Ludwig van Beethoven - Revision history

Craig: /* Symphonies */

2025-04-13T00:29:44Z

Symphonies

← Older revision		Revision as of 00:29, 13 April 2025
Line 67:		Line 67:
	No. 8     [http://urn:nbn:de:bvb:12-bsb00042170-6]<br>		No. 8     [http://urn:nbn:de:bvb:12-bsb00042170-6]<br>
	No. 9     [http://urn:nbn:de:bvb:12-bsb00042171-1]<br>		No. 9     [http://urn:nbn:de:bvb:12-bsb00042171-1]<br>

			===Link===

			Shortcut to this section: https://beethoven-symphonies.ccarh.org

	== Concertos ==		== Concertos ==

Craig: /* Link */

2025-04-13T00:23:52Z

Link

← Older revision		Revision as of 00:23, 13 April 2025
Line 110:		Line 110:
	===Link===		===Link===

	Shortcut to this page: https://~~beeethoven~~.ccarh.org		Shortcut to this page: https://beethoven.ccarh.org

Craig at 00:23, 13 April 2025

2025-04-13T00:23:26Z

← Older revision		Revision as of 00:23, 13 April 2025
Line 107:		Line 107:
	===String Quintets===		===String Quintets===
	Beethoven composed only two string quintets--Op. 29 in C Major (1802) and a posthumous work (also in C Major) that was published in Vienna in 1838. The latter survives only tangentially in a piano transcription.		Beethoven composed only two string quintets--Op. 29 in C Major (1802) and a posthumous work (also in C Major) that was published in Vienna in 1838. The latter survives only tangentially in a piano transcription.

			===Link===

			Shortcut to this page: https://beeethoven.ccarh.org

Esfield: /* Manuscript and Early Printed Resources Online */

2024-05-28T22:19:57Z

Manuscript and Early Printed Resources Online

← Older revision		Revision as of 22:19, 28 May 2024
Line 13:		Line 13:
	Several repositories of Beethoven manuscripts, letters, and early printed editions offer access to these artifacts of the symphonies from their first conception onward.		Several repositories of Beethoven manuscripts, letters, and early printed editions offer access to these artifacts of the symphonies from their first conception onward.

	The Beethoven-Haus [http://www.beethoven-haus-bonn.de/] in Bonn has digitized more than 26,000 folios of music, letters, lithographs, and other artifacts associated with Beethoven, his family, friends, and contemporaries. Musical sketches housed in Bonn are confined to the period 1807-1815. Beethoven's transcriptions of portions of the works of other composers and music theorists constitute one of the unusual categories of inclusions~~. See http://www.beethoven-haus-bonn.de/sixcms/detail.php?id=1504&template=einstieg_digitales_archiv_de&_mid=Handschriften%20anderer%20Komponisten~~.		The Beethoven-Haus [http://www.beethoven-haus-bonn.de/] in Bonn has digitized more than 26,000 folios of music, letters, lithographs, and other artifacts associated with Beethoven, his family, friends, and contemporaries. Musical sketches housed in Bonn are confined to the period 1807-1815. Beethoven's transcriptions of portions of the works of other composers and music theorists constitute one of the unusual categories of inclusions.

	The Beethoven Center in San Jose, California, holds more than 2,200 early editions of Beethoven's music together with much other documentation. In addition to 300 first editions, it also possesses a manuscript copy of the Fifth Symphony [http://www.sjsu.edu/beethoven/collections/op67ms.html].		The Beethoven Center in San Jose, California, holds more than 2,200 early editions of Beethoven's music together with much other documentation. In addition to 300 first editions, it also possesses a manuscript copy of the Fifth Symphony [http://www.sjsu.edu/beethoven/collections/op67ms.html].

Esfield: /* Concertos */

2023-06-07T23:04:04Z

Concertos

← Older revision		Revision as of 23:04, 7 June 2023
Line 70:		Line 70:
	== Concertos ==		== Concertos ==
	Although Beethoven’s concertos were largely composed within a single decade, several are hallmarks of the repertory. Celebrated for their balance of many musical factors in intricate ways and for the uniqueness of each work, they have been popular from Beethoven’s own time (during which he usually appeared in the first performance) to our own. Concentrated though the period of their composition may be, the piano was beginning to become a more robust instrument than its parent, the fortepiano. It was increasingly capable of dramatic extensions to dynamic contrast and pitch registers. Beethoven exploited these capabilities in both his concertos and his piano sonatas.		Although Beethoven’s concertos were largely composed within a single decade, several are hallmarks of the repertory. Celebrated for their balance of many musical factors in intricate ways and for the uniqueness of each work, they have been popular from Beethoven’s own time (during which he usually appeared in the first performance) to our own. Concentrated though the period of their composition may be, the piano was beginning to become a more robust instrument than its parent, the fortepiano. It was increasingly capable of dramatic extensions to dynamic contrast and pitch registers. Beethoven exploited these capabilities in both his concertos and his piano sonatas.

			===Piano concertos===


			* Violin concerto

			* Triple concerto

	= Chamber Repertory =		= Chamber Repertory =

Craig: Removed redirect to MuseData: Ludwig van Beethoven

2022-10-27T20:22:50Z

Removed redirect to MuseData: Ludwig van Beethoven

Show changes

Craig: Redirected page to MuseData: Ludwig van Beethoven

2010-10-14T23:27:15Z

Redirected page to MuseData: Ludwig van Beethoven

New page

#Redirect [[MuseData: Ludwig van Beethoven]]