IML-MIR - Revision history

Esfield: /* Intermediate Musical Languages - Music Information Retrieval (IML-MIR) */

2015-09-09T19:59:01Z

Intermediate Musical Languages - Music Information Retrieval (IML-MIR)

← Older revision		Revision as of 19:59, 9 September 2015
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	* [http://esf.ccarh.org/ccarh-wiki/IML-MIR.pdf IML-MIR Users' Manual]		* [http://esf.ccarh.org/ccarh-wiki/IML-MIR.pdf IML-MIR Users' Manual]

			<small>Return to [http://wiki.ccarh.org/wiki/ADAM ADAM]</small>

Esfield at 01:25, 9 September 2015

2015-09-09T01:25:04Z

← Older revision		Revision as of 01:25, 9 September 2015
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	=Intermediate Musical Languages - Music Information Retrieval (IML-MIR)=		=Intermediate Musical Languages - Music Information Retrieval (IML-MIR)=

	IML-MIR, created at Princeton University in the mid-1970s, was intended to enable the encoding of monophonic music from the Middle Ages. Although it was also used on polyphonic repertories, each voice was treated as if it were monodic. (It could no handle simultaneities within a single voice.) It was extended to the cell structure of Braille Music Notation (BMN). Output of printed scores was designer for plotters (as was usual at that time). Arthur Mendel, a Bach scholar at Princeton, was the author of most descriptions (1969-1973) of the language. Tobias Robinson (1967), Michael Kassler (1968, 1969) and J. Horace Patrick (1974, 1975) were among its student developers. Robinson addressed the then novel idea of accommodating programming tools to use in music analysis. Kassler's focus was on algorithms. Patrick's interests included suspension-discovery and interchange to Braille MN. The user manual available here is by Tom Hall, P.H. Patrick, and J. Selleck (1972).		IML-MIR, created at Princeton University in the mid-1970s, was intended to enable the encoding of monophonic music from the Middle Ages. Although it was also used on polyphonic repertories, each voice was treated as if it were monodic. (It could no handle simultaneities within a single voice.) It was extended to the cell structure of Braille Music Notation (BMN). Output of printed scores was designer for plotters (as was usual at that time). Arthur Mendel, a Bach scholar at Princeton, was the author of most descriptions (1969-1973) of the language. Tobias Robinson (1967), Michael Kassler (1968, 1969) and J. Horace Patrick (1974, 1975) were among its student developers. Robinson addressed the then novel idea of accommodating programming tools to use in music analysis. Kassler's focus was on algorithms. Patrick's interests included suspension-discovery and interchange to Braille MN. The user manual available here is by Tom Hall, P. H. Patrick, and J. Selleck (1972).

			* [http://esf.ccarh.org/ccarh-wiki/IML-MIR.pdf IML-MIR Users' Manual]

Esfield at 01:12, 9 September 2015

2015-09-09T01:12:42Z

← Older revision		Revision as of 01:12, 9 September 2015
Line 1:		Line 1:
	=Intermediate Musical Languages - Music Information Retrieval (IML-MIR)=		=Intermediate Musical Languages - Music Information Retrieval (IML-MIR)=

	IML-MIR, created at Princeton University in the mid-1970s, was intended to enable the encoding of monophonic music from the Middle Ages. Although it was also used on polyphonic repertories, each voice was treated as if it were monodic. (It could no handle simultaneities within a single voice.) It was extended to the cell structure of Braille Music Notation (BMN). Output of printed scores was designer for plotters (as was usual at that time). Arthur Mendel, a Bach scholar at Princeton, was the author of most descriptions (1969-1973) of the language. Tobias Robinson (1967), Michael Kassler (1968, 1969) and J. Horace Patrick (1974, 1975) were among its student developers. Robinson addressed the then novel idea of accommodating programming tools to use in music analysis. Kassler's focus was on algorithms. Patrick's interests included suspension-discovery and interchange to Braille MN.		IML-MIR, created at Princeton University in the mid-1970s, was intended to enable the encoding of monophonic music from the Middle Ages. Although it was also used on polyphonic repertories, each voice was treated as if it were monodic. (It could no handle simultaneities within a single voice.) It was extended to the cell structure of Braille Music Notation (BMN). Output of printed scores was designer for plotters (as was usual at that time). Arthur Mendel, a Bach scholar at Princeton, was the author of most descriptions (1969-1973) of the language. Tobias Robinson (1967), Michael Kassler (1968, 1969) and J. Horace Patrick (1974, 1975) were among its student developers. Robinson addressed the then novel idea of accommodating programming tools to use in music analysis. Kassler's focus was on algorithms. Patrick's interests included suspension-discovery and interchange to Braille MN. The user manual available here is by Tom Hall, P.H. Patrick, and J. Selleck (1972).

Esfield: Created page with "=Intermediate Musical Languages - Music Information Retrieval (IML-MIR)= IML-MIR, created at Princeton University in the mid-1970s, was intended to enable the encoding of mon..."

2015-09-09T01:06:42Z

Created page with "=Intermediate Musical Languages - Music Information Retrieval (IML-MIR)= IML-MIR, created at Princeton University in the mid-1970s, was intended to enable the encoding of mon..."

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=Intermediate Musical Languages - Music Information Retrieval (IML-MIR)=

IML-MIR, created at Princeton University in the mid-1970s, was intended to enable the encoding of monophonic music from the Middle Ages. Although it was also used on polyphonic repertories, each voice was treated as if it were monodic. (It could no handle simultaneities within a single voice.) It was extended to the cell structure of Braille Music Notation (BMN). Output of printed scores was designer for plotters (as was usual at that time). Arthur Mendel, a Bach scholar at Princeton, was the author of most descriptions (1969-1973) of the language. Tobias Robinson (1967), Michael Kassler (1968, 1969) and J. Horace Patrick (1974, 1975) were among its student developers. Robinson addressed the then novel idea of accommodating programming tools to use in music analysis. Kassler's focus was on algorithms. Patrick's interests included suspension-discovery and interchange to Braille MN.