Fran Bennion Archive - Revision history

Craig: Redirected page to Frances Bennion Archive

2023-05-25T23:49:02Z

Redirected page to Frances Bennion Archive

← Older revision		Revision as of 23:49, 25 May 2023
Line 1:		Line 1:
	Frances ~~Lusk~~ Bennion worked as a musical data specialist at CCARH (the Center for Computer Assisted Research in the Humanities) from 1985 until her retirement at the end of 2010. She was especially conversant with string and orchestral music. She played cello and piano, but the larger part of her musical background may have consisted of many years of accompanying her four gifted children to music lessons up and down the San Francisco peninsula.		#REDIRECT [[Frances Bennion Archive]]

	Fran had an instictive desire to understand every detail of each task. The nature of the work was novel: Walter Hewlett was developing a comprehensive system of encoding classical music of suitable quality for use by professional groups. This system, known as MuseData, was constantly evolving. Fran trusted very little to memory and in consequence wrote copious notes. While CCARH retains a lot of top-down documentation, Fran's detailed notes capture elements of oral discussion that cannot be found in more formal sources. We are sharing the most fundamental of these with readers here. Those concerned with data from preliminary phases of encoding (e.g. Stages 1 and 2) from the archive may find these of particular value.

	* MuseData encoding notes

	* MuseData file structure

Esfield at 18:34, 25 May 2023

2023-05-25T18:34:40Z

← Older revision		Revision as of 18:34, 25 May 2023
Line 1:		Line 1:
	Frances Lusk Bennion worked as a musical data specialist at CCARH (the Center for Computer Assisted Research in the Humanities) from 1985 until her retirement at the end of 2010. She was especially conversant with string and orchestral music. She played cello and piano, but the larger part of her musical background may have consisted of many years of accompanying her four gifted children to music lessons up and down the San Francisco peninsula.		Frances Lusk Bennion worked as a musical data specialist at CCARH (the Center for Computer Assisted Research in the Humanities) from 1985 until her retirement at the end of 2010. She was especially conversant with string and orchestral music. She played cello and piano, but the larger part of her musical background may have consisted of many years of accompanying her four gifted children to music lessons up and down the San Francisco peninsula.

	Fran had an instictive desire to understand every detail of each task. The nature of the work was novel: Walter Hewlett was developing a comprehensive system of encoding classical music of suitable quality for use by professional groups. This system, known as MuseData, was constantly evolving. Fran trusted very little to memory and in consequence wrote copious notes. While CCARH retains a lot of top-down documentation, Fran's detailed notes capture elements of oral discussion that cannot be found in more formal sources. We are sharing the most fundamental of these with readers here. Those concerned with data from ~~early~~ phases of ~~MuseData~~ (e.g. ~~Stage~~ 1 and ~~Stage~~ 2) may find these of particular value.		Fran had an instictive desire to understand every detail of each task. The nature of the work was novel: Walter Hewlett was developing a comprehensive system of encoding classical music of suitable quality for use by professional groups. This system, known as MuseData, was constantly evolving. Fran trusted very little to memory and in consequence wrote copious notes. While CCARH retains a lot of top-down documentation, Fran's detailed notes capture elements of oral discussion that cannot be found in more formal sources. We are sharing the most fundamental of these with readers here. Those concerned with data from preliminary phases of encoding (e.g. Stages 1 and 2) from the archive may find these of particular value.

			* MuseData encoding notes

			* MuseData file structure

Esfield at 18:34, 4 April 2023

2023-04-04T18:34:17Z

← Older revision		Revision as of 18:34, 4 April 2023
Line 1:		Line 1:
	Frances Lusk Bennion worked as a musical data specialist at CCARH (the Center for Computer Assisted Research in the Humanities) from 1985 until her retirement at the end of 2010. She was especially conversant with string and orchestral music. She played cello and piano, but the larger part of her musical background may have consisted of many years of accompanying her four gifted children to music lessons up and down the San Francisco peninsula.		Frances Lusk Bennion worked as a musical data specialist at CCARH (the Center for Computer Assisted Research in the Humanities) from 1985 until her retirement at the end of 2010. She was especially conversant with string and orchestral music. She played cello and piano, but the larger part of her musical background may have consisted of many years of accompanying her four gifted children to music lessons up and down the San Francisco peninsula.

	Fran had an instictive ~~tendency~~ to understand every detail of each task. The nature of the work was novel: Walter Hewlett was developing a comprehensive system of encoding classical music of suitable quality for use by professional groups. ~~Walter always understood the details to pertain to particular operations of data structures.~~ ~~Fran~~ was ~~eager to keept details in order~~. ~~She~~ trusted very little to memory and in consequence wrote copious notes. While CCARH retains a lot of top-down documentation, Fran's ~~copious~~ notes capture elements of oral discussion that cannot be found in more formal sources. We are sharing the most fundamental of these with readers here. Those concerned with early phases (ee.g. Stage 1 and Stage 2) ~~of MuseData~~ may find these of particular value.		Fran had an instictive desire to understand every detail of each task. The nature of the work was novel: Walter Hewlett was developing a comprehensive system of encoding classical music of suitable quality for use by professional groups. This system, known as MuseData, was constantly evolving. Fran trusted very little to memory and in consequence wrote copious notes. While CCARH retains a lot of top-down documentation, Fran's detailed notes capture elements of oral discussion that cannot be found in more formal sources. We are sharing the most fundamental of these with readers here. Those concerned with data from early phases of MuseData (e.g. Stage 1 and Stage 2) may find these of particular value.

Esfield at 19:59, 24 March 2023

2023-03-24T19:59:53Z

← Older revision		Revision as of 19:59, 24 March 2023
Line 1:		Line 1:
	Frances Lusk Bennion worked as a musical data specialist at CCARH (the Center for Computer Assisted Research in the Humanities) from 1985 until her retirement at the end of 2010. She was especially conversant with string and orchestral music. She played cello and piano, but the larger part of her musical background may have consisted of many years of accompanying her four gifted children to music lessons up and down the San Francisco peninsula.		Frances Lusk Bennion worked as a musical data specialist at CCARH (the Center for Computer Assisted Research in the Humanities) from 1985 until her retirement at the end of 2010. She was especially conversant with string and orchestral music. She played cello and piano, but the larger part of her musical background may have consisted of many years of accompanying her four gifted children to music lessons up and down the San Francisco peninsula.

	Fran had an instictive tendency to understand every detail of each task. The nature of the work was novel: Walter Hewlett was developing a comprehensive system of encoding classical music of suitable quality for use by professional groups. Walter always understood the details to pertain to particular operations of data structures. Fran was eager to keept details in order. She trusted very little to memory and in consequence wrote copious notes. While CCARH retains a lot of top-down documentation, Fran's copious notes capture elements of oral discussion that cannot be found in more formal sources.		Fran had an instictive tendency to understand every detail of each task. The nature of the work was novel: Walter Hewlett was developing a comprehensive system of encoding classical music of suitable quality for use by professional groups. Walter always understood the details to pertain to particular operations of data structures. Fran was eager to keept details in order. She trusted very little to memory and in consequence wrote copious notes. While CCARH retains a lot of top-down documentation, Fran's copious notes capture elements of oral discussion that cannot be found in more formal sources. We are sharing the most fundamental of these with readers here. Those concerned with early phases (ee.g. Stage 1 and Stage 2) of MuseData may find these of particular value.

Esfield at 19:58, 24 March 2023

2023-03-24T19:58:07Z

← Older revision		Revision as of 19:58, 24 March 2023
Line 1:		Line 1:
	Frances Lusk Bennion worked as a musical data specialist at CCARH (the Center for Computer Assisted Research in the Humanities) from 1985 until her retirement at the end of 2010. Fran had an instictive tendency to understand every detail of each task. ~~In addition she~~ trusted very little to memory and wrote copious notes. ~~Although~~ CCARH retains a lot of top-down documentation, Fran's copious notes capture elements of oral discussion that cannot be found in more formal sources.		Frances Lusk Bennion worked as a musical data specialist at CCARH (the Center for Computer Assisted Research in the Humanities) from 1985 until her retirement at the end of 2010. She was especially conversant with string and orchestral music. She played cello and piano, but the larger part of her musical background may have consisted of many years of accompanying her four gifted children to music lessons up and down the San Francisco peninsula.

			Fran had an instictive tendency to understand every detail of each task. The nature of the work was novel: Walter Hewlett was developing a comprehensive system of encoding classical music of suitable quality for use by professional groups. Walter always understood the details to pertain to particular operations of data structures. Fran was eager to keept details in order. She trusted very little to memory and in consequence wrote copious notes. While CCARH retains a lot of top-down documentation, Fran's copious notes capture elements of oral discussion that cannot be found in more formal sources.

Esfield: Created page with "Frances Lusk Bennion worked as a musical data specialist at CCARH (the Center for Computer Assisted Research in the Humanities) from 1985 until her retirement at the end of 20..."

2023-03-24T19:51:15Z

Created page with "Frances Lusk Bennion worked as a musical data specialist at CCARH (the Center for Computer Assisted Research in the Humanities) from 1985 until her retirement at the end of 20..."

New page

Frances Lusk Bennion worked as a musical data specialist at CCARH (the Center for Computer Assisted Research in the Humanities) from 1985 until her retirement at the end of 2010. Fran had an instictive tendency to understand every detail of each task. In addition she trusted very little to memory and wrote copious notes. Although CCARH retains a lot of top-down documentation, Fran's copious notes capture elements of oral discussion that cannot be found in more formal sources.