Template:DRM genre - Revision history

Esfield: /* Stockhausen Concerts Database */

2023-08-22T18:47:04Z

Stockhausen Concerts Database

← Older revision		Revision as of 18:47, 22 August 2023
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	=== Stockhausen Concerts Database ===		=== Stockhausen Concerts Database ===

	Website: [http://sbkw.net/gesang		Website: http://sbkw.net/gesang

	Although the focus (1952-1972) is somewhat narrow, this website (in beta from 2015) shows the enormous interest in the music of Karl-Heinz Stockhausen (1928-2007) during those decades and where it was most popular. An early associate of the [https://en.wikipedia.org/wiki/Darmstadt_School Darmstadt School], Stockhausen's musical interests ranged broadly and spread to vocal and electronic music in the 1960s. Links to complementary databases are planned.		Although the focus (1952-1972) is somewhat narrow, this website (in beta from 2015) shows the enormous interest in the music of Karl-Heinz Stockhausen (1928-2007) during those decades and where it was most popular. An early associate of the [https://en.wikipedia.org/wiki/Darmstadt_School Darmstadt School], Stockhausen's musical interests ranged broadly and spread to vocal and electronic music in the 1960s. Links to complementary databases are planned.



	=== <big>Bio-bibliographical resources</big> ===		=== <big>Bio-bibliographical resources</big> ===

Craig at 15:50, 20 August 2023

2023-08-20T15:50:31Z

Show changes

Esfield: /* Singing upon the Note (Early Music for Vocal Improvisation) */

2023-06-22T23:38:05Z

Singing upon the Note (Early Music for Vocal Improvisation)

← Older revision		Revision as of 23:38, 22 June 2023
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	====<big>Singing upon the Note (Early Music for Vocal Improvisation)</big>====		====<big>Singing upon the Note (Early Music for Vocal Improvisation)</big>====

	Website: [[contrapunto.ch Singing upon the note]]		Website: [[contrapunto.ch Singing upon the note (Early Music for Vocal Improvisation)]]

	The flow of simply notated music (chant, patterned basses, folk tunes) at the dawn of the Renaissance gave rise to arts of improvisation. This resource offers short, notated pieces that formed the basis of endeavors to teach vocal improvisation.		The flow of simply notated music (chant, patterned basses, folk tunes) at the dawn of the Renaissance gave rise to arts of improvisation. This resource offers short, notated pieces that formed the basis of endeavors to teach vocal improvisation.

Esfield: /* Singing upon the Note (Early Music for Vocal Improvisation) */

2023-06-22T23:37:26Z

Singing upon the Note (Early Music for Vocal Improvisation)

← Older revision		Revision as of 23:37, 22 June 2023
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	====<big>Singing upon the Note (Early Music for Vocal Improvisation)</big>====		====<big>Singing upon the Note (Early Music for Vocal Improvisation)</big>====

	Website: [contrapunto.ch Singing upon the note]		Website: [[contrapunto.ch Singing upon the note]]

	The flow of simply notated music (chant, patterned basses, folk tunes) at the dawn of the Renaissance gave rise to arts of improvisation. This resource offers short, notated pieces that formed the basis of endeavors to teach vocal improvisation.		The flow of simply notated music (chant, patterned basses, folk tunes) at the dawn of the Renaissance gave rise to arts of improvisation. This resource offers short, notated pieces that formed the basis of endeavors to teach vocal improvisation.

	====<big>Gospel Music History Archives</big>====		====<big>Gospel Music History Archives</big>====

Esfield: /* Gospel Music History Archives */

2023-06-22T23:36:57Z

Gospel Music History Archives

← Older revision		Revision as of 23:36, 22 June 2023
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	This cooperative project representing digital collections from the American Antiquarian Society and the Center for Popular Music at Middle Tennessee State University holds much promise for mapping the past of American traditional music. Holdings range from shape-note tune books and devotional pieces to marches, music for figured dances, for circuses, for regimental corps, and for a wide range of utilitarian pieces penned by amateurs for an unknown occasion. Additionally, it holds many bound books of manuscripts prepared by teachers and pupils, in most cases for instruction to European settlers in nineteenth-century America.		This cooperative project representing digital collections from the American Antiquarian Society and the Center for Popular Music at Middle Tennessee State University holds much promise for mapping the past of American traditional music. Holdings range from shape-note tune books and devotional pieces to marches, music for figured dances, for circuses, for regimental corps, and for a wide range of utilitarian pieces penned by amateurs for an unknown occasion. Additionally, it holds many bound books of manuscripts prepared by teachers and pupils, in most cases for instruction to European settlers in nineteenth-century America.

			====<big>Singing upon the Note (Early Music for Vocal Improvisation)</big>====

			Website: [contrapunto.ch Singing upon the note]

			The flow of simply notated music (chant, patterned basses, folk tunes) at the dawn of the Renaissance gave rise to arts of improvisation. This resource offers short, notated pieces that formed the basis of endeavors to teach vocal improvisation.

	====<big>Gospel Music History Archives</big>====		====<big>Gospel Music History Archives</big>====

Esfield: /* Silent Film Scores and Arrangements (Library of Congress) */

2023-05-06T23:46:40Z

Silent Film Scores and Arrangements (Library of Congress)

← Older revision		Revision as of 23:46, 6 May 2023
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	Website: [https://www.loc.gov/collections/silent-film-scores-and-arrangements/about-this-collection/ Silent Film Scores and Arrangements]		Website: [https://www.loc.gov/collections/silent-film-scores-and-arrangements/about-this-collection/ Silent Film Scores and Arrangements]

	This Library of Congress Collection, assembled between 1904 and 1928, contains more than 3,000 items. Most come from sheet music publishers in the US and Europe, but some submissions came from individual seeking copyright protection. (The US Copyright Office is housed in the Library of Congress.) The attitude towards matching the music to the film is suggested by this note inside Vol. 1 of the Remick Collection (1914), "...over 100 dramatic, descriptive and characteristic numbers suitable for any theatrical performance or exhibition requiring incidental music."		This Library of Congress Collection, assembled between 1904 and 1928, contains more than 3,000 items. Most come from sheet music publishers in the US and Europe, but some submissions came from individual seeking copyright protection. (The US Copyright Office is housed in the Library of Congress.) The attitude towards matching the music to the film is suggested by this note inside Vol. 1 of the Remick Collection (1914), "...over 100 dramatic, descriptive and characteristic numbers suitable for any theatrical performance or exhibition requiring incidental music."


	====<big>The Spirituals Database</big>====		====<big>The Spirituals Database</big>====

Esfield: /* The Spirituals Database */

2023-05-06T23:46:21Z

The Spirituals Database

← Older revision		Revision as of 23:46, 6 May 2023
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	This collection, directed by Ennio Stipcevic, Philippe Vendrix, and Vasco Zara, is served under the auspices of the Ricercar project in Tours with the cooperation of the University of Zegreb. Music in manuscripts, prints, and other sources by Croatian composers are listed and offered in modern transcriptions. MIDI files accompany some entries. (Some included sources are held elsewhere.) The chanson is the genre that links the Croatian materials to the French materials, although the materials currently loaded favor madrigals. Some of the materials are sacred and/or instrumental music. A Roman missal (Venice, 1485-86) is also included.		This collection, directed by Ennio Stipcevic, Philippe Vendrix, and Vasco Zara, is served under the auspices of the Ricercar project in Tours with the cooperation of the University of Zegreb. Music in manuscripts, prints, and other sources by Croatian composers are listed and offered in modern transcriptions. MIDI files accompany some entries. (Some included sources are held elsewhere.) The chanson is the genre that links the Croatian materials to the French materials, although the materials currently loaded favor madrigals. Some of the materials are sacred and/or instrumental music. A Roman missal (Venice, 1485-86) is also included.

			====<big>Silent Film Scores and Arrangements (Library of Congress) </big>====

			Website: [https://www.loc.gov/collections/silent-film-scores-and-arrangements/about-this-collection/ Silent Film Scores and Arrangements]

			This Library of Congress Collection, assembled between 1904 and 1928, contains more than 3,000 items. Most come from sheet music publishers in the US and Europe, but some submissions came from individual seeking copyright protection. (The US Copyright Office is housed in the Library of Congress.) The attitude towards matching the music to the film is suggested by this note inside Vol. 1 of the Remick Collection (1914), "...over 100 dramatic, descriptive and characteristic numbers suitable for any theatrical performance or exhibition requiring incidental music."


	====<big>The Spirituals Database</big>====		====<big>The Spirituals Database</big>====

Esfield: /* Boston Handel and Haydn Society */

2022-10-05T01:12:30Z

Boston Handel and Haydn Society

← Older revision		Revision as of 01:12, 5 October 2022
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	Website: [https://handelandhaydn.org/performance-database Boston Handel and Haydn Society]		Website: [https://handelandhaydn.org/performance-database Boston Handel and Haydn Society]

	This site represents a complete performance history of this venerable society. It also serves the continuing needs of the society, including ticket sales, videos of past performances, and background information. The historical repertory mentions items that no one would normally associate with a society of this nature including first US performances of European classics (Verdi's Requiem, Bach's B-Minor Mass). Digitized concert programs (1818-2016) can be found at [handelandhaydn.access.preservica.com this link].		This site represents a complete performance history of this venerable society. It also serves the continuing needs of the society, including ticket sales, videos of past performances, and background information. The historical repertory mentions items that no one would normally associate with a society of this nature including first US performances of European classics (Verdi's Requiem, Bach's B-Minor Mass). Digitized concert programs (1818-2016) can be found at [https://handelandhaydn.access.preservica.com this link].

	====<big>Boston Symphony Orchestra Archives</big>====		====<big>Boston Symphony Orchestra Archives</big>====

Esfield: /* Boston Handel and Haydn Society */

2022-10-05T01:12:11Z

Boston Handel and Haydn Society

← Older revision		Revision as of 01:12, 5 October 2022
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	Website: [https://handelandhaydn.org/performance-database Boston Handel and Haydn Society]		Website: [https://handelandhaydn.org/performance-database Boston Handel and Haydn Society]

	This site represents a complete performance history of this venerable society. It also serves the continuing needs of the society, including ticket sales, videos of past performances, and background information. The historical repertory mentions items that no one would normally associate with a society of this nature.		This site represents a complete performance history of this venerable society. It also serves the continuing needs of the society, including ticket sales, videos of past performances, and background information. The historical repertory mentions items that no one would normally associate with a society of this nature including first US performances of European classics (Verdi's Requiem, Bach's B-Minor Mass). Digitized concert programs (1818-2016) can be found at [handelandhaydn.access.preservica.com this link].

	====<big>Boston Symphony Orchestra Archives</big>====		====<big>Boston Symphony Orchestra Archives</big>====

Esfield: /* Boston Symphony Orchestra Archives */

2022-10-05T01:07:34Z

Boston Symphony Orchestra Archives

← Older revision		Revision as of 01:07, 5 October 2022
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	===<big>Institutional Histories</big>===		===<big>Institutional Histories</big>===

			====<big>Boston Handel and Haydn Society</big>====

			Website: [https://handelandhaydn.org/performance-database Boston Handel and Haydn Society]

			This site represents a complete performance history of this venerable society. It also serves the continuing needs of the society, including ticket sales, videos of past performances, and background information. The historical repertory mentions items that no one would normally associate with a society of this nature.

	====<big>Boston Symphony Orchestra Archives</big>====		====<big>Boston Symphony Orchestra Archives</big>====