MuseData: Johann Sebastian Bach - Revision history

Craig: Redirected page to Johann Sebastian Bach

2022-10-27T20:25:36Z

Redirected page to Johann Sebastian Bach

Craig: /* No. 4. BWV 1069 */

2022-07-08T05:57:30Z

No. 4. BWV 1069

← Older revision		Revision as of 05:57, 8 July 2022
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	====No. 4. BWV 1069====		====No. 4. BWV 1069====

	{\| class="wikitable ~~sortable~~"		{\| class="wikitable"
	\|-		\|-
	! Movement name !! Catalogue no. !! Instruments !! Key !! Earliest copy !! Score		! Movement name !! Catalogue no. !! Instruments !! Key !! Earliest copy !! Score
	\|-		\|-
	\| Ouverture \|\| BWV 1069 \|\| 3Tr, Timp, 3Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| D Major \|\| 1730 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1069-mvmt1&L1=(C)%202002,%202005%20Center%20for%20Computer%20Assisted%20Research%20in%20the%20Humanities%20(CCARH)&L2=http://wiki.ccarh.org&L3=Bach,%20J.S.:%20Orchestral%20Suites&R1=%P%20of%20%C&R2=Steven%20Rasmussen,%20ed.&R3=BWV%201069 BWV 1069: Ouverture]		\| Ouverture \|\| BWV 1069 \|\| 3Tr, Timp, 3Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| D Major \|\| 1730 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1069-mvmt1 PDF]
	\|-		\|-
	\| Bourrées I, II \|\| BWV 1069 \|\| 3Tr, Timp, 3Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| D Major \|\| 1730 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1069-mvmt2&L1=(C)%202002,%202005%20Center%20for%20Computer%20Assisted%20Research%20in%20the%20Humanities%20(CCARH)&L2=http://wiki.ccarh.org&L3=Bach,%20J.S.:%20Orchestral%20Suites&R1=%P%20of%20%C&R2=Steven%20Rasmussen,%20ed.&R3=BWV%201069 BWV 1069: Bourrées I, II]		\| Bourrées I, II \|\| BWV 1069 \|\| 3Tr, Timp, 3Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| D Major \|\| 1730 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1069-mvmt2 PDF]
	\|-		\|-
	\| Gavotte \|\| BWV 1069 \|\|3Tr, Timp, 3Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| D Major \|\| 1730 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1069-mvmt3&L1=(C)%202002,%202005%20Center%20for%20Computer%20Assisted%20Research%20in%20the%20Humanities%20(CCARH)&L2=http://wiki.ccarh.org&L3=Bach,%20J.S.:%20Orchestral%20Suites&R1=%P%20of%20%C BWV 1069: Gavotte]		\| Gavotte \|\| BWV 1069 \|\| 3Tr, Timp, 3Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| D Major \|\| 1730 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1069-mvmt3 PDF]
	\|-		\|-
	\| Menuets I, II \|\| BWV 1069 \|\| 3Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| D Major \|\| 1730 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1069-mvmt4&L1=(C)%202002,%202005%20Center%20for%20Computer%20Assisted%20Research%20in%20the%20Humanities%20(CCARH)&L2=http://wiki.ccarh.org&L3=Bach,%20J.S.:%20Orchestral%20Suites&R1=%P%20of%20%C&R2=Steven%20Rasmussen,%20ed.&R3=BWV%201069 BWV 1069: Menuets I, II]		\| Menuets I, II \|\| BWV 1069 \|\| 3Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| D Major \|\| 1730 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1069-mvmt4 PDF]
	\|-		\|-
	\| Réjouissance \|\| BWV 1069 \|\| 3Tr, Timp, 3Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| D Major \|\| 1730 \|\| ~~Example~~		\| Réjouissance \|\| BWV 1069 \|\| 3Tr, Timp, 3Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| D Major \|\| 1730 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1069-mvmt5 PDF]
	\|}		\|}

Craig: /* No. 3. BWV 1068 */

2022-07-08T05:54:39Z

No. 3. BWV 1068

← Older revision		Revision as of 05:54, 8 July 2022
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	==== No. 3. BWV 1068 ====		==== No. 3. BWV 1068 ====

	{\| class="wikitable" style="100%"		{\| class="wikitable" style="width:100%"
	\|-		\|-
	! Movement name !! Catalogue no. !! Instruments !! Key !! Earliest copy !! Score		! Movement name !! Catalogue no. !! Instruments !! Key !! Earliest copy !! Score

Craig: /* No. 3. BWV 1068 */

2022-07-08T05:54:28Z

No. 3. BWV 1068

← Older revision		Revision as of 05:54, 8 July 2022
Line 304:		Line 304:
	==== No. 3. BWV 1068 ====		==== No. 3. BWV 1068 ====

	{\| class="wikitable"		{\| class="wikitable" style="100%"
	\|-		\|-
	! Movement name !! Catalogue no. !! Instruments !! Key !! Earliest copy !! Score		! Movement name !! Catalogue no. !! Instruments !! Key !! Earliest copy !! Score

Craig: /* No. 3. BWV 1068 */

2022-07-08T05:54:15Z

No. 3. BWV 1068

← Older revision		Revision as of 05:54, 8 July 2022
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	\|}		\|}

	====No. 3. BWV 1068====		==== No. 3. BWV 1068 ====

	{\| class="wikitable ~~sortable~~"		{\| class="wikitable"
	\|-		\|-
	! Movement name !! Catalogue no. !! Instruments !! Key !! Earliest copy !! Score		! Movement name !! Catalogue no. !! Instruments !! Key !! Earliest copy !! Score
	\|-		\|-
	\| Ouverture \|\| BWV 1068 \|\| 3Tr, Timp, 2Ob, 2Vn, Va, Vc, Cb, Continuo \|\| D Major \|\| 1730 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1068-mvmt1&L1=(C)%202002,%202005%20Center%20for%20Computer%20Assisted%20Research%20in%20the%20Humanities%20(CCARH)&L2=http://wiki.ccarh.org&L3=Bach,%20J.S.:%20Orchestral%20Suites&R1=%P%20of%20%C&R2=Steven%20Rasmussen,%20ed.&R3=BWV%201068 BWV 1068: Ouverture]		\| Ouverture \|\| BWV 1068 \|\| 3Tr, Timp, 2Ob, 2Vn, Va, Vc, Cb, Continuo \|\| D Major \|\| 1730 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1068-mvmt1 PDF]
	\|-		\|-
	\| Air \|\| BWV 1068 \|\| 2Vn, Va, Bc \|\| D Major \|\| 1730 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1068-mvmt2&L1=(C)%202002,%202005%20Center%20for%20Computer%20Assisted%20Research%20in%20the%20Humanities%20(CCARH)&L2=http://wiki.ccarh.org&L3=Bach,%20J.S.:%20Orchestral%20Suites&R1=%P%20of%20%C&R2=Steven%20Rasmussen,%20ed.&R3=BWV%201068 BWV 1068: Air]		\| Air \|\| BWV 1068 \|\| 2Vn, Va, Bc \|\| D Major \|\| 1730 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1068-mvmt2 PDF]
	\|-		\|-
	\| Gavottes I, II \|\| BWV 1068 \|\| 3Tr, Timp, 2Ob, 2Vn, Va, Vc, Cb, Continuo \|\| D Major \|\| 1730 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1068-mvmt3&L1=(C)%202002,%202005%20Center%20for%20Computer%20Assisted%20Research%20in%20the%20Humanities%20(CCARH)&L2=http://wiki.ccarh.org&L3=Bach,%20J.S.:%20Orchestral%20Suites&R1=%P%20of%20%C&R2=Steven%20Rasmussen,%20ed.&R3=BWV%201068 BWV 1068: Gavottes I, II]		\| Gavottes I, II \|\| BWV 1068 \|\| 3Tr, Timp, 2Ob, 2Vn, Va, Vc, Cb, Continuo \|\| D Major \|\| 1730 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1068-mvmt3 PDF]
	\|-		\|-
	\| Bourrée \|\| BWV 1068 \|\| 3Tr, Timp, 2Ob, 2Vn, Va, Vc, Cb, Continuo \|\| D Major \|\| 1730 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1068-mvmt4&L1=(C)%202002,%202005%20Center%20for%20Computer%20Assisted%20Research%20in%20the%20Humanities%20(CCARH)&L2=http://wiki.ccarh.org&L3=Bach,%20J.S.:%20Orchestral%20Suites&R1=%P%20of%20%C&R2=Steven%20Rasmussen,%20ed.&R3=BWV%201068 BWV 1068: Bourrée]		\| Bourrée \|\| BWV 1068 \|\| 3Tr, Timp, 2Ob, 2Vn, Va, Vc, Cb, Continuo \|\| D Major \|\| 1730 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1068-mvmt4 PDF]
	\|-		\|-
	\| Gigue \|\| BWV 1068 \|\| 3Tr, Timp, 2Ob, 2Vn, Va, Vc, Cb, Continuo \|\| D Major \|\| 1730 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1068-mvmt5&L1=(C)%202002,%202005%20Center%20for%20Computer%20Assisted%20Research%20in%20the%20Humanities%20(CCARH)&L2=http://wiki.ccarh.org&L3=Bach,%20J.S.:%20Orchestral%20Suites&R1=%P%20of%20%C&R2=Steven%20Rasmussen,%20ed.&R3=BWV%201068 BWV 1068: Gigue]		\| Gigue \|\| BWV 1068 \|\| 3Tr, Timp, 2Ob, 2Vn, Va, Vc, Cb, Continuo \|\| D Major \|\| 1730 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1068-mvmt5 PDF]
	\|}		\|}

Craig: /* No. 2. BWV 1067 */

2022-07-08T05:50:35Z

No. 2. BWV 1067

← Older revision		Revision as of 05:50, 8 July 2022
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	\|}		\|}

	====No. 2. BWV 1067====		==== No. 2. BWV 1067 ====

	{\| class="wikitable ~~sortable~~"		{\| class="wikitable" style="width:100%"
	\|-		\|-
	! Movement name !! Catalogue no. !! Instruments !! Key !! Earliest copy !! Score		! Movement name !! Catalogue no. !! Instruments !! Key !! Earliest copy !! Score
	\|-		\|-
	\| Ouverture \|\| BWV 1067 \|\| Fl, 2Vn, Va, Vc, Cb, Continuo \|\| B Minor \|\| 1738-1739 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1067-mvmt1&L1=(C)%202002,%202005%20Center%20for%20Computer%20Assisted%20Research%20in%20the%20Humanities%20(CCARH)&L2=http://wiki.ccarh.org&L3=Bach,%20J.S.:%20Orchestral%20Suites&R1=%P%20of%20%C&R2=Steven%20Rasmussen,%20ed.&R3=BWV%201067 BWV 1067: Ouverture]		\| Ouverture \|\| BWV 1067 \|\| Fl, 2Vn, Va, Vc, Cb, Continuo \|\| B Minor \|\| 1738–1739 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1067-mvmt1 PDF]
	\|-		\|-
	\| Rondeau \|\| BWV 1067 \|\| Fl, 2Vn, Va, Vc, Cb, Continuo \|\| B Minor \|\| 1738-1739 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1067-mvmt2&L1=(C)%202002,%202005%20Center%20for%20Computer%20Assisted%20Research%20in%20the%20Humanities%20(CCARH)&L2=http://wiki.ccarh.org&L3=Bach,%20J.S.:%20Orchestral%20Suites&R1=%P%20of%20%C&R2=Steven%20Rasmussen,%20ed.&R3=BWV%201067 BWV 1067: Rondeau]		\| Rondeau \|\| BWV 1067 \|\| Fl, 2Vn, Va, Vc, Cb, Continuo \|\| B Minor \|\| 1738–1739 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1067-mvmt2 PDF]
	\|-		\|-
	\| Sarabande \|\| BWV 1067 \|\| Fl, 2Vn, Va, Vc, Cb, Continuo \|\| B Minor \|\| 1738-1739 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1067-mvmt3&L1=(C)%202002,%202005%20Center%20for%20Computer%20Assisted%20Research%20in%20the%20Humanities%20(CCARH)&L2=http://wiki.ccarh.org&L3=Bach,%20J.S.:%20Orchestral%20Suites&R1=%P%20of%20%C&R2=Steven%20Rasmussen,%20ed.&R3=BWV%201067 BWV 1067: Sarabande]		\| Sarabande \|\| BWV 1067 \|\| Fl, 2Vn, Va, Vc, Cb, Continuo \|\| B Minor \|\| 1738–1739 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1067-mvmt3 PDF]
	\|-		\|-
	\| Bourrées I, II \|\| BWV 1067 \|\| Fl, 2Vn, Va, Vc, Cb, Continuo \|\| B Minor \|\| 1738-1739 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1067-mvmt4&L1=(C)%202002,%202005%20Center%20for%20Computer%20Assisted%20Research%20in%20the%20Humanities%20(CCARH)&L2=http://wiki.ccarh.org&L3=Bach,%20J.S.:%20Orchestral%20Suites&R1=%P%20of%20%C&R2=Steven%20Rasmussen,%20ed.&R3=BWV%201067 BWV 1067: Bourrées I, II]		\| Bourrées I, II \|\| BWV 1067 \|\| Fl, 2Vn, Va, Vc, Cb, Continuo \|\| B Minor \|\| 1738–1739 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1067-mvmt4 PDF]
	\|-		\|-
	\| Polonaise \|\| BWV 1067 \|\| Fl, 2Vn, Va, Vc, Cb, Continuo \|\| B Minor \|\| 1738-1739 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1067-mvmt5&L1=(C)%202002,%202005%20Center%20for%20Computer%20Assisted%20Research%20in%20the%20Humanities%20(CCARH)&L2=http://wiki.ccarh.org&L3=Bach,%20J.S.:%20Orchestral%20Suites&R1=%P%20of%20%C&R2=Steven%20Rasmussen,%20ed.&R3=BWV%201067 BWV 1067: Polonaise, Double] (Based on Polish song [https://staremelodie.pl/piosenka/5109/Wezme_ja_kontusz "Wezmę ja kontusz"])		\| Polonaise \|\| BWV 1067 \|\| Fl, 2Vn, Va, Vc, Cb, Continuo \|\| B Minor \|\| 1738–1739 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1067-mvmt5 PDF]
	\|-		\|-
	\| Menuet \|\| BWV 1067 \|\| Fl, 2Vn, Va, Vc, Cb, Continuo \|\| B Minor \|\| 1738-1739 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1067-mvmt6&L1=(C)%202002,%202005%20Center%20for%20Computer%20Assisted%20Research%20in%20the%20Humanities%20(CCARH)&L2=http://wiki.ccarh.org&L3=Bach,%20J.S.:%20Orchestral%20Suites&R1=%P%20of%20%C&R2=Steven%20Rasmussen,%20ed.&R3=BWV%201067 BWV 1067: Menuet]		\| Menuet \|\| BWV 1067 \|\| Fl, 2Vn, Va, Vc, Cb, Continuo \|\| B Minor \|\| 1738–1739 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1067-mvmt6 PDF]
	\|-		\|-
	\| Badinerie \|\| BWV 1067 \|\| Fl, 2Vn, Va, Vc, Cb, Continuo \|\| B Minor \|\| 1738-1739 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1067-mvmt7&L1=(C)%202002,%202005%20Center%20for%20Computer%20Assisted%20Research%20in%20the%20Humanities%20(CCARH)&L2=http://wiki.ccarh.org&L3=Bach,%20J.S.:%20Orchestral%20Suites&R1=%P%20of%20%C&R2=Steven%20Rasmussen,%20ed.&R3=BWV%201067 BWV 1067: Badinerie]		\| Badinerie \|\| BWV 1067 \|\| Fl, 2Vn, Va, Vc, Cb, Continuo \|\| B Minor \|\| 1738–1739 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1067-mvmt7 PDF]
	\|}		\|}

Craig: /* No. 1. BWV 1066 */

2022-07-08T05:47:49Z

No. 1. BWV 1066

← Older revision		Revision as of 05:47, 8 July 2022
Line 261:		Line 261:
	==== No. 1. BWV 1066 ====		==== No. 1. BWV 1066 ====

	{\| class="wikitable"		{\| class="wikitable" style="width:100%"
	\|-		\|-
	! Movement name !! Catalogue No. !! Instruments !! Key !! Earliest copy date !! Score		! Movement name !! Catalogue No. !! Instruments !! Key !! Earliest copy date !! Score

Craig: /* No. 1. BWV 1066 */

2022-07-08T05:47:35Z

No. 1. BWV 1066

← Older revision		Revision as of 05:47, 8 July 2022
Line 259:		Line 259:
	Earlier full or partial versions exist for two of the works, giving latitude to arguments for alternative instrumental choices. In the case of No. 2 (possibly the latest of the group), partisan perspectives on the principal part variously favor the violin ([https://en.wikipedia.org/wiki/Joshua_Rifkin Joshua Rifkin]), the flute ([https://boyer.temple.edu/about/faculty-staff Steven Zohn]), or the oboe ([https://en.wikipedia.org/wiki/Gonzalo_X._Ruiz Gonsalo Ruiz]). (<i>Copy dates in the table below do not establish date of composition.</i>)		Earlier full or partial versions exist for two of the works, giving latitude to arguments for alternative instrumental choices. In the case of No. 2 (possibly the latest of the group), partisan perspectives on the principal part variously favor the violin ([https://en.wikipedia.org/wiki/Joshua_Rifkin Joshua Rifkin]), the flute ([https://boyer.temple.edu/about/faculty-staff Steven Zohn]), or the oboe ([https://en.wikipedia.org/wiki/Gonzalo_X._Ruiz Gonsalo Ruiz]). (<i>Copy dates in the table below do not establish date of composition.</i>)

	====No. 1. BWV 1066====		==== No. 1. BWV 1066 ====

	{\| class="wikitable ~~sortable~~"		{\| class="wikitable"
	\|-		\|-
	! Movement name !! Catalogue No. !! Instruments !! Key !! Earliest copy date !! Score		! Movement name !! Catalogue No. !! Instruments !! Key !! Earliest copy date !! Score
	\|-		\|-
	\| Ouverture \|\| BWV 1066 \|\| 2Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| C Major \|\| Leipzig, 1724-1725 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1066-mvmt1&L1=(C)%202002,%202005%20Center%20for%20Computer%20Assisted%20Research%20in%20the%20Humanities%20(CCARH)&L2=http://wiki.ccarh.org&L3=Bach,%20J.S.:%20Orchestral%20Suites&R1=%P%20of%20%C&R2=Steven%20Rasmussen,%20ed.&R3=BWV%201066 BWV 1066: Ouverture]		\| Ouverture \|\| BWV 1066 \|\| 2Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| C Major \|\| Leipzig, 1724–1725 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1066-mvmt1 PDF]
	\|-		\|-
	\| Courante \|\| BWV 1066 \|\| 2Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| C Major \|\| Leipzig, 1724-1725 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1066-mvmt2&L1=(C)%202002,%202005%20Center%20for%20Computer%20Assisted%20Research%20in%20the%20Humanities%20(CCARH)&L2=http://wiki.ccarh.org&L3=Bach,%20J.S.:%20Orchestral%20Suites&R1=%P%20of%20%C&R2=Steven%20Rasmussen,%20ed.&R3=BWV%201066 BWV 1066: Courante]		\| Courante \|\| BWV 1066 \|\| 2Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| C Major \|\| Leipzig, 1724–1725 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1066-mvmt2 PDF]
	\|-		\|-
	\| Gavottes 1, 2 \|\| BWV 1066 \|\| 2Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| C Major \|\| Leipzig, 1724-1725 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1066-mvmt3&L1=(C)%202002,%202005%20Center%20for%20Computer%20Assisted%20Research%20in%20the%20Humanities%20(CCARH)&L2=http://wiki.ccarh.org&L3=Bach,%20J.S.:%20Orchestral%20Suites&R1=%P%20of%20%C&R2=Steven%20Rasmussen,%20ed.&R3=BWV%201066 BWV 1066: Gavottes 1, 2]		\| Gavottes 1, 2 \|\| BWV 1066 \|\| 2Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| C Major \|\| Leipzig, 1724–1725 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1066-mvmt3 PDF]
	\|-		\|-
	\| Forlane \|\| BWV 1066 \|\| 2Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| C Major \|\| Leipzig, 1724-1725 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1066-mvmt4&L1=(C)%202002,%202005%20Center%20for%20Computer%20Assisted%20Research%20in%20the%20Humanities%20(CCARH)&L2=http://wiki.ccarh.org&L3=Bach,%20J.S.:%20Orchestral%20Suites&R1=%P%20of%20%C&R2=Steven%20Rasmussen,%20ed.&R3=BWV%201066 BWV 1066: Forlane]		\| Forlane \|\| BWV 1066 \|\| 2Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| C Major \|\| Leipzig, 1724–1725 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1066-mvmt4 PDF]
	\|-		\|-
	\| Menuets 1, 2 \|\| BWV 1066 \|\| 2Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| C Major \|\| Leipzig, 1724-1725 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1066-mvmt5&L1=(C)%202002,%202005%20Center%20for%20Computer%20Assisted%20Research%20in%20the%20Humanities%20(CCARH)&L2=http://wiki.ccarh.org&L3=Bach,%20J.S.:%20Orchestral%20Suites&R1=%P%20of%20%C&R2=Steven%20Rasmussen,%20ed.&R3=BWV%201066 BWV 1066: Menuets 1, 2]		\| Menuets 1, 2 \|\| BWV 1066 \|\| 2Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| C Major \|\| Leipzig, 1724–1725 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1066-mvmt5 PDF]
	\|-		\|-
	\| Bourrées 1, 2 \|\| BWV 1066 \|\| 2Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| C Major \|\| Leipzig, 1724-1725 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1066-mvmt6&L1=(C)%202002,%202005%20Center%20for%20Computer%20Assisted%20Research%20in%20the%20Humanities%20(CCARH)&L2=http://wiki.ccarh.org&L3=Bach,%20J.S.:%20Orchestral%20Suites&R1=%P%20of%20%C&R2=Steven%20Rasmussen,%20ed.&R3=BWV%201066 BWV 1066: Bourrées 1, 2]		\| Bourrées 1, 2 \|\| BWV 1066 \|\| 2Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| C Major \|\| Leipzig, 1724–1725 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1066-mvmt6 PDF]
	\|-		\|-
	\| Passepieds 1, 2 \|\| BWV 1066 \|\| 2Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| C Major \|\| Leipzig, 1724-1725 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1066-mvmt7&L1=(C)%202002,%202005%20Center%20for%20Computer%20Assisted%20Research%20in%20the%20Humanities%20(CCARH)&L2=http://wiki.ccarh.org&L3=Bach,%20J.S.:%20Orchestral%20Suites&R1=%P%20of%20%C&R2=Steven%20Rasmussen,%20ed.&R3=BWV%201066 BWV 1066: Passepieds 1, 2]		\| Passepieds 1, 2 \|\| BWV 1066 \|\| 2Ob, Bn, 2Vn, Va, Vc, Cb, Continuo \|\| C Major \|\| Leipzig, 1724–1725 \|\| [https://pdf.musedata.org/?id=bachjs-bwv1066-mvmt7 PDF]
	\|-		\|-
	\|}		\|}

Craig: /* Brandenburg Concertos */

2022-07-08T05:15:20Z

Brandenburg Concertos

← Older revision		Revision as of 05:15, 8 July 2022
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	Bach's six Brandenburg Concertos are demonstrations par excellence of both virtuosity and interplay between most of the instruments available during Bach's time in Thuringia, where Bach was raised and where all his posts lay prior to his move to Leipzig (1723). He composed these works while living in Cöthen, which offered few of the resources required here but may have prompted Bach to show how many different combinations of sounds could be found in the broader palette of sonorities in use within a day's travel from the court.		Bach's six Brandenburg Concertos are demonstrations par excellence of both virtuosity and interplay between most of the instruments available during Bach's time in Thuringia, where Bach was raised and where all his posts lay prior to his move to Leipzig (1723). He composed these works while living in Cöthen, which offered few of the resources required here but may have prompted Bach to show how many different combinations of sounds could be found in the broader palette of sonorities in use within a day's travel from the court.

	{\| class="wikitable ~~sortable~~"		{\| class="wikitable"
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	! Work No. !! Catalogue No. !! Genre / Instruments [[Instrument abbreviations \| ? ]] !! Key !! Score (PDF) !! Concordances		! Work No. !! Catalogue No. !! Genre / Instruments [[Instrument abbreviations \| ? ]] !! Key !! Score (PDF) !! Concordances

Craig: /* Motets */

2022-07-08T05:14:42Z

Motets

← Older revision		Revision as of 05:14, 8 July 2022
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	Bach's six motets are well known to choirs and choral groups. Each one was composed and performed for a funeral or memorial service. Each reflects on the personal relationship between the recently deceased and God by proclaiming joy at the imminent reunion with Him in Heaven. Nos. 4 and 6 are thought to have been composed during Bach's Weimar period (1708–1717), the remainder subsequently. These were composed between 1723 and 1732, during Bach's long tenure in Leipzig. Opinions vary on the question of whether two additions motets ("Ich lasse dich nicht," BWV Anh. 159, and "Jauchzet dem Herrn, alle Welt," BWV 160) are partly by Bach or entirely by other members of his family. Although some motets were composed for funeral services, others may have been performed at festive celebrations.		Bach's six motets are well known to choirs and choral groups. Each one was composed and performed for a funeral or memorial service. Each reflects on the personal relationship between the recently deceased and God by proclaiming joy at the imminent reunion with Him in Heaven. Nos. 4 and 6 are thought to have been composed during Bach's Weimar period (1708–1717), the remainder subsequently. These were composed between 1723 and 1732, during Bach's long tenure in Leipzig. Opinions vary on the question of whether two additions motets ("Ich lasse dich nicht," BWV Anh. 159, and "Jauchzet dem Herrn, alle Welt," BWV 160) are partly by Bach or entirely by other members of his family. Although some motets were composed for funeral services, others may have been performed at festive celebrations.

	{\| class="wikitable ~~sortable~~"		{\| class="wikitable"
	\|-		\|-
	! Work No. !! Title !! Catalogue No. !! Voices !! Score		! Work No. !! Title !! Catalogue No. !! Voices !! Score