:DRM_manuscripts&amp;diff=13146&amp;oldid=prev"/>
		<updated>2024-06-06T23:52:19Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Materials regarding Edvard Grieg&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:52, 6 June 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l57&quot;&gt;Line 57:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 57:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Aaron Copland Collection, available at the Library of Congress, is an exceedingly rich one that contains every imaginable kind of evidence of the composer&amp;#039;s long life (1900–1990)—manuscripts, sketches, typescripts for talks, personal photographs (roughly 5,000 of them), childhood mementos, and letters.  Apart from photos, 981 other items can be found here.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Aaron Copland Collection, available at the Library of Congress, is an exceedingly rich one that contains every imaginable kind of evidence of the composer&amp;#039;s long life (1900–1990)—manuscripts, sketches, typescripts for talks, personal photographs (roughly 5,000 of them), childhood mementos, and letters.  Apart from photos, 981 other items can be found here.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Materials &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;regarding &lt;/del&gt;Edvard Grieg ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Materials &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;pertaining to &lt;/ins&gt;Edvard Grieg ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: http://bergenbibliotek.no/digitale-samlinger/grieg/english&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: http://bergenbibliotek.no/digitale-samlinger/grieg/english&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Esfield</name></author>
	</entry>
	<entry>
		<id>https://wiki.ccarh.org/index.php?title=Template:DRM_manuscripts&amp;diff=13047&amp;oldid=prev</id>
		<title>Esfield: /* Music Manuscripts in the Marciana Library (Venice) */</title>
		<link rel="alternate" type="text/html" href="https://wiki.ccarh.org/index.php?title=Template:DRM_manuscripts&amp;diff=13047&amp;oldid=prev"/>
		<updated>2024-04-11T23:32:12Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Music Manuscripts in the Marciana Library (Venice)&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:32, 11 April 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l288&quot;&gt;Line 288:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 288:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Moldenhauer Archives began with the focus of teaching music history through primary sources. Its founder was Hans Moldenhauer (1906-1987) made the collection a memorial after his wife, Rosaleen, and donated it to the Library of Congress and eight other libraries including the Paul Sacher Stiftung (Basel), others in Cambridge MA, Evanston IL, Munich, Vienna, Zurich, and two in the state of Washington with which the Moldenhauers had personal connections--Washington State University and Whitworth College in Spokane. Its 3,500 manuscripts and letters, while representing a history of music and musical notation from ancient to recent times, is particularly valuable for its autographs of the latter.  An [http://memory.loc.gov/ammem/collections/moldenhauer/moldtoc.html online guide] documents its contents, in many cases with essays on individual holdings.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Moldenhauer Archives began with the focus of teaching music history through primary sources. Its founder was Hans Moldenhauer (1906-1987) made the collection a memorial after his wife, Rosaleen, and donated it to the Library of Congress and eight other libraries including the Paul Sacher Stiftung (Basel), others in Cambridge MA, Evanston IL, Munich, Vienna, Zurich, and two in the state of Washington with which the Moldenhauers had personal connections--Washington State University and Whitworth College in Spokane. Its 3,500 manuscripts and letters, while representing a history of music and musical notation from ancient to recent times, is particularly valuable for its autographs of the latter.  An [http://memory.loc.gov/ammem/collections/moldenhauer/moldtoc.html online guide] documents its contents, in many cases with essays on individual holdings.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Music Manuscripts in the Marciana Library (Venice) ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Music Manuscripts in the Marciana &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;National &lt;/ins&gt;Library (Venice) ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: [https://www.internetculturale.it/it/41/collezioni-digitali/26189/ Internet Culturale: Music Manuscripts in the Marciana National Library]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: [https://www.internetculturale.it/it/41/collezioni-digitali/26189/ Internet Culturale: Music Manuscripts in the Marciana National Library]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Esfield</name></author>
	</entry>
	<entry>
		<id>https://wiki.ccarh.org/index.php?title=Template:DRM_manuscripts&amp;diff=13046&amp;oldid=prev</id>
		<title>Esfield: /* Music Manuscripts in the Marciana Library (Venice) */</title>
		<link rel="alternate" type="text/html" href="https://wiki.ccarh.org/index.php?title=Template:DRM_manuscripts&amp;diff=13046&amp;oldid=prev"/>
		<updated>2024-04-11T23:31:39Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Music Manuscripts in the Marciana Library (Venice)&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:31, 11 April 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l290&quot;&gt;Line 290:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 290:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Music Manuscripts in the Marciana Library (Venice) ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Music Manuscripts in the Marciana Library (Venice) ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: https://www.internetculturale.it/it/41/collezioni-digitali/26189/ Internet Culturale: Music Manuscripts in the Marciana National Library]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[&lt;/ins&gt;https://www.internetculturale.it/it/41/collezioni-digitali/26189/ Internet Culturale: Music Manuscripts in the Marciana National Library]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File: Giasone-Medea_1649_Sc12_Vmn.png|380px|thumb|right|&amp;lt;small&amp;gt;Start of Scene XII (Giasone, Medea) of Francesco Cavalli&amp;#039;s &amp;lt;i&amp;gt;Giasone&amp;lt;/i&amp;gt;, Venice, 1649, from the Marciana National Library autograph MS [http://iccu01e.caspur.it/ms/internetCulturale.php?id=oai%3Awww.internetculturale.sbn.it%2FTeca%3A20%3ANT0000%3AIT\\ICCU\\MSM\\0160414&amp;amp;teca=MagTeca+-+ICCU Internet Culturale, I-Vnm, 0160414, f. 103r.]&amp;lt;/small&amp;gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File: Giasone-Medea_1649_Sc12_Vmn.png|380px|thumb|right|&amp;lt;small&amp;gt;Start of Scene XII (Giasone, Medea) of Francesco Cavalli&amp;#039;s &amp;lt;i&amp;gt;Giasone&amp;lt;/i&amp;gt;, Venice, 1649, from the Marciana National Library autograph MS [http://iccu01e.caspur.it/ms/internetCulturale.php?id=oai%3Awww.internetculturale.sbn.it%2FTeca%3A20%3ANT0000%3AIT\\ICCU\\MSM\\0160414&amp;amp;teca=MagTeca+-+ICCU Internet Culturale, I-Vnm, 0160414, f. 103r.]&amp;lt;/small&amp;gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Esfield</name></author>
	</entry>
	<entry>
		<id>https://wiki.ccarh.org/index.php?title=Template:DRM_manuscripts&amp;diff=13045&amp;oldid=prev</id>
		<title>Esfield: /* Music Manuscripts in the Marciana Library (Venice) */</title>
		<link rel="alternate" type="text/html" href="https://wiki.ccarh.org/index.php?title=Template:DRM_manuscripts&amp;diff=13045&amp;oldid=prev"/>
		<updated>2024-04-11T23:31:17Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Music Manuscripts in the Marciana Library (Venice)&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:31, 11 April 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l290&quot;&gt;Line 290:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 290:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Music Manuscripts in the Marciana Library (Venice) ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Music Manuscripts in the Marciana Library (Venice) ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;http&lt;/del&gt;://www.internetculturale.it/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;opencms&lt;/del&gt;/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;opencms&lt;/del&gt;/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;it&lt;/del&gt;/&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;ricercaMag.jsp?searchType=avanzato&amp;amp;q=&amp;amp;opCha__creator=AND&amp;amp;channel__creator=&amp;amp;opCha__title=AND&amp;amp;channel__title=&amp;amp;opCha__contributor=AND&amp;amp;channel__contributor=&amp;amp;opCha__issuedYear=AND&amp;amp;channel__issuedYear_from=&amp;amp;channel__issuedYear_until=&amp;amp;opCha__publisher=AND&amp;amp;channel__publisher=&amp;amp;opCha__subject=AND&amp;amp;channel__subject=&amp;amp;opCha__language=AND+OR&amp;amp;opCha__typeTipo=AND+OR&amp;amp;opCha__typeLivello=AND&amp;amp;channel__typeLivello=&amp;amp;opCha__typeDigitale=AND+OR&amp;amp;opCha__location=AND&amp;amp;channel__location=&amp;amp;opCha__collectionText=AND+OP&amp;amp;channel__collectionText=%22http%3A%2F%2Fmarciana.venezia.sbn.it%2F%22++AND+NOT+%22http%3A%2F%2Fmarciana.venezia.sbn.it%2Fincunaboli.html%22&amp;amp;opCha__agency=AND+OR&amp;amp;opCha__descSourceLevel2=AND+OR&amp;amp;imageField2.x=9&amp;amp;imageField2.y=5&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https&lt;/ins&gt;://www.internetculturale.it/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;it/41&lt;/ins&gt;/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;collezioni-digitali&lt;/ins&gt;/&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;26189&lt;/ins&gt;/ &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Internet Culturale: Music Manuscripts in the Marciana National Library]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File: Giasone-Medea_1649_Sc12_Vmn.png|380px|thumb|right|&amp;lt;small&amp;gt;Start of Scene XII (Giasone, Medea) of Francesco Cavalli&amp;#039;s &amp;lt;i&amp;gt;Giasone&amp;lt;/i&amp;gt;, Venice, 1649, from the Marciana National Library autograph MS [http://iccu01e.caspur.it/ms/internetCulturale.php?id=oai%3Awww.internetculturale.sbn.it%2FTeca%3A20%3ANT0000%3AIT\\ICCU\\MSM\\0160414&amp;amp;teca=MagTeca+-+ICCU Internet Culturale, I-Vnm, 0160414, f. 103r.]&amp;lt;/small&amp;gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File: Giasone-Medea_1649_Sc12_Vmn.png|380px|thumb|right|&amp;lt;small&amp;gt;Start of Scene XII (Giasone, Medea) of Francesco Cavalli&amp;#039;s &amp;lt;i&amp;gt;Giasone&amp;lt;/i&amp;gt;, Venice, 1649, from the Marciana National Library autograph MS [http://iccu01e.caspur.it/ms/internetCulturale.php?id=oai%3Awww.internetculturale.sbn.it%2FTeca%3A20%3ANT0000%3AIT\\ICCU\\MSM\\0160414&amp;amp;teca=MagTeca+-+ICCU Internet Culturale, I-Vnm, 0160414, f. 103r.]&amp;lt;/small&amp;gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Esfield</name></author>
	</entry>
	<entry>
		<id>https://wiki.ccarh.org/index.php?title=Template:DRM_manuscripts&amp;diff=13037&amp;oldid=prev</id>
		<title>Esfield: /* Corpus Musicae Ottomanicae (CMO) */</title>
		<link rel="alternate" type="text/html" href="https://wiki.ccarh.org/index.php?title=Template:DRM_manuscripts&amp;diff=13037&amp;oldid=prev"/>
		<updated>2024-04-03T00:22:38Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Corpus Musicae Ottomanicae (CMO)&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:22, 3 April 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l186&quot;&gt;Line 186:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 186:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: https://www.uni-muenster.de/CMO-Edition/cmo/cmo.html&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: https://www.uni-muenster.de/CMO-Edition/cmo/cmo.html&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:MSTurc92.PNG|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;350px&lt;/del&gt;|thumb|left|&amp;lt;small&amp;gt;Here we see ʿAlī Ufuḳī&#039;s comments at the top and sides.  In part they transliterate the comments of an earlier scribe in Arabic.  Source: MS Paris, Bibliothèque Nationale de France, Turc 292, 152b/23b © BnF.&amp;lt;/small&amp;gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:MSTurc92.PNG|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;500px&lt;/ins&gt;|thumb|left|&amp;lt;small&amp;gt;Here we see ʿAlī Ufuḳī&#039;s comments at the top and sides.  In part they transliterate the comments of an earlier scribe in Arabic.  Source: MS Paris, Bibliothèque Nationale de France, Turc 292, 152b/23b © BnF.&amp;lt;/small&amp;gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This recently announced project (2020) to digitize and transcribe manuscripts of Middle Eastern Music, named the &amp;lt;i&amp;gt;Corpus Musicae Ottomanicae&amp;lt;/i&amp;gt; (CMO), concentrates on musical materials originating in the Middle East in the seventeenth through nineteenth centuries. A digital critical edition based on the collection is being prepared under the auspices of the Institute for Arabic and Islamic Studies at the Westphalian University in Münster, DE. Detailing of musical performance practices is an intended area of focus. ʿAlī Ufuḳī, sold to the sultan&amp;#039;s court in Istanbul as a slave in the seventeenth century, was a rapt student of culture who gathered vast quantities of information about language and customs during his many years at court. He transliterated texts and notated melodies provide offer glimpses of style ad substance that are rare, for in general music was not notated. Custom required the music to be read from right to left.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This recently announced project (2020) to digitize and transcribe manuscripts of Middle Eastern Music, named the &amp;lt;i&amp;gt;Corpus Musicae Ottomanicae&amp;lt;/i&amp;gt; (CMO), concentrates on musical materials originating in the Middle East in the seventeenth through nineteenth centuries. A digital critical edition based on the collection is being prepared under the auspices of the Institute for Arabic and Islamic Studies at the Westphalian University in Münster, DE. Detailing of musical performance practices is an intended area of focus. ʿAlī Ufuḳī, sold to the sultan&amp;#039;s court in Istanbul as a slave in the seventeenth century, was a rapt student of culture who gathered vast quantities of information about language and customs during his many years at court. He transliterated texts and notated melodies provide offer glimpses of style ad substance that are rare, for in general music was not notated. Custom required the music to be read from right to left.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Esfield</name></author>
	</entry>
	<entry>
		<id>https://wiki.ccarh.org/index.php?title=Template:DRM_manuscripts&amp;diff=13036&amp;oldid=prev</id>
		<title>Esfield: /* Digital Collections in the Berlin State Library */</title>
		<link rel="alternate" type="text/html" href="https://wiki.ccarh.org/index.php?title=Template:DRM_manuscripts&amp;diff=13036&amp;oldid=prev"/>
		<updated>2024-04-03T00:22:14Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Digital Collections in the Berlin State Library&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:22, 3 April 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l194&quot;&gt;Line 194:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 194:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: http://digital.staatsbibliothek-berlin.de/suche/?DC=musik&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: http://digital.staatsbibliothek-berlin.de/suche/?DC=musik&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:BachJS_552Org.PNG|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;420px&lt;/del&gt;|thumb|center|&amp;lt;small&amp;gt;J.S. Bach&#039;s organ prelude in Eb Major BWV 522 in Berlin State Library Mus.ms. Bach P 287 (PPN771817622)&amp;lt;/small&amp;gt;.]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:BachJS_552Org.PNG|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;550px&lt;/ins&gt;|thumb|center|&amp;lt;small&amp;gt;J.S. Bach&#039;s organ prelude in Eb Major BWV 522 in Berlin State Library Mus.ms. Bach P 287 (PPN771817622)&amp;lt;/small&amp;gt;.]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The 7,348 digitized music items at the Berlin State Library website include manuscripts, prints, libretti, poetic texts for Lieder, and much else. Of interest to Beethoven scholars are the composer&amp;#039;s conversation books (1820, 1825, 1826).  Other offerings include writings by and about https://en.wikipedia.org/wiki/Richard_Wagner Richard Wagner}; music in manuscript by [https://en.wikipedia.org/wiki/Franz_Liszt Franz Liszt]; letters to [https://en.wikipedia.org/wiki/Clara_Schumann Clara Schumann] by [https://en.wikipedia.org/wiki/Johannes_Brahms Johannes Brahms] (and many others); prints, manuscript, and letters by [https://en.wikipedia.org/wiki/Felix_Mendelssohn Felix Mendelssohn]; and copious amounts of eighteenth-century music, some of it in nineteenth-century manuscript copies.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The 7,348 digitized music items at the Berlin State Library website include manuscripts, prints, libretti, poetic texts for Lieder, and much else. Of interest to Beethoven scholars are the composer&amp;#039;s conversation books (1820, 1825, 1826).  Other offerings include writings by and about https://en.wikipedia.org/wiki/Richard_Wagner Richard Wagner}; music in manuscript by [https://en.wikipedia.org/wiki/Franz_Liszt Franz Liszt]; letters to [https://en.wikipedia.org/wiki/Clara_Schumann Clara Schumann] by [https://en.wikipedia.org/wiki/Johannes_Brahms Johannes Brahms] (and many others); prints, manuscript, and letters by [https://en.wikipedia.org/wiki/Felix_Mendelssohn Felix Mendelssohn]; and copious amounts of eighteenth-century music, some of it in nineteenth-century manuscript copies.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Esfield</name></author>
	</entry>
	<entry>
		<id>https://wiki.ccarh.org/index.php?title=Template:DRM_manuscripts&amp;diff=13035&amp;oldid=prev</id>
		<title>Esfield: /* Digital Collections in the Berlin State Library */</title>
		<link rel="alternate" type="text/html" href="https://wiki.ccarh.org/index.php?title=Template:DRM_manuscripts&amp;diff=13035&amp;oldid=prev"/>
		<updated>2024-04-03T00:21:43Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Digital Collections in the Berlin State Library&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:21, 3 April 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l194&quot;&gt;Line 194:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 194:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: http://digital.staatsbibliothek-berlin.de/suche/?DC=musik&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Website: http://digital.staatsbibliothek-berlin.de/suche/?DC=musik&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:BachJS_552Org.PNG|420px|thumb|&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;right&lt;/del&gt;|&amp;lt;small&amp;gt;J.S. Bach&#039;s organ prelude in Eb Major BWV 522 in Berlin State Library Mus.ms. Bach P 287 (PPN771817622)&amp;lt;/small&amp;gt;.]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:BachJS_552Org.PNG|420px|thumb|&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;center&lt;/ins&gt;|&amp;lt;small&amp;gt;J.S. Bach&#039;s organ prelude in Eb Major BWV 522 in Berlin State Library Mus.ms. Bach P 287 (PPN771817622)&amp;lt;/small&amp;gt;.]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The 7,348 digitized music items at the Berlin State Library website include manuscripts, prints, libretti, poetic texts for Lieder, and much else. Of interest to Beethoven scholars are the composer&amp;#039;s conversation books (1820, 1825, 1826).  Other offerings include writings by and about https://en.wikipedia.org/wiki/Richard_Wagner Richard Wagner}; music in manuscript by [https://en.wikipedia.org/wiki/Franz_Liszt Franz Liszt]; letters to [https://en.wikipedia.org/wiki/Clara_Schumann Clara Schumann] by [https://en.wikipedia.org/wiki/Johannes_Brahms Johannes Brahms] (and many others); prints, manuscript, and letters by [https://en.wikipedia.org/wiki/Felix_Mendelssohn Felix Mendelssohn]; and copious amounts of eighteenth-century music, some of it in nineteenth-century manuscript copies.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The 7,348 digitized music items at the Berlin State Library website include manuscripts, prints, libretti, poetic texts for Lieder, and much else. Of interest to Beethoven scholars are the composer&amp;#039;s conversation books (1820, 1825, 1826).  Other offerings include writings by and about https://en.wikipedia.org/wiki/Richard_Wagner Richard Wagner}; music in manuscript by [https://en.wikipedia.org/wiki/Franz_Liszt Franz Liszt]; letters to [https://en.wikipedia.org/wiki/Clara_Schumann Clara Schumann] by [https://en.wikipedia.org/wiki/Johannes_Brahms Johannes Brahms] (and many others); prints, manuscript, and letters by [https://en.wikipedia.org/wiki/Felix_Mendelssohn Felix Mendelssohn]; and copious amounts of eighteenth-century music, some of it in nineteenth-century manuscript copies.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Esfield</name></author>
	</entry>
	<entry>
		<id>https://wiki.ccarh.org/index.php?title=Template:DRM_manuscripts&amp;diff=13034&amp;oldid=prev</id>
		<title>Esfield: /* Digital Collections in the Berlin State Library */</title>
		<link rel="alternate" type="text/html" href="https://wiki.ccarh.org/index.php?title=Template:DRM_manuscripts&amp;diff=13034&amp;oldid=prev"/>
		<updated>2024-04-03T00:21:01Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Digital Collections in the Berlin State Library&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:21, 3 April 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l196&quot;&gt;Line 196:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 196:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:BachJS_552Org.PNG|420px|thumb|right|&amp;lt;small&amp;gt;J.S. Bach&amp;#039;s organ prelude in Eb Major BWV 522 in Berlin State Library Mus.ms. Bach P 287 (PPN771817622)&amp;lt;/small&amp;gt;.]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:BachJS_552Org.PNG|420px|thumb|right|&amp;lt;small&amp;gt;J.S. Bach&amp;#039;s organ prelude in Eb Major BWV 522 in Berlin State Library Mus.ms. Bach P 287 (PPN771817622)&amp;lt;/small&amp;gt;.]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The 7,348 digitized music items at the Berlin State Library website include manuscripts, prints, libretti, poetic texts for Lieder, and much else. Of interest to Beethoven scholars are the composer&#039;s conversation books (1820, 1825, 1826).  Other offerings include writings by and about Richard Wagner; music in manuscript by Franz Liszt; letters to Clara Schumann by Brahms (and many others); prints, manuscript, and letters by Mendelssohn; and copious amounts of eighteenth-century music, some of it in nineteenth-century manuscript copies.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The 7,348 digitized music items at the Berlin State Library website include manuscripts, prints, libretti, poetic texts for Lieder, and much else. Of interest to Beethoven scholars are the composer&#039;s conversation books (1820, 1825, 1826).  Other offerings include writings by and about &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https://en.wikipedia.org/wiki/Richard_Wagner &lt;/ins&gt;Richard Wagner&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}&lt;/ins&gt;; music in manuscript by &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[https://en.wikipedia.org/wiki/Franz_Liszt &lt;/ins&gt;Franz Liszt&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/ins&gt;; letters to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[https://en.wikipedia.org/wiki/Clara_Schumann &lt;/ins&gt;Clara Schumann&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] &lt;/ins&gt;by &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[https://en.wikipedia.org/wiki/Johannes_Brahms Johannes &lt;/ins&gt;Brahms&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] &lt;/ins&gt;(and many others); prints, manuscript, and letters by &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[https://en.wikipedia.org/wiki/Felix_Mendelssohn Felix &lt;/ins&gt;Mendelssohn&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/ins&gt;; and copious amounts of eighteenth-century music, some of it in nineteenth-century manuscript copies.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Digitized Manuscripts in the University and Regional Library Darmstadt ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Digitized Manuscripts in the University and Regional Library Darmstadt ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Esfield</name></author>
	</entry>
	<entry>
		<id>https://wiki.ccarh.org/index.php?title=Template:DRM_manuscripts&amp;diff=13033&amp;oldid=prev</id>
		<title>Esfield: /* Music Manuscripts in the Marciana Library (Venice) */</title>
		<link rel="alternate" type="text/html" href="https://wiki.ccarh.org/index.php?title=Template:DRM_manuscripts&amp;diff=13033&amp;oldid=prev"/>
		<updated>2024-04-02T23:58:39Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Music Manuscripts in the Marciana Library (Venice)&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:58, 2 April 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l294&quot;&gt;Line 294:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 294:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File: Giasone-Medea_1649_Sc12_Vmn.png|380px|thumb|right|&amp;lt;small&amp;gt;Start of Scene XII (Giasone, Medea) of Francesco Cavalli&amp;#039;s &amp;lt;i&amp;gt;Giasone&amp;lt;/i&amp;gt;, Venice, 1649, from the Marciana National Library autograph MS [http://iccu01e.caspur.it/ms/internetCulturale.php?id=oai%3Awww.internetculturale.sbn.it%2FTeca%3A20%3ANT0000%3AIT\\ICCU\\MSM\\0160414&amp;amp;teca=MagTeca+-+ICCU Internet Culturale, I-Vnm, 0160414, f. 103r.]&amp;lt;/small&amp;gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File: Giasone-Medea_1649_Sc12_Vmn.png|380px|thumb|right|&amp;lt;small&amp;gt;Start of Scene XII (Giasone, Medea) of Francesco Cavalli&amp;#039;s &amp;lt;i&amp;gt;Giasone&amp;lt;/i&amp;gt;, Venice, 1649, from the Marciana National Library autograph MS [http://iccu01e.caspur.it/ms/internetCulturale.php?id=oai%3Awww.internetculturale.sbn.it%2FTeca%3A20%3ANT0000%3AIT\\ICCU\\MSM\\0160414&amp;amp;teca=MagTeca+-+ICCU Internet Culturale, I-Vnm, 0160414, f. 103r.]&amp;lt;/small&amp;gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;library &lt;/del&gt;of St. Mark&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot; &lt;/del&gt;(&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;i.e. the &lt;/del&gt;Biblioteca Nazionale &quot;Marciana&quot; in Venice&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;) &lt;/del&gt;holds acquisitions that have been accumulating since the sixteenth century.  Following guidelines widely shared across music libraries in Italy, it has digitized music manuscripts that are most closely tied to Venice&#039;s musical history. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; &lt;/del&gt;These include many important sources for seventeenth-century Venetian opera (Francesco Cavalli, Domenico Freschi, Giovanni Legrenzi, Carlo Pallavicino, P.A. and M.A. Ziani (operas can be accessed by act); 66 volumes containing cantatas of the eighteenth century by [http://www.internetculturale.it/opencms/opencms/it/ricerca_metamag.jsp?semplice.y=0&amp;amp;semplice.x=0&amp;amp;q=Benedetto+Marcello++Marciana+&amp;amp;semplice=semplice&amp;amp;instance=mag Benedetto Marcello] (471 titles) and his nemesis [https://en.wikipedia.org/wiki/Antonio_Lotti Antonio Lotti]; minuets by [https://en.wikipedia.org/wiki/Baldassare_Galuppi Baldassare Galuppi]; and all the [http://www.internetculturale.it/opencms/opencms/it/ricerca_metamag.jsp?semplice.y=0&amp;amp;semplice.x=0&amp;amp;q=Domenico+Scarlatti+Marciana&amp;amp;semplice=semplice&amp;amp;instance=mag keyboard sonatas of Domenico Scarlatti] (358 titles).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Library &lt;/ins&gt;of St. Mark (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;or &lt;/ins&gt;Biblioteca Nazionale &quot;Marciana&quot;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;) &lt;/ins&gt;in Venice holds acquisitions that have been accumulating since the sixteenth century.  Following guidelines widely shared across music libraries in Italy, it has digitized music manuscripts that are most closely tied to Venice&#039;s musical history. These include many important sources for seventeenth-century Venetian opera (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[https://en.wikipedia.org/wiki/Francesco_Cavalli &lt;/ins&gt;Francesco Cavalli&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[https://en.wikipedia.org/wiki/Domenico_Freschi &lt;/ins&gt;Domenico Freschi&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[https://en.wikipedia.org/wiki/Giovanni_Legrenzi &lt;/ins&gt;Giovanni Legrenzi&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[https://en.wikipedia.org/wiki/Carlo_Pallavicino &lt;/ins&gt;Carlo Pallavicino&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[https://en.wikipedia.org/wiki/Pietro_Andrea_Ziani &lt;/ins&gt;P.A.&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[https://en.wikipedia.org/wiki/Marc%27Antonio_Ziani &lt;/ins&gt;M.A. Ziani&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] &lt;/ins&gt;(operas can be accessed by act); 66 volumes containing cantatas of the eighteenth century by [http://www.internetculturale.it/opencms/opencms/it/ricerca_metamag.jsp?semplice.y=0&amp;amp;semplice.x=0&amp;amp;q=Benedetto+Marcello++Marciana+&amp;amp;semplice=semplice&amp;amp;instance=mag Benedetto Marcello] (471 titles) and his nemesis [https://en.wikipedia.org/wiki/Antonio_Lotti Antonio Lotti]; minuets by [https://en.wikipedia.org/wiki/Baldassare_Galuppi Baldassare Galuppi]; and all the [http://www.internetculturale.it/opencms/opencms/it/ricerca_metamag.jsp?semplice.y=0&amp;amp;semplice.x=0&amp;amp;q=Domenico+Scarlatti+Marciana&amp;amp;semplice=semplice&amp;amp;instance=mag keyboard sonatas of Domenico Scarlatti] (358 titles).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Music Manuscripts Online ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Music Manuscripts Online ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Esfield</name></author>
	</entry>
	<entry>
		<id>https://wiki.ccarh.org/index.php?title=Template:DRM_manuscripts&amp;diff=13032&amp;oldid=prev</id>
		<title>Esfield: /* Music Manuscripts in the Marciana Library (Venice) */</title>
		<link rel="alternate" type="text/html" href="https://wiki.ccarh.org/index.php?title=Template:DRM_manuscripts&amp;diff=13032&amp;oldid=prev"/>
		<updated>2024-04-02T23:50:42Z</updated>

		<summary type="html">&lt;p&gt;&lt;span class=&quot;autocomment&quot;&gt;Music Manuscripts in the Marciana Library (Venice)&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:50, 2 April 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l294&quot;&gt;Line 294:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 294:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File: Giasone-Medea_1649_Sc12_Vmn.png|380px|thumb|right|&amp;lt;small&amp;gt;Start of Scene XII (Giasone, Medea) of Francesco Cavalli&amp;#039;s &amp;lt;i&amp;gt;Giasone&amp;lt;/i&amp;gt;, Venice, 1649, from the Marciana National Library autograph MS [http://iccu01e.caspur.it/ms/internetCulturale.php?id=oai%3Awww.internetculturale.sbn.it%2FTeca%3A20%3ANT0000%3AIT\\ICCU\\MSM\\0160414&amp;amp;teca=MagTeca+-+ICCU Internet Culturale, I-Vnm, 0160414, f. 103r.]&amp;lt;/small&amp;gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File: Giasone-Medea_1649_Sc12_Vmn.png|380px|thumb|right|&amp;lt;small&amp;gt;Start of Scene XII (Giasone, Medea) of Francesco Cavalli&amp;#039;s &amp;lt;i&amp;gt;Giasone&amp;lt;/i&amp;gt;, Venice, 1649, from the Marciana National Library autograph MS [http://iccu01e.caspur.it/ms/internetCulturale.php?id=oai%3Awww.internetculturale.sbn.it%2FTeca%3A20%3ANT0000%3AIT\\ICCU\\MSM\\0160414&amp;amp;teca=MagTeca+-+ICCU Internet Culturale, I-Vnm, 0160414, f. 103r.]&amp;lt;/small&amp;gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &quot;library of St. Mark&quot; (i.e. the Biblioteca Nazionale &quot;Marciana&quot; in Venice) holds acquisitions that have been accumulating since the sixteenth century.  Following guidelines widely shared across music libraries in Italy, it has digitized music manuscripts that are most closely tied to Venice&#039;s musical history.  These include many important sources for seventeenth-century Venetian opera (Francesco Cavalli, Domenico Freschi, Giovanni Legrenzi, Carlo Pallavicino, P.A. and M.A. Ziani (operas can be accessed by act); 66 volumes containing cantatas of the eighteenth century by [http://www.internetculturale.it/opencms/opencms/it/ricerca_metamag.jsp?semplice.y=0&amp;amp;semplice.x=0&amp;amp;q=Benedetto+Marcello++Marciana+&amp;amp;semplice=semplice&amp;amp;instance=mag Benedetto Marcello] (471 titles) and his nemesis Antonio Lotti; minuets by Baldassare Galuppi; and all the [http://www.internetculturale.it/opencms/opencms/it/ricerca_metamag.jsp?semplice.y=0&amp;amp;semplice.x=0&amp;amp;q=Domenico+Scarlatti+Marciana&amp;amp;semplice=semplice&amp;amp;instance=mag keyboard sonatas of Domenico Scarlatti] (358 titles).&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &quot;library of St. Mark&quot; (i.e. the Biblioteca Nazionale &quot;Marciana&quot; in Venice) holds acquisitions that have been accumulating since the sixteenth century.  Following guidelines widely shared across music libraries in Italy, it has digitized music manuscripts that are most closely tied to Venice&#039;s musical history.  These include many important sources for seventeenth-century Venetian opera (Francesco Cavalli, Domenico Freschi, Giovanni Legrenzi, Carlo Pallavicino, P.A. and M.A. Ziani (operas can be accessed by act); 66 volumes containing cantatas of the eighteenth century by [http://www.internetculturale.it/opencms/opencms/it/ricerca_metamag.jsp?semplice.y=0&amp;amp;semplice.x=0&amp;amp;q=Benedetto+Marcello++Marciana+&amp;amp;semplice=semplice&amp;amp;instance=mag Benedetto Marcello] (471 titles) and his nemesis &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[https://en.wikipedia.org/wiki/Antonio_Lotti &lt;/ins&gt;Antonio Lotti&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/ins&gt;; minuets by &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[https://en.wikipedia.org/wiki/Baldassare_Galuppi &lt;/ins&gt;Baldassare Galuppi&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/ins&gt;; and all the [http://www.internetculturale.it/opencms/opencms/it/ricerca_metamag.jsp?semplice.y=0&amp;amp;semplice.x=0&amp;amp;q=Domenico+Scarlatti+Marciana&amp;amp;semplice=semplice&amp;amp;instance=mag keyboard sonatas of Domenico Scarlatti] (358 titles).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Music Manuscripts Online ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Music Manuscripts Online ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Esfield</name></author>
	</entry>
</feed>