Publications (CCARH) - Revision history

Esfield: /* Editorial Credits */

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Editorial Credits

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	===<b>Editorial Credits</b>===		===<b>Editorial Credits</b>===
	The series Computing in Musicology benefitted greatly from the contributions of in-house staff members Don Anthony, Edmund Correia, Steven Rasmussen, and Beth Youngdoff. The enthusiasm of the many notation-software developers who contributed their best work ~~to the annual solicitation for emerging method~~ played an important role in moving the dial forward ~~year by year~~. The musicologists and music theorists who sent in progress reports played an equally important role in helping to ~~outline~~ a field that was still in gestation. The contributing editors whose names are listed in each issue brought essential insights and perspectives.		The series Computing in Musicology benefitted greatly from the contributions of in-house staff members Don Anthony, Edmund Correia, Steven Rasmussen, and Beth Youngdoff. The enthusiasm of the many notation-software developers who contributed their best work annually played an important role in moving the dial forward for all users. The musicologists and music theorists who sent in progress reports on individual work played an equally important role in helping to establish a field that was still in gestation. The contributing editors whose names are listed in each issue brought essential insights and perspectives.

	==Reprints==		==Reprints==

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Volumes 11-15

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	*Toroidal Models of Tonal Theory (H. Purwins et al.)		*Toroidal Models of Tonal Theory (H. Purwins et al.)
	*Automatic Chord Identification (S. Sapp)		*Automatic Chord Identification (S. Sapp)
	*Assessing Disputed Attributions) P. van Kranenburg)		*Assessing Disputed Attributions (P. van Kranenburg)
	*Affinities between Metric and Tonal Structures (A. Volk et al.)		*Affinities between Metric and Tonal Structures (A. Volk et al.)
	*Chordal Evaluation in MIDI-based Harmonic Analysis (E. Ferkova et al.)		*Chordal Evaluation in MIDI-based Harmonic Analysis (E. Ferkova et al.)

Esfield: /* Volumes 11-15 */

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Volumes 11-15

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	*Visualization of Tonal Content in Visual and Audio Domains (P. Toiviainen)		*Visualization of Tonal Content in Visual and Audio Domains (P. Toiviainen)
	\|}		\|}

			===<b>Editorial Credits</b>===
			The series Computing in Musicology benefitted greatly from the contributions of in-house staff members Don Anthony, Edmund Correia, Steven Rasmussen, and Beth Youngdoff. The enthusiasm of the many notation-software developers who contributed their best work to the annual solicitation for emerging method played an important role in moving the dial forward year by year. The musicologists and music theorists who sent in progress reports played an equally important role in helping to outline a field that was still in gestation. The contributing editors whose names are listed in each issue brought essential insights and perspectives.

	==Reprints==		==Reprints==

Esfield: /* Volumes 11-15 */

2021-12-28T00:17:47Z

Volumes 11-15

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	\| [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-12_CM12/20-12_CM12.pdf No. 12 (2000-2001)] \|\| [[file:CM12-01.PNG\|160px\|center\|thumb]] \|\|		\| [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-12_CM12/20-12_CM12.pdf No. 12 (2000-2001)] \|\| [[file:CM12-01.PNG\|160px\|center\|thumb]] \|\|
	<i>The Virtual Score: Representation, Retrieval, and Restoration</i>		<i>The Virtual Score: Representation, Retrieval, and Restoration</i>
	*<i>Representation and Interchange</i>: C.M.M.E. (~~Theodor~~ Dumitrescu), Hildegard von Bingen (~~Stefan~~ Morent), NIFF-to-Braille MN (~~Didied~~ Langolff), Music Notation to Braille MN (Silas Brown), Score-level Representation with GUIDO (Holger Hoos et al.), an XML Introduction (~~Gerdn~~ Casten, ~~Michael~~ Good, ~~Perry~~ Roland),		*<i>Representation and Interchange</i>: C.M.M.E. (Th. Dumitrescu), Hildegard von Bingen (S. Morent), NIFF-to-Braille MN (D. Langolff et al.), Music Notation to Braille MN (Silas Brown), Score-level Representation with GUIDO (Holger Hoos et al.), an XML Introduction (G. Casten, M. Good, P. Roland),
	*<i>Retrieval and Analysis</i>: Geographical Localization of Musical Features (~~Bret~~ Aarden, ~~David~~ Huron), Features of Monophonic Vocal Melodies (Jane Singer), A DARMS Parser for Hymn-tune Searching (~~Jim~~ Stanley, ~~Antony~~ Kearns)		*<i>Retrieval and Analysis</i>: Geographical Localization of Musical Features (B. Aarden, D. Huron), Features of Monophonic Vocal Melodies (Jane Singer), A DARMS Parser for Hymn-tune Searching (J. Stanley, A. Kearns)
	*<i>Virtual Restoration of Sources</i>: Virtual Restoration in the DIAMM Project (~~Andrew~~ Wathey, ~~Margaret~~ Bent, ~~Julia~~ Craig McFeely); Image-Enhancement Procedures (Alejandro Planchart); Computer Collation of Divergent Early Print Instances (~~Philip~~ Brett, Jeremy Smith); Digital ~~Imagin og~~ Watermarks (~~Dexter~~ Edge), An Electronic Facsimile of Berg's <i>Wozzeck</i> Sketches (~~Patricia~~ Hall)		*<i>Virtual Restoration of Sources</i>: Virtual Restoration in the DIAMM Project (A. Wathey, M. Bent, J. Craig McFeely); Image-Enhancement Procedures (Alejandro Planchart); Computer Collation of Divergent Early Print Instances (Ph. Brett, Jeremy Smith); Digital Imaging of Watermarks (D. Edge), An Electronic Facsimile of Berg's <i>Wozzeck</i> Sketches (P. Hall)

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	\| [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-14_CM14/20-14_CM14.pdf No. 14 (2004-05)] \|\| [[file:CM14-01.PNG\|160px\|center\|thumb]] \|\| <i>Music Analysis East and West</i>		\| [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-14_CM14/20-14_CM14.pdf No. 14 (2004-05)] \|\| [[file:CM14-01.PNG\|160px\|center\|thumb]] \|\| <i>Music Analysis East and West</i>
	*<i>European Musicology</i>: XML and Music XML (Michael Good et al.), <i>Aruspix</i> and <i>Wolfgang</i> (~~Laurent~~ Pugin, ~~Christine~~ Jeanneret), et al.		*<i>European Musicology</i>: XML and Music XML (Michael Good et al.), <i>Aruspix</i> and <i>Wolfgang</i> (L. Pugin, Chr. Jeanneret), et al.
	*<i>Eurasian Musicology</i>: Byzantine Repertories (~~Panos~~ Mavromatis, ~~Annalisa~~ Doneda)		*<i>Eurasian Musicology</i>: Byzantine Repertories (P. Mavromatis, A. Doneda)
	*<i>Asian Musicology</i>: Automatic Transcription of Tabla Music (~~Parag~~ Chordia), Melodic Atoms in Indian Classical Music (~~Arvindh~~ Krishnaswamy), Japanese Koto and its Melismatic Patterns (~~Craig~~ Sapp, ~~Sachiko~~ Deguchi, ~~Katsuhiko~~ Shirai), Microtonal Matchining in Indonesian Music (~~Alexandra~~ Uitdenbogerd, Imam S.H. Suyoto)		*<i>Asian Musicology</i>: Automatic Transcription of Tabla Music (P. Chordia); Melodic Atoms in Indian Classical Music (Arv. Krishnaswamy); Japanese Koto and its Melismatic Patterns (Cr. Sapp, S. Deguchi, K. Shirai),\; Microtonal Matchining in Indonesian Music (A. Uitdenbogerd, Imam S.H. Suyoto)
	\|-		\|-
	\| [http://xx No. 15 (2006-07)] \|\| [[file:CM15-01.PNG\|160px\|center\|thumb]] \|\| <i>Tonal Theory for the Digital Age</i>		\| [http://xx No. 15 (2006-07)] \|\| [[file:CM15-01.PNG\|160px\|center\|thumb]] \|\| <i>Tonal Theory for the Digital Age</i>

Esfield: /* Volumes 11-15 */

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Volumes 11-15

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	\|-		\|-
	\| [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-11_CM11/20-11_CM11.pdf No. 11 (1998-99)] \|\| [[file:CM11-01.PNG\|160px\|center\|thumb]] \|\|		\| [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-11_CM11/20-11_CM11.pdf No. 11 (1998-99)] \|\| [[file:CM11-01.PNG\|160px\|center\|thumb]] \|\|
	<i>Melodic Similarity: Concepts, Procedures, and Applications</i>: <i>Concepts and Procedures</i>: Conceptual and Representational Issues (E. Selfridge-Field); Geometrical Algorithms (D. O'Maidin); String-matching Techniques (T. Crawford et al.); Sequence-based Melodic Comparison (L.A. Smith et al.)		<i>Melodic Similarity: Concepts, Procedures, and Applications</i>
			*<i>Concepts and Procedures</i>: Conceptual and Representational Issues (E. Selfridge-Field); Geometrical Algorithms (D. O'Maidin); String-matching Techniques (T. Crawford et al.); Sequence-based Melodic Comparison (L.A. Smith et al.)
	*<i>Tools and Applications</i>: RISM Sorting Strategies (J. Howard); Signatures and Earmarks (D. Cope); Neural Models for Chorale Harmonization (D. Hörnel); Melodic Pattern-Detection (N. Nettheim); Rhythmic Elements of Melodic Practice (M. Yako)		*<i>Tools and Applications</i>: RISM Sorting Strategies (J. Howard); Signatures and Earmarks (D. Cope); Neural Models for Chorale Harmonization (D. Hörnel); Melodic Pattern-Detection (N. Nettheim); Rhythmic Elements of Melodic Practice (M. Yako)
	*<i>Human Melodic Judgments</i>: Melodic Similarity in Copyright Infringement (C. Cronin); Human and Machine Authorship Judgments (E. Dahlig et al.)		*<i>Human Melodic Judgments</i>: Melodic Similarity in Copyright Infringement (C. Cronin); Human and Machine Authorship Judgments (E. Dahlig et al.)
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	\|-		\|-
	\| [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-14_CM14/20-14_CM14.pdf No. 14 (2004-05)] \|\| [[file:CM14-01.PNG\|160px\|center\|thumb]] \|\| <i>Music Analysis East and West</i>		\| [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-14_CM14/20-14_CM14.pdf No. 14 (2004-05)] \|\| [[file:CM14-01.PNG\|160px\|center\|thumb]] \|\| <i>Music Analysis East and West</i>
	*European Musicology: XML and Music XML (Michael Good et al.), <i>Aruspix</i> and <i>Wolfgang</i> (Laurent Pugin, Christine Jeanneret), et al.		*<i>European Musicology</i>: XML and Music XML (Michael Good et al.), <i>Aruspix</i> and <i>Wolfgang</i> (Laurent Pugin, Christine Jeanneret), et al.
	*Eurasian Musicology: Byzantine Repertories (Panos Mavromatis, Annalisa Doneda)		*<i>Eurasian Musicology</i>: Byzantine Repertories (Panos Mavromatis, Annalisa Doneda)
	*Asian Musicology: Automatic Transcription of Tabla Music (Parag Chordia), Melodic Atoms in Indian Classical Music (Arvindh Krishnaswamy), Japanese Koto and its Melismatic Patterns (Craig Sapp, Sachiko Deguchi, Katsuhiko Shirai), Microtonal Matchining in Indonesian Music (Alexandra Uitdenbogerd, Imam S.H. Suyoto)		*<i>Asian Musicology</i>: Automatic Transcription of Tabla Music (Parag Chordia), Melodic Atoms in Indian Classical Music (Arvindh Krishnaswamy), Japanese Koto and its Melismatic Patterns (Craig Sapp, Sachiko Deguchi, Katsuhiko Shirai), Microtonal Matchining in Indonesian Music (Alexandra Uitdenbogerd, Imam S.H. Suyoto)
	\|-		\|-
	\| [http://xx No. 15 (2006-07)] \|\| [[file:CM15-01.PNG\|160px\|center\|thumb]] \|\| <i>Tonal Theory for the Digital Age</i>		\| [http://xx No. 15 (2006-07)] \|\| [[file:CM15-01.PNG\|160px\|center\|thumb]] \|\| <i>Tonal Theory for the Digital Age</i>

Esfield: /* Volumes 11-15 */

2021-12-28T00:09:41Z

Volumes 11-15

← Older revision		Revision as of 00:09, 28 December 2021
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	\|-		\|-
	\| [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-11_CM11/20-11_CM11.pdf No. 11 (1998-99)] \|\| [[file:CM11-01.PNG\|160px\|center\|thumb]] \|\|		\| [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-11_CM11/20-11_CM11.pdf No. 11 (1998-99)] \|\| [[file:CM11-01.PNG\|160px\|center\|thumb]] \|\|
	<i>Melodic Similarity: Concepts, Procedures, and Applications</i>		<i>Melodic Similarity: Concepts, Procedures, and Applications</i>: <i>Concepts and Procedures</i>: Conceptual and Representational Issues (E. Selfridge-Field); Geometrical Algorithms (D. O'Maidin); String-matching Techniques (T. Crawford et al.); Sequence-based Melodic Comparison (L.A. Smith et al.)
	*<i>Concepts and Procedures</i>: Conceptual and Representational Issues (E. Selfridge-Field);
	Geometrical Algorithms (D. O'Maidin); String-matching Techniques (T. Crawford et al.); Sequence-based Melodic Comparison (L.A. Smith et al.)
	*<i>Tools and Applications</i>: RISM Sorting Strategies (J. Howard); Signatures and Earmarks (D. Cope); Neural Models for Chorale Harmonization (D. Hörnel); Melodic Pattern-Detection (N. Nettheim); Rhythmic Elements of Melodic Practice (M. Yako)		*<i>Tools and Applications</i>: RISM Sorting Strategies (J. Howard); Signatures and Earmarks (D. Cope); Neural Models for Chorale Harmonization (D. Hörnel); Melodic Pattern-Detection (N. Nettheim); Rhythmic Elements of Melodic Practice (M. Yako)
	<i>Human Melodic Judgments</i>: *Melodic Similarity in Copyright Infringement (C. Cronin); Human and Machine Authorship Judgments (E. Dahlig et al.)		*<i>Human Melodic Judgments</i>: Melodic Similarity in Copyright Infringement (C. Cronin); Human and Machine Authorship Judgments (E. Dahlig et al.)
	*<i>Online Tools for Melodic Search</i>: MELDEX (D. Bainbridge); Themefinder (A. Körnstädt)		*<i>Online Tools for Melodic Search</i>: MELDEX (D. Bainbridge); Themefinder (A. Körnstädt)

Esfield: /* Volumes 11-15 */

2021-12-28T00:07:50Z

Volumes 11-15

← Older revision		Revision as of 00:07, 28 December 2021
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	\| [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-11_CM11/20-11_CM11.pdf No. 11 (1998-99)] \|\| [[file:CM11-01.PNG\|160px\|center\|thumb]] \|\|		\| [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-11_CM11/20-11_CM11.pdf No. 11 (1998-99)] \|\| [[file:CM11-01.PNG\|160px\|center\|thumb]] \|\|
	<i>Melodic Similarity: Concepts, Procedures, and Applications</i>		<i>Melodic Similarity: Concepts, Procedures, and Applications</i>
	*<i>Concepts and Procedures</i>		*<i>Concepts and Procedures</i>: Conceptual and Representational Issues (E. Selfridge-Field);
	**Conceptual and Representational Issues (E. Selfridge-Field)		Geometrical Algorithms (D. O'Maidin); String-matching Techniques (T. Crawford et al.); Sequence-based Melodic Comparison (L.A. Smith et al.)
	**Geometrical Algorithms (D. O'Maidin)		*<i>Tools and Applications</i>: RISM Sorting Strategies (J. Howard); Signatures and Earmarks (D. Cope); Neural Models for Chorale Harmonization (D. Hörnel); Melodic Pattern-Detection (N. Nettheim); Rhythmic Elements of Melodic Practice (M. Yako)
	**String-matching Techniques (T. Crawford et al.)		<i>Human Melodic Judgments</i>: *Melodic Similarity in Copyright Infringement (C. Cronin); Human and Machine Authorship Judgments (E. Dahlig et al.)
	**Sequence-based Melodic Comparison (L.A. Smith et al.)		*<i>Online Tools for Melodic Search</i>: MELDEX (D. Bainbridge); Themefinder (A. Körnstädt)
	*<i>Tools and Applications</i>
	**Sorting Strategies (J. Howard)
	**Signatures and Earmarks (D. Cope)
	**Neural Models for Chorale Harmonization (D. Hörnel)
	**Melodic Pattern-Detection (N. Nettheim)
	**Rhythmic Elements of Melodic Practice (M. Yako)
	*<i>Human Melodic Judgments</i>
	**Melodic Similarity in Copyright Infringement (C. Cronin)
	**Human and Machine Authorship Judgments (E. Dahlig et al.)
	*<i>Online Tools for Melodic Search</i>
	**MELDEX (D. Bainbridge)
	**Themefinder (A. Körnstädt)

	\|-		\|-

Esfield: /* Volumes 11-15 */

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Volumes 11-15

← Older revision		Revision as of 00:05, 28 December 2021
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	*<i>Representation and Interchange</i>: C.M.M.E. (Theodor Dumitrescu), Hildegard von Bingen (Stefan Morent), NIFF-to-Braille MN (Didied Langolff), Music Notation to Braille MN (Silas Brown), Score-level Representation with GUIDO (Holger Hoos et al.), an XML Introduction (Gerdn Casten, Michael Good, Perry Roland),		*<i>Representation and Interchange</i>: C.M.M.E. (Theodor Dumitrescu), Hildegard von Bingen (Stefan Morent), NIFF-to-Braille MN (Didied Langolff), Music Notation to Braille MN (Silas Brown), Score-level Representation with GUIDO (Holger Hoos et al.), an XML Introduction (Gerdn Casten, Michael Good, Perry Roland),
	*<i>Retrieval and Analysis</i>: Geographical Localization of Musical Features (Bret Aarden, David Huron), Features of Monophonic Vocal Melodies (Jane Singer), A DARMS Parser for Hymn-tune Searching (Jim Stanley, Antony Kearns)		*<i>Retrieval and Analysis</i>: Geographical Localization of Musical Features (Bret Aarden, David Huron), Features of Monophonic Vocal Melodies (Jane Singer), A DARMS Parser for Hymn-tune Searching (Jim Stanley, Antony Kearns)
	*<i>Virtual Restoration of Sources</i>:		*<i>Virtual Restoration of Sources</i>: Virtual Restoration in the DIAMM Project (Andrew Wathey, Margaret Bent, Julia Craig McFeely); Image-Enhancement Procedures (Alejandro Planchart); Computer Collation of Divergent Early Print Instances (Philip Brett, Jeremy Smith); Digital Imagin og Watermarks (Dexter Edge), An Electronic Facsimile of Berg's <i>Wozzeck</i> Sketches (Patricia Hall)

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Esfield: /* Volumes 11-15 */

2021-12-28T00:00:57Z

Volumes 11-15

← Older revision		Revision as of 00:00, 28 December 2021
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	<i>The Virtual Score: Representation, Retrieval, and Restoration</i>		<i>The Virtual Score: Representation, Retrieval, and Restoration</i>
	*<i>Representation and Interchange</i>: C.M.M.E. (Theodor Dumitrescu), Hildegard von Bingen (Stefan Morent), NIFF-to-Braille MN (Didied Langolff), Music Notation to Braille MN (Silas Brown), Score-level Representation with GUIDO (Holger Hoos et al.), an XML Introduction (Gerdn Casten, Michael Good, Perry Roland),		*<i>Representation and Interchange</i>: C.M.M.E. (Theodor Dumitrescu), Hildegard von Bingen (Stefan Morent), NIFF-to-Braille MN (Didied Langolff), Music Notation to Braille MN (Silas Brown), Score-level Representation with GUIDO (Holger Hoos et al.), an XML Introduction (Gerdn Casten, Michael Good, Perry Roland),
	*<i>Retrieval and Analysis</i>		*<i>Retrieval and Analysis</i>: Geographical Localization of Musical Features (Bret Aarden, David Huron), Features of Monophonic Vocal Melodies (Jane Singer), A DARMS Parser for Hymn-tune Searching (Jim Stanley, Antony Kearns)
	*<i>Virtual Restoration of Sources</i>		*<i>Virtual Restoration of Sources</i>:

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Esfield: /* Volumes 11-15 */

2021-12-27T23:57:32Z

Volumes 11-15

← Older revision		Revision as of 23:57, 27 December 2021
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	\| [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-12_CM12/20-12_CM12.pdf No. 12 (2000-2001)] \|\| [[file:CM12-01.PNG\|160px\|center\|thumb]] \|\|		\| [http://ichriss.ccarh.org/protected/ccarh-scan-archive/20-12_CM12/20-12_CM12.pdf No. 12 (2000-2001)] \|\| [[file:CM12-01.PNG\|160px\|center\|thumb]] \|\|
	<i>The Virtual Score: Representation, Retrieval, and Restoration</i>		<i>The Virtual Score: Representation, Retrieval, and Restoration</i>
	*<i>Representation and Interchange</i>		*<i>Representation and Interchange</i>: C.M.M.E. (Theodor Dumitrescu), Hildegard von Bingen (Stefan Morent), NIFF-to-Braille MN (Didied Langolff), Music Notation to Braille MN (Silas Brown), Score-level Representation with GUIDO (Holger Hoos et al.), an XML Introduction (Gerdn Casten, Michael Good, Perry Roland),
	*<i>Retrieval and Analysis</i>		*<i>Retrieval and Analysis</i>
	*<i>Virtual Restoration of Sources</i>		*<i>Virtual Restoration of Sources</i>