Template:DRM audio video - Revision history

Craig at 16:52, 20 August 2023

2023-08-20T16:52:49Z

← Older revision		Revision as of 16:52, 20 August 2023
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	=== CHARM ===		=== CHARM ===

			Website: https://www.charm.rhul.ac.uk/index.html

	The CHARM archive, developed by Royal Holloway College (Surrey, UK) in the 1990s and early 2000s, put a total of 5,000 recording online. Its focus was on the understanding of music history through (recorded) performance. It forms part of the CNRS collection.		The CHARM archive, developed by Royal Holloway College (Surrey, UK) in the 1990s and early 2000s, put a total of 5,000 recording online. Its focus was on the understanding of music history through (recorded) performance. It forms part of the CNRS collection.



	~~=== Kings College Sound Archive ===~~

	~~The Kings College Sound Archive (London), a component of the CNRS, makes 2,000 recordings of 78 rpms available online in the lossless FLAC format.~~

Craig at 16:44, 20 August 2023

2023-08-20T16:44:49Z

Show changes

Esfield: /* The National Jukebox (US) */

2023-03-17T23:00:44Z

The National Jukebox (US)

← Older revision		Revision as of 23:00, 17 March 2023
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	Jean Eichelberger Ivey organized the first electronic music studio at Peabody Conservatory in 1969. This streaming site, maintained by the Arthur Friedheim Library, offers full recordings of 234 works (predominately for reel-to-reel tape). Many are quite substantial. Associated documents in sound and text are also present.		Jean Eichelberger Ivey organized the first electronic music studio at Peabody Conservatory in 1969. This streaming site, maintained by the Arthur Friedheim Library, offers full recordings of 234 works (predominately for reel-to-reel tape). Many are quite substantial. Associated documents in sound and text are also present.

			===Mirskey Collection of Salon Orchestra and Silent Film Music===

			Website: [https://digital.library.pitt.edu/collections/mirskey-collection-of-salon-orchestra-and-silent-film-music Mirskey Collection of Salon Orchestra and Silent Film Music]

			Bronislaw ("Nek") Mirskey (1887-1927) was a Polish violinist and conductor who worked as music director at several movie theaters across the United States between 1914 and 1927. His efforts to improve the quality of musical accompaniment performed live for early silent film productions are an important part of the history of both music and cinema. His career as a cinema orchestra leader spanned stints in Dallas, Boston, New York, Washington, D.C., and elsewhere. This newly digitized collection at the University of Pittsburgh (3,500 items) is unusual in containing complete publication series of photoplay music and in retaining published instrumental parts (in addition to to piano scores).

	===<big>The National Jukebox (US)</big>===		===<big>The National Jukebox (US)</big>===

Esfield: /* Trachtman Roll Scanning */

2022-10-13T21:50:02Z

Trachtman Roll Scanning

← Older revision		Revision as of 21:50, 13 October 2022
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	This archive of music for silent cinema and related film technologies for research and performance was established in 2014. It includes sheet music for silent film, instruction manuals for film accompanists, and a bibliography of resources on silent-film sound and music. A search box supports access by title, date, composer, arranger, mood, and other categories pertinent to film music. SFSMA, directed by Kendra Preston Leonard, is governed by a board of leading film-music scholars. It is affiliated with the American Theater Organ Society and the Wharton Studio Museum. All items in this collection are tagged using Dublin Core metadata and are downloadable via an [http://opendatacommons.org/licenses/by/1.0/ Open Data Commons Attribution] (ODC-By) License.		This archive of music for silent cinema and related film technologies for research and performance was established in 2014. It includes sheet music for silent film, instruction manuals for film accompanists, and a bibliography of resources on silent-film sound and music. A search box supports access by title, date, composer, arranger, mood, and other categories pertinent to film music. SFSMA, directed by Kendra Preston Leonard, is governed by a board of leading film-music scholars. It is affiliated with the American Theater Organ Society and the Wharton Studio Museum. All items in this collection are tagged using Dublin Core metadata and are downloadable via an [http://opendatacommons.org/licenses/by/1.0/ Open Data Commons Attribution] (ODC-By) License.


			===<big>Robert Shaw Chorale</big>===

			Website: [https://archives.yale.edu/repositories/6/archival_objects/2685750 Robert Shaw Chorale]

			The Robert Shaw Chorale was especially renown in the post-war years. Their collection of test pressing, stored together with letters and other papers in the Gilmore Music Library at Yale University, is valuable for its accessibility and its concentration (1938-1953) on repertory that was taken to present America (patriotic and Broadway songs). It includes the Requiems of Luigi Cherubini and Johannes Brahms as well as J.S. Bach's B-Minor Mass. Gratuitous registration required.

	===<big>Trachtman Roll Scanning</big>===		===<big>Trachtman Roll Scanning</big>===

Esfield: /* Center for the History and Analysis of Recorded Music (CHARM Archive) */

2022-09-23T23:33:30Z

Center for the History and Analysis of Recorded Music (CHARM Archive)

← Older revision		Revision as of 23:33, 23 September 2022
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	The CHARM project based at Royal Holloway College, University of London, sponsored a wide array of projects related to investigating music history entirely through recordings. The 5,000 recordings available here, which were carefully provided today to researchers under the auspices of Kings College, London. They are available in a lossless format (FLAC). Among the main categories are "[http://www.charm.rhul.ac.uk/sound/sound_conductors.html house conductors]", "[http://www.charm.rhul.ac.uk/sound/sound_cortot.html Cortot discoveries]", and "[http://www.charm.rhul.ac.uk/sound/sound_mbi.html Musicians of Britain and Ireland]". Recently 2,000 sides of 78 rpm records from the Kings Sound Archive have been added to the pool.		The CHARM project based at Royal Holloway College, University of London, sponsored a wide array of projects related to investigating music history entirely through recordings. The 5,000 recordings available here, which were carefully provided today to researchers under the auspices of Kings College, London. They are available in a lossless format (FLAC). Among the main categories are "[http://www.charm.rhul.ac.uk/sound/sound_conductors.html house conductors]", "[http://www.charm.rhul.ac.uk/sound/sound_cortot.html Cortot discoveries]", and "[http://www.charm.rhul.ac.uk/sound/sound_mbi.html Musicians of Britain and Ireland]". Recently 2,000 sides of 78 rpm records from the Kings Sound Archive have been added to the pool.


	===<big>CHARM</big>===		===<big>CHARM</big>===

Esfield: /* New Zealand Pianola Site */

2022-09-23T23:15:47Z

New Zealand Pianola Site

← Older revision		Revision as of 23:15, 23 September 2022
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	Website: [http://www.pianola.co.nz/index.asp New Zealand Pianola Site]		Website: [http://www.pianola.co.nz/index.asp New Zealand Pianola Site]

	The New Zealand Pianola website is well-known to honky-tonk enthusiasts. Through painstaking research over many years, many hundreds of piano-roll performances have been captured in MIDI files of high quality. The user interface makes searches and launching sound files simple. The music comes mainly from the years 1900–1930. Zipped packages of files can be downloaded. At last reckoning ~~3200~~ files were available.		The New Zealand Pianola website is well-known to honky-tonk enthusiasts. Through painstaking research over many years, many hundreds of piano-roll performances have been captured in MIDI files of high quality. The user interface makes searches and launching sound files simple. The music comes mainly from the years 1900–1930. Zipped packages of files for individual years and special collections can be downloaded. At last reckoning more than 3500 files were available.

	===<big>O'Neill Cylinder Recordings</big>===		===<big>O'Neill Cylinder Recordings</big>===

Esfield: /* New Zealand Pianola Site */

2022-09-23T23:12:42Z

New Zealand Pianola Site

← Older revision		Revision as of 23:12, 23 September 2022
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	===<big>New Zealand Pianola Site</big>===		===<big>New Zealand Pianola Site</big>===

			[[File:8-DElecRoll.PNG\|300px\|thumb\|left\|<small>Electric duplicator used by the Reliance roll company.</small>.]]

	Website: [http://www.pianola.co.nz/index.asp New Zealand Pianola Site]		Website: [http://www.pianola.co.nz/index.asp New Zealand Pianola Site]

Esfield: /* The Global Jukebox */

2022-09-23T23:05:11Z

The Global Jukebox

← Older revision		Revision as of 23:05, 23 September 2022
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	Using geospatial data <i>The Global Jukebox</i> will enable you to explore these recordings by place and by many other parameters. It is the first open-access evidence of this decades-long collection development. Under the auspices of the Association for Cultural Equity, which Lomaz founded, current researchers welcome contributions of metadata, especially song titles. An [https://nyx.uky.edu/fa/findingaid/?id=xt786688kj76 earlier collection] of his work (1937) is housed at the University of Kentucky.		Using geospatial data <i>The Global Jukebox</i> will enable you to explore these recordings by place and by many other parameters. It is the first open-access evidence of this decades-long collection development. Under the auspices of the Association for Cultural Equity, which Lomaz founded, current researchers welcome contributions of metadata, especially song titles. An [https://nyx.uky.edu/fa/findingaid/?id=xt786688kj76 earlier collection] of his work (1937) is housed at the University of Kentucky.

	It was Lomax's intention to implement his work in [https://en.wikipedia.org/wiki/Cantometrics cantometrics] (1959) and choreometrics in a computer system (initiated by the musicologist Victor Grauer). Considering that 37 criteria were used for the initial version of the system, the system was highly ambitious. The richness of the detail is captured in the image above, which displays metadata, content description, rate of occurrence, and musical texture in a series of Roumanian songs. [https://en.wikipedia.org/wiki/Irmgard_Bartenieff#Choreometrics_project Choreometrics] was pursued in collaboration with Irmgard Bartenieff and Forrestine Paulay, who were also involved in the development of [https://en.wikipedia.org/wiki/Labanotation Laban Notation]. The implementation of choreometrics at this website accommodates 119 variables.		It was Lomax's intention to implement his work in [https://en.wikipedia.org/wiki/Cantometrics cantometrics] (1959) and choreometrics in a computer system (initiated by the musicologist Victor Grauer). Considering that 37 criteria were used for the initial version of the system, the system was highly ambitious. The implementation of choreometrics at this website accommodates 119 variables.

	===<big>Historical Tenors</big>===		===<big>Historical Tenors</big>===

Esfield: /* The Global Jukebox */

2022-09-23T23:04:12Z

The Global Jukebox

← Older revision		Revision as of 23:04, 23 September 2022
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	The heart of this project is rooted in a lifetime of song research by [https://en.wikipedia.org/wiki/Cantometrics Alan Lomax] (1915-2002). Over his long life he recorded music and interviews with folk musicians throughout the Western Hemisphere. He spent the 1950s based in London, where he assembled a multi-volume collection of "folk and primitive" music for Columbia Records. (His relocation enabled Lomax to escape the brunt of McCarthyite discrimination against prominent figures from the music world--including Aaron Copland and Leonard Bernstein. He was at various points under surveillance by Britain's MI5 and, in the US, by the CIA and the FBI. No charges were ever brought.)		The heart of this project is rooted in a lifetime of song research by [https://en.wikipedia.org/wiki/Cantometrics Alan Lomax] (1915-2002). Over his long life he recorded music and interviews with folk musicians throughout the Western Hemisphere. He spent the 1950s based in London, where he assembled a multi-volume collection of "folk and primitive" music for Columbia Records. (His relocation enabled Lomax to escape the brunt of McCarthyite discrimination against prominent figures from the music world--including Aaron Copland and Leonard Bernstein. He was at various points under surveillance by Britain's MI5 and, in the US, by the CIA and the FBI. No charges were ever brought.)

	[[File:Global.PNG\|350px\|~~trumb~~\|left\|<small>Map of musical cultures in South and East Asia, Australia, and Indonesia in <i>The Global Jukebox</i>.</small>]]		[[File:Global.PNG\|350px\|thumb\|left\|<small>Map of musical cultures in South and East Asia, Australia, and Indonesia in <i>The Global Jukebox</i>.</small>]]

	In 2012 the Library of Congress agreed to make his 5,000 hours of sound recordings, 400,000 feet of film, 3,000 videotapes, and 5,000 photographs available for <i>The Global Jukebox</i>. Lomax has devoted the last two decades of his life to this project. In its current state the website has significant debts to long-time associates including Lomax's daughter Anna Lomax Wood and a team of specialists who provided technical support.		In 2012 the Library of Congress agreed to make his 5,000 hours of sound recordings, 400,000 feet of film, 3,000 videotapes, and 5,000 photographs available for <i>The Global Jukebox</i>. Lomax has devoted the last two decades of his life to this project. In its current state the website has significant debts to long-time associates including Lomax's daughter Anna Lomax Wood and a team of specialists who provided technical support.

Esfield: /* The Global Jukebox */

2022-09-23T22:58:39Z

The Global Jukebox

← Older revision		Revision as of 22:58, 23 September 2022
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	The heart of this project is rooted in a lifetime of song research by [https://en.wikipedia.org/wiki/Cantometrics Alan Lomax] (1915-2002). Over his long life he recorded music and interviews with folk musicians throughout the Western Hemisphere. He spent the 1950s based in London, where he assembled a multi-volume collection of "folk and primitive" music for Columbia Records. (His relocation enabled Lomax to escape the brunt of McCarthyite discrimination against prominent figures from the music world--including Aaron Copland and Leonard Bernstein. He was at various points under surveillance by Britain's MI5 and, in the US, by the CIA and the FBI. No charges were ever brought.)		The heart of this project is rooted in a lifetime of song research by [https://en.wikipedia.org/wiki/Cantometrics Alan Lomax] (1915-2002). Over his long life he recorded music and interviews with folk musicians throughout the Western Hemisphere. He spent the 1950s based in London, where he assembled a multi-volume collection of "folk and primitive" music for Columbia Records. (His relocation enabled Lomax to escape the brunt of McCarthyite discrimination against prominent figures from the music world--including Aaron Copland and Leonard Bernstein. He was at various points under surveillance by Britain's MI5 and, in the US, by the CIA and the FBI. No charges were ever brought.)

	[[File:~~GlobJk_Roum~~.PNG\|~~300px~~\|trumb\|left\|<small>~~Specific features~~ and ~~their incidence in a series of pieces representing [http://theglobaljukebox.org/gjb-map.html# Hunedoara culture~~,		[[File:Global.PNG\|350px\|trumb\|left\|<small>Map of musical cultures in South and East Asia, Australia, and Indonesia in <i>The Global Jukebox</i>.</small>]]
	~~Roumania]~~ in <i>The Global Jukebox</i>.</small>]]

	In 2012 the Library of Congress agreed to make his 5,000 hours of sound recordings, 400,000 feet of film, 3,000 videotapes, and 5,000 photographs available for <i>The Global Jukebox</i>. Lomax has devoted the last two decades of his life to this project. In its current state the website has significant debts to long-time associates including Lomax's daughter Anna Lomax Wood and a team of specialists who provided technical support.		In 2012 the Library of Congress agreed to make his 5,000 hours of sound recordings, 400,000 feet of film, 3,000 videotapes, and 5,000 photographs available for <i>The Global Jukebox</i>. Lomax has devoted the last two decades of his life to this project. In its current state the website has significant debts to long-time associates including Lomax's daughter Anna Lomax Wood and a team of specialists who provided technical support.