Fastcode - Revision history

Esfield: /* Fastcode */

2023-07-08T04:31:08Z

Fastcode

← Older revision		Revision as of 04:31, 8 July 2023
Line 1:		Line 1:
	==Fastcode==		==Fastcode==

	<b>Fastcode</b>, developed at Princeton University by Tom Hall in the mid-1970s, was the first encoding system designed for mensural notation. It was specifically intended for use in a project led by [https://www.princeton.edu/pr/pwb/07/0402/2a.shtml Harry Powers] to encode music by [https://en.wikipedia.org/wiki/Orlande_de_Lassus Orlando de Lassus] and [https://en.wikipedia.org/wiki/Tielman_Susato Tielman Susato]. Its focus was therefore on sixteenth-century printed music. The fact that the input system was intended for keypunch ~~dates~~ is consistent with its development in the Seventies.		<b>Fastcode</b>, developed at Princeton University by Tom Hall in the mid-1970s, was the first encoding system designed for mensural notation. It was specifically intended for use in a project led by [https://www.princeton.edu/pr/pwb/07/0402/2a.shtml Harry Powers] to encode music by [https://en.wikipedia.org/wiki/Orlande_de_Lassus Orlando de Lassus] and [https://en.wikipedia.org/wiki/Tielman_Susato Tielman Susato]. Its focus was therefore on sixteenth-century printed music. The fact that the input system was intended for keypunch data is consistent with its development in the Seventies.

	[[File:Fastcode2.PNG\|800px\|thumb\|center\|<small>Fastcode output, Princeton University, of Josquin's "Planxit autem David". Music encoded from partbooks by Steven C. Rasmussen.</small>]]		[[File:Fastcode2.PNG\|800px\|thumb\|center\|<small>Fastcode output, Princeton University, of Josquin's "Planxit autem David". Music encoded from partbooks by Steven C. Rasmussen.</small>]]

Esfield: /* Fastcode */

2022-10-27T22:45:41Z

Fastcode

← Older revision		Revision as of 22:45, 27 October 2022
Line 3:		Line 3:
	<b>Fastcode</b>, developed at Princeton University by Tom Hall in the mid-1970s, was the first encoding system designed for mensural notation. It was specifically intended for use in a project led by [https://www.princeton.edu/pr/pwb/07/0402/2a.shtml Harry Powers] to encode music by [https://en.wikipedia.org/wiki/Orlande_de_Lassus Orlando de Lassus] and [https://en.wikipedia.org/wiki/Tielman_Susato Tielman Susato]. Its focus was therefore on sixteenth-century printed music. The fact that the input system was intended for keypunch dates is consistent with its development in the Seventies.		<b>Fastcode</b>, developed at Princeton University by Tom Hall in the mid-1970s, was the first encoding system designed for mensural notation. It was specifically intended for use in a project led by [https://www.princeton.edu/pr/pwb/07/0402/2a.shtml Harry Powers] to encode music by [https://en.wikipedia.org/wiki/Orlande_de_Lassus Orlando de Lassus] and [https://en.wikipedia.org/wiki/Tielman_Susato Tielman Susato]. Its focus was therefore on sixteenth-century printed music. The fact that the input system was intended for keypunch dates is consistent with its development in the Seventies.

	[[File:Fastcode2.PNG\|8		[[File:Fastcode2.PNG\|800px\|thumb\|center\|<small>Fastcode output, Princeton University, of Josquin's "Planxit autem David". Music encoded from partbooks by Steven C. Rasmussen.</small>]]
	~~00px~~\|thumb\|center\|<small>Fastcode output, Princeton University, of Josquin's "Planxit autem David". Music encoded from partbooks by Steven C. Rasmussen.</small>]]

	The most important part of the system is concerned with the reckoning of time values in mensural notation with those in modern notation. The music was preserved in part books. Susato developed the earliest moveable-type system in Antwerp. He was also a calligrapher, trumpeter, and flautist. He composed numerous dance pieces and masses. He was also the first publisher of the music of Lassus. Susato's system of music typography was soon adopted by [https://en.wikipedia.org/wiki/Pierre_Phal%C3%A8se_the_Elder Pierre Phalése] in Leuven. Phalése published works by [https://en.wikipedia.org/wiki/Adrian_Willaert Adriano Willaert] and a large number of chansons in the middle decades of the sixteenth century.		The most important part of the system is concerned with the reckoning of time values in mensural notation with those in modern notation. The music was preserved in part books. Susato developed the earliest moveable-type system in Antwerp. He was also a calligrapher, trumpeter, and flautist. He composed numerous dance pieces and masses. He was also the first publisher of the music of Lassus. Susato's system of music typography was soon adopted by [https://en.wikipedia.org/wiki/Pierre_Phal%C3%A8se_the_Elder Pierre Phalése] in Leuven. Phalése published works by [https://en.wikipedia.org/wiki/Adrian_Willaert Adriano Willaert] and a large number of chansons in the middle decades of the sixteenth century.

Esfield: /* Fastcode */

2022-10-27T22:45:21Z

Fastcode

← Older revision		Revision as of 22:45, 27 October 2022
Line 3:		Line 3:
	<b>Fastcode</b>, developed at Princeton University by Tom Hall in the mid-1970s, was the first encoding system designed for mensural notation. It was specifically intended for use in a project led by [https://www.princeton.edu/pr/pwb/07/0402/2a.shtml Harry Powers] to encode music by [https://en.wikipedia.org/wiki/Orlande_de_Lassus Orlando de Lassus] and [https://en.wikipedia.org/wiki/Tielman_Susato Tielman Susato]. Its focus was therefore on sixteenth-century printed music. The fact that the input system was intended for keypunch dates is consistent with its development in the Seventies.		<b>Fastcode</b>, developed at Princeton University by Tom Hall in the mid-1970s, was the first encoding system designed for mensural notation. It was specifically intended for use in a project led by [https://www.princeton.edu/pr/pwb/07/0402/2a.shtml Harry Powers] to encode music by [https://en.wikipedia.org/wiki/Orlande_de_Lassus Orlando de Lassus] and [https://en.wikipedia.org/wiki/Tielman_Susato Tielman Susato]. Its focus was therefore on sixteenth-century printed music. The fact that the input system was intended for keypunch dates is consistent with its development in the Seventies.

	[[File:Fastcode2.PNG\|~~600px~~\|thumb\|center\|<small>Fastcode output, Princeton University, of Josquin's "Planxit autem David". Music encoded from partbooks by Steven C. Rasmussen.</small>]]		[[File:Fastcode2.PNG\|8
			00px\|thumb\|center\|<small>Fastcode output, Princeton University, of Josquin's "Planxit autem David". Music encoded from partbooks by Steven C. Rasmussen.</small>]]

	The most important part of the system is concerned with the reckoning of time values in mensural notation with those in modern notation. The music was preserved in part books. Susato developed the earliest moveable-type system in Antwerp. He was also a calligrapher, trumpeter, and flautist. He composed numerous dance pieces and masses. He was also the first publisher of the music of Lassus. Susato's system of music typography was soon adopted by [https://en.wikipedia.org/wiki/Pierre_Phal%C3%A8se_the_Elder Pierre Phalése] in Leuven. Phalése published works by [https://en.wikipedia.org/wiki/Adrian_Willaert Adriano Willaert] and a large number of chansons in the middle decades of the sixteenth century.		The most important part of the system is concerned with the reckoning of time values in mensural notation with those in modern notation. The music was preserved in part books. Susato developed the earliest moveable-type system in Antwerp. He was also a calligrapher, trumpeter, and flautist. He composed numerous dance pieces and masses. He was also the first publisher of the music of Lassus. Susato's system of music typography was soon adopted by [https://en.wikipedia.org/wiki/Pierre_Phal%C3%A8se_the_Elder Pierre Phalése] in Leuven. Phalése published works by [https://en.wikipedia.org/wiki/Adrian_Willaert Adriano Willaert] and a large number of chansons in the middle decades of the sixteenth century.

Esfield: /* Fastcode */

2022-10-27T22:45:01Z

Fastcode

← Older revision		Revision as of 22:45, 27 October 2022
Line 3:		Line 3:
	<b>Fastcode</b>, developed at Princeton University by Tom Hall in the mid-1970s, was the first encoding system designed for mensural notation. It was specifically intended for use in a project led by [https://www.princeton.edu/pr/pwb/07/0402/2a.shtml Harry Powers] to encode music by [https://en.wikipedia.org/wiki/Orlande_de_Lassus Orlando de Lassus] and [https://en.wikipedia.org/wiki/Tielman_Susato Tielman Susato]. Its focus was therefore on sixteenth-century printed music. The fact that the input system was intended for keypunch dates is consistent with its development in the Seventies.		<b>Fastcode</b>, developed at Princeton University by Tom Hall in the mid-1970s, was the first encoding system designed for mensural notation. It was specifically intended for use in a project led by [https://www.princeton.edu/pr/pwb/07/0402/2a.shtml Harry Powers] to encode music by [https://en.wikipedia.org/wiki/Orlande_de_Lassus Orlando de Lassus] and [https://en.wikipedia.org/wiki/Tielman_Susato Tielman Susato]. Its focus was therefore on sixteenth-century printed music. The fact that the input system was intended for keypunch dates is consistent with its development in the Seventies.

	[[File:Fastcode2.PNG\|600px\|thumb\|center\|<small>Fastcode output, Princeton University, of Josquin's "Planxit autem David". Music encoded by Steven C. Rasmussen.</small>]]		[[File:Fastcode2.PNG\|600px\|thumb\|center\|<small>Fastcode output, Princeton University, of Josquin's "Planxit autem David". Music encoded from partbooks by Steven C. Rasmussen.</small>]]

	The most important part of the system is concerned with the reckoning of time values in mensural notation with those in modern notation. The music was preserved in part books. Susato developed the earliest moveable-type system in Antwerp. He was also a calligrapher, trumpeter, and flautist. He composed numerous dance pieces and masses. He was also the first publisher of the music of Lassus. Susato's system of music typography was soon adopted by [https://en.wikipedia.org/wiki/Pierre_Phal%C3%A8se_the_Elder Pierre Phalése] in Leuven. Phalése published works by [https://en.wikipedia.org/wiki/Adrian_Willaert Adriano Willaert] and a large number of chansons in the middle decades of the sixteenth century.		The most important part of the system is concerned with the reckoning of time values in mensural notation with those in modern notation. The music was preserved in part books. Susato developed the earliest moveable-type system in Antwerp. He was also a calligrapher, trumpeter, and flautist. He composed numerous dance pieces and masses. He was also the first publisher of the music of Lassus. Susato's system of music typography was soon adopted by [https://en.wikipedia.org/wiki/Pierre_Phal%C3%A8se_the_Elder Pierre Phalése] in Leuven. Phalése published works by [https://en.wikipedia.org/wiki/Adrian_Willaert Adriano Willaert] and a large number of chansons in the middle decades of the sixteenth century.

Esfield: /* Fastcode */

2022-10-27T22:44:26Z

Fastcode

← Older revision		Revision as of 22:44, 27 October 2022
Line 3:		Line 3:
	<b>Fastcode</b>, developed at Princeton University by Tom Hall in the mid-1970s, was the first encoding system designed for mensural notation. It was specifically intended for use in a project led by [https://www.princeton.edu/pr/pwb/07/0402/2a.shtml Harry Powers] to encode music by [https://en.wikipedia.org/wiki/Orlande_de_Lassus Orlando de Lassus] and [https://en.wikipedia.org/wiki/Tielman_Susato Tielman Susato]. Its focus was therefore on sixteenth-century printed music. The fact that the input system was intended for keypunch dates is consistent with its development in the Seventies.		<b>Fastcode</b>, developed at Princeton University by Tom Hall in the mid-1970s, was the first encoding system designed for mensural notation. It was specifically intended for use in a project led by [https://www.princeton.edu/pr/pwb/07/0402/2a.shtml Harry Powers] to encode music by [https://en.wikipedia.org/wiki/Orlande_de_Lassus Orlando de Lassus] and [https://en.wikipedia.org/wiki/Tielman_Susato Tielman Susato]. Its focus was therefore on sixteenth-century printed music. The fact that the input system was intended for keypunch dates is consistent with its development in the Seventies.

	[[File:Fastcode2.PNG\|~~400px~~\|thumb\|center\|<small>Fastcode output, Princeton University, of Josquin's "Planxit autem David". Music encoded by Steven C. Rasmussen.</small>]]		[[File:Fastcode2.PNG\|600px\|thumb\|center\|<small>Fastcode output, Princeton University, of Josquin's "Planxit autem David". Music encoded by Steven C. Rasmussen.</small>]]

	The most important part of the system is concerned with the reckoning of time values in mensural notation with those in modern notation. The music was preserved in part books. Susato developed the earliest moveable-type system in Antwerp. He was also a calligrapher, trumpeter, and flautist. He composed numerous dance pieces and masses. He was also the first publisher of the music of Lassus. Susato's system of music typography was soon adopted by [https://en.wikipedia.org/wiki/Pierre_Phal%C3%A8se_the_Elder Pierre Phalése] in Leuven. Phalése published works by [https://en.wikipedia.org/wiki/Adrian_Willaert Adriano Willaert] and a large number of chansons in the middle decades of the sixteenth century.		The most important part of the system is concerned with the reckoning of time values in mensural notation with those in modern notation. The music was preserved in part books. Susato developed the earliest moveable-type system in Antwerp. He was also a calligrapher, trumpeter, and flautist. He composed numerous dance pieces and masses. He was also the first publisher of the music of Lassus. Susato's system of music typography was soon adopted by [https://en.wikipedia.org/wiki/Pierre_Phal%C3%A8se_the_Elder Pierre Phalése] in Leuven. Phalése published works by [https://en.wikipedia.org/wiki/Adrian_Willaert Adriano Willaert] and a large number of chansons in the middle decades of the sixteenth century.

Esfield: /* Fastcode */

2022-10-27T22:42:51Z

Fastcode

← Older revision		Revision as of 22:42, 27 October 2022
Line 1:		Line 1:
	==Fastcode==		==Fastcode==

	<b>Fastcode</b>, developed at Princeton University by Tom Hall in the mid-1970s, was the first encoding system designed for mensural notation. It was specifically intended for use in a project led by [https://www.princeton.edu/pr/pwb/07/0402/2a.shtml Harry Powers] to encode music by [https://en.wikipedia.org/wiki/Orlande_de_Lassus Orlando de Lassus] and [https://en.wikipedia.org/wiki/Tielman_Susato Tielman Susato]. Its focus was therefore on sixteenth-century printed music. The fact that the input system was intended for keypunch dates is consistent with its development in the Seventies.		<b>Fastcode</b>, developed at Princeton University by Tom Hall in the mid-1970s, was the first encoding system designed for mensural notation. It was specifically intended for use in a project led by [https://www.princeton.edu/pr/pwb/07/0402/2a.shtml Harry Powers] to encode music by [https://en.wikipedia.org/wiki/Orlande_de_Lassus Orlando de Lassus] and [https://en.wikipedia.org/wiki/Tielman_Susato Tielman Susato]. Its focus was therefore on sixteenth-century printed music. The fact that the input system was intended for keypunch dates is consistent with its development in the Seventies.

			[[File:Fastcode2.PNG\|400px\|thumb\|center\|<small>Fastcode output, Princeton University, of Josquin's "Planxit autem David". Music encoded by Steven C. Rasmussen.</small>]]

	The most important part of the system is concerned with the reckoning of time values in mensural notation with those in modern notation. The music was preserved in part books. Susato developed the earliest moveable-type system in Antwerp. He was also a calligrapher, trumpeter, and flautist. He composed numerous dance pieces and masses. He was also the first publisher of the music of Lassus. Susato's system of music typography was soon adopted by [https://en.wikipedia.org/wiki/Pierre_Phal%C3%A8se_the_Elder Pierre Phalése] in Leuven. Phalése published works by [https://en.wikipedia.org/wiki/Adrian_Willaert Adriano Willaert] and a large number of chansons in the middle decades of the sixteenth century.		The most important part of the system is concerned with the reckoning of time values in mensural notation with those in modern notation. The music was preserved in part books. Susato developed the earliest moveable-type system in Antwerp. He was also a calligrapher, trumpeter, and flautist. He composed numerous dance pieces and masses. He was also the first publisher of the music of Lassus. Susato's system of music typography was soon adopted by [https://en.wikipedia.org/wiki/Pierre_Phal%C3%A8se_the_Elder Pierre Phalése] in Leuven. Phalése published works by [https://en.wikipedia.org/wiki/Adrian_Willaert Adriano Willaert] and a large number of chansons in the middle decades of the sixteenth century.

Craig: /* Fastcode */

2017-07-05T22:56:43Z

Fastcode

← Older revision		Revision as of 22:56, 5 July 2017
Line 6:		Line 6:

	One of Fastcode's design strengths was its suitability to translation to other codes. Among these was DARMS, which Hall adapted and extended to the needs of A-R Editions. Hall's nearest peer in attempting the typesetting of mensural notation was Norbert Böker-Heil.		One of Fastcode's design strengths was its suitability to translation to other codes. Among these was DARMS, which Hall adapted and extended to the needs of A-R Editions. Hall's nearest peer in attempting the typesetting of mensural notation was Norbert Böker-Heil.

	* [~~http~~:~~//ichriss.ccarh.org/protected/ccarh-scan-archive/~~22_Fastcode~~/22-Fastcode~~.pdf Fastcode manual] ~~(typescript~~, ~~<i>c</i>. 1975)~~		* [[:Media:22_Fastcode.pdf\|Fastcode manual]], 1981

	<small>Return to [http://wiki.ccarh.org/wiki/ADAM ADAM]</small>		<small>Return to [http://wiki.ccarh.org/wiki/ADAM ADAM]</small>

Esfield: /* Fastcode */

2015-10-10T00:48:44Z

Fastcode

← Older revision		Revision as of 00:48, 10 October 2015
Line 1:		Line 1:
	==Fastcode==		==Fastcode==

	<b>Fastcode</b> ~~was~~ developed at Princeton University by Tom Hall in the ~~early~~ 1970s~~. It~~ was the first encoding system designed for mensural notation. It was specifically intended for ~~the encoding~~ a project led by Harry Powers to encode music by [https://en.wikipedia.org/wiki/Orlande_de_Lassus Orlando de Lassus] and [https://en.wikipedia.org/wiki/Tielman_Susato Tielman Susato]. Its focus was therefore on sixteenth-century printed music. The fact that the input system was intended for keypunch dates is consistent with its development in the Seventies.		<b>Fastcode</b>, developed at Princeton University by Tom Hall in the mid-1970s, was the first encoding system designed for mensural notation. It was specifically intended for use in a project led by [https://www.princeton.edu/pr/pwb/07/0402/2a.shtml Harry Powers] to encode music by [https://en.wikipedia.org/wiki/Orlande_de_Lassus Orlando de Lassus] and [https://en.wikipedia.org/wiki/Tielman_Susato Tielman Susato]. Its focus was therefore on sixteenth-century printed music. The fact that the input system was intended for keypunch dates is consistent with its development in the Seventies.

	The most important part of the system is concerned with the reckoning of time values in mensural notation with those in modern notation. The music was preserved in part books. Susato developed the earliest moveable-type system in Antwerp. He was also a calligrapher, trumpeter, and flautist. He composed numerous dance pieces and masses. He was also the first publisher of the music of Lassus. Susato's system of music typography was soon adopted by [https://en.wikipedia.org/wiki/Pierre_Phal%C3%A8se_the_Elder Pierre Phalése] in Leuven. Phalése published works by [https://en.wikipedia.org/wiki/Adrian_Willaert Adriano Willaert] and a large number of chansons in the middle decades of the sixteenth century.		The most important part of the system is concerned with the reckoning of time values in mensural notation with those in modern notation. The music was preserved in part books. Susato developed the earliest moveable-type system in Antwerp. He was also a calligrapher, trumpeter, and flautist. He composed numerous dance pieces and masses. He was also the first publisher of the music of Lassus. Susato's system of music typography was soon adopted by [https://en.wikipedia.org/wiki/Pierre_Phal%C3%A8se_the_Elder Pierre Phalése] in Leuven. Phalése published works by [https://en.wikipedia.org/wiki/Adrian_Willaert Adriano Willaert] and a large number of chansons in the middle decades of the sixteenth century.

	One of Fastcode's design strengths was its suitability to translation to other codes. Among these was DARMS, which Hall adapted and extended to the needs of A-R Editions.		One of Fastcode's design strengths was its suitability to translation to other codes. Among these was DARMS, which Hall adapted and extended to the needs of A-R Editions. Hall's nearest peer in attempting the typesetting of mensural notation was Norbert Böker-Heil.

	* [http://ichriss.ccarh.org/protected/ccarh-scan-archive/22_Fastcode/22-Fastcode.pdf Fastcode manual] (typescript, c. 1975)		* [http://ichriss.ccarh.org/protected/ccarh-scan-archive/22_Fastcode/22-Fastcode.pdf Fastcode manual] (typescript, <i>c</i>. 1975)

	<small>Return to [http://wiki.ccarh.org/wiki/ADAM ADAM]</small>		<small>Return to [http://wiki.ccarh.org/wiki/ADAM ADAM]</small>

Esfield: /* Fastcode */

2015-09-09T19:59:18Z

Fastcode

← Older revision		Revision as of 19:59, 9 September 2015
Line 8:		Line 8:

	* [http://ichriss.ccarh.org/protected/ccarh-scan-archive/22_Fastcode/22-Fastcode.pdf Fastcode manual] (typescript, c. 1975)		* [http://ichriss.ccarh.org/protected/ccarh-scan-archive/22_Fastcode/22-Fastcode.pdf Fastcode manual] (typescript, c. 1975)

			<small>Return to [http://wiki.ccarh.org/wiki/ADAM ADAM]</small>

Esfield: /* Fastcode */

2015-09-02T00:58:34Z

Fastcode

← Older revision		Revision as of 00:58, 2 September 2015
Line 6:		Line 6:

	One of Fastcode's design strengths was its suitability to translation to other codes. Among these was DARMS, which Hall adapted and extended to the needs of A-R Editions.		One of Fastcode's design strengths was its suitability to translation to other codes. Among these was DARMS, which Hall adapted and extended to the needs of A-R Editions.

			* [http://ichriss.ccarh.org/protected/ccarh-scan-archive/22_Fastcode/22-Fastcode.pdf Fastcode manual] (typescript, c. 1975)