Template:DRM images - Revision history

Craig: /* Songs of the Nibelungen */

2023-08-20T17:47:11Z

Songs of the Nibelungen

← Older revision		Revision as of 17:47, 20 August 2023
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	Website: http://daten.digitale-sammlungen.de/~db/0003/bsb00035316/images/index.html?fip=193.174.98.30&seite=31		Website: http://daten.digitale-sammlungen.de/~db/0003/bsb00035316/images/index.html?fip=193.174.98.30&seite=31

	[[File:~~NiebelungenLied_WieGvntherSifridenzvo_der_hohzit_bat_bsb00035316..~~.png\|250px\|thumb\|right\|<small>Opening stanzas of the song "Wie Gvnther Sifriden zvo der hohzit bat" from <i>Das Nibelungenlied</i>, Bavarian State Library 00035316, Hss Cgm 34.</small>]]		[[File:Niebelungen.png\|250px\|thumb\|right\|<small>Opening stanzas of the song "Wie Gvnther Sifriden zvo der hohzit bat" from <i>Das Nibelungenlied</i>, Bavarian State Library 00035316, Hss Cgm 34.</small>]]

	These poetic texts, considered to date from before 1280, display settings of the legends that inspired Richard Wagner. As is characteristic of those resources preserved for posterity in this period, the script is very carefully prepared, the vellum on which it is preserved obviously sturdy. Each Lied is illuminated by a carmine letter. The texts mention Sifriden (Siegfried), Prvnhilde (Brunhilde), Gvnther (Gunther), and others. The illustration shows the first three stanzas of "Wie Gvnther Sifriden zvo der hohzit bat" (No. 12 of 39). Later portions of the source contain religious songs (<i>Klage</i>).		These poetic texts, considered to date from before 1280, display settings of the legends that inspired Richard Wagner. As is characteristic of those resources preserved for posterity in this period, the script is very carefully prepared, the vellum on which it is preserved obviously sturdy. Each Lied is illuminated by a carmine letter. The texts mention Sifriden (Siegfried), Prvnhilde (Brunhilde), Gvnther (Gunther), and others. The illustration shows the first three stanzas of "Wie Gvnther Sifriden zvo der hohzit bat" (No. 12 of 39). Later portions of the source contain religious songs (<i>Klage</i>).




	=== Watermark Databases ===		=== Watermark Databases ===

Craig at 16:15, 20 August 2023

2023-08-20T16:15:29Z

Show changes

Esfield: /* Prometheus */

2021-07-21T01:34:02Z

Prometheus

← Older revision		Revision as of 01:34, 21 July 2021
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	Website: [http://prometheus-bildarchiv.de/copyright Prometheus Image Database]		Website: [http://prometheus-bildarchiv.de/copyright Prometheus Image Database]

	The Prometheus Image Database is a German umbrella website for several dozen image repositories, all of which have made reproductions that are out-of-copyright and are freely available (at sizes up to 800 x 600) for research and teaching. More than 1.5 million images relating to cultural history are currently viewable. An institutional or individual sign-up with required for downloading. The images are predominantly associated with German, French, Italian, and Dutch subjects in art and archeology, past and present media, and the history of science and technology.		The Prometheus Image Database is a German umbrella website for several dozen image repositories, all of which have made reproductions that are out-of-copyright and are freely available (at sizes up to 800 x 600) for research and teaching. More than 1.5 million images relating to cultural history are currently viewable. An institutional or individual sign-up with required for downloading. The images are predominantly associated with German, French, Italian, and Dutch subjects in art and archeology, past and present media, and the history of science and technology. Prometheus also offers guidance on the legal status of underlying works and photographic copies of them.

	===PRoMS (The Production of Reading of Musical Sources)===		===PRoMS (The Production of Reading of Musical Sources)===

Esfield: /* The Carmina Burana */

2021-07-21T01:30:51Z

The Carmina Burana

← Older revision		Revision as of 01:30, 21 July 2021
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	Website: [http://daten.digitale-sammlungen.de/~db/0008/bsb00085130/images/index.html The Carmina Burana]		Website: [http://daten.digitale-sammlungen.de/~db/0008/bsb00085130/images/index.html The Carmina Burana]

	[[File:CarmineBurana-f94.png\|~~400px~~\|thumb\|left\|<small>This florid notation (note particularly the neumes above the A-e-u-i-a (shorthand for "Alleluia"), comes at the end of a short Office (f. 94) in Bavarian State Library MS 00085130, [http://daten.digitale-sammlungen.de/~db/0008/bsb00085130/images/index.html?id=00085130&groesser=&fip=eayaxseayafsdrxsxdsydxdsydyztsxsfsdr&no=1&seite=191 Hss Cgm 4660].</small>]]		[[File:CarmineBurana-f94.png\|320px\|thumb\|left\|<small>This florid notation (note particularly the neumes above the A-e-u-i-a (shorthand for "Alleluia"), comes at the end of a short Office (f. 94) in Bavarian State Library MS 00085130, [http://daten.digitale-sammlungen.de/~db/0008/bsb00085130/images/index.html?id=00085130&groesser=&fip=eayaxseayafsdrxsxdsydxdsydyztsxsfsdr&no=1&seite=191 Hss Cgm 4660].</small>]]

	The 11th- to 12th-century collection of poetry and dramatic texts is rich in illustration and many of its texts contain cheironomic notation. Although found in a Benedictine abbey in Bavaria in 1803 and housed today in the Bavarian State Library, its origins point to compilation along the southern fringe of Austria, particularly Carinthia. Its Goliard sources come from Spain, the British Isles, France, and elsewhere in Europe. The texts are predominantly in medieval Latin, with some examples of Middle High German and Provençal. Musical settings of individual pieces are numerous following Carl Orff's 1936 presentation of 24 of the pieces (roughly one-tenth of the collection).		The 11th- to 12th-century collection of poetry and dramatic texts is rich in illustration and many of its texts contain cheironomic notation. Although found in a Benedictine abbey in Bavaria in 1803 and housed today in the Bavarian State Library, its origins point to compilation along the southern fringe of Austria, particularly Carinthia. Its Goliard sources come from Spain, the British Isles, France, and elsewhere in Europe. The texts are predominantly in medieval Latin, with some examples of Middle High German and Provençal. Musical settings of individual pieces are numerous following Carl Orff's 1936 presentation of 24 of the pieces (roughly one-tenth of the collection).

Esfield: /* The Louvre Museum */

2021-07-21T01:30:10Z

The Louvre Museum

← Older revision		Revision as of 01:30, 21 July 2021
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	Website: [https://collections.louvre.fr/en/ The Louvre Museum]		Website: [https://collections.louvre.fr/en/ The Louvre Museum]

	In response to user interest in its website during lockdown, the Louvre Museum has made available almost 500,000 images (paintings, objects, literature, and several other categories of material). Categories containing items of musical interest include paintings of instruments, surviving parts of instruments (bridges, bows, etc.),		In response to user interest in its website during lockdown, the Louvre Museum has made available almost 500,000 images (paintings, objects, literature, and several other categories of material). Categories containing items of musical interest include paintings of instruments, surviving parts of instruments (bridges, bows, etc.),

	~~Basse, cahier de musique et épée. Devant de cheminée~~
	~~Date de création/fabrication : XVIIe siècle (1693)~~
	~~Boyer, Michel~~

	===<big>Manuscriptorium</big>===		===<big>Manuscriptorium</big>===

Esfield: /* Joseph Muller Collection of Music and Other Portraits, New York */

2021-05-12T03:36:33Z

Joseph Muller Collection of Music and Other Portraits, New York

← Older revision		Revision as of 03:36, 12 May 2021
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	This collection of 6,422 portraits of musicians and composers, residing within the New York Public Library, was amassed by the private collector Joseph Muller (1877-1939). It is well known to those seeking illustrations for books and articles on musical subjects. Images date from the 16th to the early 20th century and include engravings, lithographs, and drawings. The collection also includes some portraits of political, literary, and intellectual figures. Prospective users will find that full citations for each item are given in several formats.		This collection of 6,422 portraits of musicians and composers, residing within the New York Public Library, was amassed by the private collector Joseph Muller (1877-1939). It is well known to those seeking illustrations for books and articles on musical subjects. Images date from the 16th to the early 20th century and include engravings, lithographs, and drawings. The collection also includes some portraits of political, literary, and intellectual figures. Prospective users will find that full citations for each item are given in several formats.


	===<big>The Louvre Museum</big>===		===<big>The Louvre Museum</big>===

Esfield: /* WZIS: Watermark Information System */

2021-05-12T03:35:46Z

WZIS: Watermark Information System

← Older revision		Revision as of 03:35, 12 May 2021
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	Website: [http://www.wasserzeichen-online.de/wzis/index.php Wasserzeichen Informationssystem Deutschland]		Website: [http://www.wasserzeichen-online.de/wzis/index.php Wasserzeichen Informationssystem Deutschland]

	[[File:WM0690plus.png\|~~240px~~\|thumb\|right\|<small>A "bird" watermark from the graphical lexicon at [http://www.wasserzeichen-online.de/wzis/index.php WZIS].</small>]]		[[File:WM0690plus.png\|280px\|thumb\|right\|<small>A "bird" watermark from the graphical lexicon at [http://www.wasserzeichen-online.de/wzis/index.php WZIS].</small>]]

	In contrast to discreet collections of watermarks reproduced online, WZIS is an information system linking graphical watermarks with details of the manuscripts in which they occur and, in some cases, the copyist responsible for the manuscript. Its system incorporates watermarks used throughout Europe andsprawls across many disciplines, eras, and venues. The project is based at the Landesarchiv of Baden-Württemberg. A graphical [http://www.piccard-online.de/start.php watermark lexicon] called <i>Piccard</i> is under development at the Stuttgart Hauptstaatsarchiv. Related lexicons of [http://www.landesarchiv-bw.de/web/50960 makers] and [http://www.wasserzeichen-online.de/wzis/struktur_papiermuehlen.php mills] have also been developed. A textual [http://www.wasserzeichen-online.de/wzis/suche.php search form] is also available. Although we are aware of many other digital collections of watermarks, this one stands out for its tight coupling with music manuscripts, particularly in the large collections of the Berlin and Dresden state libraries, which are in turn linked to the RISM OPAC.		In contrast to discreet collections of watermarks reproduced online, WZIS is an information system linking graphical watermarks with details of the manuscripts in which they occur and, in some cases, the copyist responsible for the manuscript. Its system incorporates watermarks used throughout Europe andsprawls across many disciplines, eras, and venues. The project is based at the Landesarchiv of Baden-Württemberg. A graphical [http://www.piccard-online.de/start.php watermark lexicon] called <i>Piccard</i> is under development at the Stuttgart Hauptstaatsarchiv. Related lexicons of [http://www.landesarchiv-bw.de/web/50960 makers] and [http://www.wasserzeichen-online.de/wzis/struktur_papiermuehlen.php mills] have also been developed. A textual [http://www.wasserzeichen-online.de/wzis/suche.php search form] is also available. Although we are aware of many other digital collections of watermarks, this one stands out for its tight coupling with music manuscripts, particularly in the large collections of the Berlin and Dresden state libraries, which are in turn linked to the RISM OPAC.

Esfield: /* The Louvre Museum */

2021-05-12T03:34:34Z

The Louvre Museum

← Older revision		Revision as of 03:34, 12 May 2021
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	===<big>The Louvre Museum</big>===		===<big>The Louvre Museum</big>===
	[[File:Bass_viol_Louvre.PNG\|300px\|thumb\|right\|<small>Bass viol portrayed by Michel Boyer (1693) in his <i>Cahier de musique et épée. Louvre Museum, Department des Peintures, MI 1094. Further details [https://collections.louvre.fr/en/ark:/53355/cl010066633 here.</small></i>]]]		[[File:Bass_viol_Louvre.PNG\|300px\|thumb\|right\|<small>Bass viol portrayed by Michel Boyer (1693) in his <i>Cahier de musique et épée.</i> Louvre Museum, Department des Peintures, MI 1094. Further details [https://collections.louvre.fr/en/ark:/53355/cl010066633 here.</small></i>]]]

	Website: [https://collections.louvre.fr/en/ The Louvre Museum]		Website: [https://collections.louvre.fr/en/ The Louvre Museum]

Esfield: /* The Louvre Museum */

2021-05-12T03:32:46Z

The Louvre Museum

← Older revision		Revision as of 03:32, 12 May 2021
Line 80:		Line 80:

	===<big>The Louvre Museum</big>===		===<big>The Louvre Museum</big>===
	[File:Bass_viol_Louvre.PNG\|300px\|thumb\|right\|<small>Bass viol portrayed by Michel Boyer (1693) in his <i>Cahier de musique et épée. Louvre Museum, Department des Peintures, MI 1094. Further details [https://collections.louvre.fr/en/ark:/53355/cl010066633 here.</small></i>]]		[[File:Bass_viol_Louvre.PNG\|300px\|thumb\|right\|<small>Bass viol portrayed by Michel Boyer (1693) in his <i>Cahier de musique et épée. Louvre Museum, Department des Peintures, MI 1094. Further details [https://collections.louvre.fr/en/ark:/53355/cl010066633 here.</small></i>]]]

	Website: [https://collections.louvre.fr/en/ The Louvre Museum]		Website: [https://collections.louvre.fr/en/ The Louvre Museum]

Esfield: /* The Louvre Museum */

2021-05-12T02:29:09Z

The Louvre Museum

← Older revision		Revision as of 02:29, 12 May 2021
Line 80:		Line 80:

	===<big>The Louvre Museum</big>===		===<big>The Louvre Museum</big>===
	File:Bass_viol_Louvre.PNG\|300px\|thumb\|right\|<small>Bass viol portrayed by Michel Boyer (1693) in his <i>Cahier de musique et épée. Louvre Museum, Department des Peintures, MI 1094. Further details [https://collections.louvre.fr/en/ark:/53355/cl010066633 here.</small></i>]		[File:Bass_viol_Louvre.PNG\|300px\|thumb\|right\|<small>Bass viol portrayed by Michel Boyer (1693) in his <i>Cahier de musique et épée. Louvre Museum, Department des Peintures, MI 1094. Further details [https://collections.louvre.fr/en/ark:/53355/cl010066633 here.</small></i>]]

	Website: [https://collections.louvre.fr/en/ The Louvre Museum]		Website: [https://collections.louvre.fr/en/ The Louvre Museum]