Deprecated: preg_match(): Passing null to parameter #2 ($subject) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/lbfactory/LBFactory.php on line 697
Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::open($save_path, $session_name) should either be compatible with SessionHandlerInterface::open(string $path, string $name): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /disk/data1/ccarh-project/ccarhwiki/website/includes/session/PHPSessionHandler.php on line 180
Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::close() should either be compatible with SessionHandlerInterface::close(): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /disk/data1/ccarh-project/ccarhwiki/website/includes/session/PHPSessionHandler.php on line 195
Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::read($id) should either be compatible with SessionHandlerInterface::read(string $id): string|false, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /disk/data1/ccarh-project/ccarhwiki/website/includes/session/PHPSessionHandler.php on line 209
Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::write($id, $dataStr) should either be compatible with SessionHandlerInterface::write(string $id, string $data): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /disk/data1/ccarh-project/ccarhwiki/website/includes/session/PHPSessionHandler.php on line 237
Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::destroy($id) should either be compatible with SessionHandlerInterface::destroy(string $id): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /disk/data1/ccarh-project/ccarhwiki/website/includes/session/PHPSessionHandler.php on line 343
Deprecated: Return type of MediaWiki\Session\PHPSessionHandler::gc($maxlifetime) should either be compatible with SessionHandlerInterface::gc(int $max_lifetime): int|false, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /disk/data1/ccarh-project/ccarhwiki/website/includes/session/PHPSessionHandler.php on line 364
Deprecated: Return type of MediaWiki\Session\Session::count() should either be compatible with Countable::count(): int, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /disk/data1/ccarh-project/ccarhwiki/website/includes/session/Session.php on line 625
Deprecated: Return type of MediaWiki\Session\Session::current() should either be compatible with Iterator::current(): mixed, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /disk/data1/ccarh-project/ccarhwiki/website/includes/session/Session.php on line 631
Deprecated: Return type of MediaWiki\Session\Session::next() should either be compatible with Iterator::next(): void, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /disk/data1/ccarh-project/ccarhwiki/website/includes/session/Session.php on line 643
Deprecated: Return type of MediaWiki\Session\Session::key() should either be compatible with Iterator::key(): mixed, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /disk/data1/ccarh-project/ccarhwiki/website/includes/session/Session.php on line 637
Deprecated: Return type of MediaWiki\Session\Session::valid() should either be compatible with Iterator::valid(): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /disk/data1/ccarh-project/ccarhwiki/website/includes/session/Session.php on line 655
Deprecated: Return type of MediaWiki\Session\Session::rewind() should either be compatible with Iterator::rewind(): void, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /disk/data1/ccarh-project/ccarhwiki/website/includes/session/Session.php on line 649
Deprecated: Return type of MediaWiki\Session\Session::offsetExists($offset) should either be compatible with ArrayAccess::offsetExists(mixed $offset): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /disk/data1/ccarh-project/ccarhwiki/website/includes/session/Session.php on line 665
Deprecated: Return type of & MediaWiki\Session\Session::offsetGet($offset) should either be compatible with ArrayAccess::offsetGet(mixed $offset): mixed, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /disk/data1/ccarh-project/ccarhwiki/website/includes/session/Session.php on line 678
Deprecated: Return type of MediaWiki\Session\Session::offsetSet($offset, $value) should either be compatible with ArrayAccess::offsetSet(mixed $offset, mixed $value): void, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /disk/data1/ccarh-project/ccarhwiki/website/includes/session/Session.php on line 688
Deprecated: Return type of MediaWiki\Session\Session::offsetUnset($offset) should either be compatible with ArrayAccess::offsetUnset(mixed $offset): void, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /disk/data1/ccarh-project/ccarhwiki/website/includes/session/Session.php on line 693
Deprecated: MapCacheLRU implements the Serializable interface, which is deprecated. Implement __serialize() and __unserialize() instead (or in addition, if support for old PHP versions is necessary) in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/MapCacheLRU.php on line 37
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: Return type of Wikimedia\Rdbms\IResultWrapper::current() should either be compatible with Iterator::current(): mixed, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/resultwrapper/IResultWrapper.php on line 70
Deprecated: Return type of Wikimedia\Rdbms\IResultWrapper::next() should either be compatible with Iterator::next(): void, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/resultwrapper/IResultWrapper.php on line 80
Deprecated: Return type of Wikimedia\Rdbms\IResultWrapper::key() should either be compatible with Iterator::key(): mixed, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/resultwrapper/IResultWrapper.php on line 75
Deprecated: Return type of Wikimedia\Rdbms\ResultWrapper::valid() should either be compatible with Iterator::valid(): bool, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/resultwrapper/ResultWrapper.php on line 116
Deprecated: Return type of Wikimedia\Rdbms\ResultWrapper::rewind() should either be compatible with Iterator::rewind(): void, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/resultwrapper/ResultWrapper.php on line 89
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Warning: Resource ID#3 used as offset, casting to integer (3) in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/objectcache/MemcachedClient.php on line 545
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Warning: Resource ID#3 used as offset, casting to integer (3) in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/objectcache/MemcachedClient.php on line 545
Warning: Resource ID#3 used as offset, casting to integer (3) in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/objectcache/MemcachedClient.php on line 545
Warning: Resource ID#3 used as offset, casting to integer (3) in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/objectcache/MemcachedClient.php on line 545
Deprecated: Message implements the Serializable interface, which is deprecated. Implement __serialize() and __unserialize() instead (or in addition, if support for old PHP versions is necessary) in /disk/data1/ccarh-project/ccarhwiki/website/includes/Message.php on line 160
Deprecated: Creation of dynamic property RequestContext::$recursion is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/context/RequestContext.php on line 328
Deprecated: ctype_digit(): Argument of type bool will be interpreted as string in the future in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/objectcache/BagOStuff.php on line 735
Warning: Resource ID#3 used as offset, casting to integer (3) in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/objectcache/MemcachedClient.php on line 545
Warning: Resource ID#3 used as offset, casting to integer (3) in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/objectcache/MemcachedClient.php on line 545
Warning: Resource ID#3 used as offset, casting to integer (3) in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/objectcache/MemcachedClient.php on line 545
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Warning: Resource ID#3 used as offset, casting to integer (3) in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/objectcache/MemcachedClient.php on line 545
Warning: Resource ID#3 used as offset, casting to integer (3) in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/objectcache/MemcachedClient.php on line 545
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: Creation of dynamic property Parser::$mPreprocessorClass is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/parser/Parser.php on line 314
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: Creation of dynamic property Parser::$extCite is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/extensions/Cite/includes/Cite.php on line 1293
Deprecated: Creation of dynamic property PPDStack::$accum is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/parser/Preprocessor_DOM.php on line 847
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Warning: Cannot modify header information - headers already sent by (output started at /disk/data1/ccarh-project/ccarhwiki/website/includes/session/Session.php:48) in /disk/data1/ccarh-project/ccarhwiki/website/includes/Feed.php on line 294
Warning: Cannot modify header information - headers already sent by (output started at /disk/data1/ccarh-project/ccarhwiki/website/includes/session/Session.php:48) in /disk/data1/ccarh-project/ccarhwiki/website/includes/Feed.php on line 300
Warning: Cannot modify header information - headers already sent by (output started at /disk/data1/ccarh-project/ccarhwiki/website/includes/session/Session.php:48) in /disk/data1/ccarh-project/ccarhwiki/website/includes/WebResponse.php on line 72
Warning: Cannot modify header information - headers already sent by (output started at /disk/data1/ccarh-project/ccarhwiki/website/includes/session/Session.php:48) in /disk/data1/ccarh-project/ccarhwiki/website/includes/WebResponse.php on line 72
Warning: Cannot modify header information - headers already sent by (output started at /disk/data1/ccarh-project/ccarhwiki/website/includes/session/Session.php:48) in /disk/data1/ccarh-project/ccarhwiki/website/includes/WebResponse.php on line 72
Warning: Cannot modify header information - headers already sent by (output started at /disk/data1/ccarh-project/ccarhwiki/website/includes/session/Session.php:48) in /disk/data1/ccarh-project/ccarhwiki/website/includes/WebResponse.php on line 72 https://wiki.ccarh.org/index.php?action=history&feed=atom&title=MuseData%3A_Ludwig_van_BeethovenMuseData: Ludwig van Beethoven - Revision history2024-12-04T08:24:42ZRevision history for this page on the wikiMediaWiki 1.33.0 Deprecated: RawMessage implements the Serializable interface, which is deprecated. Implement __serialize() and __unserialize() instead (or in addition, if support for old PHP versions is necessary) in /disk/data1/ccarh-project/ccarhwiki/website/includes/RawMessage.php on line 0
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Warning: Resource ID#3 used as offset, casting to integer (3) in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/objectcache/MemcachedClient.php on line 545
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Warning: Resource ID#3 used as offset, casting to integer (3) in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/objectcache/MemcachedClient.php on line 545
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Warning: Resource ID#3 used as offset, casting to integer (3) in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/objectcache/MemcachedClient.php on line 545
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618
Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618 https://wiki.ccarh.org/index.php?title=MuseData:_Ludwig_van_Beethoven&diff=11839&oldid=prevCraig: Redirected page to Ludwig van Beethoven2022-10-27T20:23:39Z<p>Redirected page to <a href="/wiki/Ludwig_van_Beethoven" title="Ludwig van Beethoven">Ludwig van Beethoven</a></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 20:23, 27 October 2022</td>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">__TOC__</del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">#REDIRECT [[</ins>Ludwig van Beethoven]]</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Ludwig van Beethoven <del class="diffchange diffchange-inline">(1770-1827) brought the symphony, the concerto, and the string quartet to heights not imagined by his musical predecessors or peers. Born in Bonn (Germany), he flourished in Vienna (Austria), where he moved in 1792. Soon famous as a pianist, his compositional style began to change course a decade later, when the first signs of his deafness began to appear. A decade after that (in 1812 and 1813), Beethoven suffered financially from the devaluation of Austrian currency. He also suffered emotionally from the illness of his brother and the resulting prospect (never fully realized) of becoming the guardian of his nephew Karl. Beethoven’s fortunes improved over the next few years, but his hearing continuously declined. The year 1822 saw the completion of what were to be his two final piano sonatas and the Missa Solemnis. The Ninth Symphony was begun in that year. Beethoven remained engaged with writing string quartets almost until his death. </del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">= Orchestral Repertory =</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">==Symphonies==</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Beethoven’s works were predominately for instruments, but among them there was immense variety of types and styles, ranging from 29 short piano pieces to his final choral symphony (the Ninth). His orchestral works and string quartets enjoy great currency today. Most of Beethoven’s nine symphonies and seven concertos make stellar contributions to their respective repertories.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Apart from No. 6, the “Pastoral”, which has five movements, and No. 9, which accumulates nineteen segments in its construction of a pyramid of sounds and textures, the symphonies are four-movement works with outer movements in relatively fast tempos. The second movement is typically slow and pensive. The third is a minuet or scherzo employing a common highly-patterned structure. </del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">===Manuscript and Early Printed Resources Online===</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Several repositories of Beethoven manuscripts, letters, and early printed editions offer access to these artifacts of the symphonies from their first conception onward. </del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">The Beethoven-Haus [http://www.beethoven-haus-bonn.de/] in Bonn has digitized more than 26,000 folios of music, letters, lithographs, and other artifacts associated with Beethoven, his family, friends, and contemporaries. Musical sketches housed in Bonn are confined to the period 1807-1815. Beethoven's transcriptions of portions of the works of other composers and music theorists constitute one of the unusual categories of inclusions. See http://www.beethoven-haus-bonn.de/sixcms/detail.php?id=1504&template=einstieg_digitales_archiv_de&_mid=Handschriften%20anderer%20Komponisten.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">The Beethoven Center in San Jose, California, holds more than 2,200 early editions of Beethoven's music together with much other documentation. In addition to 300 first editions, it also possesses a manuscript copy of the Fifth Symphony [http://www.sjsu.edu/beethoven/collections/op67ms.html]. </del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">The State Library of the Prussian Cultural Heritage [http://beethoven.staatsbibliothek-berlin.de/digitale-abbildungen.html] in Berlin has an online viewer for such materials pertinent to the Ninth Symphony at http://beethoven.staatsbibliothek-berlin.de/digitale-abbildungen/die-einzelnen-teile-der-originalhandschrift/.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">===MuseData Downloadable Editions of the Beethoven Symphonies===</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">In the table below the scores are divided into movements. Additional tools and some parts are available at our website “The Nine Symphonies of Beethoven: A Digital Edition” (http://www.ccarh.org/publications/beethoven-symphonies/).</del></div></td><td colspan="2"> </td></tr>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">! scope="col" align="center" | Composition<br>date</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">! scope="col" align="center" | Publication<br>date</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">! scope="col" align="center" | Data</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">! scope="col" align="center" | CCARH Score<br>(PDF)</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">|- valign="top"</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">|Op. 21 ||Symphony No. 1 in C major ||1799-1800 ||1801 || [https://bitbucket.org/musedata/beethoven/src/master/bhl/orch/sym1/stage2/ sym1]&nbsp;&nbsp;&nbsp;|| [http://scores.ccarh.org/beethoven/sym/beethoven-sym1.pdf full]: [http://scores.ccarh.org/beethoven/sym/beethoven-sym1-1.pdf 1], [http://scores.ccarh.org/beethoven/sym/beethoven-sym1-2.pdf 2</del>]<del class="diffchange diffchange-inline">, [http://scores.ccarh.org/beethoven/sym/beethoven-sym1-3.pdf 3</del>]<del class="diffchange diffchange-inline">, [http://scores.ccarh.org/beethoven/sym/beethoven-sym1-4.pdf 4]</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">|- valign="top"</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">| Op. 36||Symphony No. 2 in D major ||1801-1802 ||1804 || [https://bitbucket.org/musedata/beethoven/src/master/bhl/orch/sym2/stage2/ sym2]|| [http://scores.ccarh.org/beethoven/sym/beethoven-sym2.pdf full]: [http://scores.ccarh.org/beethoven/sym/beethoven-sym2-1.pdf 1], [http://scores.ccarh.org/beethoven/sym/beethoven-sym2-2.pdf 2], [http://scores.ccarh.org/beethoven/sym/beethoven-sym2-3.pdf 3], [http://scores.ccarh.org/beethoven/sym/beethoven-sym2-4.pdf 4]</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">|- valign="top"</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">|Op. 55 ||Symphony No. 3 in E{{music|flat}} major ("Eroica") ||1803 ||1806 || [https://bitbucket.org/musedata/beethoven/src/master/bhl/orch/sym3/stage2/ sym3]|| [http://scores.ccarh.org/beethoven/sym/beethoven-sym3.pdf full]: [http://scores.ccarh.org/beethoven/sym/beethoven-sym3-1.pdf 1], [http://scores.ccarh.org/beethoven/sym/beethoven-sym3-2.pdf 2], [http://scores.ccarh.org/beethoven/sym/beethoven-sym3-3.pdf 3], [http://scores.ccarh.org/beethoven/sym/beethoven-sym3-4.pdf 4]</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">|- valign="top"</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">| Op. 60||Symphony No. 4 in B{{music|flat}} major ||1807 ||1808|| [https://bitbucket.org/musedata/beethoven/src/master/bhl/orch/sym4/stage2/ sym4]|| [http://scores.ccarh.org/beethoven/sym/beethoven-sym4.pdf full]: [http://scores.ccarh.org/beethoven/sym/beethoven-sym2-4.pdf 1], [http://scores.ccarh.org/beethoven/sym/beethoven-sym2-4.pdf 2], [http://scores.ccarh.org/beethoven/sym/beethoven-sym4-3.pdf 3], [http://scores.ccarh.org/beethoven/sym/beethoven-sym4-4.pdf 4]</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">|- valign="top"</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">| Op. 67 ||Symphony No. 5 in C minor ||1807-1808 ||1809|| [https://bitbucket.org/musedata/beethoven/raw/master/bhl/orch/sym5/editions/public/score sym5]|| [http://scores.ccarh.org/beethoven/sym/beethoven-sym5.pdf full]: [http://scores.ccarh.org/beethoven/sym/beethoven-sym5-1.pdf 1], [http://scores.ccarh.org/beethoven/sym/beethoven-sym5-2.pdf 2], [http://scores.ccarh.org/beethoven/sym/beethoven-sym5-3.pdf 3], [http://scores.ccarh.org/beethoven/sym/beethoven-sym5-4.pdf 4]</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">|- valign="top"</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">| Op. 68 ||Symphony No. 6 in F major ||1808 ||1809|| [https://bitbucket.org/musedata/beethoven/src/master/bhl/orch/sym6/stage2/ sym6]|| [http://scores.ccarh.org/beethoven/sym/beethoven-sym6.pdf full]: [http://scores.ccarh.org/beethoven/sym/beethoven-sym6-1.pdf 1], [http://scores.ccarh.org/beethoven/sym/beethoven-sym6-2.pdf 2], [http://scores.ccarh.org/beethoven/sym/beethoven-sym6-3.pdf 3], [http://scores.ccarh.org/beethoven/sym/beethoven-sym6-4.pdf 4], [http://scores.ccarh.org/beethoven/sym/beethoven-sym6-5.pdf 5]</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">|- valign="top"</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">| Op. 92 ||Symphony No. 7 in A major ||1811-1812 ||1816|| [https://bitbucket.org/musedata/beethoven/src/master/bhl/orch/sym7/stage2/ sym7]|| [http://scores.ccarh.org/beethoven/sym/beethoven-sym7.pdf full]: [http://scores.ccarh.org/beethoven/sym/beethoven-sym7-1.pdf 1], [http://scores.ccarh.org/beethoven/sym/beethoven-sym7-2.pdf 2], [http://scores.ccarh.org/beethoven/sym/beethoven-sym7-3.pdf 3], [http://scores.ccarh.org/beethoven/sym/beethoven-sym7-4.pdf 4]</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">|- valign="top"</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">| Op. 93 ||Symphony No. 8 in F major ||1812 ||1817|| [https://bitbucket.org/musedata/beethoven/src/master/bhl/orch/sym8/stage2/ sym8]|| [http://scores.ccarh.org/beethoven/sym/beethoven-sym8.pdf full]: [http://scores.ccarh.org/beethoven/sym/beethoven-sym8-1.pdf 1], [http://scores.ccarh.org/beethoven/sym/beethoven-sym8-2.pdf 2], [http://scores.ccarh.org/beethoven/sym/beethoven-sym8-3.pdf 3], [http://scores.ccarh.org/beethoven/sym/beethoven-sym8-4.pdf 4]</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">|- valign="top"</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">|Op. 125&nbsp;&nbsp; ||Symphony No. 9 in D minor ||1822-1824 ||1826|| [https://bitbucket.org/musedata/beethoven/src/master/bhl/orch/sym9/stage2/ sym9]|| [http://scores.ccarh.org/beethoven/sym/beethoven-sym9.pdf full]: [http://scores.ccarh.org/beethoven/sym/beethoven-sym9-1.pdf 1], [http://scores.ccarh.org/beethoven/sym/beethoven-sym9-2.pdf 2], [http://scores.ccarh.org/beethoven/sym/beethoven-sym9-3.pdf 3], [http://scores.ccarh.org/beethoven/sym/beethoven-sym9-4.pdf 4]</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">|- valign="top"</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">|}</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline"></center></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">When selecting the "data" link, note that the "E" button should automatically generate a PDF (a useful capability for those who wish to re-edit the data before printing). This facility is still in course of development.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">===Other Downloadable Printed Editions===</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">The first collected edition of the nine symphonies was published in Leipzig by Breitkopf & Härtel between 1862 and 1865. These are downloadable from the Munich Digitalization Center at the links indicated below:</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">&nbsp;&nbsp;&nbsp;&nbsp;No. 1&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[http://urn:nbn:de:bvb:12-bsb00042162-2]<br></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">&nbsp;&nbsp;&nbsp;&nbsp;No. 2&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[http://urn:nbn:de:bvb:12-bsb00042163-7]<br></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">&nbsp;&nbsp;&nbsp;&nbsp;No. 3&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[http://urn:nbn:de:bvb:12-bsb00042164-2]<br></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">&nbsp;&nbsp;&nbsp;&nbsp;No. 4&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[http://urn:nbn:de:bvb:12-bsb00042165-8]<br></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">&nbsp;&nbsp;&nbsp;&nbsp;No. 5&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[http://urn:nbn:de:bvb:12-bsb00042166-3]<br></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">&nbsp;&nbsp;&nbsp;&nbsp;No. 6&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[http://urn:nbn:de:bvb:12-bsb00042167-8]<br></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">&nbsp;&nbsp;&nbsp;&nbsp;No. 7&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[http://urn:nbn:de:bvb:12-bsb00042169-4]<br></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">&nbsp;&nbsp;&nbsp;&nbsp;No. 8&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[http://urn:nbn:de:bvb:12-bsb00042170-6]<br></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">&nbsp;&nbsp;&nbsp;&nbsp;No. 9&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[http://urn:nbn:de:bvb:12-bsb00042171-1]<br></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">== Concertos ==</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Although Beethoven’s concertos were largely composed within a single decade, several are hallmarks of the repertory. Celebrated for their balance of many musical factors in intricate ways and for the uniqueness of each work, they have been popular from Beethoven’s own time (during which he usually appeared in the first performance) to our own. Concentrated though the period of their composition may be, the piano was beginning to become a more robust instrument than its parent, the fortepiano. It was increasingly capable of dramatic extensions to dynamic contrast and pitch registers. Beethoven exploited these capabilities in both his concertos and his piano sonatas.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">= Chamber Repertory =</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">== String Quartets and Quintets==</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">{{Main|Beethoven String Quartets}}</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Beethoven's string quartets have been perennially popular from his time to our own. They fall into four groups. The early quartets (Op. 18) give distinct evidence of the composer's promise and already show his originality. The "Razumovsky" quartets Op. 59 (nicknamed for their dedicatee) come from one of Beethoven's most fertile and productive periods. Each is a classic in its own right. Collectively they show enormous strides in Beethoven's development and imagination. Opp. 74 and 95 continue in the same direction. </del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">What is surprising is that Beethoven composed so few quartets between 1806 and 1825. He was of course busy composing many other works during the first part of that period. Chamber music was usually written to fulfill a specific commission, and in Beethoven's time typically written to order. The political vicissitudes of Austria, particularly in its battles with Napoleonic France, were periodically inhibiting. Beethoven's personal battle with his progressive hearing difficulties is usually considered the likely explanation for many otherwise inexplicable behaviors. </del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline"><center></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">{{BeethovenStringQuartetPDFTable}}</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline"></center></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Audio examples from each movement of the three Op. 59 quartets are provided by the Digital Archive of the Beethovenhaus in Bonn, the city of Beethoven's birth.[http://www.beethoven-haus-bonn.de/sixcms/detail.php?id=15107&template=werkseite_digitales_archiv_de&_eid=1502&_ug=Streichinstrumente&_werkid=59&_mid=Werke%20Ludwig%20van%20Beethovens&_seite=1]</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">===Arrangements===</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Beethoven was a frequent arranger of his own music. Apparently there was more demand for quartets than there were quartets being produced. In 1802 Beethoven arranged his piano sonata Op. 14, No. 1 as a string quartet in F Major for Baroness Josefine von Braun. A third-party arrangement of the piano trio Op. 1, No. 3 (corrected by Beethoven) appeared in Vienna and London in 1819.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">===Patronage===</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">The quartets enjoyed the support of three highly discriminating patrons--Prince Lobkowitz for Opp. 18 and 74; Count Razumovsky for Op. 59, and Archduke Rudolf for the Grosse Fuge Op. 133. Remaining patrons were less well known: Zmeskall von Domanovecz (Op. 95), Prince Nikolay Golitsin (Opp. 127, 130, 132), Baron Joseph von Stutterheim (Op. 131), and Johann Wolfmayer (Op. 135).</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">===Editions of and Source Materials for Beethoven's Quartets===</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Like Beethoven's symphonies, Beethoven's string quartets were published between 1862 and 1865 by Breitkopf & Härtel in Leipzig. The rightmost column in the table above gives links to the digitized version of these prints.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">A copyist's score (c. 1816) of the seven quartets dedicated to Count Lobkowitz is held by the Beethoven Center in San Jose [http://www.sjsu.edu/beethoven/collections/op18ms.html].</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">===String Quintets===</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">Beethoven composed only two string quintets--Op. 29 in C Major (1802) and a posthumous work (also in C Major) that was published in Vienna in 1838. The latter survives only tangentially in a piano transcription.</del></div></td><td colspan="2"> </td></tr>
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618 https://wiki.ccarh.org/index.php?title=MuseData:_Ludwig_van_Beethoven&diff=10383&oldid=prevEdc: /* Symphonies */2021-03-21T09:59:31Z<p><span dir="auto"><span class="autocomment">Symphonies</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 09:59, 21 March 2021</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l8" >Line 8:</td>
<td colspan="2" class="diff-lineno">Line 8:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Beethoven’s works were predominately for instruments, but among them there was immense variety of types and styles, ranging from 29 short piano pieces to his final choral symphony (the Ninth). His orchestral works and string quartets enjoy great currency today. Most of Beethoven’s nine symphonies and seven concertos make stellar contributions to their respective repertories.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Beethoven’s works were predominately for instruments, but among them there was immense variety of types and styles, ranging from 29 short piano pieces to his final choral symphony (the Ninth). His orchestral works and string quartets enjoy great currency today. Most of Beethoven’s nine symphonies and seven concertos make stellar contributions to their respective repertories.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Apart from No. 6, the “Pastoral”, which has five movements, and No. 9, which accumulates nineteen segments in its construction of a pyramid of sounds and textures, the symphonies are four-movement works with outer movements in relatively fast tempos. The second movement is typically slow and pensive. The third is a minuet or scherzo employing a common highly patterned structure. </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Apart from No. 6, the “Pastoral”, which has five movements, and No. 9, which accumulates nineteen segments in its construction of a pyramid of sounds and textures, the symphonies are four-movement works with outer movements in relatively fast tempos. The second movement is typically slow and pensive. The third is a minuet or scherzo employing a common highly<ins class="diffchange diffchange-inline">-</ins>patterned structure. </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Manuscript and Early Printed Resources Online===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Manuscript and Early Printed Resources Online===</div></td></tr>
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618 https://wiki.ccarh.org/index.php?title=MuseData:_Ludwig_van_Beethoven&diff=10382&oldid=prevEdc: /* Concertos */2021-03-21T09:36:41Z<p><span dir="auto"><span class="autocomment">Concertos</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 09:36, 21 March 2021</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l69" >Line 69:</td>
<td colspan="2" class="diff-lineno">Line 69:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Concertos ==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Concertos ==</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Although Beethoven’s concertos were largely composed within a single decade, several are hallmarks of the repertory. Celebrated for their balance of many musical factors in intricate ways and for the uniqueness of each work, they have been popular from Beethoven’s own time (during which he usually appeared in the first performance) to our own. Concentrated though the period of their composition may be, the piano was beginning to become a more robust instrument than its parent, the fortepiano. It was increasingly capable of <del class="diffchange diffchange-inline">a </del>dramatic extensions to dynamic contrast and pitch registers. Beethoven exploited these capabilities in both his concertos and his piano sonatas.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Although Beethoven’s concertos were largely composed within a single decade, several are hallmarks of the repertory. Celebrated for their balance of many musical factors in intricate ways and for the uniqueness of each work, they have been popular from Beethoven’s own time (during which he usually appeared in the first performance) to our own. Concentrated though the period of their composition may be, the piano was beginning to become a more robust instrument than its parent, the fortepiano. It was increasingly capable of dramatic extensions to dynamic contrast and pitch registers. Beethoven exploited these capabilities in both his concertos and his piano sonatas.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>= Chamber Repertory =</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>= Chamber Repertory =</div></td></tr>
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618 https://wiki.ccarh.org/index.php?title=MuseData:_Ludwig_van_Beethoven&diff=3641&oldid=prevEdc: /* String Quartets and Quintets */2013-02-04T05:09:01Z<p><span dir="auto"><span class="autocomment">String Quartets and Quintets</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 05:09, 4 February 2013</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l85" >Line 85:</td>
<td colspan="2" class="diff-lineno">Line 85:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></center></div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></center></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Audio examples from each movement of the three Op. 59 quartets are provided by the Digital Archive of the <del class="diffchange diffchange-inline">Beethoven-Haus </del>in Bonn, the city of Beethoven's birth.[http://www.beethoven-haus-bonn.de/sixcms/detail.php?id=15107&template=werkseite_digitales_archiv_de&_eid=1502&_ug=Streichinstrumente&_werkid=59&_mid=Werke%20Ludwig%20van%20Beethovens&_seite=1]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Audio examples from each movement of the three Op. 59 quartets are provided by the Digital Archive of the <ins class="diffchange diffchange-inline">Beethovenhaus </ins>in Bonn, the city of Beethoven's birth.[http://www.beethoven-haus-bonn.de/sixcms/detail.php?id=15107&template=werkseite_digitales_archiv_de&_eid=1502&_ug=Streichinstrumente&_werkid=59&_mid=Werke%20Ludwig%20van%20Beethovens&_seite=1]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Arrangements===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Arrangements===</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l91" >Line 91:</td>
<td colspan="2" class="diff-lineno">Line 91:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Patronage===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Patronage===</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The quartets enjoyed the support of three highly discriminating patrons--Prince Lobkowitz for Opp. 18 and 74; Count Razumovsky for Op. 59, and Archduke Rudolf for the Grosse Fuge Op. 133. Remaining patrons were less well known: Zmeskall von Domanovecz (Op. 95), Prince Nikolay <del class="diffchange diffchange-inline">Golitsïn </del>(Opp. 127, 130, 132), Baron Joseph von Stutterheim (Op. 131), and Johann Wolfmayer (Op. 135).</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The quartets enjoyed the support of three highly discriminating patrons--Prince Lobkowitz for Opp. 18 and 74; Count Razumovsky for Op. 59, and Archduke Rudolf for the Grosse Fuge Op. 133. Remaining patrons were less well known: Zmeskall von Domanovecz (Op. 95), Prince Nikolay <ins class="diffchange diffchange-inline">Golitsin </ins>(Opp. 127, 130, 132), Baron Joseph von Stutterheim (Op. 131), and Johann Wolfmayer (Op. 135).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Editions of and Source Materials for Beethoven's Quartets===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Editions of and Source Materials for Beethoven's Quartets===</div></td></tr>
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618 https://wiki.ccarh.org/index.php?title=MuseData:_Ludwig_van_Beethoven&diff=3624&oldid=prevEdc: /* String Quintets */2013-02-03T02:19:42Z<p><span dir="auto"><span class="autocomment">String Quintets</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
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<col class="diff-content" />
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<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 02:19, 3 February 2013</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l99" >Line 99:</td>
<td colspan="2" class="diff-lineno">Line 99:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===String Quintets===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===String Quintets===</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Beethoven composed only two string <del class="diffchange diffchange-inline">quartets</del>--Op. 29 in C Major (1802) and a posthumous <del class="diffchange diffchange-inline">works </del>(also in C Major) that was published in Vienna in 1838. The latter survives only tangentially in a piano transcription.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Beethoven composed only two string <ins class="diffchange diffchange-inline">quintets</ins>--Op. 29 in C Major (1802) and a posthumous <ins class="diffchange diffchange-inline">work </ins>(also in C Major) that was published in Vienna in 1838. The latter survives only tangentially in a piano transcription.</div></td></tr>
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618 https://wiki.ccarh.org/index.php?title=MuseData:_Ludwig_van_Beethoven&diff=3623&oldid=prevEdc: /* Editions of and Source Materials for Beethoven's Quartets */2013-02-03T02:19:04Z<p><span dir="auto"><span class="autocomment">Editions of and Source Materials for Beethoven's Quartets</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 02:19, 3 February 2013</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l96" >Line 96:</td>
<td colspan="2" class="diff-lineno">Line 96:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Like Beethoven's symphonies, Beethoven's string quartets were published between 1862 and 1865 by Breitkopf & Härtel in Leipzig. The rightmost column in the table above gives links to the digitized version of these prints.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Like Beethoven's symphonies, Beethoven's string quartets were published between 1862 and 1865 by Breitkopf & Härtel in Leipzig. The rightmost column in the table above gives links to the digitized version of these prints.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>A copyist's score (c. 1816) of the seven quartets dedicated to Count <del class="diffchange diffchange-inline">Lobkovitz </del>is held by the Beethoven Center in San Jose [http://www.sjsu.edu/beethoven/collections/op18ms.html].</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>A copyist's score (c. 1816) of the seven quartets dedicated to Count <ins class="diffchange diffchange-inline">Lobkowitz </ins>is held by the Beethoven Center in San Jose [http://www.sjsu.edu/beethoven/collections/op18ms.html].</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===String Quintets===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===String Quintets===</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Beethoven composed only two string quartets--Op. 29 in C Major (1802) and a posthumous works (also in C Major) that was published in Vienna in 1838. The latter survives only tangentially in a piano transcription.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Beethoven composed only two string quartets--Op. 29 in C Major (1802) and a posthumous works (also in C Major) that was published in Vienna in 1838. The latter survives only tangentially in a piano transcription.</div></td></tr>
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Deprecated: strlen(): Passing null to parameter #1 ($string) of type string is deprecated in /disk/data1/ccarh-project/ccarhwiki/website/includes/libs/rdbms/database/Database.php on line 618 https://wiki.ccarh.org/index.php?title=MuseData:_Ludwig_van_Beethoven&diff=3622&oldid=prevEdc: /* Patronage */2013-02-03T02:18:36Z<p><span dir="auto"><span class="autocomment">Patronage</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 02:18, 3 February 2013</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Patronage===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Patronage===</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The quartets enjoyed the support of three highly discriminating patrons--Prince Lobkowitz for Opp. 18 and 74; Count <del class="diffchange diffchange-inline">Rasumovsky </del>for Op. 59, and Archduke Rudolf for the Grosse Fuge Op. 133. Remaining patrons were <del class="diffchange diffchange-inline">well placed by </del>less well known: Zmeskall von Domanovecz (Op. 95), Prince Nikolay Golitsïn (Opp. 127, 130, 132), Baron Joseph von Stutterheim (Op. 131), and Johann Wolfmayer (Op. 135).</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The quartets enjoyed the support of three highly discriminating patrons--Prince Lobkowitz for Opp. 18 and 74; Count <ins class="diffchange diffchange-inline">Razumovsky </ins>for Op. 59, and Archduke Rudolf for the Grosse Fuge Op. 133. Remaining patrons were less well known: Zmeskall von Domanovecz (Op. 95), Prince Nikolay Golitsïn (Opp. 127, 130, 132), Baron Joseph von Stutterheim (Op. 131), and Johann Wolfmayer (Op. 135).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Editions of and Source Materials for Beethoven's Quartets===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>===Editions of and Source Materials for Beethoven's Quartets===</div></td></tr>
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<table class="diff diff-contentalign-left" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 02:12, 3 February 2013</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l77" >Line 77:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Main|Beethoven String Quartets}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Main|Beethoven String Quartets}}</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Beethoven's string quartets have been perennially popular from his time to our own. They fall into four groups. The early quartets (Op. 18) <del class="diffchange diffchange-inline">leave </del>give distinct evidence of the composer's promise and already show his originality. The "<del class="diffchange diffchange-inline">Rasoumovsky</del>" quartets Op. 59 (nicknamed for their dedicatee) come from one of Beethoven's most fertile and productive periods. Each is a classic in its own right. Collectively they show enormous strides in Beethoven's development and imagination. Opp. 74 and 95 continue in the same <del class="diffchange diffchange-inline">directions</del>. </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Beethoven's string quartets have been perennially popular from his time to our own. They fall into four groups. The early quartets (Op. 18) give distinct evidence of the composer's promise and already show his originality. The "<ins class="diffchange diffchange-inline">Razumovsky</ins>" quartets Op. 59 (nicknamed for their dedicatee) come from one of Beethoven's most fertile and productive periods. Each is a classic in its own right. Collectively they show enormous strides in Beethoven's development and imagination. Opp. 74 and 95 continue in the same <ins class="diffchange diffchange-inline">direction</ins>. </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>What is surprising is that Beethoven composed so few quartets between 1806 and 1825. He was of course busy composing many other works during the first part of that period. Chamber music was usually written to fulfill a specific commission, and in Beethoven's time typically written to order. The political vicissitudes of Austria, particularly in its battles with Napoleonic France, were periodically inhibiting. Beethoven's personal battle with his progressive hearing difficulties is usually considered the likely explanation for many otherwise inexplicable behaviors. </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>What is surprising is that Beethoven composed so few quartets between 1806 and 1825. He was of course busy composing many other works during the first part of that period. Chamber music was usually written to fulfill a specific commission, and in Beethoven's time typically written to order. The political vicissitudes of Austria, particularly in its battles with Napoleonic France, were periodically inhibiting. Beethoven's personal battle with his progressive hearing difficulties is usually considered the likely explanation for many otherwise inexplicable behaviors. </div></td></tr>
</table>Edc