https://wiki.ccarh.org/index.php?action=history&feed=atom&title=Eleanor_Selfridge-Field%3A_Symposia%2C_Conference_Sessions 2026-04-21T10:58:56Z Revision history for this page on the wiki MediaWiki 1.43.0 https://wiki.ccarh.org/index.php?title=Eleanor_Selfridge-Field:_Symposia,_Conference_Sessions&diff=12802&oldid=prev 2024-03-26T03:59:49Z

<p><span class="autocomment">Musical creativity</span></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 03:59, 26 March 2024</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l3">Line 3:</td> <td colspan="2" class="diff-lineno">Line 3:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Musical creativity==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Musical creativity==</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The musical segment of the series consisted of two days of lectures and other events, culminating in a concert for piano and violin featuring ten works chosen from both analog and virtual realms. They were performed live by Mary Jane Cope, piano, and Karen Bentley, violin. Audience members were provided with a sheet on which to record their judgments as to whether each individual work was composed by a human composer or constructued algorithmicly by David Cope's Emmy (Experiment in Musical Intelligence) software. This musical program is here. The authorship of each piece was revealed at the conclusion of the performance.  </ins></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>&lt;b&gt;Musical Composition&lt;/b&gt; [https://media.dlib.indiana.edu/media_objects/xw42nc46k Part One]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>&lt;b&gt;Musical Composition&lt;/b&gt; [https://media.dlib.indiana.edu/media_objects/xw42nc46k Part One]</div></td></tr> </table>

Esfield https://wiki.ccarh.org/index.php?title=Eleanor_Selfridge-Field:_Symposia,_Conference_Sessions&diff=12801&oldid=prev 2024-03-26T03:51:55Z

<p><span class="autocomment">Human vs Computer Creativity: Music</span></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 03:51, 26 March 2024</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=Human vs Computer Creativity: Music=</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=Human vs Computer Creativity: Music=</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>&lt;br&gt;The seven videos linked here come from the multipart symposium on Human vs Computer Creativity, moderated by [https://en.wikipedia.org/wiki/Douglas_Hofstadter Douglas R. Hofstadter] in the autumn of 1997. The series was sponsored by the [https://ccarh.org Center for Computer Assisted Research in the Humanities], primarily under the guidance of Eleanor Selfridge-Field. Video-taping was provided by Stanford Television for closed-circuit transmission. Links given here <del style="font-weight: bold; text-decoration: none;">contained filmed material transferred from its VHS recordings and </del>are made available by [https://scholarworks.iu.edu/dspace/handle/2022/21701 ScholarWorks] at Indiana University.  <del style="font-weight: bold; text-decoration: none;">Most segments are </del>roughly 90 minutes long.   </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>&lt;br&gt;The seven videos linked here come from the multipart symposium on Human vs Computer Creativity, moderated by [https://en.wikipedia.org/wiki/Douglas_Hofstadter Douglas R. Hofstadter] in the autumn of 1997. The series was sponsored by the [https://ccarh.org Center for Computer Assisted Research in the Humanities], primarily under the guidance of Eleanor Selfridge-Field. Video-taping was provided by Stanford Television for closed-circuit transmission. Links given here are made available by [https://scholarworks.iu.edu/dspace/handle/2022/21701 ScholarWorks] at Indiana University.  <ins style="font-weight: bold; text-decoration: none;">Each segment is </ins>roughly 90 minutes long.   </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Musical creativity==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Musical creativity==</div></td></tr> </table>

Esfield https://wiki.ccarh.org/index.php?title=Eleanor_Selfridge-Field:_Symposia,_Conference_Sessions&diff=12800&oldid=prev 2024-03-26T03:50:08Z

<p><span class="autocomment">International Musicological Society: Computational Musicology</span></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 03:50, 26 March 2024</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l31">Line 31:</td> <td colspan="2" class="diff-lineno">Line 31:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Among the challenges were mechanisms for interacting cross continents, each of which had its own pattern of seasons, holidays, and academic sessions. Although the challenges were never fully met, we did succeed in forming a loosely knit group with participants from the Americas, Europe, the Middle East, the Far East, and Australia. A high priority was the collection of documentation on existing systems of music representation. This led in time to the publication (1997) of [https://direct.mit.edu/search-results?page=1&amp;q=Beyond%20MIDI &lt;i&gt;Beyond MIDI: The Handbook of Musical Codes&lt;/i&gt;] was published by The MIT Press.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Among the challenges were mechanisms for interacting cross continents, each of which had its own pattern of seasons, holidays, and academic sessions. Although the challenges were never fully met, we did succeed in forming a loosely knit group with participants from the Americas, Europe, the Middle East, the Far East, and Australia. A high priority was the collection of documentation on existing systems of music representation. This led in time to the publication (1997) of [https://direct.mit.edu/search-results?page=1&amp;q=Beyond%20MIDI &lt;i&gt;Beyond MIDI: The Handbook of Musical Codes&lt;/i&gt;] was published by The MIT Press.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Selfridge-Field, with various collaborators, organized substantial sessions for the IMS congresses of 1992 (Barcelona), 1997 (London), 2002 (Leuven), 2007 (Zurich), and 2012 (Rome). Although the name of the study group changed from time to time, the core participants flowly easily from one venue and year to another.  These gatherings are itemized separately below.  At the end of the Rome congress, [https://www.uu.nl/staff/FWiering Frans Wiering] took over the coordination of the group.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Selfridge-Field, with various collaborators, organized substantial sessions for the IMS congresses of 1992 (Barcelona), 1997 (London), 2002 (Leuven), 2007 (Zurich), and 2012 (Rome). Although the name of the study group changed from time to time, the core participants flowly easily from one venue and year to another.  These gatherings are itemized separately below.  At the end of the Rome congress, [https://www.uu.nl/staff/FWiering Frans Wiering] took over the coordination of the group<ins style="font-weight: bold; text-decoration: none;">.  For current information see [https://www.musicology.org/networks/sg/digital-musicology this link]</ins>.</div></td></tr> </table>

Esfield https://wiki.ccarh.org/index.php?title=Eleanor_Selfridge-Field:_Symposia,_Conference_Sessions&diff=12799&oldid=prev 2024-03-26T03:47:02Z

<p><span class="autocomment">International Musicological Society: Computational Musicology</span></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 03:47, 26 March 2024</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l29">Line 29:</td> <td colspan="2" class="diff-lineno">Line 29:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 1987 the president of the International Musicological Society asked Walter B. Hewlett and Eleanor Selfridge-Field, who had offered a session on emerging computer tools for musical study at their five-year congress in Bologna, to form a study group to explore broader use and international cooperation.  This was no small order, because these were the early years of personal computer use and most projects reporting at the time were running on mainframe computers.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 1987 the president of the International Musicological Society asked Walter B. Hewlett and Eleanor Selfridge-Field, who had offered a session on emerging computer tools for musical study at their five-year congress in Bologna, to form a study group to explore broader use and international cooperation.  This was no small order, because these were the early years of personal computer use and most projects reporting at the time were running on mainframe computers.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Among the challenges were mechanisms for interacting cross continents, each of which had its own pattern of seasons, holidays, and academic sessions. Although the <del style="font-weight: bold; text-decoration: none;">callenges was </del>never fully met, we did succeed in forming a loosely knit group with participants from the Americas, Europe, the Middle East, the Far East, and Australia. A high priority was the collection of documentation on existing systems of music representation. <del style="font-weight: bold; text-decoration: none;">Ten years later </del>(1997) [https://direct.mit.edu/search-results?page=1&amp;q=Beyond%20MIDI &lt;i&gt;Beyond MIDI: The Handbook of Musical Codes&lt;/i&gt;] was published by The MIT Press.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Among the challenges were mechanisms for interacting cross continents, each of which had its own pattern of seasons, holidays, and academic sessions. Although the <ins style="font-weight: bold; text-decoration: none;">challenges were </ins>never fully met, we did succeed in forming a loosely knit group with participants from the Americas, Europe, the Middle East, the Far East, and Australia. A high priority was the collection of documentation on existing systems of music representation. <ins style="font-weight: bold; text-decoration: none;">This led in time to the publication </ins>(1997) <ins style="font-weight: bold; text-decoration: none;">of </ins>[https://direct.mit.edu/search-results?page=1&amp;q=Beyond%20MIDI &lt;i&gt;Beyond MIDI: The Handbook of Musical Codes&lt;/i&gt;] was published by The MIT Press.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Selfridge-Field, with various collaborators, organized substantial sessions for the IMS congresses of 1992 (Barcelona), 1997 (London), 2002 (Leuven), 2007 (Zurich), and 2012 (Rome). Although the name of the study group changed from time to time, the core participants flowly easily from one venue and year to another.  These gatherings are itemized separately below.  At the end of the Rome congress, [https://www.uu.nl/staff/FWiering Frans Wiering] took over the coordination of the group.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Selfridge-Field, with various collaborators, organized substantial sessions for the IMS congresses of 1992 (Barcelona), 1997 (London), 2002 (Leuven), 2007 (Zurich), and 2012 (Rome). Although the name of the study group changed from time to time, the core participants flowly easily from one venue and year to another.  These gatherings are itemized separately below.  At the end of the Rome congress, [https://www.uu.nl/staff/FWiering Frans Wiering] took over the coordination of the group.</div></td></tr> </table>

Esfield https://wiki.ccarh.org/index.php?title=Eleanor_Selfridge-Field:_Symposia,_Conference_Sessions&diff=12798&oldid=prev 2024-03-26T03:45:45Z

<p><span class="autocomment">International Musicological Society: Computational Musicology</span></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 03:45, 26 March 2024</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l29">Line 29:</td> <td colspan="2" class="diff-lineno">Line 29:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 1987 the president of the International Musicological Society asked Walter B. Hewlett and Eleanor Selfridge-Field, who had offered a session on emerging computer tools for musical study at their five-year congress in Bologna, to form a study group to explore broader use and international cooperation.  This was no small order, because these were the early years of personal computer use and most projects reporting at the time were running on mainframe computers.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 1987 the president of the International Musicological Society asked Walter B. Hewlett and Eleanor Selfridge-Field, who had offered a session on emerging computer tools for musical study at their five-year congress in Bologna, to form a study group to explore broader use and international cooperation.  This was no small order, because these were the early years of personal computer use and most projects reporting at the time were running on mainframe computers.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Among the challenges were mechanisms for interacting cross continents, each of which had its own pattern of seasons, holidays, and academic sessions. Although the callenges was never fully met, we did succeed in forming a loosely knit group with participants from the Americas, Europe, the Middle East, the Far East, and Australia. A high priority was the collection of documentation on existing systems of music representation. Ten years later (1997) [https://direct.mit.edu/search-results?page=1&amp;q=Beyond%20MIDI &lt;i&gt;Beyond MIDI: The Handbook of Musical Codes&lt;/i&gt; was published by The MIT Press.<del style="font-weight: bold; text-decoration: none;">]</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Among the challenges were mechanisms for interacting cross continents, each of which had its own pattern of seasons, holidays, and academic sessions. Although the callenges was never fully met, we did succeed in forming a loosely knit group with participants from the Americas, Europe, the Middle East, the Far East, and Australia. A high priority was the collection of documentation on existing systems of music representation. Ten years later (1997) [https://direct.mit.edu/search-results?page=1&amp;q=Beyond%20MIDI &lt;i&gt;Beyond MIDI: The Handbook of Musical Codes&lt;/i&gt;<ins style="font-weight: bold; text-decoration: none;">] </ins>was published by The MIT Press.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Selfridge-Field, with various collaborators, organized substantial sessions for the IMS congresses of 1992 (Barcelona), 1997 (London), 2002 (Leuven), 2007 (Zurich), and 2012 (Rome). Although the name of the study group changed from time to time, the core participants flowly easily from one venue and year to another.  These gatherings are itemized separately below.  At the end of the Rome congress, [https://www.uu.nl/staff/FWiering Frans Wiering] took over the coordination of the group.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Selfridge-Field, with various collaborators, organized substantial sessions for the IMS congresses of 1992 (Barcelona), 1997 (London), 2002 (Leuven), 2007 (Zurich), and 2012 (Rome). Although the name of the study group changed from time to time, the core participants flowly easily from one venue and year to another.  These gatherings are itemized separately below.  At the end of the Rome congress, [https://www.uu.nl/staff/FWiering Frans Wiering] took over the coordination of the group.</div></td></tr> </table>

Esfield https://wiki.ccarh.org/index.php?title=Eleanor_Selfridge-Field:_Symposia,_Conference_Sessions&diff=12797&oldid=prev 2024-03-26T03:45:10Z

<p><span class="autocomment">International Musicological Society: Computational Musicology</span></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 03:45, 26 March 2024</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l29">Line 29:</td> <td colspan="2" class="diff-lineno">Line 29:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 1987 the president of the International Musicological Society asked Walter B. Hewlett and Eleanor Selfridge-Field, who had offered a session on emerging computer tools for musical study at their five-year congress in Bologna, to form a study group to explore broader use and international cooperation.  This was no small order, because these were the early years of personal computer use and most projects reporting at the time were running on mainframe computers.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 1987 the president of the International Musicological Society asked Walter B. Hewlett and Eleanor Selfridge-Field, who had offered a session on emerging computer tools for musical study at their five-year congress in Bologna, to form a study group to explore broader use and international cooperation.  This was no small order, because these were the early years of personal computer use and most projects reporting at the time were running on mainframe computers.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Among the challenges were mechanisms for interacting cross continents, each of which had its own pattern of seasons, holidays, and academic sessions. Although the callenges was never fully met, we did succeed in forming a loosely knit group with participants from the Americas, Europe, the Middle East, the Far East, and Australia. A high priority was the collection of documentation on existing systems of music representation. Ten years later (1997) &lt;i&gt;Beyond MIDI: The Handbook of Musical Codes&lt;/i&gt; was published by The MIT Press.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Among the challenges were mechanisms for interacting cross continents, each of which had its own pattern of seasons, holidays, and academic sessions. Although the callenges was never fully met, we did succeed in forming a loosely knit group with participants from the Americas, Europe, the Middle East, the Far East, and Australia. A high priority was the collection of documentation on existing systems of music representation. Ten years later (1997) <ins style="font-weight: bold; text-decoration: none;">[https://direct.mit.edu/search-results?page=1&amp;q=Beyond%20MIDI </ins>&lt;i&gt;Beyond MIDI: The Handbook of Musical Codes&lt;/i&gt; was published by The MIT Press.<ins style="font-weight: bold; text-decoration: none;">]</ins></div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Selfridge-Field, with various collaborators, organized substantial sessions for the IMS congresses of 1992 (Barcelona), 1997 (London), 2002 (Leuven), 2007 (Zurich), and 2012 (Rome). Although the name of the study group changed from time to time, the core participants flowly easily from one venue and year to another.  These gatherings are itemized separately below.  At the end of the Rome congress, [https://www.uu.nl/staff/FWiering Frans Wiering] took over the coordination of the group.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Selfridge-Field, with various collaborators, organized substantial sessions for the IMS congresses of 1992 (Barcelona), 1997 (London), 2002 (Leuven), 2007 (Zurich), and 2012 (Rome). Although the name of the study group changed from time to time, the core participants flowly easily from one venue and year to another.  These gatherings are itemized separately below.  At the end of the Rome congress, [https://www.uu.nl/staff/FWiering Frans Wiering] took over the coordination of the group.</div></td></tr> </table>

Esfield https://wiki.ccarh.org/index.php?title=Eleanor_Selfridge-Field:_Symposia,_Conference_Sessions&diff=12796&oldid=prev 2024-03-26T03:42:13Z

<p><span class="autocomment">International Musicological Society: Computational Musicology</span></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 03:42, 26 March 2024</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l29">Line 29:</td> <td colspan="2" class="diff-lineno">Line 29:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 1987 the president of the International Musicological Society asked Walter B. Hewlett and Eleanor Selfridge-Field, who had offered a session on emerging computer tools for musical study at their five-year congress in Bologna, to form a study group to explore broader use and international cooperation.  This was no small order, because these were the early years of personal computer use and most projects reporting at the time were running on mainframe computers.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 1987 the president of the International Musicological Society asked Walter B. Hewlett and Eleanor Selfridge-Field, who had offered a session on emerging computer tools for musical study at their five-year congress in Bologna, to form a study group to explore broader use and international cooperation.  This was no small order, because these were the early years of personal computer use and most projects reporting at the time were running on mainframe computers.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Among the challenges were mechanisms for interacting cross continents, each of which had its own pattern of seasons, holidays, and <del style="font-weight: bold; text-decoration: none;">periods of operation</del>. Although the <del style="font-weight: bold; text-decoration: none;">callenged </del>was never fully met, we did succeed in forming a loosely knit group with participants from the Americas, Europe, the Middle East, the Far East, and Australia. A high priority was the collection of documentation on existing systems of music representation. Ten years later (1997) &lt;i&gt;Beyond MIDI: The Handbook of Musical Codes&lt;/i&gt; was published by The MIT Press.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Among the challenges were mechanisms for interacting cross continents, each of which had its own pattern of seasons, holidays, and <ins style="font-weight: bold; text-decoration: none;">academic sessions</ins>. Although the <ins style="font-weight: bold; text-decoration: none;">callenges </ins>was never fully met, we did succeed in forming a loosely knit group with participants from the Americas, Europe, the Middle East, the Far East, and Australia. A high priority was the collection of documentation on existing systems of music representation. Ten years later (1997) &lt;i&gt;Beyond MIDI: The Handbook of Musical Codes&lt;/i&gt; was published by The MIT Press.</div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Selfridge-Field, with various collaborators, organized substantial sessions for the IMS congresses of 1992 (Barcelona), 1997 (London), 2002 (Leuven), 2007 (Zurich), and 2012 (Rome). Although the name of the study group changed from time to time, the core participants flowly easily from one venue and year to another.  These gatherings are itemized separately below.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Selfridge-Field, with various collaborators, organized substantial sessions for the IMS congresses of 1992 (Barcelona), 1997 (London), 2002 (Leuven), 2007 (Zurich), and 2012 (Rome). Although the name of the study group changed from time to time, the core participants flowly easily from one venue and year to another.  These gatherings are itemized separately below<ins style="font-weight: bold; text-decoration: none;">.  At the end of the Rome congress, [https://www.uu.nl/staff/FWiering Frans Wiering] took over the coordination of the group</ins>.</div></td></tr> </table>

Esfield https://wiki.ccarh.org/index.php?title=Eleanor_Selfridge-Field:_Symposia,_Conference_Sessions&diff=12795&oldid=prev 2024-03-26T03:39:09Z

<p><span class="autocomment">International Musicological Society: Computational Musicology</span></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 03:39, 26 March 2024</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l28">Line 28:</td> <td colspan="2" class="diff-lineno">Line 28:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 1987 the president of the International Musicological Society asked Walter B. Hewlett and Eleanor Selfridge-Field, who had offered a session on emerging computer tools for musical study at their five-year congress in Bologna, to form a study group to explore broader use and international cooperation.  This was no small order, because these were the early years of personal computer use and most projects reporting at the time were running on mainframe computers.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 1987 the president of the International Musicological Society asked Walter B. Hewlett and Eleanor Selfridge-Field, who had offered a session on emerging computer tools for musical study at their five-year congress in Bologna, to form a study group to explore broader use and international cooperation.  This was no small order, because these were the early years of personal computer use and most projects reporting at the time were running on mainframe computers.</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Among the challenges were mechanisms for interacting cross continents, each of which had its own pattern of seasons, holidays, and periods of operation. Although the callenged was never fully met, we did succeed in forming a loosely knit group with participants from the Americas, Europe, the Middle East, the Far East, and Australia. A high priority was the collection of documentation on existing systems of music representation. Ten years later (1997) &lt;i&gt;Beyond MIDI: The Handbook of Musical Codes&lt;/i&gt; was published by The MIT Press.</ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Selfridge-Field, with various collaborators, organized substantial sessions for the IMS congresses of 1992 (Barcelona), 1997 (London), 2002 (Leuven), 2007 (Zurich), and 2012 (Rome). Although the name of the study group changed from time to time, the core participants flowly easily from one venue and year to another.  These gatherings are itemized separately below.</ins></div></td></tr> </table>

Esfield https://wiki.ccarh.org/index.php?title=Eleanor_Selfridge-Field:_Symposia,_Conference_Sessions&diff=12794&oldid=prev 2024-03-26T03:20:00Z

<p><span class="autocomment">International Musicological Society: Computational Musicology</span></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 03:20, 26 March 2024</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l26">Line 26:</td> <td colspan="2" class="diff-lineno">Line 26:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==International Musicological Society: Computational Musicology==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==International Musicological Society: Computational Musicology==</div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">In 1987 the president of the International Musicological Society asked Walter B. Hewlett and Eleanor Selfridge-Field, who had offered a session on emerging computer tools for musical study at their five-year congress in Bologna, to form a study group to explore broader use and international cooperation.  This was no small order, because these were the early years of personal computer use and most projects reporting at the time were running on mainframe computers.</ins></div></td></tr> </table>

Esfield https://wiki.ccarh.org/index.php?title=Eleanor_Selfridge-Field:_Symposia,_Conference_Sessions&diff=12793&oldid=prev 2024-03-25T23:52:18Z

<p><span class="autocomment">Human vs Computer Creativity: Music</span></p> <table style="background-color: #fff; color: #202122;" data-mw="interface"> <col class="diff-marker" /> <col class="diff-content" /> <col class="diff-marker" /> <col class="diff-content" /> <tr class="diff-title" lang="en"> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td> <td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 23:52, 25 March 2024</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td> <td colspan="2" class="diff-lineno">Line 1:</td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=Human vs Computer Creativity: Music=</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=Human vs Computer Creativity: Music=</div></td></tr> <tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>&lt;br&gt;The seven videos linked here come from the multipart symposium on Human vs Computer Creativity, moderated by [https://en.wikipedia.org/wiki/Douglas_Hofstadter Douglas R. Hofstadter] in the autumn of 1997. The series was sponsored by the [https://ccarh.org Center for Computer Assisted Research in the Humanities]. Video-taping was provided by Stanford Television for closed-circuit transmission. Links given here <del style="font-weight: bold; text-decoration: none;">were </del>transferred from VHS and are made available by [https://scholarworks.iu.edu/dspace/handle/2022/21701 ScholarWorks] at Indiana University.  Most segments are roughly 90 minutes long.   </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>&lt;br&gt;The seven videos linked here come from the multipart symposium on Human vs Computer Creativity, moderated by [https://en.wikipedia.org/wiki/Douglas_Hofstadter Douglas R. Hofstadter] in the autumn of 1997. The series was sponsored by the [https://ccarh.org Center for Computer Assisted Research in the Humanities]<ins style="font-weight: bold; text-decoration: none;">, primarily under the guidance of Eleanor Selfridge-Field</ins>. Video-taping was provided by Stanford Television for closed-circuit transmission. Links given here <ins style="font-weight: bold; text-decoration: none;">contained filmed material </ins>transferred from <ins style="font-weight: bold; text-decoration: none;">its </ins>VHS <ins style="font-weight: bold; text-decoration: none;">recordings </ins>and are made available by [https://scholarworks.iu.edu/dspace/handle/2022/21701 ScholarWorks] at Indiana University.  Most segments are roughly 90 minutes long.   </div></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br></td></tr> <tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Musical creativity==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Musical creativity==</div></td></tr> </table>

Esfield